mick laBriola

The dark Horsehead Nebula and the glowing Orion Nebula are contrasting cosmic vistas. Adrift 1,500 light-years away in one of the night sky’s most recognizable constellations, they appear in opposite corners of the abovestunning mosaic. The familiar Horsehead nebula appears as a dark cloud, a small silhouette notched against the long glow of hydrogen — here shown in gold — at the lower left. Alnitak is the easternmost star in Orion’s belt and is seen as the bright star to the left of the Horsehead. Just below Alnitak is the Flame Nebula, with clouds of bright emission and dramatic dark dust lanes. The magnificent emission region, the Orion Nebula (aka M42), lies at the upper right. Immediately to its left is a prominent reflection nebula sometimes called the Running Man. Pervasive tendrils of glowing hydrogen gas are easily traced throughout the region.

Mickey Hart (born Michael Steven Hartman, September 11, 1943 Brooklyn, NY) is an American percussionist. He is best known as one of the two drummers of the rock band Grateful Dead. He was a member of the Grateful Dead from September 1967 until February 1971, and again from October 1974 until their final show in July 1995. He and fellow Dead drummer Bill Kreutzmann earned the nickname “the rhythm devils“.

Leo Kottke (born September 11, 1945) is an American acoustic guitarist. He is known for a fingerpicking style that draws on blues, jazz, and folk music, and for syncopated, polyphonic melodies. He has overcome a series of personal obstacles, including partial loss of hearing and a nearly career-ending bout with tendon damage in his right hand, to emerge as a widely recognized master of his instrument. He resides in the Minneapolis area with his family.

Focusing primarily on instrumental composition and playing, Kottke also sings sporadically, in an unconventional yet expressive baritone described by himself as sounding like “geese farts on a muggy day”. In concert, Kottke intersperses humorous and often bizarre monologues with vocal and instrumental selections from throughout his career, played solo on six and twelve string guitars.

Victor Lemonte Wooten (born September 11, 1964 Mountain Home, ID) is an American bassist, songwriter, and record producer. He has been the bassist for Béla Fleck and the Flecktones since the group’s formation in 1988 and a member of the band SMV with two other bassists, Stanley Clarke and Marcus Miller. From 2017 to 2019 he recorded as the bassist for the metal band Nitro.

He owns Vix Records, which releases his albums. He wrote the novel The Music Lesson: A Spiritual Search for Growth Through Music. He later released the book’s sequel, The Spirit of Music: The Lesson Continues, on February 2, 2021.

Wooten is the recipient of five Grammy Awards. He won the Bass Player of the Year award from Bass Player magazine three times and is the first person to win the award more than once. In 2011, he was ranked No. 10 in the Top 10 Bassists of All Time by readers of Rolling Stone magazine.

In 2018–2019 Wooten was diagnosed with a rare neurological condition called focal dystonia in his hands and upper body, which had been limiting his ability to play in previous years, but has since abated somewhat.

Roosevelt “Baby Face” Willette (September 11, 1933 – April 1, 1971) was an American hard bop and soul-jazz musician who played the Hammond organ.

He was born Roosevelt James Willett (no “e”), in Little Rock, Arkansas, in 1933 according to researchers Bob Eagle and Eric LeBlanc, though other sources state 1934 or 1937. According to the liner notes on his first Blue Note album, Grant’s First Stand, Willette was born in New Orleans.

His mother was a missionary who played the piano in the church where his father was a minister. As a result, his musical roots were in gospel. Willette became involved in music by playing the piano for various gospel groups, and accompanied his sisters Dorothy and Georgia, who toured and recorded as the Willett Sisters. He spent his early career travelling across the United States, Canada and Cuba, as pianist with the bands of King Kolax, Joe Houston, Johnny Otis and Big Jay McNeely, among others.

He made his first recording as Baby Face Willette (“Wake Up, Get Out” b/w “Cool Blues”) in Los Angeles in 1952, but soon moved to Chicago and married. He recorded tracks including “Can’t Keep From Lovin’ You” and “Why” for Vee-Jay Records that year, but they were not released until late 1955. He played in both rhythm and blues and jazz bands, playing piano before switching to organ around 1958. His organ playing was inspired by Jimmy Smith‘s work, though Willette’s style is more heavily influenced by gospel, blues and soul jazz than Smith’s. Willette was also a professional hairdresser. Before his time in New York City, he was based out of Milwaukee, playing with his vocalist wife Jo Gibson at clubs such as The Flame Club, The Pelican Club, The Moonglow and Max’s among others.

Roy James Brown (September 10, 1920 or 1925 – May 25, 1981) was an American blues singer who had a significant influence on the early development of rock and roll and the direction of R&B. His original song and hit recording “Good Rockin’ Tonight” has been covered by many artists including Wynonie Harris, Elvis Presley, Bruce Springsteen, Paul McCartney, Joe Ely, Ricky Nelson, Jerry Lee Lewis, Pat Boone, James Brown, the Doors, and the rock group Montrose. Brown was one of the first popular R&B singers to perform songs with a gospel-steeped delivery, which was then considered taboo by many churches. In addition, his melismatic, pleading vocal style influenced notable artists such as B.B. King, Bobby Bland, Elvis Presley, Jackie Wilson, James Brown and Little Richard.

José Montserrate Feliciano García ( born September 10, 1945) is a Puerto Rican musician. He recorded many international hits, including his rendition of the Doors‘ “Light My Fire” and his self-penned Christmas song“Feliz Navidad“. Music genres he explores consist of fusion of many styles, such as Latin, blues, jazz, soul and rock music, created primarily with the help of his signature acoustic guitar sound.

In the United States, Feliciano became popular in the 1960s, particularly after his 1968 album Feliciano! reached number 2 on the music charts. Since then in his career, he released over 50 albums worldwide in both English and Spanish language.

Herman Davis “Dave” Burrell (born September 10, 1940) is an American jazzpianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.

Born in Middletown, Ohio, United States, Burrell grew fond of jazz at a young age after meeting Herb Jeffries. Burrell studied music at the University of Hawaii from 1958 to 1960, then, beginning in 1961, attended the Berklee College of Music in Boston, graduating with degrees in composition/arranging and performance in 1965.While in Boston, he played with Tony Williams and Sam Rivers.

In 1965, Burrell moved to New York City, where he worked and recorded with Grachan Moncur III, Marion Brown, and Pharoah Sanders. He also started the Untraditional Jazz Improvisational Team with saxophonist Byard Lancaster, bassist Sirone, and drummer Bobby Kapp. In 1968, Burrell co-founded The 360 Degree Music Experiencewith Grachan Moncur III and Beaver Harris and recorded two albums with the group. The following year, Burrell began an association with Archie Shepp, with whom he would play the 1969 Pan-African Festival in Algiers, and with whom he would go on to record nearly twenty albums.

International music icon, Sergio Mendes dead after battling long-term COVID

Music legend Sergio Mendes died Thursday September 5th 2024 after battling the side effects of long-term COVID-19 over the last several months. He was 83. Mendes died in Los Angeles with his wife and musical partner for the past 54 years, Gracinha Leporace Mendes by his side, along with their loving children, according to a post made on the singer’s Instagram. The musician was known as being “one of the most internationally successful Brazilian artists of all time,” according to the post. He recorded more than 35 albums many of which became gold or platinum. “Mendes, a three-time Grammy Award winner and Oscar nominee, leaves us with an incredible musical legacy from more than six decades of a unique sound …,” the post read. His last performance was in November 2023, when his concerts sold out in Paris, London and Barcelona. NPR reported in 2020 that Mendes helped initiate the bossa nova movement and enhanced the popularity of Brazilian music through his band, Brazil ‘66. Fans might be most familiar with the artist’s top song on Spotify, “Mas Que Nada” which has nearly 23 million views on the app. Overall, Mendes has 5.6 million monthly listeners.  Antonio Jobim, a Brazilian composer who worked with Mendes on an album in 1976 responded to the announcement of Mendes’ death on Instagram. “Thanks for everything Sergio Mendes,” the composer said. Mendes was born in Niterói, Rio de Janeiro’s sister city, and studied classical music at a conservatory before joining jazz groups. In the late 1950s and early 1960s, he began playing Bossa Nova as the genre was heating up in Rio’s nightclub scene with Antonio Carlos Jobim, João Gilberto and others. In 1962, they traveled to New York for a Bossa Nova festival at Carnegie Hall. During the trip, Cannonball Adderley invited Mendes to collaborate on the album “Cannonball Adderley and The Bossa Rio Sextet,” leading to his first American record, “The Swinger from Rio,” after signing with Atlantic Records.

Bruce Palmer (September 9, 1946 – October 1, 2004) was a Canadian musician best known as the bassist in the folk rock band Buffalo Springfield, who were inducted into the Rock and Roll Hall of Fame in 1997.

Palmer was born in Liverpool, Nova Scotia, later moving with his family to Toronto, Ontario, where in the early 1960s he began pursuing a musical career. He started out playing with Robbie Lane and the Disciples, then graduated to a local, otherwise all-black group fronted by Billy Clarkson. Next came British invasion-inspired Jack London & The Sparrows (which, after Palmer left, evolved into Steppenwolf). In early 1965 he left to join The Mynah Birds where he first met Neil Young who was playing lead guitar in the band. The Mynah Birds, fronted by future funk legend Rick James, had a bright future and were signed to the prestigious Motown Records to do some demo recordingsbefore it was discovered that James was actually in Toronto to avoid serving in Vietnam with the United States Navy, from which he had gone AWOL. A planned single, “It’s My Time” b/w “Go On and Cry”, was withdrawn just prior to its scheduled release by Motown. Both sides of this single were included in the 2006 box set “The Complete Motown Singles, Vol. 6: 1966”, released in a limited edition of 6000 by Universal label Hip-O-Select, marking the first time any of the 1966 Motown recordings by the Mynah Birds had seen the light of day.

Hoyt Stoddard Curtin (September 9, 1922 – December 3, 2000) was an American composer and music producer, the primary musical director for the Hanna-Barberaanimation studio from its beginnings with The Ruff & Reddy Show in 1957 until his retirement in 1989, except from 1965 to 1972, when the primary music director was Ted Nichols. Curtin was a native of Downey, California, and had one son, Chris, with his wife Elizabeth.

In the 1950s Curtin was an in-demand composer for TV commercials. He first met William Hanna and Joseph Barbera when he worked on a Schlitz beer commercial they were producing for MGM in 1957.

Elvin Ray Jones (September 9, 1927 – May 18, 2004 Pontiac, MI) was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane‘s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones “one of the most influential drummers in the history of jazz”. He was also ranked at Number 23 on Rolling Stone magazine’s “100 Greatest Drummers of All Time”.