mick laBriola

Signe Toly Anderson ( born Signe Toly; September 15, 1941 – January 28, 2016) was an American singer who was one of the founding members of the American rock band Jefferson Airplane.

Signe Toly was born in Seattle, Washington on September 15, 1941. Her parents divorced when she was three, and her mother raised her in Portland, Oregon. Toly sang in a band with three male musicians she had known in high school, under the name Three Guys and a Gal. The group performed at a campaign event for John F. Kennedy in November 1959.

Toly was a locally-known and well-respected jazz and folk singer in San Francisco, where Marty Balin heard her perform and invited her to join his band, soon named Jefferson Airplane.

Julian Edwin “Cannonball” Adderley (September 15, 1928 – August 8, 1975 Tampa, FL) was an American jazzalto saxophonist of the hard bop era of the 1950s and 1960s.

Adderley is perhaps best remembered for the 1966 soul jazz single “Mercy, Mercy, Mercy“, which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records Milestones (1958) and Kind of Blue (1959), and then on his own 1958 album Somethin’ Else. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. In July 1975, Adderley suffered a stroke from a cerebral hemorrhage and died four weeks later, on August 8, 1975, at St. Mary Methodist Hospital in Gary, Indiana. He was 46 years old.

Joseph Jarman (September 14, 1937 – January 9, 2019 Pine Bluff, AK) was an American jazzmusician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago. After he was discharged from the Army in 1958, Jarman attended Wilson Junior College, where he met bassist Malachi Favors Maghostut and saxophonists Roscoe Mitchell, Henry Threadgill, and Anthony Braxton. These men would often perform long jam sessions at the suggestion of their professor, Richard Wang (now with Illinois University). Mitchell introduced Jarman to pianist Muhal Richard Abrams, and Jarman, Mitchell, and Maghostut joined Abrams’ Experimental Band, a private, non-performing ensemble, when that group was founded in 1961. The same group of musicians continued to play together in a variety of configurations, and went on to found the Association for the Advancement of Creative Musicians (AACM) in 1965, along with Fred Anderson and Phil Cohran.

Jarman’s solo recording career began at this time, with two releases on the Delmark label which included material, such as spoken word and “little instruments”, that would later characterize the sound of the Art Ensemble. The band he fronted and used during these recordings between 1966 and 1968, included Fred Anderson (tenor sax), Billy Brimfield (trumpet), Charles Clark (bass), Christopher Gaddy (piano) and Thurman Barker (drums). However, in 1969, Clark and Gaddy both died and Jarman disbanded his group.

Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao, was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s.

Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba’s most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and moved to the United States in 1963, starting a career as a session and live musician for a variety of bands in New York during the rise of boogaloo, and later, salsa.

In the 1970s, Cachao fell into obscurity after moving to Las Vegas and later Miami, releasing albums sporadically as a leader. In the 1990s, he was re-discovered by actor Andy García, who brought him back to the forefront of the Latin music scene with the release of a documentary and several albums. Before his death in 2008, Cachao had earned a star on the Hollywood Walk of Fame and several Grammy Awards. He is ranked number 24 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.

Oliver Lake (born September 14, 1942) is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. Lake worked in the group Trio 3 with Reggie Workmanand Andrew Cyrille. Lake has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey.

Temple Israel Tot Shabbat service Friday September 13th 2024 6pm. Music with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.

William Smith Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, and created the bluegrass music genre. Because of this, he is often called the “Father of Bluegrass“.

The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe’s home state of Kentucky. He described the genre as “Scottish bagpipes and ole-time fiddlin’. It’s Methodist and Holiness and Baptist. It’s blues and jazz, and it has a high lonesome sound.”

Monroe was born on his family’s farm near Rosine, Kentucky, the youngest of eight children of James Buchanan “Buck” and Malissa (Vandiver) Monroe. His mother and her brother, James Pendleton “Pen” Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home.

Bill was of Scottish and English heritage. Because his older brothers Birch and Charliealready played the fiddle and guitar, Bill was resigned to playing the less desirable mandolin. He recalled that his brothers insisted that he remove four of the mandolin’s eight strings so he would not play too loudly.

Leon Brown “Chu” Berry (September 13, 1908 – October 30, 1941 Wheeling, WV) was an American jazz tenor saxophonist during the 1930s. He is perhaps best known for his time as a member of singer Cab Calloway‘s big band.

According to music critic Gary Giddins, musicians called him “Chu” either because he chewed on the mouthpiece of his saxophone or because he had a Fu Manchu mustache. Berry died at 33 on October 30, 1941, in Conneaut, Ohio, after being in a car accident.

Whereas the Verdiales is a lively folk dance associated with violins and tambourines, the Abandolao is traditonally a slower song accompanied on the guitar. In fact, abandolao means “to the guitar,” bandola being a regional synonym for ‘guitar.’ The form is also known as Fandango Abandolao. The Abandolao is essentially a slow Verdiales, the underlying compás a three count pattern in which the second beat is accented and the first beat is silent or accented softly with the foot. As with the verdiales, the introduction and interludes in the abandolao are in a phrygian mode ending with the characteristic G-F#-F-E cadence. The verses are in the major mode.