mick laBriola

Milton Brent Buckner (July 10, 1915 – July 27, 1977) was an American jazz pianist and organist, who in the early 1950s popularized the Hammond organ. He pioneered the parallel chords style that influenced Red Garland, George Shearing, Bill Evans, and Oscar Peterson. Buckner’s brother, Ted Buckner, was a jazz saxophonist.

Milton Brent Buckner was born in St. Louis, Missouri. His parents encouraged him to learn to play piano, but they both died when he was nine years old. Milt and his younger brother Ted were sent to Detroit where they were adopted by members of the Earl Walton band:^[2] trombonist John Tobias, drummer George Robinson fostered Milt and reedplayer Fred Kewley (né Fred Cecil Kewley; 1889–1953) fostered Ted.^[4] Buckner studied piano for three years from the age 10, then at 15 began writing arrangements for the band, he and his brother going on to become active in the Detroit jazz world in the 1930s.

Charles Melvin “Cootie” Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter.

Born in Mobile, Alabama, Williams began his professional career at the age of fourteen with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he’d heard and he replied, “Cootie, cootie, cootie.”

In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. He rose to prominence as a member of Duke Ellington‘s orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his “jungle” style trumpet playing (in the manner of Ellington’s earlier trumpeter Bubber Miley and trombonist Joe “Tricky Sam” Nanton) and for his use of the plunger mute. He also sang occasionally. A notable instrumental feature being in the Ellington piece, “Echoes of the Jungle”. For him, Duke Ellington wrote ”Concerto for Cootie,” which when lyrics were added became “Do Nothing till You Hear from Me“. He was also the soloist in other Ellington compositions like ””Echoes of Harlem“”, “Harlem Air Shaft“, and the religious piece ”The Shepherd Who Watches Over the Night Flock,” which was dedicated to the Rev. John Gensel.

Blind Boy Fuller (born Fulton Allen, July 10, 1904 or 1907 – February 13, 1941) was an American blues guitarist and singer. Fuller was one of the most popular of the recorded Piedmont blues artists with rural African Americans along with Blind Blake, Josh White, and Buddy Moss.

Allen was born in Wadesboro, North Carolina, United States, one of ten children of Calvin Allen and Mary Jane Walker. Most sources date his birth to 1907, but the researchers Bob Eagle and Eric LeBlanc indicate 1904. After the death of his mother, he moved with his father to Rockingham, North Carolina. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, traditional songs and bluespopular in poor rural areas.

https://www.youtube.com/watch?v=ORFwmWd9TN4

https://www.youtube.com/watch?v=z4RSz4yaMQY&list=PLEB3LPVcGcWbHKyo-uy8CkVvebHEsluVK&index=67

John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008)  was an English drummer and child actor, who was best known for his work in the Jimi Hendrix Experience. He was inducted into the Modern Drummer Hall of Fame in 2009.

Mitchell was born in Ealing, Middlesex, to Phyliss C (née Preston) and Thomas J Mitchell on 9 July 1946 (although several modern sources have incorrectly claimed that he was born in 1947). As a teenager he starred in a children’s television programme, Jennings at School, and starred in a leading role in the 1960 British film Bottoms Up with Jimmy Edwards.

Frank Wright (9 July 1935 – 17 May 1990) was an American free jazz musician known for his frantic style of tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright “offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music.” According to AllMusic biographer Chris Kelsey, Wright “never recorded even a single record under his own name for a major label; he was ‘underground’ his entire career.” In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.

Wright was born in Grenada, Mississippi and grew up in Memphis, Tennessee and Cleveland, Ohio, where he began his musical career playing bass guitar, backing artists such as Rosco Gordon, Bobby “Blue” Bland, and B.B. King. He switched to tenor saxophone after meeting Albert Ayler in Cleveland, Ayler’s hometown. In 1964, Wright moved to New York City, where he played with Larry Young, Noah Howard, and Sunny Murray. He also sat in with John Coltrane and, in early 1965, was invited to participate in the recording of Ascension, but reportedly felt that his skills were not up to the demands of the music. (Later, however, Wright stated “what I do is countersigned by master John Coltrane who accepted me at this side by calling me ‘little brother’.”

Haydée Mercedes Sosa (Spanish pronunciation: [meɾˈseðes ˈsosa]; 9 July 1935 – 4 October 2009), sometimes known as La Negra (literally: ‘The Black One’), was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of La nueva canción. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the “voice of the voiceless ones”.

Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris and the Sistine Chapel in Vatican City, as well as sell-out shows in New York’s Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.

https://www.youtube.com/watch?v=brI6TFM0TrQ

Colin James Bailey (born 9 July 1934) is British-born American jazz drummer.

Born in Swindon, England in 1934, Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of two accordions, banjo and drums. He toured with Winifred Atwell from 1952-1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, with Monty Budwig on bass. This trio played with Jimmy Witherspoon, Ben Webster, and Gene Ammons for the Jazz Workshop in San Francisco.

Joseph Christopher Liggins, Jr. (born Theodro Elliott; July 9, 1916 – July 26, 1987) was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the Billboard magazine charts. The band’s biggest hit was “The Honeydripper“, released in 1945. Joe Liggins was the older brother of R&B performer Jimmy Liggins.

The son of Harriett and Elijah Elliott, he was born in Seminole, Oklahoma, and took his stepfather’s surname, Liggins, as a child. He apparently dropped the name Theodro and adopted the names Joseph Christopher during the 1930s. The family moved to San Diego in 1932. He graduated from Hoover High School, studied music at San Diego State College, and performed with local bands at clubs and Naval bases. He wrote arrangements on a freelance basis for Curtis Mosby’s Blue Blowers, and in 1935 Liggins joined the Creole Crusaders, which was led by the drummer Ellis Walsh.

https://www.youtube.com/watch?v=wfrp-8PEHm0

The seguiriya has a bleak character, something that translates into the presence of much complaining and little lyrics. In fact, one way to identify this flamenco style is to pay attention to the achievement of ‘ayes’ that it has.

This tragic element that the seguiriya possesses may be motivated by the belief that it is a style that comes from the plañideras, women who were hired to sing in the wake. Since it was a song of mourning, death is very present in the letters of this style.

It is a song that has the basic values ​​of what is known as the jondo and pure song. His lyrics are of pain, tragic, which reflects the suffering of human relationships, love and death.

From the musical aesthetics of the seguiriya, are inspired many flamenco styles such as dry styles songs (without guitar) or malagueñas, among others.

The origin of the seguiriya has been a real headache for musicologists, but they have come to determine that the metric of this style reverses the order of the compasses of the soleá, that is, 3×4 + 6×8.

Jai Johanny Johanson (born July 8, 1944), frequently known by the stage name Jaimoe, is an American drummer and percussionist. He is best known as one of the founding members of The Allman Brothers Band.

Johanson came up in the R&B world and began drumming at an early age, often accompanied by friend Lamar Williams on bass. Johanson backed soul singers, including a membership in Otis Redding‘s touring band in 1966, and afterward touring with the acclaimed soul duo, Sam & Dave. After joining up with Duane Allman in February 1969, he quickly became the first recruit into Allman’s new group, soon joined by bassist Berry Oakley, fellow drummer Butch Trucks, guitarist Dickey Betts and lastly Allman’s younger brother, singer, organist and pianist Gregg Allman. The group, quickly named after the brothers Allman, began recording demos that April in Macon, Georgia, which became the group’s home base.

Johnnie Clyde Johnson (July 8, 1924 – April 13, 2005) was an American pianist who played jazz, blues and rock and roll. His work with Chuck Berry led to his induction into the Rock and Roll Hall of Fame. He was posthumously awarded the Congressional Gold Medal for breaking racial barriers in the military, as he was a Montford Point Marine – where the African-American unit endured racism and inspired social change while integrating the previously all-white Marine Corps during World War II.

Johnson was born in Fairmont, West Virginia, United States. He began playing the piano in 1928. He joined the United States Marine Corps during World War II and became a member of Bobby Troup‘s all-serviceman jazz orchestra, the Barracudas. After his service, he moved to Detroit and then Chicago, where he sat in with many notable artists, including Muddy Waters and Little Walter.