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Messier 88 (also known as M88 or NGC 4501) is a spiral galaxy about 50 to 60 million light-years away from Earth in the constellation Coma Berenices. It was discovered by Charles Messier in 1781.
M88 is one of the fifteen Messier objects that belong to the nearby Virgo Cluster of galaxies. It is galaxy number 1401 in the Virgo Cluster Catalogue (VCC) of 2096 galaxies that are candidate members of the cluster. M88 appears to be on or ending a highly elliptical orbit, currently on an approximate or direct course toward the cluster center, which is occupied by the giant elliptical galaxy M87. It is currently 0.3 to 0.48 million parsecs from the center and will come closest to the core in about 200 to 300 million years. Its motion through the intergalactic medium of its cluster is creating, as expected, ram pressure that is stripping away the outer region of neutral hydrogen. To date, this has been detected along the western, leading edge of the galaxy.
more...Willis Robert “Billy” Drummond Jr. (born June 19, 1959) is an American jazz drummer. Billy Drummond was born in Newport News, Virginia, where he grew up listening to the extensive jazz record collection of his father, an amateur drummer and jazz enthusiast. He started playing the drums at four and was performing locally in his own band by the age of eight, and playing music with other kids in the neighborhood, including childhood friends, Roy Wooten, Reggie Wooten and Victor Wooten, who lived a few doors away and through whom he met Consuela Lee Moorehead, composer, arranger, music theory professor, and the founder of the Springtree/Snow Hill Institute for the Performing Arts. He attended Shenandoah College and Conservatory of Music on a Classical Percussion scholarship and, upon leaving school, became a member of a local Top 40 band called The Squares with bass phenom Oteil Burbridge.
In 1986, encouraged by Al Foster, who had invited him to sit in at the Village Vanguard and advised him to take the next step, he moved to New York and almost immediately joined the band, Out of the Blue, with whom he recorded their last album, Spiral Staircase (Blue Note Records). A year later, he joined the Horace Silver sextet, touring extensively with him before becoming a member of Sonny Rollins‘s band, with whom he toured for three years. During this period he also formed long-term musical associations with Joe Henderson, Bobby Hutcherson, Buster Williams, James Moody, JJ Johnson, Andrew Hill, and others.
https://www.youtube.com/watch?v=DDEAVoAqeT8
more...Ernest Ranglin OD (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggaewith percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.
Ernest Ranglin was born in Manchester, Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar. Initially a self-taught guitarist; he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.
more...Albert King (1912–1981), known as Bertie King, was a Jamaican jazz and mento musician. He played the clarinet and the saxophone. King was born in Panama, and raised in Kingston, where he attended Alpha Boys School.
During the 1930s he led his own band, Bertie King and his Rhythm Aces, described at the time as “Jamaica’s Foremost Dance Orchestra”. In 1936 he left for England, sailing on the same ship as his friend Jiver Hutchinson. In London he joined Ken Snakehips Johnson‘s West Indian Dance Band, and later played with Leslie Hutchinson’s band. He also worked with visiting American musicians including Benny Carter, George Shearing and Coleman Hawkins. In 1937 he recorded four sides in the Netherlands with Benny Carter, and in 1938 he recorded with Django Reinhardt in Paris. In 1939 he joined the Royal Navy. He left the Navy in 1943 and formed his own band, also working and recording with Nat Gonella.
King returned to Jamaica in 1951, where he started his own band, known as the Casa Blanca Orchestra, playing in the mento style. Since there were no Jamaican record labels at this time, he arranged for his recordings to be pressed in a plant in Lewisham, England, owned by Decca Records. He returned a number of times to England, working and recording with Kenny Baker, George Chisholm, Chris Barber, Kenny Graham and Humphrey Lyttelton, and also toured in Asia and Africa with his own band. During this period he also played and recorded in London with some of the leading Trinidadian calypsonians. He was noted for his impassive demeanour on stage, which belied an expressive playing style.
King led the Jamaica Broadcasting Corporation‘s house band in the 1950s; his sidemen included Ernest Ranglin and Tommy Mowatt. He recorded extensively with this outfit. In 1965 he moved to the USA. His last known public performance was at Jamaican Independence Day celebrations in New York City in 1967. He died in the USA in 1981.
more...Lester Raymond Flatt (June 19, 1914 – May 11, 1979) was an American bluegrass guitarist and mandolinist, best known for his collaboration with banjo picker Earl Scruggs in The Foggy Mountain Boys (popularly known as “Flatt and Scruggs”).
Flatt’s career spanned multiple decades, breaking out as a member of Bill Monroe‘s band during the 1940s and including multiple solo and collaboration works exclusive of Scruggs. He first reached a mainstream audience through his performance on “The Ballad of Jed Clampett“, the theme for the network television series The Beverly Hillbillies, in the early 1960s.
Flatt was born in Duncan’s Chapel, Overton County, Tennessee, to Nannie Mae Haney and Isaac Columbus Flatt. In 1943, he played mandolin and sang tenor in The Kentucky Pardners, the band of Bill Monroe‘s older brother Charlie. He first came to prominence as a member of Bill Monroe‘s Blue Grass Boys in 1945 and played a thumb-and-index guitar style that was in part derived from the playing of Charlie Monroe and Clyde Moody. In 1948, he started a band with fellow Monroe alumnus Earl Scruggs, and for the next 20 years, Flatt and Scruggs and the Foggy Mountain Boys were one of the most successful bands in bluegrass. When they parted ways in 1969, Flatt formed a new group, the Nashville Grass, hiring many of the Foggy Mountain Boys. He continued to record and perform with that group until his death in 1979. His role as rhythm guitarist and vocalist in each of these seminal ensembles helped define the sound of traditional bluegrass music. His solid guitar playing and rich lead voice are unmistakable in hundreds of bluegrass standards. He is also remembered for his library of compositions.
more...Marking this National Holiday today in History commemorating the EmancipationProclamation issued in 1865 finally!
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This image features a comet located in the outer reaches of the Solar System: comet C/2016 R2 (PANSTARRS). As its name suggests, the comet was discovered in 2016 by the Pan-STARRS telescopes in Hawai’i. The new image seen here was captured by a project based at ESO’s Paranal Observatory in Chile named the Search for habitable Planets EClipsing ULtra-cOOl Stars — or SPECULOOS for short. Comets are balls of dust, ice, gas and rock. When they pass close to the Sun, their ice warms up, turns to gas, and escapes in a process called “outgassing”. This process forms fuzzy envelopes around the comets’ nucleus, called comas, and distinctive tails. Observations from SPECULOOS show that the tail of C/2016 R2 (PANSTARRS) changes dramatically across a single night, making for a dynamic set of images. The image shown here, and accompanying frames in the time-lapse movie, comprise observations taken on 18 January 2018 during the test phase of SPECULOOS’s Callisto telescope, and were taken when the comet was 2.85 AU from the Sun (1 AU being the Earth-Sun distance) and travelling inwards. This comet is particularly exciting because of the rare compounds and molecules that scientists have detected in its coma: carbon monoxide and nitrogen ions. These compounds give the comet distinctive blue emission lines — so much so that it is nicknamed “the blue comet”. This shy comet only orbits the Sun once every 20 000 years, its most recent approach being in May 2018. This image was taken over a period of time as the telescope tracked the comet’s motion; the bright streaks of light in the background are faraway stars, but the comet and its gaseous coma are all in focus, a testament to the tracking power of SPECULOOS. Link: Movie showing changes in the comet’s tail
more...Sir James Paul McCartney CH MBE (born 18 June 1942) is an English singer, songwriter, musician, and record and film producer who gained worldwide fame as co-lead vocalist and bassist for the Beatles. His songwriting partnership with John Lennon remains the most successful in history.After the group disbanded in 1970, he pursued a solo career and formed the band Wings with his first wife, Linda, and Denny Laine.
A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper’s Lonely Hearts Club Band, he gradually became the Beatles’ de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs “And I Love Her” (1964), “Yesterday” (1965), “Eleanor Rigby” (1966) and “Blackbird” (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have topped the BillboardHot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he was one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
more...Don Francis Bowman “Sugarcane” Harris (June 18, 1938 – November 30, 1999) was an American rock and roll violinist and guitarist. He is considered a pioneer in the amplification of the violin.
Harris was born and raised in Pasadena, California. His parents were carnival entertainers. As a youth, he studied classical violin, and learned additional instruments including harmonica, piano and guitar.
Harris began performing with a doo-wop group, The Squires, which included his childhood friend, the pianist Dewey Terry. The Squires recorded for Vita Records. Harris performed in Little Richard‘s band in the 1960s.
more...Ahmad Jovdat Ismayil oglu Hajiyev (June 18, 1917 – January 18, 2002) was one of the major Azerbaijani composers of the Soviet period. He is remembered for his monumental orchestral works, having been the first Azerbaijani to compose a symphony (1936). He studied under Azerbaijan’s Founder of Composed Music, Uzeyir Hajibeyov and under Russian composer Dmitri Shostakovich.
Hajiyev was born in Shaki (then Nukha), a town in the foothills of the Caucasus Mountains in northwestern Azerbaijan. From an early age, he was deeply influenced by the traditional music of folk songs, ashug music (folk minstrel) and mugham (modal music).
In 1924, his family moved to Baku. In 1935, he enrolled in the theoretical composition faculty at Baku Conservatory, studying under Uzeyir Hajibeyovand the Latvian-born Leopold Rudolf, a student of Sergei Taneyev. The following year, Hajiyev composed his single movement “Symphony No. 1”, the first symphonic piece ever written by an Azerbaijani composer. This work enabled him to enter Moscow Conservatory in 1938. In Moscow, World War II interrupted his studies and he had to return to Baku.
more...Ray McKinley (June 18, 1910 – May 7, 1995) was an American jazz drummer, singer, and bandleader.
McKinley got his start at age 9 working with local bands in the Dallas–Fort Worth area. He left home when he was 15 and played with Milt Shaw’s Detroiters and the Smith Ballew and Duncan-Marin bands. His first substantial professional engagement came in 1934 with the Dorsey Brothers’ Orchestra. It was with the Smith Ballew band in 1929 that McKinley met Glenn Miller. The two formed a friendship that lasted from 1929 until Miller’s death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained.
The Dorsey brothers split in 1935, with McKinley remaining with Jimmy Dorsey until 1939, when he joined Will Bradley, becoming co-leader. McKinley’s biggest hit with Bradley, as a singer, was “Beat Me Daddy, Eight to the Bar“, which he recorded early in the year 1940 (and for which he got partial songwriting credit under his wife’s maiden name Eleanore Sheehy). McKinley is referred to as “Eight Beat Mack” in the lyrics to the song “Down the Road a Piece,” which he recorded as a trio with Will Bradley and Freddie Slack in 1940. This was the earliest recording of the song, which was written specifically for Bradley’s band by Don Raye.
more...Fandango is a lively couples dance originating from Portugal and Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by “variaciones”. Sung fandango usually follows the structure of “cante” that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.
The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in 6
8 time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. The earliest fandango melody is found in the anonymous “Libro de diferentes cifras de guitarra” from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Spanish priest. The fandango’s first sighting in a theatrical work was in Francisco de Leefadeal‘s entremés “El novio de la aldeana” staged in Seville, ca. 1720. By the late 18th century it had become fashionable among the aristocracy and was often included in tonadillas, zarzuelas, ballets and operas, not only in Spain, but also elsewhere in Europe.
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NGC 6888, also known as the Crescent Nebula, is a about 25 light-years across blown by winds from its central, bright, massive star. A triumvirate of astroimagers ( Joe, Glenn, Russell) created this sharp portrait of the cosmic bubble. Their telescopic collaboration collected over 30 hours of narrow band image data isolating light from hydrogen and oxygen atoms. The oxygen atoms produce the blue-green hue that seems to enshroud the detailed folds and filaments. Visible within the nebula, NGC 6888’s central star is classified as a Wolf-Rayet star (WR 136). The star is shedding its outer envelope in a strong stellar wind, ejecting the equivalent of the Sun’s mass every 10,000 years. The nebula’s complex structures are likely the result of this strong wind interacting with material ejected in an earlier phase. Burning fuel at a prodigious rate and near the end of its stellar life this star should ultimately go out with a bang in a spectacular supernova explosion. Found in the nebula rich constellation Cygnus, NGC 6888 is about 5,000 light-years away.
more...Dobet Gnahoré (born June 17, 1982) is a singer from Côte d’Ivoire. The daughter of percussionist Boni Gnahoré, she plays with the group Na Afriki, consisting mainly of French and Tunisian musicians, who accompany her with the guitar, sanza, the balafon, the calebasse and bongos. Due to the civil war, she moved to France in 1999. In 2004, Gnahoré released her debut album Ano Neko. In 2006. She was a nominee at the World music (Awards) for Newcomer and shared an award for Best Urban/Alternative Performance with India.Arie at the 52nd Grammy Awards.
A self-taught musician, who incorporates elements of song, dance, percussion and theatre into her repertoire, she is the daughter of percussionist Boni Gnahoré, who performs with her and the sister of kiff no beat band member Black k. She settled in Marseille in 1999 due to the civil war.
more...Charles Walter Rainey III (born June 17, 1940 in Cleveland, Ohio, United States) is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones.
By the 1970s he had played with Jerome Richardson, Grady Tate, Mose Allison, Gato Barbieri, and Gene Ammons, as well as with Eddie Vinson at the 1971 Montreux Festival.
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