mick laBriola

At dawn on Friday, 13 October 1307—a date sometimes incorrectly linked with the origin of the Friday the 13th superstition—King Philip IV ordered de Molay and scores of other French Templars to be simultaneously arrested. The arrest warrant started with the words: Dieu n’est pas content, nous avons des ennemis de la foi dans le Royaume” (“God is not pleased. We have enemies of the faith in the kingdom”).Claims were made that during Templar admissions ceremonies, recruits were forced to spit on the Cross, deny Christ, and engage in indecent kissing; brethren were also accused of worshipping idols, and the order was said to have encouraged in homosexual practices. These allegations, though, were highly politicised without any real evidence. Still, the Templars were charged with numerous other offences such as financial corruption, fraud, and secrecy.

An island universe of about 100 billion stars, 32 million light-years away toward the constellation Pisces, M74 presents a gorgeous face-on view. Classified as an Sc galaxy, the grand design of M74’s graceful spiral arms are traced by bright blue star clusters and dark cosmic dust lanes. This sharp composite was constructed from image data recorded by the Hubble Space Telescope’s Advanced Camera for Surveys. Spanning about 30,000 light-years across the face of M74, it includes exposures recording emission from hydrogen atoms, highlighting the reddish glow of the galaxy’s large star-forming regions. With a lower surface brightness than most galaxies in the Messier catalog, M74 is sometimes known as the Phantom Galaxy.

Anna Mae Winburn (née Darden; August 13, 1913 – September 30, 1999) was an influential American vocalist and jazz bandleader who flourished beginning in the mid-1930s. An African American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era.

Her first known publicized performance was singing with the studio band of Radio WOWO, Fort Wayne. She worked at various clubs in Indiana, including the Chateau Lido in Indianapolis (where she appeared under the pseudonym Anita Door).

From there she moved to North Omaha, Nebraska, where she sang and played guitar for a variety of territory bands, or groups whose touring activities and popularity were geographically limited to several adjoining states, that were led by Red Perkins. During that time Winburn was a collaborator of Lloyd Hunter, frequently singing for Lloyd Hunter‘s “Serenaders”. She also led the Cotton Club Boys out of Omaha, a group that at one point included the amazing guitarist Charlie Christian. When many of the musicians were lost to the World War II draft, Winburn joined the International Sweethearts of Rhythm. Soon she went to Oklahoma City and led bands for a short while. It was there that she led Eddie Durham‘s “All-Girl Orchestra”, which eventually earned her an invite to join the International Sweethearts of Rhythm.

The beautiful Trifid Nebula is a cosmic study in contrasts. Also known as M20, it lies about 5,000 light-years away toward the nebula rich constellation Sagittarius. A star forming region in the plane of our galaxy, the Trifid does illustrate three different types of astronomical nebulae; red emission nebulae dominated by light from hydrogen atoms, blue reflection nebulae produced by dust reflecting starlight, and dark nebulae where dense dust clouds appear in silhouette. But the red emission region roughly separated into three parts by obscuring dust lanes is what lends the Trifid its popular name. Pillars and jets sculpted by newborn stars, below and left of the emission nebula’s center, appear in famous Hubble Space Telescope close-up images of the region. The Trifid Nebula is about 40 light-years across. Just too faint to be seen by the unaided eye, it almost covers the area of a full moon in planet Earth’s sky.

Patrick Bruce Metheny (/məˈθiːni/ mə-THEE-nee; born August 12, 1954) is an American jazz guitarist and composer.

He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, Latin jazz, and jazz fusion. Metheny has three gold albums and 20 Grammy Awards and is the only person to win Grammys in 10 categories. He is the brother of jazz flugelhornist Mike Metheny.

Metheny was born in Lee’s Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter. Metheny’s first instrument was trumpet, which he was taught by his brother, Mike. His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. Metheny’s interest in guitar increased around 1964 when he saw the Beatles perform on TV. For his 12th birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4.

Metheny’s life changed after hearing the album Four & More by Miles Davis. Soon after, he was captivated by Wes Montgomery‘s album Smokin’ at the Half Note which was released in 1965. He cites the Beatles, Miles Davis, and Wes Montgomery as having the biggest impact on his music.

When he was 15, he won a scholarship from Down Beat magazine to a one-week jazz camp where he was mentored by guitarist Attila Zoller, who then invited Metheny to New York City to see guitarist Jim Hall and bassist Ron Carter.

While playing at a club in Kansas City, he was approached by Bill Lee, a dean at the University of Miami, and offered a scholarship. After less than a week at college, Metheny realized that playing guitar all day during his teens had left him unprepared for classes. He admitted this to Lee, who offered him a job to teach instead, as the school had recently introduced electric guitar as a course of study. He moved to Boston to teach at the Berklee College of Music with jazz vibraphonist Gary Burton and established a reputation as a prodigy.

In 1974 he appeared on an album unofficially titled Jaco with pianist Paul Bley, bassist Jaco Pastorius, and drummer Bruce Ditmas for Carol Goss’s Improvising Artists label. But he was unaware that he was being recorded. During the next year, he joined Gary Burton’s band with guitarist Mick Goodrick.

Metheny released his debut album, Bright Size Life (ECM, 1976) with Jaco Pastorius on bass guitar and Bob Moses on drums. His next album, Watercolors (ECM, 1977), was the first time he recorded with pianist Lyle Mays, who became his most frequent collaborator. The album also featured Danny Gottlieb, who became the drummer for the first version of the Pat Metheny Group.With Metheny, Mays, and Gottlieb, the fourth member was bassist Mark Egan when the album Pat Metheny Group (ECM, 1978) was released.

Joseph Charles Jones (August 12, 1926 – November 27, 2005) was an American R&B singer, songwriter and arranger, who was born in New Orleans, Louisiana. Jones is also generally credited with discovering the Dixie Cups. He also worked with B.B. King. As a singer, Jones had his biggest hit in the form of the Top Five 1960 R&B hit “You Talk Too Much“, which also reached No. 3 on the Billboard Hot 100 chart.

Jones served in the U.S. Navy, where he played piano in a band, before studying music at the Juilliard Conservatory of Music. He formed a band, Joe Jones and his Atomic Rebops, in the late 1940s; band members played on Roy Brown‘s 1947 hit “Good Rocking Tonight“. He was expelled from the New Orleans local chapter of the American Federation of Musicians for attempting to set up a rival organization but was later reinstated.Jones became a valet, then pianist and arranger for B.B. King. He recorded his first solo single, “Adam Bit the Apple”, for Capitol Records in 1954. He also discovered Shirley and Lee, whose recording of “Let the Good Times Roll” became a hit in 1956. In 1960, a re-recording of a song he had first recorded in 1958 for Roulette Records, “You Talk Too Much,” became a national success, but his subsequent releases were less successful.

Jones claimed to have composed many songs, including the song “Iko Iko.” Although his assertions were originally successful, a federal jury and then Court of Appeals ruled that Jones did not write “Iko Iko,” that his claims were fraudulent, and that the true writers were the band he managed, the Dixie Cups (the true original recording of this song had been released as Checker 787 by New Orleans singer and pianist Sugar Boy Crawford and his Cane Cutters in late 1953). The band hired music attorney Oren Warshavsky, who had previously won a case demonstrating that Jones falsely professed ownership of another Mardi Gras classic song, “It Ain’t My Fault.” Jones also failed in his bid to declare title (though not as an author) to yet another Mardi Gras classic song, “Carnival Time.” He also recorded the original “California Sun” on Roulette Records in 1961, which was made a hit by the Rivieras in 1963.

He later moved into music publishing, and worked tirelessly for the rights of fellow R&B acts. In 1973 Jones set up a company in Los Angeles, California, making advertising jingles.

In 2021, the Dixie Cups’ Rosa Lee Hawkins revealed that she had been sexually abused by Jones but has not let the painful memory sour her love of singing with The Dixie Cups. “We love what we do and that’s coming from our heart. When we walk onstage to perform, we leave him behind. We leave his memory behind. The only time we talk about him is if somebody calls and says they want to do an interview. We know Joe is a so-and-so, but we have to realize it was him that, as they say, discovered us on that talent show, so that’s all he deserves. He stole from us. We got one royalty check. I think it was $423 apiece.”

The fourth is a series of Rhythm Roots Workshops at the MN VA Home Adult Day Center Memory Care Unit on the Fort Snelling campus in Minneapolis. Wednesdays 10am-noon.

Thornetta Davis (born August 11, 1963) is an American Detroit blues and rhythm and blues singer. She has opened for Bonnie Raitt, Gladys Knight, and Etta James, and sang backing vocals on Bob Seger‘s 1991 album, The Fire Inside. She also worked with Kid Rock and Alberta Adams, and has released two full-length solo albums. Davis was born in Detroit, Michigan, United States.

After entering a local talent contest at the age of 15, Davis went on to join the group Jas which disbanded in 1983 and then she, and another former member of Jas, and two of her high school friends formed Chanteuse, a vocal group covering old R&B hits. She was recruited as a backing vocalist by Lamonte Zodiac & the Love Signs, a local soul group based outfit, who later became the Chisel Brothers. By 1991, Davis had moved on to back up singing for Big Chief, who recorded a couple of albums for the Sub Pop label. Following the group disbanding, Davis was signed to a solo recording contract with the same label, and issued an EP, Shout out to the Dusthuffer (1995), and the following year she released her first solo album Sunday Morning Music. One reviewer commented “Davis’ singing is just wonderful – she’s got a rich, warm voice”. A song from the album, “Cry”, was used in the “Isabella” episode of the HBO television drama, The Sopranos.Earlier in 1992, Davis had appeared at the Ann Arbor Blues and Jazz Festival, and sang on stage with Bonnie Raitt and Katie Webster.