mick laBriola

Keith John Moon (23 August 1946 – 7 September 1978) was an English drummer for the rock band the Who. He was noted for his unique style and his eccentric, often self-destructive behaviour and drug addiction.

Moon grew up in Alperton, a suburb of Wembley, in Middlesex, and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout Moon’s tenure with the Who his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his talent as a drummer, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated by blowing up toilets with cherry bombs or dynamite, and by destroying television sets. Moon enjoyed touring and socialising, and became bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups.

Moon suffered a number of setbacks during the 1970s, most notably the accidental death of chauffeur Neil Boland and the breakdown of his marriage. He became addicted to alcohol, particularly brandy and champagne, and acquired a reputation for decadence and dark humour; his nickname was “Moon the Loon”. After moving to Los Angeles with personal assistant Peter “Dougal” Butler during the mid-1970s, Moon recorded his only solo album, the poorly received Two Sides of the Moon. While touring with the Who, on several occasions he passed out on stage and was hospitalised. By the time of their final tour with him in 1976, and particularly during production of The Kids Are Alright and Who Are You, the drummer’s deterioration was evident. Moon moved back to London in 1978, dying in September of that year from an overdose of Heminevrin, a drug intended to treat or prevent symptoms of alcohol withdrawal.

Moon’s drumming continues to be praised by critics and musicians. He was posthumously inducted into the Modern Drummer Hall of Fame in 1982, becoming the second rock drummer to be chosen, and in 2011, Moon was voted the second-greatest drummer in history by a Rolling Stone readers’ pol. On 6 September 1978, Moon and Walter-Lax were guests of Paul and Linda McCartney at a preview of a film, The Buddy Holly Story. After dining with the McCartneys at Peppermint Park in Covent Garden, Moon and Walter-Lax returned to their flat. He watched a film (The Abominable Dr. Phibes), and asked Walter-Lax to cook him steak and eggs. When she objected, Moon replied, “If you don’t like it, you can fuck off!” These were his last words. Moon then took 32 clomethiazole tablets. When Walter-Lax checked on him the following afternoon, she discovered he was dead.

Messier 78 or M78, also known as NGC 2068, is a reflection nebula in the constellation Orion. It was discovered by Pierre Méchain in 1780 and included by Charles Messier in his catalog of comet-like objects that same year.

M78 is the brightest diffuse reflection nebula of a group of nebulae that includes NGC 2064, NGC 2067 and NGC 2071. This group belongs to the Orion B molecular cloud complex and is about 1,350 light-years distant from Earth. M78 is easily found in small telescopes as a hazy patch and involves two stars of 10th and 11th magnitude. These two B-type stars, HD 38563 A and HD 38563 B, are responsible for making the cloud of dust in M78 visible by reflecting their light.

The M78 cloud contains a cluster of stars that is visible in the infrared. Due to gravity, the molecular gas in the nebula has fragmented into a hierarchy of clumps, the denser cores of which about to form stars with masses of up to 5 M_☉. About 45 variable stars of the T Tauri type, young stars still in the process of formation, are members as well. Similarly, 17 Herbig–Haro objects are known in M78.

Sonny Thompson (probably August 23, 1916 – August 11, 1989), born Alfonso Thompson or Hezzie Tompson, was an American R&B bandleader and pianist, popular in the 1940s and 1950s.

There is some uncertainty over Thompson’s origins, as well as his birth name. Researchers Bob Eagle and Eric LeBlanc indicate that he was born in 1916 in Wilkinson County, Mississippi, but other sources state that he was born in 1923, either in Mississippi or in Chicago.

He began recording in 1946, and in 1948 achieved two #1 R&B chart hits on the Miracle label – “Long Gone (Parts I and II)” and “Late Freight“, both featuring saxophonist Eddie Chamblee. The follow-ups “Blue Dreams” and “Still Gone” also reached the R&B chart. By 1952 he had moved on to King Records, where he worked in A&R and as a session musician and arranger. At King, he had further R&B Top 10 successes with the singer Lula Reed, the biggest hit being “I’ll Drown in My Tears“. Thompson married Reed sometime in the early 1950s. He continued to work as a session musician, and to perform with Reed into the early 1960s. He also had success as a songwriter, often co-writing with blues guitarist, Freddie King.

Thompson died in 1989 in Chicago.

Achille) Claude Debussy (French: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.

Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France’s leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire’s conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.

Debussy’s orchestral works include Prélude à l’après-midi d’un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his “symphonic sketches”, La mer (1903–1905). His piano works include two books of Préludes and one of Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.

With early influences including Russian and Far Eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.

The Elephant’s Trunk Nebula is a concentration of interstellar gas and dust within the much larger ionized gas region IC 1396 located in the constellation Cepheus about 2,400 light years away from Earth. The piece of the nebula shown here is the dark, dense globule IC 1396A; it is commonly called the Elephant’s Trunk nebula because of its appearance at visible light wavelengths, where there is a dark patch with a bright, sinuous rim. The bright rim is the surface of the dense cloud that is being illuminated and ionized by a very bright, massive star (HD 206267) that is just to the east of IC 1396A. (In the Spitzer Space Telescope view shown, the massive star is just to the left of the edge of the image.) The entire IC 1396 region is ionized by the massive star, except for dense globules that can protect themselves from the star’s harsh ultraviolet rays.

The Elephant’s Trunk Nebula is now thought to be a site of star formation, containing several very young (less than 100,000 yr) stars that were discovered in infrared images in 2003. Two older (but still young, a couple of million years, by the standards of stars, which live for billions of years) stars are present in a small, circular cavity in the head of the globule. Winds from these young stars may have emptied the cavity.

The combined action of the light from the massive star ionizing and compressing the rim of the cloud, and the wind from the young stars shifting gas from the center outward lead to very high compression in the Elephant’s Trunk Nebula. This pressure has triggered the current generation of protostars.

Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition “Farmer’s Market” in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

As Farmer’s reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan‘s quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist’s instrument in jazz.He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.

Art Farmer was born an hour before his twin brother, on August 21, 1928, in Council Bluffs, Iowa, reportedly at 2201 Fourth Avenue. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four, and their steelworker father was killed in a work accident not long after this. Art moved with his grandfather, grandmother, mother, brother and sister to Phoenix, Arizona when he was still four. He started to play the piano while in elementary school, then moved on to bass tuba and violin before settling on cornet and then trumpet at the age of thirteen.His family was musical: most of them played as a hobby, and one was a professional trombonist. Art’s grandfather was a minister in the African Methodist Episcopal Church.