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Golden “Big” Wheeler (December 15, 1929 – July 20, 1998) was an American Chicago blues and electric blues singer, harmonicist and songwriter. He released two albums in his lifetime and is best known for his recordings of the songs “Damn Good Mojo” and “Bone Orchard”. He worked with the Ice Cream Men and Jimmy Johnson. He was the brother of the blues musician James Wheeler.
He was born Golden Wheeler in Baconton, Georgia. He left Georgia in 1941 and settled in Chicago, Illinois, in July 1954, where he befriended Little Walter. His enthusiasm for playing the harmonica began when he was working as a taxicab driver. One of his regular customers was the harmonica player Buster Brown, who later had a hit record with “Fannie Mae“, in 1960. Wheeler fronted his own band by 1956, although he was a part-time musician, working for years as an auto mechanic to supplement his income and provide for his family.
more...Curtis DuBois Fuller (December 15, 1932 – May 8, 2021 Detroit, MI) was an American jazz trombonist. He was a member of Art Blakey‘s Jazz Messengers and contributed to many classic jazz recordings.
Fuller joined the U.S. Army in 1953 to fight in the Korean War. He served until 1955, and played in an army band with Chambers and brothers Cannonball and Nat Adderley. Upon his return from military service, Fuller joined the quintet of Yusef Lateef, another Detroit musician. The quintet moved to New York in 1957, and Fuller recorded his first sessions as a leader with Prestige Records.
Alfred Lion of Blue Note Records first heard Fuller playing with Miles Davis in the late 1950s. Fuller led four dates for Blue Note, though one of these, an album with Slide Hampton, was not issued for many years. Lion featured Fuller as a sideman on record dates led by Sonny Clark (Dial “S” for Sonny, Sonny’s Crib) and John Coltrane (Blue Train). Other sideman appearances over the next decade included album work under the leadership of Bud Powell, Jimmy Smith, Wayne Shorter, Lee Morgan and Joe Henderson (a former roommate at Wayne State University in 1956).
Fuller was the first trombonist to be part of the Art Farmer–Benny Golson Jazztet. In 1961, he became the sixth member of Art Blakey‘s Jazz Messengers and stayed with Blakey until 1965. In the early 1960s, Fuller recorded two albums as a leader for Impulse! Records, having also recorded for Savoy Records, United Artists, and Epic after his obligations to Blue Note had ended. In the late 1960s, he was part of Dizzy Gillespie‘s band that also featured Foster Elliott. Fuller went on tour with Count Basie and also reunited with Blakey and Golson.
more...Barry Doyle Harris (December 15, 1929 – December 8, 2021 Detroit, MI) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style.Influenced by Thelonious Monk and Bud Powell, Harris in turn influenced and mentored bebop musicians including Donald Byrd, Paul Chambers, Curtis Fuller, Joe Henderson, Charles McPherson, and Michael Weiss.
Harris performed with Cannonball Adderley‘s quintet and on television with them. After moving to New York City, he worked as an educator and performed with Dexter Gordon, Illinois Jacquet, Yusef Lateef and Hank Mobley. Harris was a sideman on Lee Morgan’s famous album The Sidewinder and returned to recording as leader following his move to New York.
more...This deep-sky image showcases NGC 7727, a stunning interacting galaxy located approximately 89 million light-years away in the constellation Aquarius. Captured from the pristine skies of Obstech Observatory, Chile, this image reveals the intricate tidal streams and fine details of this galactic merger.
Using a PlaneWave CDK 17 telescope, I aimed to highlight the complex structure of NGC 7727, including its disrupted spiral arms and faint outer halo. The extended exposure time allowed for the capture of subtle details, emphasizing the gravitational dance of the two merging galaxies and the stars being drawn out into the surrounding space. This deep capture not only illustrates the beauty of cosmic interactions but also serves as a reminder of the dynamic and ever-changing universe.
more...Christopher William Parkening (born December 14, 1947 LA, CA) is an American classical guitarist. He holds the Chair of Classical Guitar at Pepperdine University under the title Distinguished Professor of Music. Parkening has recorded over 20 albums for Angel and EMI Classics. He has been nominated twice for a Grammy Award. Notable recordings include Parkening Plays Vivaldi featuring a selection of Baroque concertos, Pleasures of Their Company with soprano Kathleen Battle, produced by Patti Laursen and nominated for the 1986 Classical Record of the Year Grammy Award as well as the world premiere recording of Peter Warlock‘s Capriol Suite with the Academy of St. Martin in the Fields.
more...Phineas Newborn Jr. (December 14, 1931 – May 26, 1989 Whiteville, TN) was an American jazzpianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell. Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvin on guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records). Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvin on guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records).
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Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazzbaritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespieand Randy Weston, in addition to his solo work as bandleader. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on “Ow!” and “Stay On It”. In the early 1950s, he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York City and frequently performed during this period with Randy Weston, whom Payne worked with until 1960. Payne was still recording regularly for Delmark Records in the 1990s, when he was in his 70s, and indeed on into the new millennium.
more...Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015 St Louis, MO) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.
He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.
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An intriguing pair of interacting galaxies, M51 is the 51st entry in Charles Messier’s famous catalog. Perhaps the original spiral nebula, the large galaxy with whirlpool-like spiral structure seen nearly face-on is also cataloged as NGC 5194. Its spiral arms and dust lanes sweep in front of its smaller companion galaxy, NGC 5195. Some 31 million light-years distant, within the boundaries of the well-trained constellation Canes Venatici, M51 looks faint and fuzzy to the eye in direct telescopic views. But this remarkably deep imageshows off stunning details of the galaxy pair’s striking colors and fainter tidal streams. The image includes extensive narrowband data to highlight a vast reddish cloud of ionized hydrogen gas recently discovered in the M51 system and known to some as the H-alpha cliffs. Foreground dust clouds in the Milky Way and distant background galaxies are captured in the wide-field view. A continuing collaboration of astro-imagers using telescopes on planet Earth assembled over 3 weeks of exposure time to create this evolving portrait of M51.
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Joseph Lucian Messina (December 13, 1928 – April 4, 2022) was an American guitarist. Dubbed the “white brother with soul“, he was one of the most prolific guitarists in Motown Records‘ in-house studio band, the Funk Brothers.
Messina was born in Detroit on December 13, 1928. He started playing the guitarwhen he was thirteen, after his father purchased one for him. Messina initially attended Central High School in his hometown, before studying music at Cass Technical High School. He eventually dropped out to focus on becoming a professional musician.
Messina first played in jazz clubs in Detroit starting in the late 1940s. By his mid-twenties, he was playing in the ABC Television studio band, accompanying such guests as Sonny Stitt, Charlie Parker, Stan Getz, Jack Teagarden, Lee Konitz, Jimmy Giuffre, Pepper Adams, Donald Byrd, Frank Rosolino, and Dizzy Gillespie. Also while at ABC, Messina played on The Soupy Sales Show, alongside guests such as Miles Davis and Charlie Parker.
more...Benjamin M. Tucker (December 13, 1930 – June 4, 2013) was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.
He was born in Tennessee. As bass player in the Dave Bailey Quintet in 1961, he wrote the instrumental version of the song “Comin’ Home Baby!“, first issued on the album Two Feet in the Gutter. Bob Dorough later wrote a lyric to the song, and the vocal version became a Top 40 hit for jazz singer Mel Tormé in 1962.
Tucker released the album Baby, You Should Know It (Ava, 1963) with Victor Feldman, Larry Bunker, Bobby Thomas, Ray Crawford, Tommy Tedesco, and Carlos “Patato” Valdes.
By 1972, Tucker owned two radio stations, WSOK-AM, which had over 400,000 listeners, and WLVH-FM. Both of these were located in his hometown of Savannah, Georgia. During the 1990s he owned a jazz bar in Savannah called Hard Hearted Hannah’s.
He died in a traffic collision in Hutchinson Island, Georgia, on June 4, 2013.
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