mick laBriola

Lakshminarayana Subramaniam (born 23 July 1947) is an Indian violinist, composer and conductor, trained in the classical Carnatic music Subramaniam was born to V. Lakshminarayana Iyer and Seethalakshmi, both accomplished musicians. He lived in Jaffna during his younger years, taking up music studies before the age of five. He began training in violin under the tutelage of his father, Professor V. Lakshminarayana. “Mani”, as he is fondly known by fellow musicians and his family, gave his first public performance at the age of six.

His uncles include Ramnad Raghavan and Ramnad Krishnan. His brothers are also acclaimed musicians, and include the violinist-composers L. Shankar (alias. Shenkar), and the late L. Vaidyanathan. He has released recordings with both.

Steve Lacy (July 23, 1934 – June 4, 2004), born Steven Norman Lackritz in New York City, was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy’s music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

The music of Thelonious Monk became a permanent part of Lacy’s repertoire after a stint in the pianist’s band, with Monk’s songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk’s work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

William Thomas “Champion Jack” Dupree (July 23, 1909 or July 4, 1910 – January 21, 1992) was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer.

Dupree was a New Orleans blues and boogie-woogie pianist, a barrelhouse “professor”. His father was from the Belgian Congo and his mother was part African American and Cherokee. His birth date has been given as July 4, July 10, and July 23, 1908, 1909,^[1] or 1910; the researchers Bob Eagle and Eric LeBlanc give July 4, 1910.

He was orphaned at the age of eight and sent to the Colored Waifs Home in New Orleans, an institution for orphaned or delinquent boys (about six years previously, Louis Armstrong had also been sent to the Home, after being arrested as a “dangerous and suspicious character”).^[3] Dupree taught himself to play the piano there and later apprenticed with Tuts Washington and Willie Hall,^[4][5] whom he called his father and from whom he learned “Junker’s Blues“. He was also a “spy boy” for the Yellow Pocahontas tribe of the Mardi Gras Indians. He soon began playing in barrelhouses and other drinking establishments.

Reflecting its origin as a remate to the soleares, the underlying form of bulerías is simple. Bulerías cantes consist of three or four eight-syllable lines, and there is great flexibility in the way artists choose to treat those three or four lines. The singer may give one or two compáses to each line, or they can stretch them out, decorating each syllable with melismatic flourishes, or repeating them for rhythmic or emotional effect.

​The guitarist follows the singer’s phrasing, underscoring the implied harmony, adding falsetas and maintaining the rhythmic pulse. Performing without a singer, a guitarist will string together a series of falsetas in a way that may imitate the form of letras.

A dancer will usually dance while the letra is being sung, and also dance between letras. A dancer can also dance during short breaks within the letras (a respira for the singer; a remate for the dancer). A dancer will use transitional phrases, including palmas en contra tiempo, remates and llamadas, and desplante llamadas to move from one section of the dance to another, cueing the musicians at each transition.

​

There are distinctive differences in dance styles for the bulerías depending on where and when the dance is performed. If it is a professional performance at a concert or theatrical show, the dancer will include 1 to 2 letras, add an escobilla, and perform an ornate traveling exit, the salida (also often called the cierre). If the dancer is performing bulerías at a flamenco party (juerga), small event, or with family and friends, the dance takes on a more personal touch that may or may not include all of the above named sections. See below for a more detailed description of each section of the dance.

https://www.youtube.com/watch?v=i1RI26jMFRU

Point your telescope toward the high flying constellation Pegasus and you can find this expanse of Milky Way stars and distant galaxies. NGC 7814 is centered in the pretty field of view that would almost be covered by a full moon. NGC 7814 is sometimes called the Little Sombrero for its resemblance to the brighter more famous M104, the Sombrero Galaxy. Both Sombrero and Little Sombrero are spiral galaxies seen edge-on, and both have extensive halos and central bulges cut by a thin disk with thinner dust lanes in silhouette. In fact, NGC 7814 is some 40 million light-years away and an estimated 60,000 light-years across. That actually makes the Little Sombrero about the same physical size as its better known namesake, appearing smaller and fainter only because it is farther away. In this telescopic view from July 17, NGC 7814 is hosting a newly discovered supernova, dominant immediately to the left of the galaxy’s core. Cataloged as SN 2021rhu, the stellar explosion has been identified as a Type Ia supernova, useful toward calibrating the distance scale of the universe.

Don Patterson (July 22, 1936, Columbus, Ohio – February 10, 1988, Philadelphia, Pennsylvania) was an American jazz organist.

Patterson played piano from childhood and was heavily influenced by Erroll Garner in his youth. In 1956, he switched to organ after hearing Jimmy Smith play the instrument. In the early 1960s, he began playing regularly with Sonny Stitt, and he began releasing material as a leader on Prestige Records from 1964 (with Pat Martino and Billy James as sidemen). His most commercially successful album was 1964’s Holiday Soul, which reached #85 on the Billboard 200 in 1967. Patterson’s troubles with drug addiction hobbled his career in the 1970s, during which he occasionally recorded for Muse Records and lived in Gary, Indiana. In the 1980s he moved to Philadelphia and made a small comeback, but his health deteriorated over the course of the decade, and he died there in 1988.

Herman “Junior” Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player.

Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook gained some fame for his longtime membership in the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tynerbig band.