mick laBriola

Tientos, a slow cante jondo music and dance in a four-count rhythm, was first developed by the singer Enrique el Mellizo (1848 -1906) as an expressive variation of the Tangos. Poet Federico García Lorca considered the Tientos to be almost liturgical in its solemnity. Traditional Tientos lyrics – letras – set a dark mood, and have to do with loss, unrequited love, imprisionment, longing for freedom and other serious messages. Dancers strive to capture this mood in their solos. The most notable aspect of the slow Tientos tempo is the beat structure. Where the first beat in Tangos is subdued, it is strongly emphasized in the Tientos, as is the “and” of the second beat.

Thurston Harris (July 11, 1931 – April 14, 1990) was an American singer and songwriter, best known for his 1957 hit “Little Bitty Pretty One“. Harris first appeared on record in 1953. He was the vocalist for South Central Los Angeles R&B band the Lamplighters. He remained with the band as it evolved through several name changes, from the Tenderfoots to the Sharps. In 1954, the Lamplighters appeared at the Tenth Cavalcade of Jazz concert at Wrigley Field in Los Angeles produced by Leon Hefflin Sr. alongside Count Basie, Louis Jordon, the Flairs, Perez Prado, Christine Kittrell, and Ruth Brown.

Michael Rose (born 11 July 1957) is a Jamaican reggae singer. He is most widely known for a successful tenure as the lead singer for Black Uhuru from 1977 to 1984, followed by a lengthy solo career. He has been praised as “one of Jamaica’s most distinguished singers” and for launching a distinctive form of reggae singing that originated in his home neighborhood of Waterhouse in Kingston.

Rose began performing at talent contests and in the Jamaican hotel circuit as a teenager, and recorded his first single “Woman a Gineal fe True” at age 15 with producer Newton Simmons. Rose’s childhood friend Sly Dunbar then introduced him to producer Niney the Observer, with whom he recorded several singles in 1972. Rose also recorded a song with Lee “Scratch” Perry during this period.

7-11-1938

Terry Garthwaite is an internationally known singer, songwriter, composer, producer, and teacher. Her recording career dates back to the late 1960s when she and Toni Brown formed the rock group Joy of Cooking. She recorded several albums with the band, and then a dozen others by herself or in collaboration with other jazz and blues musicians.
Terry has also produced recordings by other artists including Jasmine, Rosalie Sorrels, Rhiannon, Nicholas, Glover &Wray, Hunter Davis, Robin Flower, and Ferron, whose Garthwaite-produced Shadows on a Dime was awarded four stars by Rolling Stone.

In performance she has shared the stage with such artists as BB King, Janis Joplin, Bonnie Raitt, The Band, Allen Ginsberg, Santana, Rosalie Sorrels and writer Bobbie Hawkins at venues that include Carnegie Hall, the Joseph Papp Theater, the Hollywood Bowl, and Canadian Folk Festivals.

Terry’s recent recordings and writing reflect an awareness of the healing nature of music. In 1992 she recorded her critically acclaimed Affirhythms – rhythmic affirmation chantsongs, and followed it in 2000 with Sacred Circles, songs of hope and heart.

In 2006, Terry began collaborating again with Toni Brown to put together a Joy of Cooking compilation. They pored through old tapes of live performances and studio forays–from their earliest beginnings in 1968–to find the best material with the best performances. The result is the double CD “Back to Your Heart”, one disc of studio takes of never-released songs, and the other a live Berkeley concert from the early ’70s.

She’s published a book, Joy of Sound – Explorations in Awareness Through Sound and Song, that includes vocal games/exercises and a CD of chants, as well as a couple of small books of Alliterhythms–pithy positive songs and sayings in alliteration. Most of her songs are available in her songbooks.
Terry’s music is an array of songs and sounds that encourages empowerment and delight, and radiates the healing nature of music. She currently leads vocal retreats, drum circles, and classes in singing together, playing with sound, and digging the musical garden.

Arlo Davy Guthrie (born July 10, 1947) is an American folk singer-songwriter. He is known for singing songs of protest against social injustice, and storytelling while performing songs, following the tradition of his father, Woody Guthrie. Guthrie’s best-known work is his debut piece, “Alice’s Restaurant Massacree“, a satirical talking bluessong about 18 minutes in length that has since become a Thanksgiving anthem. His only top-40 hit was a cover of Steve Goodman‘s “City of New Orleans“. His song “Massachusetts” was named the official folk song of the state, in which he has lived most of his adult life. Guthrie has also made several acting appearances. He is the father of four children, who have also had careers as musicians.

Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, playing music from bluegrass, jazz, classical, rock and various world music genres. He is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones. Fleck has won 17 Grammy Awards and been nominated 39 times.

In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival.

Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazztrumpeter and composer. One of the key hard bop musicians of the 1960s and a cornerstone of the Blue Note label, Morgan came to prominence in his late teens, recording with bandleaders like John Coltrane, Curtis Fuller, Dizzy Gillespie, Hank Mobley and Wayne Shorter, and playing in Art Blakey‘s Jazz Messengers.

Morgan stayed with Blakey until 1961 and started to record as leader in the late ’50s. Morgan’s solo recordings often alternated between conventional hard bop sessions and more adventurous post-bop and avant-garde experiments, many of which did not see release during his lifetime. His composition “The Sidewinder“, on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964. After a second stint in Blakey’s band, Morgan continued to work prolifically as both a leader and a sideman until his death in 1972.

Edward Lee Morgan was born in Philadelphia, Pennsylvania, United States, on July 10, 1938, the youngest of Otto Ricardo and Nettie Beatrice Morgan’s four children.

Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. Morgan could also play the alto saxophone. On his thirteenth birthday, his sister Ernestine gave him his first trumpet. His primary stylistic influence was Clifford Brown, with whom he took a few lessons as a teenager. Morgan was killed in the early hours of February 19, 1972, at Slugs’ Saloon, a jazz club in New York City‘s East Village where his band was performing. Following an altercation between sets, Morgan’s common-law wife Helen Moore (a.k.a. Helen Morgan) shot him.

Fulton Allen (July 10, 1904 – February 13, 1941), known as Blind Boy Fuller, was an American blues guitarist and singer. Fuller was one of the most popular of the recorded Piedmont blues artists, along with Blind Blake, Josh White, and Buddy Moss.

Allen was born in Wadesboro, North Carolina, United States, one of ten children of Calvin Allen and Mary Jane Walker. Most sources date his birth to 1907, but the researchers Bob Eagle and Eric LeBlanc indicate 1904. After the death of his mother, he moved with his father to Rockingham, North Carolina. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, traditional songs and blues popular in poor rural areas.

He married young, to Cora Allen, and worked as a laborer. He began to lose his eyesight when he was in his mid-teens. According to the researcher Bruce Bastin, “While he was living in Rockingham he began to have trouble with his eyes. He went to see a doctor in Charlotte who allegedly told him that he had ulcers behind his eyes, the original damage having been caused by some form of snow-blindness.” Only the first part of this diagnosis was correct. A 1937 eye examination attributed his vision loss to the long-term effects of untreated neonatal conjunctivitis.

John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008) was an English drummer and child actor, best known for his work in the Jimi Hendrix Experience, for which he was inducted into the Rock and Roll Hall of Fame in 1992. He was inducted into the Modern Drummer Hall of Fame in 2009. In 2016, Mitchell was ranked number 8 in Rolling Stone magazine’s list of the “100 Greatest Drummers of All Time.

He spent his final days celebrating Hendrix’s music on the 2008 Experience Hendrix Tour. For nearly four weeks the tour travelled on an 18-city tour of the US, finishing in Portland, Oregon. The tour also featured Billy Cox, Buddy Guy, Jonny Lang, Robby Krieger, Kenny Wayne Shepherd, Eric Johnson, Cesar Rosas, David Hidalgo, Brad Whitford, Hubert Sumlin, Chris Layton, Eric Gales, and Mato Nanji.

Five days after the tour ended, Mitchell died in his sleep on 12 November, in his room at the Benson Hotel in Portland of natural causes.^[24] Mitchell had been in ill health for many years due to an immune system disorder and cancer. Mitchell had earlier bouts with extreme fatigue but had recovered from them after a few days’ rest in 2007 and 2008.