mick laBriola

Undulating bright ridges and dusty clouds cross this close-up of the nearby star forming region M8, also known as the Lagoon Nebula. A sharp, false-color composite of narrow band visible and broad band near-infrared data from the 8-meter Gemini South Telescope, the entire view spans about 20 light-years through a region of the nebula sometimes called the Southern Cliff. The highly detailed image explores the association of many newborn stars imbedded in the tips of the bright-rimmed clouds and Herbig-Haro objects. Abundant in star-forming regions, Herbig-Haro objects are produced as powerful jets emitted by young stars in the process of formation heat the surrounding clouds of gas and dust. The cosmic Lagoon is found some 5,000 light-years away toward the constellation Sagittarius and the center of our Milky Way Galaxy. (For location and scale, check out this image superimposing the close-up of the Southern Cliff within the larger Lagoon Nebula. The scale image is courtesy R. Barba’.)

Brian Peter George St John le Baptiste de la Salle Eno RDI (/ˈiːnoʊ/; born Brian Peter George Eno; 15 May 1948) is an English musician, composer, record producer, visual artist, and theorist best known for his pioneering work in ambient music and contributions to rock, pop and electronica. A self-described “non-musician”, Eno has helped introduce unique conceptual approaches and recording techniques to contemporary music. He has been described as one of popular music‘s most influential and innovative figures.

Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group Roxy Music as synthesizer player in 1971, recording two albums with the group but departing in 1973 amidst tensions with Roxy frontman Bryan Ferry. Eno went on to record a number of solo albums beginning with Here Come the Warm Jets (1974). In the mid-1970s, he began exploring a minimalist direction on releases such as Discreet Music (1975) and Ambient 1: Music for Airports (1978), coining the term “ambient music” with the latter.

Alongside his solo work, Eno collaborated frequently with other musicians in the 1970s, including Robert Fripp, Harmonia, Cluster, Harold Budd, David Bowie, and David Byrne. He also established himself as a sought-after producer, working on albums by John Cale, Jon Hassell, Laraaji, Talking Heads, Ultravox, and Devo, as well as the no wave compilation No New York (1978). In subsequent decades, Eno continued to record solo albums and produce for other artists, most prominently U2 and Coldplay, alongside work with artists such as Daniel Lanois, Laurie Anderson, Grace Jones, Slowdive, Karl Hyde, James, Kevin Shields, and Damon Albarn.

Dating back to his time as a student, Eno has also worked in other media, including sound installations, film, and writing. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorisms intended to spur creative thinking. From the 1970s onwards, Eno’s installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founding member of the Long Now Foundation. In 2019, Eno was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.

Ellis Larkins (May 15, 1923 – September 30, 2002) was an American jazz pianist born in Baltimore, Maryland, known for his two recordings with Ella Fitzgerald: the albums Ella Sings Gershwin (1950) and Songs in a Mellow Mood (1954). He was also the leader in the first solo sides by singer Chris Connor on her album Chris (1954).

Larkins was the first African American to attend the Peabody Conservatory of Music, an institute in Baltimore. He began his professional playing career in New York City after moving there to attend the Juilliard School. While still at Juilliard, Larkins performed jazz piano with guitarist Billy Moore at Café Society Uptown and over the next ten years in his own groups, or in support of, clarinetist Edmond Hall and singers Helen Humes and Mildred Bailey. He recorded with Coleman Hawkins, and Dicky Wells in the 1940s. In the 1950s, he recorded with Ella Fitzgerald, Ruby Braff, and Beverly Kenney. His 1960s work included recordings or performances with Eartha Kitt, Joe Williams, Georgia Gibbs and Harry Belafonte.

Though he was best known as an accompanist, Larkins recorded several solo albums in the 1950s. In the 1970s, he performed regularly at several New York venues, including Gregory’s, a small bar on the Upper East Side.

Edmond Hall (May 15, 1901 – February 11, 1967) was an American jazz clarinetist and bandleader. Over his long career Hall worked extensively with many top performers as both a sideman and bandleader and is perhaps best known for the 1941 chamber jazz song “Profoundly Blue,” which is regarded as a pre-World War II jazz classic.

Born in Reserve, Louisiana, about 40 miles west of New Orleans on the Mississippi River, Hall and his siblings were born into a musical family. His father, Edward Blainey Hall, and mother, Caroline Duhe, had eight children, Priscilla (1893), Moretta (1895), Viola (1897), Robert (1899), Edmond (1901), Clarence (1903), Edward (1905) and Herbert (1907).

M104 is famous for its nearly edge-on profile featuring a broad ring of obscuring dust lanes. Seen in silhouette against an extensive central bulge of stars, the swath of cosmic dustlends a broad brimmed hat-like appearance to the galaxy suggesting a more popular moniker, the Sombrero Galaxy. This sharp optical view of the well-known galaxy made from ground-based image data was processed to preserve details often lost in overwhelming glare of M104’s bright central bulge. Also known as NGC 4594, the Sombrero galaxy can be seen across the spectrum, and is host to a central supermassive black hole. About 50,000 light-years across and 28 million light-years away, M104 is one of the largest galaxies at the southern edge of the Virgo Galaxy Cluster. Still the colorful spiky foreground stars in this field of view lie well within our own Milky Way galaxy.

David Byrne (/bɜːrn/; born 14 May 1952) is a Scottish-American singer, songwriter, record producer, actor, writer, music theorist, and filmmaker, who was a founding member and the principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.

Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received Academy, Grammy, and Golden Globe Awards, and he is an inductee to the Rock and Roll Hall of Fame as part of Talking Heads.

John Symon Asher Bruce (14 May 1943 – 25 October 2014) was a Scottish bassist, singer-songwriter, musician and composer. He gained popularity as the co-lead vocalist and ‍bassist ‍of British rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.

In the early 1960s Bruce joined the Graham Bond Organisation, where he met his future bandmate Ginger Baker. After leaving the Graham Bond Organisation, he joined with John Mayall & the Bluesbreakers, where he met Eric Clapton, who also was his future bandmate. His time with the band was brief. In 1966, he formed Cream with lead guitarist Clapton and drummer Baker; he co-wrote many of their songs (including “Sunshine of Your Love“, “White Room” and “I Feel Free“) with poet/lyricist Pete Brown. After the group disbanded in the late 1960s he began recording solo albums. His first solo album, Songs for a Tailor, released in 1969, was a worldwide hit. Bruce formed his own band to perform the material live, and subsequently formed a blues-rock band West, Bruce and Laing in 1972, with guitarist Leslie West and drummer Corky Laing. His solo career spanned several decades. From the 1970s to the 1990s he played with several groups as a touring member. He reunited with Cream in 2005 for concerts at the Royal Albert Hall and at Madison Square Garden in New York.

Bruce is considered to be one of the most important and influential ‍bassists ‍of all time. ‍Rolling Stone magazine readers ranked him number eight on their list of “10 ‍Greatest ‍Bassist ‍Of All Time”. He was inducted in the Rock and Roll Hall of Fame in 1993, and was awarded the Grammy Lifetime Achievement Award in 2006, both as a member of Cream.

Arthur James “Zutty” Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer.

Singleton was born in Bunkie, Louisiana, and raised in New Orleans. According to his Jazz Profiles biography, his unusual nickname, acquired in infancy, is the Creole word for “cute”. He was working professionally with Steve Lewis by 1915. He served with the United States Navy in World War I. After returning to New Orleans he worked with Papa Celestin, Big Eye Louis Nelson, John Robichaux, and Fate Marable. He left for St. Louis, Missouri, to play in Charlie Creath‘s band, then moved to Chicago.

In Chicago, Singleton played with Doc Cook, Dave Peyton, Jimmie Noone, and theater bands, then joined Louis Armstrong‘s band with Earl Hines. In 1928 and 1929, he performed on landmark recordings with Louis Armstrong and his Hot Five. In 1929 he moved with Armstrong to New York City.

In addition to Armstrong in New York he played with Bubber Miley, Tommy Ladnier, Fats Waller, Jelly Roll Morton and Otto Hardwick. He also played in the band backing Bill Robinson. In 1934, Singleton returned to Chicago. He returned to New York in 1937, working with Mezz Mezzrow and Sidney Bechet.

In 1943, he moved to Los Angeles, where he led his own band, played for motion pictures, and appeared on the radio program The Orson Welles Almanac (1944). He also worked with Slim Gaillard, Wingy Manone, Eddie Condon, Nappy Lamare, Art Hodes, Oran “Hot Lips” Page, and Max Kaminsky.

Closest to the Sun on March 1, and closest to planet Earth on April 23, this Comet ATLAS (C/2020 R4) shows a faint greenish coma and short tail in this pretty, telescopic field of view. Captured at its position on May 5, the comet was within the boundaries of northern constellation Canes Venatici (the Hunting Dogs), and near the line-of-sight to intriguing background galaxies popularly known as the Whale and the Hockey Stick. Cetacean in appearance but Milky Way sized, NGC 4631 is a spiral galaxy seen edge-on at the top right, some 25 million light-years away. NGC 4656/7 sports the bent-stick shape of interacting galaxiesbelow and left of NGC 4631. In fact, the distortions and mingling trails of gas detected at other wavelengths suggest the cosmic Whale and Hockey Stick have had close encounters with each other in their distant past.Outbound and only about 7 light-minutes from Earth this Comet ATLAS should revisit the inner solar system in just under 1,000 years.

Stevland Hardaway Morris (né Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American singer, songwriter, musician and record producer. A prominent figure in popular music during the second half of the 20th century, Wonder is one of the most successful songwriters and musicians. A virtual one-man band, his use of synthesizers and further electronic musical instruments during the 1970s reshaped the conventions of R&B. He also helped drive the genre into the album era, crafting his LPs as cohesive, consistent socially conscious statements with complex compositions. Wonder is often hailed as a “genius“, and has been credited as a pioneer and influence to musicians of various genres including rhythm and blues, pop, soul, gospel, funk, and jazz.

Blind since shortly after his birth, Wonder was a child prodigy known as Little Stevie Wonder, leading him to sign with Motown‘s Tamla label at the age of 11. In 1963, the single “Fingertips” was a number-one hit on the Billboard Hot 100 when Wonder was 13, making him the youngest artist ever to top the chart. Wonder’s critical success was at its peak in the 1970s. His “classic period” began in 1972 with the releases of Music of My Mind and Talking Book, the latter featuring “Superstition“, which is one of the most distinctive and famous examples of the sound of the Hohner Clavinetkeyboard. His works Innervisions (1973), Fulfillingness’ First Finale (1974) and Songs in the Key of Life (1976) all won the Grammy Award for Album of the Year, making him the tied-record holder for the most Album of the Year wins, with three. He is also the only artist to have won the award with three consecutive album releases.

Wonder’s “classic period”, which culminated in 1976, was marked by his funky keyboard style, personal control of production, and use of integrated series of songs to make concept albums. In 1979, Wonder used Computer Music Inc.’s early music sampler, the Melodian, on his soundtrack album Stevie Wonder’s Journey Through “The Secret Life of Plants”. This was his first digital recording and one of the earliest popular albums to use the technology, which Wonder used for all subsequent recordings. The pioneering stylistics of Wonder’s 1970s albums are widely regarded as having influenced the shape of pop music in the following decade.

Wonder has sold over 100 million records worldwide, making him one of the best-selling music artists of all time. He has won 22 Grammy Awards. He was the first Motown artist and second African-American musician to win an Academy Award for Best Original Song, for the 1984 film The Woman in Red. Wonder has been inducted into the Rhythm and Blues Music Hall of Fame, Rock and Roll Hall of Fame and Songwriters Hall of Fame, and has received a star on the Hollywood Walk of Fame. He is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.‘s birthday a federal holiday in the United States. In 2009, he was named a United Nations Messenger of Peace. In 2014, he was honored with the Presidential Medal of Freedom.

William McKinley “Red” Garland, Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of piano playing.

William “Red” Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson.

Garland became famous in 1954 when he joined the Miles Davis Quintet, featuring John Coltrane, Philly Joe Jones, and Paul Chambers. Davis was a fan of boxing and was impressed that Garland had boxed earlier in his life. Together, the group recorded their famous Prestige albums, Miles: The New Miles Davis Quintet (1954), Workin, Steamin’, Cookin’, and Relaxin’. Garland’s style is prominent in these seminal recordings—evident in his distinctive chord voicings, his sophisticated accompaniment, and his musical references to Ahmad Jamal‘s style. Some observers dismissed Garland as a “cocktail” pianist, but Miles was pleased with his style, having urged Garland to absorb some of Jamal’s lightness of touch and harmonics within his own approach.

Ian Ernest Gilmore Evans (born Green; May 13, 1912 – March 20, 1988) was a Canadian-American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.

Gil Evans was born in Toronto, Canada on May 13, 1912 to Margaret Julia McConnachy. Little is known about Evans’ biological father, although a family friend said that he was a doctor who had died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in Saskatchewan, British Columbia, Washington, Idaho, Montana, and Oregon, migrating to wherever Evans’ father could find work. Eventually, the family ended up in California, first in Berkeley, where Evans attended the ninth and tenth grades, then in Stockton, where he attended Stockton High School, graduating in 1930.During this time, Evans’ father took a job with the Western Pacific Railroad, and Evans began living with friends, later renting a room in a boarding house. After graduating, Evans attended the College of the Pacific in Stockton but then transferred to Modesto Junior College.After a year in Modesto, Evans left and moved back to Stockton.