mick laBriola

Lemon Henry “Blind Lemon” Jefferson (September 24, 1893 – December 19, 1929) was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues singers of the 1920s and has been called the “Father of the Texas Blues“.

Due mainly to his high-pitched voice and the originality of his guitar playing, Jefferson’s performances were distinctive. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style.

Jefferson was born blind, near Coutchman, Texas. He was the youngest of seven (or possibly eight) children born to Alex and Clarissa Jefferson, who were African-American sharecroppers. Disputes regarding the date of his birth derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas. Jefferson’s birth date was recorded as September 1893 in the 1900 census. The 1910 census, taken in May, before his birthday, confirms his year of birth as 1893 and indicated that the family was farming northwest of Wortham, near his birthplace.

https://www.youtube.com/watch?v=WXsxqBhmlFg

The rumba originated in Cuba and is a popular Latin American dance floor style, which has sexy and suggestive hip and body movements.

In their original Cuban form they had difficult and complicated rhythms, but by the time they reached Europe, a more simple style had developed. In the 1950s it was adopted by the gypsies, becoming the rumba gitana, which retained all the sensuality and charm of the gypsies. Later, in the 1970s Paco de Lucía and Cameron de la Isla transformed this style, which created an opening for hoards of flamenco fusion groups, such as the Gypsy Kings, who based there fusion on the rumba.

The first flamenco artist to record the rumba was La Niña de los Peines, and one of the best performers of the rumbawas the singer / guitarist Manzanita, although today it is the jerezano singer Capullo de Jerez who excels with his extremely exciting styles of rumbas

Leslie Coleman McCann (born September 23, 1935) is an American jazz pianist and vocalist.

Winning a Navy singing contest led to an appearance on The Ed Sullivan Show.  McCann’s main career began in the early 1960s when he recorded as a pianist with his trio for Pacific Jazz. In 1969, Atlantic released Swiss Movement, album recorded with saxophonist Eddie Harris and trumpeter Benny Bailey at that year’s Montreux Jazz Festival. The album contained the song “Compared to What“, and both the album and the single reached the Billboard pop charts. “Compared to What” criticized the Vietnam War. The song was written by Eugene McDaniels years earlier and recorded and released as a ballad by McCann in 1966 on his album Les McCann Plays the Hits. Roberta Flack‘s version appeared as the opening track on her debut album First Take (1969).

Chief Sunday Adeniyi Adegeye MFR (born 22 September 1946), known professionally as King Sunny Adé, is a Nigerian jùjú singer, songwriter and multi-instrumentalist. He is regarded as one of the first African pop musicians to gain international success, and has been called one of the most influential musicians of all time.

Sunny Adé formed his own backing band in 1967, eventually known as his African Beats. After achieving national success in Nigeria during the 1970s and founding his own independent label, Sunny Adé signed to Island Records in 1982 and achieved international success with the albums Juju Music(1982) and Synchro System (1983); the latter garnered him a Grammy nomination, a first for a Nigerian artist. His 1998 album Odu also garnered a Grammy nomination. Sunny Adé currently serves as chairperson of the Musical Copyright Society of Nigeria.

Sunny Adé was born in Osogbo to a Nigerian royal family from Ondo and Akure, thereby making him an Omoba of the Yoruba people. His father was a church organist, while his mother, Maria Adegeye (née Adesida), was a trader. As a member of the Adesida dynasty, his mother’s relatives included her father Oba Adesida I (who ruled Akure for 60 years) and would later include her nephew and Adé’s cousin, Oba Adebiyi Adegboye Adesida Afunbiowo II, a future king of Akure.

Oliver “Tuku” Mtukudzi (22 September 1952 – 23 January 2019) was a Zimbabwean musician, businessman, philanthropist, human rights activistand UNICEF Goodwill Ambassador for Southern Africa Region. Tuku was considered to have been Zimbabwe’s most renowned and internationally recognised cultural icon of all time.

Mtukudzi grew up in Highfield, a poor neighborhood in Salisbury (modern-day Harare) in Southern Rhodesia, as the eldest of six siblings. While both his parents sang in a choir, they were initially not supportive of his continued interest in music, consequently breaking his first homemade guitar.

In 1975, at the age of 23, he released his debut single, “Stop After Orange.” Two years later, he began performing with the Wagon Wheels, a group that featured another highly influential musician, Thomas Mapfumo. Although his tenure with the band was relatively short-lived, he landed his first major hit with 1977’s “Dzandimomotera,” a song that reflected the black population’s struggles under white-minority rule of what was then still the country of Rhodesia. By 1978, he had left the Wagon Wheels, taking several of the band’s musicians with him to form his new backing group the Black Spirits.

Jalaal Zulfonun (Persian: جلال ذوالفنون‎, romanized: Jalâl Zolfonun, pronounced [dʒæˈlɒːl zolfʊˈnuːn]) was an Iranian musician, setaar player, and a prominent composer and teacher of Persian music.

William Overton Smith (September 22, 1926 – February 29, 2020) was an American clarinetist and composer. He worked extensively in modern classical music, Third Stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s. Smith frequently recorded jazz under the name Bill Smith, but his classical compositions are credited under the name William O. Smith.

Smith was born in Sacramento and grew up in Oakland, California, where he began playing clarinet at the age of ten. He put together a jazz group to play for dances at 13, and at the age of 15 he joined the Oakland Symphony. He idolized Benny Goodman, but after high school, a brief cross-country tour with a dance band ended his romance for the life of a traveling jazz musician. He gave two weeks’ notice when the band reached Washington, D.C. Encouraged by an older band member to get the best education he could, Smith headed to New York.

https://www.youtube.com/watch?v=CCb1Om939uo

James Marcellus Arthur “Sunny” Murray (September 21, 1936 – December 7, 2017) was one of the pioneers of the free jazz style of drumming.

Murray was born in Idabel, Oklahoma, where he was raised by an uncle who later died after being refused treatment at a hospital because of his race. He began playing drums at the age of nine. As a teen, he lived in a rough part of Philadelphia, and spent two years in a reformatory. In 1956, he moved to New York City, where he worked in a car wash and as a building superintendent. During this time, he played with musicians such as trumpeters Red Allen and Ted Curson, pianist Willie “The Lion” Smith, and saxophonists Rocky Boyd and Jackie McLean.

In 1959, he played for the first time with pianist Cecil Taylor and, according to Murray, “[f]or six years all the other things were wiped from my mind…” “With Cecil, I had to originate a complete new direction on drums.” Murray stated: “We played for about a year, just practicing, studying — we went to workshops with Varèse, did a lot of creative things, just experimenting, without a job.” In 1961, Murray made a recording with Taylor’s group that was released under the auspices of Gil Evansas one side of Into the Hot.