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In this Hubble Space Telescope image the bright, spiky stars lie in the foreground toward the heroic northern constellation Perseus and well within our own Milky Way galaxy. In sharp focus beyond is UGC 2885, a giant spiral galaxy about 232 million light-years distant. Some 800,000 light-years across compared to the Milky Way’s diameter of 100,000 light-years or so, it has around 1 trillion stars. That’s about 10 times as many stars as the Milky Way. Part of an investigation to understand how galaxies can grow to such enormous sizes, UGC 2885 was also part of An Interesting Voyage and astronomer Vera Rubin’s pioneering study of the rotation of spiral galaxies. Her work was the first to convincingly demonstrate the dominating presence of dark matter in our universe.
Emily Remler (September 18, 1957 – May 4, 1990) was an American jazz guitarist, active from the late 1970s until her death in 1990.
Born in Englewood Cliffs, New Jersey, Remler began guitar at age ten. She listened to pop and rock guitarists like Jimi Hendrix and Johnny Winter. At the Berklee College of Music in the 1970s, she listened to jazz guitarists Charlie Christian, Wes Montgomery, Herb Ellis, Pat Martino, and Joe Pass.
Remler settled in New Orleans, where she played in blues and jazz clubs, working with bands such as Four Play and Little Queenie and the Percolators before beginning her recording career in 1981. She was praised by jazz guitarist Herb Ellis, who referred to her as “the new superstar of guitar” and introduced her at the Concord Jazz Festival in 1978.
In a 1982 interview with People magazine, she said: “I may look like a nice Jewish girl from New Jersey, but inside I’m a 50-year-old, heavy-set black man with a big thumb, like Wes Montgomery.” Remler bore the scars of her longstanding addictions, including dilaudid, and heroin (which is believed to have contributed to her death). She died of heart failure at the age of 32 at the Connells Point home of musician Ed Gaston, while on tour in Australia.
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Steve Marcus (September 18, 1939 in New York’s Bronx – September 25, 2005 in New Hope, Pennsylvania) was an American jazz saxophonist.
His first album as a leader included an arrangement of the Beatles’ song “Tomorrow Never Knows“. He worked with jazz drummer Buddy Rich for the last twelve years of Rich’s life. After Rich died, Marcus led the band and renamed it Buddy’s Buddies.
more...Though he was certainly capable of brilliantly fronting a band, remarkably versatile guitarist/harpist Louis Myers will forever be recognized first and foremost as a top-drawer sideman and founding member of the Aces — the band that backed harmonica wizard Little Walter on his immortal early Checker waxings.
Along with his older brother David — another charter member of the Aces — Louis left Mississippi for Chicago with his family in 1941. Fate saw that the family move next door to blues great Lonnie Johnson, whose complex riffs caught young Louis‘ ear. Another Myers brother, harp-blowing Bob, hooked Louis up with guitarist Othum Brown for house party gigs. Myers also played with guitarist Arthur “Big Boy” Spires before teaming with his brother, David, on guitar and young harpist Junior Wells, to form the first incarnation of the Aces (who were initially known as the Three Deuces). In 1950, drummer Fred Below came on board.
In effect, the Aces and Muddy Waters traded harpists in 1952, Wells leaving to play with Waters while Little Walter, just breaking nationally with his classic “Juke,” moved into the frontman role with the Aces. Myers and the Aces backed Walter on his seminal “Mean Old World,” “Sad Hours,” “Off the Wall,” and “Tell Me Mama” and at New York’s famous Apollo Theater before Louis left in 1954 (he and the Aces moonlighted on Wells‘ indispensable 1953-1954 output for States).
Plenty of sideman work awaited Myers — he played with Otis Rush, Earl Hooker, and many more. But his own recording career was practically non-existent; after a solitary 1956 single for Abco, “Just Whaling”/”Bluesy,” that found Myers blowing harp in Walter-like style, it wasn’t until 1968 that two Myers tracks turned up on Delmark.
The Rosette Nebula (also known as Caldwell 49) is an H II region located near one end of a giant molecular cloud in the Monoceros region of the Milky Way Galaxy. The open cluster NGC 2244 (Caldwell 50) is closely associated with the nebulosity, the stars of the cluster having been formed from the nebula’s matter.
Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as “Brother” Jack McDuff or “Captain” Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell’s group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson’s group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukeson drums.
McDuff recorded many classic albums on Prestige, including his debut solo Brother Jack in 1960; The Honeydripper (1961), with tenor saxophonist Jimmy Forrest and guitarist Grant Green; Brother Jack Meets The Boss (1962), featuring Gene Ammons; Screamin’ (1962), with alto saxophonist Leo Wright and guitarist Kenny Burrell; and Brother Jack McDuff Live! (1963), featuring Holloway and Benson, which includes his biggest hit, “Rock Candy”.
more...Hiram “Hank” Williams (September 17, 1923 – January 1, 1953 Mount Olive, Butler County, Alabama) was an American singer, songwriter, and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century, he recorded 35 singles (five released posthumously) that reached the top 10 of the Billboard Country & Western Best Sellers chart, including 11 that reached No. 1 (three posthumously).
Born and raised in Alabama, Williams was given guitar lessons by African-American blues musician Rufus Payne in exchange for meals or money. Payne, along with Roy Acuff and Ernest Tubb, had a major influence on Williams’s later musical style. Williams began his music career in Montgomeryin 1937, when producers at local radio station WSFA hired him to perform and host a 15-minute program. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. When several of his band members were draftedduring World War II, he had trouble with their replacements, and WSFA terminated his contract because of his alcoholism.
Williams married singer Audrey Sheppard, who was his manager for nearly a decade. After recording “Never Again” and “Honky Tonkin'” with Sterling Records, he signed a contract with MGM Records. In 1947, he released “Move It on Over“, which became a hit, and also joined the Louisiana Hayrideradio program. One year later, he released a cover of “Lovesick Blues“, which carried him into the mainstream. After an initial rejection, Williams joined the Grand Ole Opry. He was unable to read or notate music to any significant degree. Among the hits he wrote were “Your Cheatin’ Heart“, “Hey, Good Lookin’“, and “I’m So Lonesome I Could Cry“.
Years of back pain, alcoholism, and prescription drug abuse severely compromised Williams’s health. In 1952, he divorced Sheppard and married singer Billie Jean Horton. He was dismissed by the Grand Ole Opry because of his unreliability and alcoholism. On New Year’s Day 1953, he suffered from heart failure and died suddenly at the age of 29 in Oak Hill, West Virginia. Despite his relatively brief career, he is one of the most celebrated and influential musicians of the 20th century, especially in country music. Many artists have covered his songs and he has influenced Elvis Presley, Bob Dylan, Johnny Cash, Chuck Berry, Jerry Lee Lewis, George Jones, George Strait, Charley Pride, and The Rolling Stones, among others. Williams was inducted into the Country Music Hall of Fame in 1961, the Songwriters Hall of Fame in 1970, and the Rock and Roll Hall of Fame in 1987. The Pulitzer Prize jury awarded him a posthumous special citation in 2010 for his “craftsmanship as a songwriter who expressed universal feelings with poignant simplicity and played a pivotal role in transforming country music into a major musical and cultural force in American life”.
Williams was scheduled to perform at the Municipal Auditorium in Charleston, West Virginia, on December 31, 1952. Advance ticket sales totaled $3,500. That day, Williams could not fly because of an ice storm in the Nashville area; he hired a college student, Charles Carr, to drive him to the concerts. Carr called the Charleston auditorium from Knoxville to say that Williams would not arrive on time owing to the ice storm and was instead ordered to drive Williams to Canton, Ohio, for a New Year’s Day concert there. The two arrived at the Andrew Johnson Hotel in Knoxville, Tennessee, and Carr requested a doctor for Williams, who was affected by the combination of the chloral hydrate and alcohol he had drunk on the way to Knoxville. Dr. P. H. Cardwell injected Williams with two shots of vitamin B12 that also contained a quarter-grain of morphine. Carr and Williams checked out of the hotel, but the porters had to carry Williams to the car as he was coughing and hiccuping.
At around midnight on January 1, 1953, when the two crossed the Tennessee state line and arrived in Bristol, Virginia, Carr stopped at a small all-night restaurant and asked Williams if he wanted to eat. Williams said he did not, and those are believed to be his last words. Carr later drove on until he stopped for fuel at a gas station in Oak Hill, West Virginia, where he realized that Williams had been dead for so long that rigor mortis had already set in. The station’s owner called the local police chief. In Williams’s Cadillac, the police found some empty beer cans and unfinished handwritten lyrics. Dr. Ivan Malinin performed the autopsy at the Tyree Funeral House. He found hemorrhages in the heart and neck and pronounced the cause of death as “insufficiency of the right ventricle of the heart”. He also wrote that Williams had been severely beaten and kicked in the groin recently, and local magistrate Virgil F. Lyons ordered an inquest into Williams’s death concerning a welt that was visible on his head. That evening, when the announcer in Canton announced Williams’s death to the gathered crowd, they started laughing because they thought it was just another excuse. After Hawkshaw Hawkins and other performers started singing Williams’s song “I Saw the Light” as a tribute to him, the crowd realized that he was indeed dead and began to sing along.
more...Blind James Campbell (September 17, 1906 – January 22, 1981) was an American blues singer and guitarist. He is mostly remembered for his 1962–63 recording for the Arhoolie label with his Nashville Street Band.
James Campbell was born in Nashville, Tennessee, on September 17, 1906. He later became known as Blind James Campbell after an accident at a fertilizer plant left him permanently blinded. In 1936 he formed a band and began playing folk, country, pop, jazz and blues music at parties, dances and for other local events. The Nashville Street Band consisted of fiddler Beauford Clay (born 1900) who was a great influence on Campbell’s playing, second guitarist Bell Ray (born 1909), bass horn player Ralph Robinson (born 1885), and trumpeter George Bell.
Campbell and his band appeared to be quite content with the steady work they were receiving, and did not seem to have any desire to pursue a career in recording. However, Chris Strachwitz of Arhoolie Records became interested in the band after hearing a field recording of them made by a fellow blues fan, Donald Hill. Hill had recorded Campbell in the spring of 1959 and again in April 1961. Hill’s recordings include Campbell singing country songs as well as blues. He also recorded Campbell and his string band on a street corner in downtown Nashville and recorded him with Beauford Clay. Both the original tapes and digital copies of Hill’s recordings have been deposited at Library of Congress as a part of the Hill/Mangurian collection of field recordings made between 1958 and 1961.
more...Siguiriyas (Spanish pronunciation: [seɣiˈɾiʝas]; also seguiriyas, siguerillas, siguirillas, seguidilla gitana,[1] etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin.[2][3] [4] Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here:
- [1] 2 [3] 4 [5] 6 7 [8] 9 10 [11] 12
Performing for Yom Kippur Service today at 4pm at Mt Zion Temple in St Paul
more...On the left, bright emission outlined by dark, obscuring dust lanes seems to trace a continental shape, lending the popular nameNorth America Nebula to the emission region cataloged as NGC 7000. To the right, just off the North America Nebula’s east coast, is IC 5070, whose avian profile suggests the Pelican Nebula. The two bright nebulae are about 1,500 light-years away, part of the same large and complex star forming region, almost as nearby as the better-known Orion Nebula. At that distance, the 3 degree wide field of view would span 80 light-years. This careful cosmic portrait uses narrow band images combined to highlight the bright ionization fronts and the characteristic glow from atomic hydrogen, sulfur, and oxygen gas. These nebulae can be seen with binoculars from a dark location. Look northeast of bright star Deneb in the constellation Cygnus the Swan.
Earl Klugh (/kluː/ KLOO; born September 16, 1953) is an American acoustic guitarist and composer. He has won one Grammy award and thirteen nominations. Klugh was awarded the “1977” Best Recording Award For Performance and Sound” for his album “Finger Painting” by “Swing Journal” a Japanese jazz magazine.
At the age of six, Klugh commenced training on the piano until he switched to the guitar at the age of ten. At the age of thirteen, Klugh was captivated by the guitar playing of Chet Atkins when Atkins made an appearance on the Perry Como Show. Klugh was a performing guest on several of Atkins’ albums. Atkins, reciprocating as well, joined Earl on his Magic In Your Eyes album. Klugh also appeared with Atkins on several television programs, including Hee Haw and a 1994 TV special entitled “Read my Licks”. Klugh was also influenced by Bob James, Ray Parker Jr, Wes Montgomery and Laurindo Almeida. His sound is a blend of these jazz, pop and rhythm and blues influences, forming a potpourri of sweet contemporary music original to only him.
more...Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
Byrd played fingerstyle on a classical guitar.
Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene “Joe” Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army for World War II, saw combat, then was stationed in Paris in 1945 where he played in an Army Special Services band and toured occupied Europe in the all-soldier production G.I. Carmen.
After the war, Byrd returned to the United States and studied composition and jazz theory at the Harnett National Music School in Manhattan, New York City. During this time, he began playing a classical guitar. After moving to Washington, D.C. in 1950, he studied classical guitar with Sophocles Papas for several years. In 1954, he became a pupil of the Spanish classical guitarist Andrés Segovia and spent time studying in Italy with Segovia.
Byrd’s earliest and greatest influence was the gypsy guitarist Django Reinhardt, whom he saw perform in Paris.
more...Riley B. King (September 16, 1925 – May 14, 2015 Berclaire, MS), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato and staccato picking that influenced many later blues electric guitar players. AllMusic recognized King as “the single most important electric guitarist of the last half of the 20th century”.
King was inducted into the Rock and Roll Hall of Fame in 1987, and is one of the most influential blues musicians of all time, earning the nickname“The King of the Blues”, and is considered one of the “Three Kings of the Blues Guitar” (along with Albert King and Freddie King, none of whom are blood related). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.
King was born on a cotton plantation in Itta Bena, Mississippi, and later worked at a cotton gin in Indianola, Mississippi. He was attracted to music and the guitar in church, and began his career in juke joints and local radio. He later lived in Memphis, Tennessee and Chicago, and as his fame grew, toured the world extensively. King died at the age of 89 in Las Vegas, Nevada, on May 14, 2015.
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