mick laBriola

In the telescopic field of view two bright yellowish stars, Mu and Eta Geminorum, stand just below and above the Jellyfish Nebula at the left. Cool red giants, they lie at the foot of the celestial twin. The Jellyfish Nebula itself floats below and left of center, a bright arcing ridge of emission with dangling tentacles. In fact, the cosmic jellyfish is part of bubble-shaped supernova remnant IC 443, the expanding debris cloud from a massive star that exploded. Light from that explosion first reached planet Earth over 30,000 years ago. Like its cousin in astrophysicalwaters the Crab Nebula supernova remnant, the Jellyfish Nebula is known to harbor a neutron star, the remnant of the collapsed stellar core. Composed on April 30, this telescopic snapshot also captures Mars. Now wandering through early evening skies, the Red Planet also shines with a yellowish glow on the right hand side of the field of view. Of course, the Jellyfish Nebula is about 5,000 light-years away, while Mars is currentlyalmost 18 light-minutes from Earth.

Grace Beverly Jones OJ (born 19 May 1948) is a Jamaican-American model, singer, songwriter, record producer and actress. In 1999, Jones ranked 82nd on VH1‘s 100 Greatest Women of Rock and Roll, and in 2008, she was honored with a Q Idol Award. Jones influenced the cross-dressing movement of the 1980s and has been an inspiration for artists including Annie Lennox, Lady Gaga, Rihanna, Solange, Lorde, Róisín Murphy, Brazilian Girls, Nile Rodgers, Santigold, and Basement Jaxx. In 2016, Billboard magazine ranked her as the 40th greatest dance club artist of all time.

Born in British Jamaica, she and her family moved to Syracuse, New York, when she was 13. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynousappearance and bold features.

Beginning in 1977, Jones embarked on a music career, securing a record deal with Island Records and initially becoming a star of New York City‘s Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. Her most popular albums include Warm Leatherette (1980), Nightclubbing (1981), and Slave to the Rhythm (1985). She scored Top 40 entries on the UK Singles Chart with “Pull Up to the Bumper“, “I’ve Seen That Face Before“, “Private Life“, and “Slave to the Rhythm“. In 1982, she released the music video collection A One Man Show, directed by Goude.

Jones appeared in some low-budget films in the US during the 1970s and early 1980s. In 1984, she made her first mainstream appearance as Zula in the fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger and Sarah Douglas, and subsequently appeared in the 1985 James Bond movie A View to a Kill as May Day. In 1986, she played a vampire in Vamp, and acted in and contributed a song to the 1992 Eddie Murphy film Boomerang. She appeared alongside Tim Curry in the 2001 film Wolf Girl. For her work in Conan the Destroyer, A View to a Kill, and Vamp, she was nominated for Saturn Awards for Best Supporting Actress.

Peter Dennis Blandford Townshend (born 19 May 1945) is an English guitarist, singer and composer. He is co-founder, leader, guitarist, secondary lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s.

Townshend has written more than 100 songs for 12 of the Who’s studio albums. These include concept albums, the rock operas Tommy and Quadrophenia, plus popular rock radio staples such as Who’s Next; as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations such as Odds & Sods (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs.

As an instrumentalist, although known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums. He is self-taught on all of these instruments. He plays on his own solo albums, several Who albums, and as a guest contributor to an array of other artists’ recordings.

Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts. Due to his aggressive playing style and innovative songwriting techniques, Townshend’s works with the Who and in other projects have earned him critical acclaim.

In 1983, Townshend received the Brit Award for Lifetime Achievement and in 1990 he was inducted into the Rock and Roll Hall of Fame as a member of the Who. Townshend was ranked No. 3 in Dave Marsh‘s 1994 list of Best Guitarists in The New Book of Rock Lists. In 2001, he received a Grammy Lifetime Achievement Award as a member of the Who; and in 2008 he received Kennedy Center Honors. He was ranked No. 10 in Gibson.com’s 2011 list of the top 50 guitarists, and No. 10 in Rolling Stone‘s updated 2011 list of the 100 greatest guitarists of all time. He and Roger Daltrey received The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on 21 May 2016.

Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express.

Scott was born in Los Angeles, California. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for Dragnet and Lassie.

His professional career began as a teenager as leader of the jazz ensemble Neoteric Trio. After that, he worked as a session musician. He wrote the theme songs for the television shows Starsky and Hutch and The Streets of San Francisco. In 1974, with the L.A. Express he composed the score for the animated movie, The Nine Lives of Fritz the Cat. He played the soprano saxophone solo on the number-one hit single “Listen to What the Man Said” by the band Wings. In 1976, he played the theme “I Still Can’t Sleep” in Taxi Driver. In 1982, he collaborated with Johnny Mathis on “Without Us”, the theme to the 1980s sitcom Family Ties. He also played the lyricon, an electronic wind instrument on Michael Jackson‘s “Billie Jean“. Scott was a founding member of the Blues Brothers Band, despite his absence in the two films, The Blues Brothers and Blues Brothers 2000. According to Bob Woodward’s account in Wired, a biography of John Belushi, Scott left the band after their 1980 tour over a salary dispute. However, he reunited with Dan Aykroyd and the Blues Brothers Band in 1988 to record a few tracks for The Great Outdoors.

Cornelius “Sonny” Fortune (May 19, 1939 – October 25, 2018) was an American jazz saxophonist. Fortune played soprano, alto, tenor, and baritone saxophones, clarinet, and flute.

After moving to New York City in 1967, Fortune recorded and appeared live with drummer Elvin Jones‘s group. In 1968 he was a member of Mongo Santamaría‘s band. He performed with singer Leon Thomas, and with pianist McCoy Tyner (1971–73). In 1974 Fortune replaced Dave Liebman in Miles Davis‘s ensemble, remaining until spring 1975, when he was succeeded by Sam Morrison. Fortune can be heard on the albums Big Fun, Get Up With It, Agharta, and Pangaea, the last two recorded live in Japan.

Fortune joined Nat Adderley after his brief tenure with Davis, then formed his own group in June 1975, recording two albums for the Horizon Records. During the 1990s, he recorded several albums for Blue Note. He has also performed with Roy Brooks, Buddy Rich, George Benson, Rabih Abou Khalil, Roy Ayers, Oliver Nelson, Gary Bartz, Rashied Ali, and Pharoah Sanders, as well as appearing on the live album The Atlantic Family Live at Montreux (1977).

Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums.

McBee was born in Tulsa, Oklahoma, on May 19, 1935. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, he spent two years in the army, during which time he conducted the band at Fort Knox. In 1959 he played with Dinah Washington, and in 1962 he moved to Detroit, where he worked with Paul Winter‘s folk-rock ensemble in 1963–64. His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Yusef Lateef(1967–69), Keith Jarrett, Freddie Hubbard and Woody Shaw (1986), and Alice Coltrane (1969–72).

My grandson Hendrix is 4 years old today.

First, analyses indicate that the Necklace is a planetary nebula, a gas cloud emitted by a star toward the end of its life. Also, what appears to be diamonds in the Necklace are actually bright knots of glowing gas. In the center of the Necklace Nebula are likely two stars orbiting so close together that they share a common atmosphere and appear as one in the featured image by the Hubble Space Telescope. The red-glowing gas clouds on the upper left and lower right are the results of jets from the center. Exactly when and how the bright jets formed remains a topic of research. The Necklace Nebula is only about 5,000 years old, spans about 5 light years, and can best be found with a large telescope toward the direction of the constellation of the Arrow (Sagitta).

Lou Bennett (May 18, 1926, Philadelphia – February 10, 1997, Paris) was an American jazz organist.

Bennett first played bebop on piano, but started playing organ in 1956 after hearing Jimmy Smith. Bennett toured the U.S. with an organ trio between 1957 and 1959, and then moved to Paris in 1960. There he recorded and performed at the Blue Note with Jimmy Gourley and Kenny Clarke (as well as Rene Thomas); he returned to America only once, for the 1964 Newport Jazz Festival. He also recorded in the 1960s with Philip Catherine, Shirley Bunnie Foy and Franco Manzecchi. In the 1980s he played in his own quintet with Gerard Badini, among others. During this period he also toured extensively throughout Spain, including, Almeria, Barcelona, La Coruna, Segovia, and Madrid.

Kai Chresten Winding (/ˈkaɪ ˈwɪndɪŋ/; May 18, 1922 – May 6, 1983) was a Danish-born American trombonist and jazz composer. He is known for his collaborations with trombonist J. J. Johnson.

Winding was born May 18, 1922 in Aarhus, Denmark. His father, Ove Winding was a naturalized U.S. citizen, thus Kai, his mother and sisters, though born abroad were already U.S. citizens. In September 1934, his mother, Jenny Winding, moved Kai and his two sisters, Ann and Alice. Kai graduated in 1940 from Stuyvesant High School in New York City and that same year began his career as a professional trombonist with Shorty Allen’s band. Subsequently, he played with Sonny Dunham and Alvino Rey until he entered the United States Coast Guard during World War II.

After the war, Winding was a member of Benny Goodman‘s orchestra, then Stan Kenton‘s. He participated in Birth of the Cool sessions in 1949, appearing on four of the twelve tracks, while J. J. Johnson appeared on the other eight, having participated on the other two sessions.

Joseph Vernon “Big Joe” Turner Jr. (May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, “Rock and roll would have never happened without him.” His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly “Shake, Rattle and Roll“, but his career as a performer endured from the 1920s into the 1980s.

Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as “the brawny voiced ‘Boss of the Blues'”.Turner was born May 18, 1911 in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City’s nightclubs, first as a cook and later as a singing bartender. He became known as “The Singing Barman”, and worked in such venues as the Kingfish Club and the Sunset, where he and his partner, the boogie-woogie pianist Pete Johnson, became resident performers.

Magnificent spiral galaxy NGC 4565 is viewed edge-on from planet Earth. Also known as the Needle Galaxy for its narrow profile, bright NGC 4565 is a stop on many telescopic tours of the northern sky, in the faint but well-groomed constellation Coma Berenices. This sharp, colorful image reveals the spiral galaxy’s boxy, bulging central core cut by obscuring dust lanes that lace NGC 4565’s thin galactic plane. An assortment of other background galaxies is included in the pretty field of view. Thought similar in shape to our own Milky Way Galaxy, NGC 4565 lies about 40 million light-years distant and spans some 100,000 light-years. Easily spotted with small telescopes, sky enthusiasts consider NGC 4565 to be a prominent celestial masterpiece Messier missed.

Enya Patricia Brennan (Irish: Eithne Pádraigín Ní Bhraonáin /ˈɛnjə/; born 17 May 1961), known professionally as Enya, is an Irish singer, songwriter, record producer and musician. Born into a musical family and raised in the Irish-speaking area of Gweedore in County Donegal, Enya began her music career when she joined her family’s Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan’s wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, and folk music. She has sung in ten languages.

Enya’s first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the international top-10 hit single “Orinoco Flow“. This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995) and A Day Without Rain (2000). Sales of the latter and its lead single, “Only Time“, surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came… (2008), Enya took an extended break from music; she returned in 2012 and released Dark Sky Island (2015).

She is Ireland’s best-selling solo artist and second-best-selling artist behind U2, with a discography that has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain(2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won awards including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for “May It Be“, written for The Lord of the Rings: The Fellowship of the Ring (2001).

William Scott Bruford (born 17 May 1949) is an English retired drummer, composer, producer, record label owner and musicologist who first gained prominence as a founding member of the progressive rock band Yes. After his departure from Yes, Bruford spent the rest of the 1970s playing in King Crimson (1972-1974) and touring with Genesis (1976) and U.K. (1978). Eventually he formed his own group (Bruford), which was active from 1978-1980.

In the 1980s, Bruford returned to King Crimson for three years, collaborated with several artists, including Patrick Moraz and David Torn, and formed his own jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third (and final) tenure from 1994-1997, after which he continued with a new configuration of Earthworks.

On 1 January 2009, Bruford retired from public performance, barring one private gig in 2011. He released his autobiography, and continues to speak and write about music. He operates his record labels, Summerfold and Winterfold Records. In 2016, after four-and-a-half years of study, Bruford earned a PhD in Music at the University of Surrey, in the same year Rolling Stone magazine ranked Bruford No. 16 in its list of the “100 Greatest Drummers of All Time”. He was inducted into the Rock and Roll Hall of Fame as a member of Yes in 2017.