mick laBriola

A star cluster around 2 million years young surrounded by natal clouds of dust and glowing gas, M16 is also known as The Eagle Nebula. This beautifully detailed image of the region adopts the colorful Hubble palette and includes cosmic sculptures made famous in Hubble Space Telescope close-ups of the starforming complex. Described as elephant trunks or Pillars of Creation, dense, dusty columns rising near the center are light-years in length but are gravitationally contracting to form stars. Energetic radiation from the cluster stars erodes material near the tips, eventually exposing the embedded new stars. Extending from the ridge of bright emission left of center is another dusty starforming column known as the Fairy of Eagle Nebula. M16 lies about 7,000 light-years away, an easy target for binoculars or small telescopes in a nebula rich part of the sky toward the split constellation Serpens Cauda (the tail of the snake).

Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967 Dawson, GA) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding’s style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.

Redding was born in Dawson, Georgia, and at age two, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard‘s backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins‘s band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, “These Arms of Mine“, in 1962.

Stax released Redding’s debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small shows in the American South. Redding later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.

Shortly before his death in a plane crash, Redding wrote and recorded his iconic “(Sittin’ On) The Dock of the Bay” with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding’s premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.

Redding received many posthumous accolades, including two Grammy Awards, the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame, the Black Music & Entertainment Walk of Fame. and the Songwriters Hall of Fame. In addition to “(Sittin’ On) The Dock of the Bay,” “Respect” and “Try a Little Tenderness” are among his best-known songs.

Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.^[1] He showed an interest in drums at a young age, watching the circus bands march by his family’s home in Pontiac, Michigan. He served in the United States Army from 1946 to 1949 and subsequently played in a Detroit house band led by Billy Mitchell. He moved to New York City in 1955 and worked as a drummer for John Coltrane, Charles Mingus, Teddy Charles, Bud Powell and Miles Davis.

From 1960 to 1966, he was a member of the John Coltrane quartet (along with Jimmy Garrison on bass and McCoy Tyner on piano), a celebrated recording phase, appearing on such albums as My Favorite Things, A Love Supreme, Ascension, and Live at Birdland. Following his work with Coltrane, Jones led several small groups, some under the name The Elvin Jones Jazz Machine. His brothers Hank Jones and Thad Jones were also jazz musicians with whom he recorded. He was inducted into the Modern Drummer Hall of Fame in 1995.

Elvin Jones was born in Pontiac, Michigan, United States, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His two elder brothers, Hank Jones and Thad Jones, both became jazz musicians respectively on piano and trumpet. By age two, he said he knew he held a fascination for drums. He would watch the circus marching band parades go by his home as a boy, particularly fascinated by the drummers.

Rhythm Roots Workshop will continue to delve into world rhythms arming soldiers with historic roots culture and celebrating diversity through music. Wednesday September 8th 2021 10am-noon. 7th in a series of 9. Working with the Memory Loss unit.

Out in space, Andromeda (M31) is closely surrounded by several small satellite galaxies, and further out it is part of the Local Group of Galaxies — of which our Milky Way galaxy is also a member. On the sky, however, gas clouds local to our Milky Way appear to surround M31 — not unlike how water clouds in Earth’s atmosphere may appear to encompass our Moon. The gas clouds toward Andromeda, however, are usually too faint to see. Enter the featured 45-degree long image — one of the deeper images yet taken of the broader Andromeda region. This image, sensitive to light specifically emitted by hydrogen gas, shows these faint and unfamiliar clouds in tremendous detail. But the image captures more. At the image top is the Triangulum galaxy (M33), the third largest galaxy in the Local Group and the furthest object that can be seen with the unaided eye. Below M33 is the bright Milky-Way star Mirach. The image is the digital accumulation of several long exposures taken from 2018 to 2021 from Pulsnitz, Germany.

Ronald Charles McKernan (September 8, 1945 – March 8, 1973), known as Pigpen, was an American singer and musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972.

McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father’s collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia. After the pair had played in various folk and jug bands, McKernan suggested they form an electric group, which became the Grateful Dead. He was the band’s original frontman as well as playing harmonica and electric organ, but Garcia and bassist Phil Lesh‘s influences on the band became increasingly stronger as they embraced psychedelic rock. McKernan struggled to keep up with the changing music, causing the group to hire keyboardist Tom Constanten, with McKernan’s contributions essentially limited to vocals, harmonica, and percussion from November 1968 to January 1970. He continued to be a frontman in concert for some numbers, including his interpretations of Bobby Bland‘s “Turn On Your Love Light” and the Rascals‘ “Good Lovin’“.

Unlike the other members of the Grateful Dead, McKernan avoided psychedelic drugs, preferring to drink alcohol (namely whiskey and flavored fortified wine). By 1971, his health had been affected by alcoholism and liver damage and doctors advised him to stop touring. Following a hiatus, he resumed touring with the group in December 1971 but was forced to retire from touring altogether in June 1972. McKernan was found dead of a gastrointestinal hemorrhage on March 8, 1973, aged 27, and is buried at Alta Mesa Memorial Park in Palo Alto.

The jumble of stars, gas, and dust that is NGC 520 is now thought to incorporate the remains of two separate disk galaxies. A defining component of NGC 520 — as seen in great detail in the featured image from the Hubble Space Telescope — is its band of intricately interlaced dust running vertically down the spine of the colliding galaxies. A similar looking collision might be expected in a few billion years when our disk Milky Way Galaxy to collides with our large-disk galactic neighbor Andromeda (M31). The collision that defines NGC 520 started about 300 million years ago. Also known as Arp 157, NGC 520 lies about 100 million light years distant, spans about 100 thousand light years, and can be seen with a small telescope toward the constellation of the Fish (Pisces). Although the speeds of stars in NGC 520 are fast, the distances are so vast that the battling pair will surely not change its shape noticeably during our lifetimes.

Charles Hardin “Buddy” Holley (September 7, 1936 – February 3, 1959 Lubbock, TX) was an American singer-songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born in Lubbock, Texas, to a musical family during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school.

He made his first appearance on local television in 1952, and the following year he formed the group “Buddy and Bob” with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.

Holly’s recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley’s musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day“, among other songs. Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to “The Crickets“, which became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US and UK singles charts. Its success was followed in October by another major hit, “Peggy Sue“.

The album The “Chirping” Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as “The Day the Music Died” in his song “American Pie“.

During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, The Hollies (who named themselves in his honor), Elvis Costello, Marshall Crenshaw (who later played Holly), and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of “100 Greatest Artists”.