mick laBriola

Featured in this NASA/ESA Hubble Space Telescope Picture of the Week is the spiral galaxy NGC 2566, which sits 76 million light-years away in the constellation Puppis. A prominent bar of stars stretches across the centre of this galaxy, and spiral arms emerge from each end of the bar. Because NGC 2566 appears tilted from our perspective, its disc takes on an almond shape, giving the galaxy the appearance of a cosmic eye.

As NGC 2566 gazes at us, astronomers gaze right back, using Hubble to survey the galaxy’s star clusters and star-forming regions. The Hubble data are especially valuable for studying stars that are just a few million years old; these stars are bright at the ultraviolet and visible wavelengths to which Hubble is sensitive. Using these data, researchers will measure the ages of NGC 2566’s stars, helping to piece together the timeline of the galaxy’s star formation and the exchange of gas between star-forming clouds and stars themselves.

Several other astronomical observatories have examined NGC 2566, including the NASA/ESA/CSA James Webb Space Telescope. The Webb data complement this Hubble image, adding a view of NGC 2566’s warm, glowing dust to Hubble’s stellar portrait. At the long-wavelength end of the electromagnetic spectrum, NGC 2566 has also been observed by the Atacama Large Millimeter/submillimeter Array (ALMA). ALMA is a network of 66 radio telescopes that work together as one to capture detailed images of the clouds of gas in which stars form. Together, Hubble, Webb and ALMA provide an overview of the formation, lives and deaths of stars in galaxies across the Universe.

[Image Description: An oval-shaped spiral galaxy. Its core is a compact, glowing blue spot. A bright bar of light, lined with dark reddish dust, extends horizontally to the edge of the disc. A spiral arm emerges from each end of the bar and follows the edge of the disc, lined with blue and red glowing patches of stars, to the opposite end and a little off the galaxy. Blue stars are scattered between us and the galaxy.]

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. Under Neefe’s tutelage in 1783, he published his first work, a set of keyboard variations. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronised by Karl Alois, Prince Lichnowskyfor compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.

Beethoven’s first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his advancing deafness during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concertoappeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1815, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown “Immortal Beloved” (1812).

After 1810, increasingly less socially involved as his hearing loss worsened, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, the first major example of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After several months of illness, which left him bedridden, he died on 26 March 1827 at the age of 56.

John Laird Abercrombie (December 16, 1944 – August 22, 2017 Port Chester, NY) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.

He took guitar lessons at the age of ten, asking his teacher to show him what Barney Kessel was playing. After high school, he attended Berklee College of Music. At Berklee, he was drawn to the music of Jim Hall, the 1962 album The Bridge by Sonny Rollins, and Wes Montgomery on his albums The Wes Montgomery Trio (1959) and Boss Guitar (1963). He cites George Benson and Pat Martino as inspirations. He often played with other students at Paul’s Mall, a jazz club in Boston connected to a larger club, Jazz Workshop. Appearing at Paul’s Mall led to meetings with Michael Brecker, Randy Brecker, and organist Johnny Hammond Smith, who invited him to go on tour.

Abercrombie graduated from Berklee in 1967 and attended North Texas State University before moving to New York City in 1969. Before becoming a popular session musician, he joined Monty Stark’s band, Stark Reality, in 1969 and recorded several sides including Stark Reality Discovers Hoagy Carmichael’s Music Shop. Abercrombie went on to record with Gato Barbieri in 1971, Barry Miles in 1972, and Gil Evans in 1974. In 1969 he joined the Brecker Brothers in the jazz-rock fusion band Dreams. He continued to play fusion in Billy Cobham‘s band, but found that he disliked its focus on rock over jazz. Nonetheless his reputation grew with the popularity of both Cobham and Dreams. The band shared billing with such acts as the Doobie Brothers, but Abercrombie found his career taking an unwanted direction. “One night we appeared at the Spectrum in Philadelphia and I thought, ‘What am I doing here?’ It just didn’t computer.

Zakir Hussain Death: Tabla maestro Zakir Hussain has died aged 73. The four-time Grammy winner was admitted to a hospital in San Franciso, California for the last two weeks after he complained of heart-related ailments. Flautist Rakesh Chaurasia had confirmed that his condition was critical. Reports have now surfaced that he is no more.

When we meditate, our soul comes in contact with the vibrating principle of God, the current of Light and Sound.” – Sant Rajinder Singh

NGC 1569 is a dwarf irregular galaxy in Camelopardalis. The galaxy is relatively nearby and consequently, the Hubble Space Telescope can easily resolve the stars within the galaxy. The distance to the galaxy was previously believed to be only 2.4 Mpc (7.8 Mly). However, in 2008 scientists studying images from Hubble calculated the galaxy’s distance at nearly 11 million light-years away, about 4 million light-years farther than previously thought, meaning it is a member of the IC 342 group of galaxies.

Curtis DuBois Fuller (December 15, 1932 – May 8, 2021 Detroit, MI) was an American jazz trombonist. He was a member of Art Blakey‘s Jazz Messengers and contributed to many classic jazz recordings.

Fuller joined the U.S. Army in 1953 to fight in the Korean War. He served until 1955, and played in an army band with Chambers and brothers Cannonball and Nat Adderley. Upon his return from military service, Fuller joined the quintet of Yusef Lateef, another Detroit musician. The quintet moved to New York in 1957, and Fuller recorded his first sessions as a leader with Prestige Records.

Alfred Lion of Blue Note Records first heard Fuller playing with Miles Davis in the late 1950s. Fuller led four dates for Blue Note, though one of these, an album with Slide Hampton, was not issued for many years. Lion featured Fuller as a sideman on record dates led by Sonny Clark (Dial “S” for Sonny, Sonny’s Crib) and John Coltrane (Blue Train). Other sideman appearances over the next decade included album work under the leadership of Bud Powell, Jimmy Smith, Wayne Shorter, Lee Morgan and Joe Henderson (a former roommate at Wayne State University in 1956).

Fuller was the first trombonist to be part of the Art Farmer–Benny Golson Jazztet. In 1961, he became the sixth member of Art Blakey‘s Jazz Messengers and stayed with Blakey until 1965. In the early 1960s, Fuller recorded two albums as a leader for Impulse! Records, having also recorded for Savoy Records, United Artists, and Epic after his obligations to Blue Note had ended. In the late 1960s, he was part of Dizzy Gillespie‘s band that also featured Foster Elliott. Fuller went on tour with Count Basie and also reunited with Blakey and Golson.