mick laBriola

https://www.youtube.com/watch?v=i1RI26jMFRU

Point your telescope toward the high flying constellation Pegasus and you can find this expanse of Milky Way stars and distant galaxies. NGC 7814 is centered in the pretty field of view that would almost be covered by a full moon. NGC 7814 is sometimes called the Little Sombrero for its resemblance to the brighter more famous M104, the Sombrero Galaxy. Both Sombrero and Little Sombrero are spiral galaxies seen edge-on, and both have extensive halos and central bulges cut by a thin disk with thinner dust lanes in silhouette. In fact, NGC 7814 is some 40 million light-years away and an estimated 60,000 light-years across. That actually makes the Little Sombrero about the same physical size as its better known namesake, appearing smaller and fainter only because it is farther away. In this telescopic view from July 17, NGC 7814 is hosting a newly discovered supernova, dominant immediately to the left of the galaxy’s core. Cataloged as SN 2021rhu, the stellar explosion has been identified as a Type Ia supernova, useful toward calibrating the distance scale of the universe.

Don Patterson (July 22, 1936, Columbus, Ohio – February 10, 1988, Philadelphia, Pennsylvania) was an American jazz organist.

Patterson played piano from childhood and was heavily influenced by Erroll Garner in his youth. In 1956, he switched to organ after hearing Jimmy Smith play the instrument. In the early 1960s, he began playing regularly with Sonny Stitt, and he began releasing material as a leader on Prestige Records from 1964 (with Pat Martino and Billy James as sidemen). His most commercially successful album was 1964’s Holiday Soul, which reached #85 on the Billboard 200 in 1967. Patterson’s troubles with drug addiction hobbled his career in the 1970s, during which he occasionally recorded for Muse Records and lived in Gary, Indiana. In the 1980s he moved to Philadelphia and made a small comeback, but his health deteriorated over the course of the decade, and he died there in 1988.

Herman “Junior” Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player.

Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook gained some fame for his longtime membership in the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tynerbig band.

Plas John Johnson Jr. (born July 21, 1931) is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s “The Pink Panther Theme“. He also performs on alto and baritone sax as well as various flutes and clarinets.

Born in Donaldsonville, Louisiana, he sang with his family’s group until his saxophonist father bought him a soprano saxophone. Largely self-taught, he soon began playing alto and later tenor saxophone. He and his pianist brother Ray first recorded as the Johnson Brothers in New Orleans in the late 1940s, and Plas first toured with R&B singer Charles Brown in 1951. After army service, he and his brother moved to Los Angeles in 1954,and he soon began session recordings as a full-time musician, backing artists such as B.B. King and Johnny Otis as well as scores of other R&B performers. An early supporter was Maxwell Davis, who hired him to take over his own parts so that he could concentrate on producing sessions for the Modern record label.

Billy Taylor (July 24, 1921 – December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he founded in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America’s elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina.

Taylor was a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador. Critic Leonard Feather once said, “It is almost indisputable that Dr. Billy Taylor is the world’s foremost spokesman for jazz.”

Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.

https://www.youtube.com/watch?v=mdG9JSdlE-k

Thor’s Helmet, NGC 2359 is a hat-shaped cosmic cloud with wing-like appendages. Heroically sized even for a Norse god, Thor’s Helmet is about 30 light-years across. In fact, the cosmic head-covering is more like an interstellar bubble, blown with a fast wind from the bright, massive star near the bubble’s center. Known as a Wolf-Rayet star, the central star is an extremely hot giant thought to be in a brief, pre-supernova stage of evolution. NGC 2359 is located about 15,000 light-years away toward the constellation of the Great Overdog. This remarkably sharp image is a mixed cocktail of data from broadband and narrowband filters, capturing not only natural looking stars but details of the nebula’s filamentary structures. The star in the center of Thor’s Helmet is expected to explode in a spectacular supernova sometime within the next few thousand years.

Carlos Humberto Santana Barragán (born July 20, 1947) is a Mexican-American guitarist who rose to fame in the late 1960s and early 1970s with his band Santana, which pioneered a fusion of rock ‘n’ roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, Rolling Stone magazine listed him at No. 20 on their list of the 100 greatest guitarists. He has received 10 Grammy Awards and three Latin Grammy Awards, and was inducted along with his namesake band into the Rock and Roll Hall of Fame in 1998. Santana was born in Mexico on July 20, 1947. He learned to play the violin at age five and the guitar at age eight, under the tutelage of his father, who was a mariachi musician. His younger brother, Jorge, also became a professional guitarist. Santana was heavily influenced by Ritchie Valens at a time when there were very few Mexicans in American rock music. The family moved from Autlán to Tijuana, on the border with the U.S. They then moved to San Francisco, California, where his father had steady work. In October 1966, Santana started the Santana Blues Band. By 1968, the band had begun to incorporate different types of influences into their electric blues. Santana later said, “If I would go to some cat’s room, he’d be listening to Sly [Stone] and Jimi Hendrix; another guy to the Stones and the Beatles.

Charles Lacy Tyler (July 20, 1941 – June 27, 1992) was an American jazz baritone saxophonist. He also played alto saxophone and clarinet.

Tyler was born in Cadiz, Kentucky, and spent his childhood years in Indianapolis. He played piano as a child and clarinet at 7, before switching to alto in his early teens, and finally baritone saxophone. During the summers, he visited Chicago, New York City and Cleveland, Ohio, where he met the young tenor saxophonist Albert Ayler at age 14. After serving in the army from 1957–1959, Tyler relocated to Cleveland in 1960 and began playing with Ayler, commuting between New York and Cleveland. During that period played with Ornette Coleman and Sunny Murray.

In 1965 Tyler recorded Bells and Spirits Rejoice with Ayler’s group. He recorded his first album as leader the following year for ESP-Disk. He returned to Indianapolis to study with David Baker at Indiana University between 1967 and 1968, recording a second album for ESP, Eastern Man Alone. In 1968, he transferred to the University of California, Berkeley to study and teach. In Los Angeles, he worked with Arthur Blythe, Bobby Bradford, and David Murray.

Ernest Brooks Wilkins Jr. (July 20, 1919 – June 5, 1999) was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.

Wilkins was born in St. Louis, Missouri. In his early career he played in a military band, before joining Earl Hines‘s last big band. He worked with Count Basie from 1951 to 1955, eventually leaving to work free-lance as a jazz arranger and songwriter. His success declined in the 1960s, but revived after work with Clark Terry, leading to a tour of Europe.