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Sharpless 132 is a very faint emission type nebula on the Cepheus/Lacerta border. It lies at a degree southeast of Epsilon Cep, and has a size of about 40 arc minutes.
Sh2-132 is located at about 10400 light years in the Perseus Arm of the Milky Way , in the region of Cepheus OB1, a large, bright OB association.
Cass Elliot (born Ellen Naomi Cohen; September 19, 1941 – July 29, 1974), widely known as Mama Cass, was an American singer, actress and member of the singing group, the Mamas and the Papas. After the group broke up, Elliot released five solo albums. In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas and the Papas.
Ellen Naomi Cohen was born in Baltimore, Maryland, on September 19, 1941, the daughter of Bess (née Levine; 1915–1994) and Philip Cohen (died 1962). All four of her grandparents were Russian Jewish immigrants. Her family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures throughout his life, ultimately succeeded through the development of a lunch wagon business in Baltimore that provided meals to construction workers. Her mother was a trained nurse. Elliot had a brother, Joseph, and a younger sister, Leah, who also became a singer and recording artist. Elliot’s early life was spent with her family in Alexandria, Virginia, before the family moved to Baltimore when Elliot was 15, and where they had briefly lived at the time of Elliot’s birth.
more...David Bromberg (born September 19, 1945) is an American multi-instrumentalist, singer, and songwriter. An eclectic artist, Bromberg plays bluegrass, blues, folk, jazz, country and western, and rock and roll. He is known for his quirky, humorous lyrics, and the ability to play rhythm and lead guitar at the same time.
Bromberg has played with many famous musicians, including Jerry Jeff Walker, Willie Nelson, Jorma Kaukonen, Jerry Garcia, Rusty Evans (The Deep) and Bob Dylan. He co-wrote the song “The Holdup” with George Harrison, who played on Bromberg’s self-titled 1972 album. In 2008, he was nominated for a Grammy Award. Bromberg is known for his fingerpicking style that he learned from Reverend Gary Davis.
Bromberg was born to a Jewish family in Philadelphia and raised in Tarrytown, New York. He attended Columbia College of Columbia University in the 1960s, studying guitar with Reverend Gary Davis during that period. He soon established himself as a solo performer and accompanist on the mid-1960s Greenwich Village folk circuit.
more...Henry Kaiser (born September 19, 1952) is an American guitarist and composer, known as an idiosyncratic soloist, a sideman, an ethnomusicologist, and a film score composer. Recording and performing prolifically in many styles of music, Kaiser is a fixture on the San Francisco Bay Area music scene. He is considered a member of the “second generation” of American free improvisers. He is married to Canadian artist Brandy Gale. He is the son of Henry J. Kaiser Jr. and the grandson of industrialist Henry J. Kaiser.
In 1977, Kaiser founded Metalanguage Records with Larry Ochs (Rova Saxophone Quartet) and Greg Goodman. In 1979 he recorded With Friends Like These with Fred Frith, a collaboration that lasted for over 20 years. In 1983 they recorded Who Needs Enemies, and in 1987 the compilation album With Enemies Like These, Who Needs Friends? They joined with fellow experimental musicians John French, and English folk-rocker Richard Thompson to form French Frith Kaiser Thompson for two eclectic albums, Live, Love, Larf & Loaf (1987) and Invisible Means (1990). In 1999 Frith and Kaiser released Friends & Enemies, a compilation of their two Metalanguage albums along with additional material from 1984 and 1999.
more...George Lowen Coxhill (19 September 1932 – 10 July 2012) known professionally as Lol Coxhill, was an English free improvising saxophonist. He played soprano and sopranino saxophone.
Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey’s Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader – there was no regular Lol Coxhill Trio or Quartet as would normally be expected of a saxophonist. Instead he had many intermittent but long-lasting collaborations with like-minded musicians.
https://www.youtube.com/watch?v=Om9QiyIglFk
more...Muhal Richard Abrams (born Richard Lewis Abrams; September 19, 1930 – October 29, 2017) was an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the free jazz medium. He recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations constitute a “who’s who” of the jazz world, including Max Roach, Dexter Gordon, Eddie “Lockjaw” Davis, Art Farmer, Sonny Stitt, Anthony Braxton, and The Art Ensemble of Chicago.
Abrams’s mother, Edna, was born in Memphis. His father, Milton, was born in Alabama and moved with his parents to Chicago. Richard Lewis Abrams was born there, the second of nine children, on September 19, 1930. His father became a self-employed handyman; his mother was a housewife. “Abrams’s paternal grandfather was ‘what you call a junk man’, selling the fruits of neighborhood foraging. Abrams and his brother would pull the cart around the neighborhood, eventually arriving at a junk-yard on State Street, where the items would be sold.” Abrams first attended Forrestville public school in Chicago. He grew up in a gang area; truancy and fighting meant that he was sent to Moseley School, a reformatory school for boys. There, in addition to strict discipline, he was taught about black histories. He later moved on to DuSable High School. Although he was aware of the strong music program there, led by Walter Dyett, Abrams preferred playing sports, so did not participate in Dyett’s classes. Among the future musicians Abrams met at the school were Charles Davis, Richard Davis, John Gilmore, Johnny Griffin, Laurdine Patrick, and Julian Priester.
more...Cora “Lovie” Austin (September 19, 1887 – July 8, 1972) was an American Chicago bandleader, session musician, composer, singer, and arranger during the 1920s classic blues era. She and Lil Hardin Armstrong are often ranked as two of the best female jazz blues piano players of the period.
She was born Cora Taylor in Chattanooga, Tennessee. Lovie grew up with eight brothers and sisters. She took the name Cora Calhoun in her teens from an early marriage; she was married for a short time to a movie house operator in Detroit and then later married a vaudeville performer, Phillip Austin. She studied music theory at Roger Williams University in Nashville, and Knoxville College in Knoxville, Tennessee which was uncommon for African American woman and jazz musicians alike during the time.
more...In this Hubble Space Telescope image the bright, spiky stars lie in the foreground toward the heroic northern constellation Perseus and well within our own Milky Way galaxy. In sharp focus beyond is UGC 2885, a giant spiral galaxy about 232 million light-years distant. Some 800,000 light-years across compared to the Milky Way’s diameter of 100,000 light-years or so, it has around 1 trillion stars. That’s about 10 times as many stars as the Milky Way. Part of an investigation to understand how galaxies can grow to such enormous sizes, UGC 2885 was also part of An Interesting Voyage and astronomer Vera Rubin’s pioneering study of the rotation of spiral galaxies. Her work was the first to convincingly demonstrate the dominating presence of dark matter in our universe.
more...Emily Remler (September 18, 1957 – May 4, 1990) was an American jazz guitarist, active from the late 1970s until her death in 1990.
Born in Englewood Cliffs, New Jersey, Remler began guitar at age ten. She listened to pop and rock guitarists like Jimi Hendrix and Johnny Winter. At the Berklee College of Music in the 1970s, she listened to jazz guitarists Charlie Christian, Wes Montgomery, Herb Ellis, Pat Martino, and Joe Pass.
Remler settled in New Orleans, where she played in blues and jazz clubs, working with bands such as Four Play and Little Queenie and the Percolators before beginning her recording career in 1981. She was praised by jazz guitarist Herb Ellis, who referred to her as “the new superstar of guitar” and introduced her at the Concord Jazz Festival in 1978.
In a 1982 interview with People magazine, she said: “I may look like a nice Jewish girl from New Jersey, but inside I’m a 50-year-old, heavy-set black man with a big thumb, like Wes Montgomery.” Remler bore the scars of her longstanding addictions, including dilaudid, and heroin (which is believed to have contributed to her death). She died of heart failure at the age of 32 at the Connells Point home of musician Ed Gaston, while on tour in Australia.
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Steve Marcus (September 18, 1939 in New York’s Bronx – September 25, 2005 in New Hope, Pennsylvania) was an American jazz saxophonist.
His first album as a leader included an arrangement of the Beatles’ song “Tomorrow Never Knows“. He worked with jazz drummer Buddy Rich for the last twelve years of Rich’s life. After Rich died, Marcus led the band and renamed it Buddy’s Buddies.
more...Though he was certainly capable of brilliantly fronting a band, remarkably versatile guitarist/harpist Louis Myers will forever be recognized first and foremost as a top-drawer sideman and founding member of the Aces — the band that backed harmonica wizard Little Walter on his immortal early Checker waxings.
Along with his older brother David — another charter member of the Aces — Louis left Mississippi for Chicago with his family in 1941. Fate saw that the family move next door to blues great Lonnie Johnson, whose complex riffs caught young Louis‘ ear. Another Myers brother, harp-blowing Bob, hooked Louis up with guitarist Othum Brown for house party gigs. Myers also played with guitarist Arthur “Big Boy” Spires before teaming with his brother, David, on guitar and young harpist Junior Wells, to form the first incarnation of the Aces (who were initially known as the Three Deuces). In 1950, drummer Fred Below came on board.
In effect, the Aces and Muddy Waters traded harpists in 1952, Wells leaving to play with Waters while Little Walter, just breaking nationally with his classic “Juke,” moved into the frontman role with the Aces. Myers and the Aces backed Walter on his seminal “Mean Old World,” “Sad Hours,” “Off the Wall,” and “Tell Me Mama” and at New York’s famous Apollo Theater before Louis left in 1954 (he and the Aces moonlighted on Wells‘ indispensable 1953-1954 output for States).
Plenty of sideman work awaited Myers — he played with Otis Rush, Earl Hooker, and many more. But his own recording career was practically non-existent; after a solitary 1956 single for Abco, “Just Whaling”/”Bluesy,” that found Myers blowing harp in Walter-like style, it wasn’t until 1968 that two Myers tracks turned up on Delmark.
The Rosette Nebula (also known as Caldwell 49) is an H II region located near one end of a giant molecular cloud in the Monoceros region of the Milky Way Galaxy. The open cluster NGC 2244 (Caldwell 50) is closely associated with the nebulosity, the stars of the cluster having been formed from the nebula’s matter.
more...Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as “Brother” Jack McDuff or “Captain” Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell’s group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson’s group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukeson drums.
McDuff recorded many classic albums on Prestige, including his debut solo Brother Jack in 1960; The Honeydripper (1961), with tenor saxophonist Jimmy Forrest and guitarist Grant Green; Brother Jack Meets The Boss (1962), featuring Gene Ammons; Screamin’ (1962), with alto saxophonist Leo Wright and guitarist Kenny Burrell; and Brother Jack McDuff Live! (1963), featuring Holloway and Benson, which includes his biggest hit, “Rock Candy”.
more...Hiram “Hank” Williams (September 17, 1923 – January 1, 1953 Mount Olive, Butler County, Alabama) was an American singer, songwriter, and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century, he recorded 35 singles (five released posthumously) that reached the top 10 of the Billboard Country & Western Best Sellers chart, including 11 that reached No. 1 (three posthumously).
Born and raised in Alabama, Williams was given guitar lessons by African-American blues musician Rufus Payne in exchange for meals or money. Payne, along with Roy Acuff and Ernest Tubb, had a major influence on Williams’s later musical style. Williams began his music career in Montgomeryin 1937, when producers at local radio station WSFA hired him to perform and host a 15-minute program. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. When several of his band members were draftedduring World War II, he had trouble with their replacements, and WSFA terminated his contract because of his alcoholism.
Williams married singer Audrey Sheppard, who was his manager for nearly a decade. After recording “Never Again” and “Honky Tonkin'” with Sterling Records, he signed a contract with MGM Records. In 1947, he released “Move It on Over“, which became a hit, and also joined the Louisiana Hayrideradio program. One year later, he released a cover of “Lovesick Blues“, which carried him into the mainstream. After an initial rejection, Williams joined the Grand Ole Opry. He was unable to read or notate music to any significant degree. Among the hits he wrote were “Your Cheatin’ Heart“, “Hey, Good Lookin’“, and “I’m So Lonesome I Could Cry“.
Years of back pain, alcoholism, and prescription drug abuse severely compromised Williams’s health. In 1952, he divorced Sheppard and married singer Billie Jean Horton. He was dismissed by the Grand Ole Opry because of his unreliability and alcoholism. On New Year’s Day 1953, he suffered from heart failure and died suddenly at the age of 29 in Oak Hill, West Virginia. Despite his relatively brief career, he is one of the most celebrated and influential musicians of the 20th century, especially in country music. Many artists have covered his songs and he has influenced Elvis Presley, Bob Dylan, Johnny Cash, Chuck Berry, Jerry Lee Lewis, George Jones, George Strait, Charley Pride, and The Rolling Stones, among others. Williams was inducted into the Country Music Hall of Fame in 1961, the Songwriters Hall of Fame in 1970, and the Rock and Roll Hall of Fame in 1987. The Pulitzer Prize jury awarded him a posthumous special citation in 2010 for his “craftsmanship as a songwriter who expressed universal feelings with poignant simplicity and played a pivotal role in transforming country music into a major musical and cultural force in American life”.
Williams was scheduled to perform at the Municipal Auditorium in Charleston, West Virginia, on December 31, 1952. Advance ticket sales totaled $3,500. That day, Williams could not fly because of an ice storm in the Nashville area; he hired a college student, Charles Carr, to drive him to the concerts. Carr called the Charleston auditorium from Knoxville to say that Williams would not arrive on time owing to the ice storm and was instead ordered to drive Williams to Canton, Ohio, for a New Year’s Day concert there. The two arrived at the Andrew Johnson Hotel in Knoxville, Tennessee, and Carr requested a doctor for Williams, who was affected by the combination of the chloral hydrate and alcohol he had drunk on the way to Knoxville. Dr. P. H. Cardwell injected Williams with two shots of vitamin B12 that also contained a quarter-grain of morphine. Carr and Williams checked out of the hotel, but the porters had to carry Williams to the car as he was coughing and hiccuping.
At around midnight on January 1, 1953, when the two crossed the Tennessee state line and arrived in Bristol, Virginia, Carr stopped at a small all-night restaurant and asked Williams if he wanted to eat. Williams said he did not, and those are believed to be his last words. Carr later drove on until he stopped for fuel at a gas station in Oak Hill, West Virginia, where he realized that Williams had been dead for so long that rigor mortis had already set in. The station’s owner called the local police chief. In Williams’s Cadillac, the police found some empty beer cans and unfinished handwritten lyrics. Dr. Ivan Malinin performed the autopsy at the Tyree Funeral House. He found hemorrhages in the heart and neck and pronounced the cause of death as “insufficiency of the right ventricle of the heart”. He also wrote that Williams had been severely beaten and kicked in the groin recently, and local magistrate Virgil F. Lyons ordered an inquest into Williams’s death concerning a welt that was visible on his head. That evening, when the announcer in Canton announced Williams’s death to the gathered crowd, they started laughing because they thought it was just another excuse. After Hawkshaw Hawkins and other performers started singing Williams’s song “I Saw the Light” as a tribute to him, the crowd realized that he was indeed dead and began to sing along.
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