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Roosevelt “Baby Face” Willette (September 11, 1933 – April 1, 1971) was an American hard bop and soul-jazz musician who played the Hammond organ.
He was born Roosevelt James Willett (no “e”), in Little Rock, Arkansas, in 1933 according to researchers Bob Eagle and Eric LeBlanc, though other sources state 1934 or 1937. According to the liner notes on his first Blue Note album, Grant’s First Stand, Willette was born in New Orleans.
His mother was a missionary who played the piano in the church where his father was a minister. As a result, his musical roots were in gospel. Willette became involved in music by playing the piano for various gospel groups, and accompanied his sisters Dorothy and Georgia, who toured and recorded as the Willett Sisters. He spent his early career travelling across the United States, Canada and Cuba, as pianist with the bands of King Kolax, Joe Houston, Johnny Otis and Big Jay McNeely, among others.
He made his first recording as Baby Face Willette (“Wake Up, Get Out” b/w “Cool Blues”) in Los Angeles in 1952, but soon moved to Chicago and married. He recorded tracks including “Can’t Keep From Lovin’ You” and “Why” for Vee-Jay Records that year, but they were not released until late 1955. He played in both rhythm and blues and jazz bands, playing piano before switching to organ around 1958. His organ playing was inspired by Jimmy Smith‘s work, though Willette’s style is more heavily influenced by gospel, blues and soul jazz than Smith’s. Willette was also a professional hairdresser. Before his time in New York City, he was based out of Milwaukee, playing with his vocalist wife Jo Gibson at clubs such as The Flame Club, The Pelican Club, The Moonglow and Max’s among others.
more...The subject of this Hubble Picture of the Week is a spiral galaxy in the constellation Virgo named NGC 5668. It is relatively near to us at 90 million light-years from Earth and quite accessible for astronomers to study with both space- and ground-based telescopes. At first blush, it doesn’t seem like a remarkable galaxy. It is around 90 000 light-years across, similar in size and mass to our own Milky Way galaxy, and its orientation nearly face-on to us shows open spiral arms made of cloudy, irregular patches.
One noticeable difference between the Milky Way galaxy and NGC 5668 is that this galaxy is forming new stars 60% more quickly. This fact belies a galaxy with churning clouds and flows of gas, inclement weather that forms excellent conditions for the formation of new stars! Two main drivers of star formation have been identified by astronomers. Firstly, this high-quality Hubble snapshot reveals a bar at the centre; it might look more like a slight oval shape than a real bar, but it appears to have impacted the galaxy’s star formation rate, as central bars do in many spiral galaxies. Secondly, high-velocity clouds of hydrogen gas have been tracked moving vertically between the disc of the galaxy and the spherical, faint halo which surrounds it. These can be produced by the strong stellar winds of hot, massive stars, and they contribute gas to new star-forming regions.
The enhanced star formation rate in NGC 5668 comes with a corresponding abundance of supernova explosions. Three have been spotted in the galaxy, in 1952, 1954 and 2004. In this image, Hubble was used to examine the surroundings of the Type II SN 2004G, seeking to study the kinds of stars that end their lives as this kind of supernova.
more...Roy James Brown (September 10, 1920 or 1925 – May 25, 1981) was an American blues singer who had a significant influence on the early development of rock and roll and the direction of R&B. His original song and hit recording “Good Rockin’ Tonight” has been covered by many artists including Wynonie Harris, Elvis Presley, Bruce Springsteen, Paul McCartney, Joe Ely, Ricky Nelson, Jerry Lee Lewis, Pat Boone, James Brown, the Doors, and the rock group Montrose. Brown was one of the first popular R&B singers to perform songs with a gospel-steeped delivery, which was then considered taboo by many churches. In addition, his melismatic, pleading vocal style influenced notable artists such as B.B. King, Bobby Bland, Elvis Presley, Jackie Wilson, James Brown and Little Richard.
more...José Montserrate Feliciano García ( born September 10, 1945) is a Puerto Rican musician. He recorded many international hits, including his rendition of the Doors‘ “Light My Fire” and his self-penned Christmas song“Feliz Navidad“. Music genres he explores consist of fusion of many styles, such as Latin, blues, jazz, soul and rock music, created primarily with the help of his signature acoustic guitar sound.
In the United States, Feliciano became popular in the 1960s, particularly after his 1968 album Feliciano! reached number 2 on the music charts. Since then in his career, he released over 50 albums worldwide in both English and Spanish language.
more...Herman Davis “Dave” Burrell (born September 10, 1940) is an American jazzpianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
Born in Middletown, Ohio, United States, Burrell grew fond of jazz at a young age after meeting Herb Jeffries. Burrell studied music at the University of Hawaii from 1958 to 1960, then, beginning in 1961, attended the Berklee College of Music in Boston, graduating with degrees in composition/arranging and performance in 1965.While in Boston, he played with Tony Williams and Sam Rivers.
In 1965, Burrell moved to New York City, where he worked and recorded with Grachan Moncur III, Marion Brown, and Pharoah Sanders. He also started the Untraditional Jazz Improvisational Team with saxophonist Byard Lancaster, bassist Sirone, and drummer Bobby Kapp. In 1968, Burrell co-founded The 360 Degree Music Experiencewith Grachan Moncur III and Beaver Harris and recorded two albums with the group. The following year, Burrell began an association with Archie Shepp, with whom he would play the 1969 Pan-African Festival in Algiers, and with whom he would go on to record nearly twenty albums.
more...International music icon, Sergio Mendes dead after battling long-term COVID
Music legend Sergio Mendes died Thursday September 5th 2024 after battling the side effects of long-term COVID-19 over the last several months. He was 83. Mendes died in Los Angeles with his wife and musical partner for the past 54 years, Gracinha Leporace Mendes by his side, along with their loving children, according to a post made on the singer’s Instagram. The musician was known as being “one of the most internationally successful Brazilian artists of all time,” according to the post. He recorded more than 35 albums many of which became gold or platinum. “Mendes, a three-time Grammy Award winner and Oscar nominee, leaves us with an incredible musical legacy from more than six decades of a unique sound …,” the post read. His last performance was in November 2023, when his concerts sold out in Paris, London and Barcelona. NPR reported in 2020 that Mendes helped initiate the bossa nova movement and enhanced the popularity of Brazilian music through his band, Brazil ‘66. Fans might be most familiar with the artist’s top song on Spotify, “Mas Que Nada” which has nearly 23 million views on the app. Overall, Mendes has 5.6 million monthly listeners. Antonio Jobim, a Brazilian composer who worked with Mendes on an album in 1976 responded to the announcement of Mendes’ death on Instagram. “Thanks for everything Sergio Mendes,” the composer said. Mendes was born in Niterói, Rio de Janeiro’s sister city, and studied classical music at a conservatory before joining jazz groups. In the late 1950s and early 1960s, he began playing Bossa Nova as the genre was heating up in Rio’s nightclub scene with Antonio Carlos Jobim, João Gilberto and others. In 1962, they traveled to New York for a Bossa Nova festival at Carnegie Hall. During the trip, Cannonball Adderley invited Mendes to collaborate on the album “Cannonball Adderley and The Bossa Rio Sextet,” leading to his first American record, “The Swinger from Rio,” after signing with Atlantic Records.
more...The Hydra I cluster, which contains hundreds of galaxies. Each has its own quirks and history — but today, we focus on the story behind the leaky galaxy NGC 3312, which is the largest spiral galaxy known in the cluster.
This spiral galaxy, right at the centre of this image, looks almost smudged across the screen, spilling its contents into the cosmos around it. This is NGC 3312, falling victim to an astrophysical robbery: ram pressure stripping.
This happens when a galaxy moves through a dense fluid, like the hot gas suspended between galaxies in a cluster. This hot gas drags against the colder gas on the outer shell of the galaxy, ‘pulling’ it off of the galaxy and causing it to leak into the cosmos. This cold gas is the raw material out of which stars form, meaning galaxies losing gas this way risk a dwindling stellar population. Affected galaxies — usually those falling into the centre of clusters — tend to eventually form long tendrils of gas trailing behind them, leading to their nickname: jellyfish galaxies.
more...Bruce Palmer (September 9, 1946 – October 1, 2004) was a Canadian musician best known as the bassist in the folk rock band Buffalo Springfield, who were inducted into the Rock and Roll Hall of Fame in 1997.
Palmer was born in Liverpool, Nova Scotia, later moving with his family to Toronto, Ontario, where in the early 1960s he began pursuing a musical career. He started out playing with Robbie Lane and the Disciples, then graduated to a local, otherwise all-black group fronted by Billy Clarkson. Next came British invasion-inspired Jack London & The Sparrows (which, after Palmer left, evolved into Steppenwolf). In early 1965 he left to join The Mynah Birds where he first met Neil Young who was playing lead guitar in the band. The Mynah Birds, fronted by future funk legend Rick James, had a bright future and were signed to the prestigious Motown Records to do some demo recordingsbefore it was discovered that James was actually in Toronto to avoid serving in Vietnam with the United States Navy, from which he had gone AWOL. A planned single, “It’s My Time” b/w “Go On and Cry”, was withdrawn just prior to its scheduled release by Motown. Both sides of this single were included in the 2006 box set “The Complete Motown Singles, Vol. 6: 1966”, released in a limited edition of 6000 by Universal label Hip-O-Select, marking the first time any of the 1966 Motown recordings by the Mynah Birds had seen the light of day.
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Hoyt Stoddard Curtin (September 9, 1922 – December 3, 2000) was an American composer and music producer, the primary musical director for the Hanna-Barberaanimation studio from its beginnings with The Ruff & Reddy Show in 1957 until his retirement in 1989, except from 1965 to 1972, when the primary music director was Ted Nichols. Curtin was a native of Downey, California, and had one son, Chris, with his wife Elizabeth.
In the 1950s Curtin was an in-demand composer for TV commercials. He first met William Hanna and Joseph Barbera when he worked on a Schlitz beer commercial they were producing for MGM in 1957.
more...Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the “King of Soul“, Redding’s style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Redding was born in Dawson, Georgia, and his family soon moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard‘s backing band, the Upsetters, and performing in talent shows at Macon’s historic Douglass Theatre. In 1958, he joined Johnny Jenkins‘s band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Staxrecording session led to a contract and his first hit single, “These Arms of Mine“, in 1962.
Stax released Redding’s debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small shows in the American South. Redding later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. In 1967, he performed at the Monterey Pop Festival.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic “(Sittin’ On) The Dock of the Bay” with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding’s premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including two Grammy Awards, the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame, the Black Music & Entertainment Walk of Fame, and the Songwriters Hall of Fame. In addition to “(Sittin’ On) The Dock of the Bay”, some of his best-known songs include “Respect” and “Try a Little Tenderness“.
more...Elvin Ray Jones (September 9, 1927 – May 18, 2004 Pontiac, MI) was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane‘s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones “one of the most influential drummers in the history of jazz”. He was also ranked at Number 23 on Rolling Stone magazine’s “100 Greatest Drummers of All Time”.
more...The most distant object easily visible to the unaided eye is M31, the great Andromeda Galaxy. Even at some two and a half million light-years distant, this immense spiral galaxy — spanning over 200,000 light years — is visible, although as a faint, nebulous cloud in the constellation Andromeda. A bright yellow nucleus, dark winding dust lanes, and expansive spiral arms dotted with blue star clusters and red nebulae, are recorded in this stunning telescopic image which combines data from orbiting Hubble with ground-based images from Subaru and Mayall. In only about 5 billion years, the Andromeda galaxy may be even easier to see — as it will likely span the entire night sky — just before it merges with, or passes right by, our Milky Way Galaxy.
more...Ronald Charles McKernan (September 8, 1945 – March 8, 1973), known as Pigpen, was an American musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972.
McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father’s collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia. After the pair had played in various folk and jug bands, McKernan suggested they form an electric group, which became the Grateful Dead. He was the band’s original frontman and played harmonica and electric organ, but Garcia and bassist Phil Lesh‘s influences on the band became increasingly stronger as they embraced psychedelic rock. McKernan struggled to keep up with the changing music, causing the group to hire keyboardist Tom Constanten, with McKernan’s contributions essentially limited to vocals, harmonica, and percussion from November 1968 to January 1970. He continued to be a frontman in concert for some numbers, including his interpretations of Bobby Bland‘s “Turn On Your Love Light” and the Rascals‘ “Good Lovin’“.
Unlike the other members of the Grateful Dead, McKernan avoided psychedelic drugs, preferring to drink alcohol (namely whiskey and flavored fortified wine). By 1971, his health had been affected by alcoholism and liver damage and doctors advised him to stop touring. Following a hiatus, he resumed touring with the group in December 1971 but was forced to retire from touring altogether in June 1972. McKernan was found dead of a gastrointestinal hemorrhage on March 8, 1973, aged 27, and is buried at Alta Mesa Memorial Park in Palo Alto.
more...David William Kearney (September 8, 1934 – April 20, 2022), known as Guitar Shorty, was an American blues guitarist, singer, and songwriter. He was known for his explosive guitar style and wild stage antics. Credited with influencing both Jimi Hendrixand Buddy Guy, Guitar Shorty recorded and toured from the 1950s until the 2020s. In 2017, Billboard magazine said, “his galvanizing guitar work defines modern, top-of-the-line blues-rock. His vocals remain as forceful as ever. Righteous shuffles…blistering, sinuous guitar solos.” Shorty was born in either Houston, Texas, or Loughman, Florida. He grew up mainly in Kissimmee, Florida. He was taught by his uncle to play the guitar at an early age, and began leading a band not long after. During his time in Tampa Bay, Florida, at age 16 he received his nickname, Guitar Shorty, when it mysteriously showed up on the marquee of the club he was playing as ‘The Walter Johnson Band featuring Guitar Shorty.’ He steadily began to garner accolades from his peers and, soon after, he joined the Ray Charles Band for a year. He recorded his first single in 1957, “You Don’t Treat Me Right”, for the Cobra label under the direction of Willie Dixon, after Dixon saw him playing with the Walter Johnson Orchestra.
While in New Orleans, Shorty also fronted his own band which played regularly at the Dew Drop Inn where he was joined by special guests such as T-Bone Walker, Big Joe Turner and Little Richard. Not one to stay in one place long, Shorty next moved to the West Coast at 19 to play with Sam Cooke. He played up and down the west coast and Canada until he met his future wife, Marsha or Marcia, in Seattle, Washington.Marsha was the step-sister of Jimi Hendrix. Hendrix was so enthralled with Shorty’s playing, he went AWOL several times from his Army base to see him perform. Shorty introduced Hendrix to the wah pedal and loaned him one when Hendrix could not afford to buy his own. Shorty married Marsha in 1962 and they separated in 1970.
more...Charles “Specs” Wright (September 8, 1927 – February 6, 1963) was an American jazz drummer born in Philadelphia.
Wright played drums in an Army band until his discharge in 1947. Following this he played in a group with Jimmy Heath and Howard McGhee. In 1949 he joined Dizzy Gillespie‘s band alongside John Coltrane, remaining until it disbanded in mid-1950. Later in 1950 he was a member of Gillespie’s sextet with Coltrane, Jimmy Heath, Percy Heath, and Milt Jackson. In the 1950s, Wright played with Earl Bostic, Kenny Drew, Cannonball Adderley, Art Blakey, and Carmen McRae, and gigged locally in Philadelphia. He was with Hank Mobley in 1958 with his septet alongside Billy Root, Curtis Fuller, Ray Bryant, Tommy Bryant, and Lee Morgan. Following this Wright played with Sonny Rollins, Betty Carter, Red Garland, Coleman Hawkins, and Lambert, Hendricks and Ross. He died in 1963. He was interred in Beverly National Cemetery in Beverly, New Jersey.
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