mick laBriola

Frederick Roach (May 11, 1931 – October 3, 1980) was an American soul jazz Hammond B3 organist born in The Bronx, New York, United States. Roach made his record debut in 1960 with saxophonist Ike Quebec on the albums Heavy Soul and It Might as Well Be Spring and played with Willis Jackson. From 1962-64 he recorded 5 albums as a leader for the Blue Note Records label and also recorded with Donald Byrd on the album I’m Tryin’ to Get Home. Roach’s original writing, steady basslines, and highly musical fleet-fingered right hand set him apart. From 1966-67 he recorded three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. He left the music business in 1970 and became involved in theater, playwriting and film. Reportedly, he moved to California to the film industry, where he suffered a heart attack and died in 1980.

Roach was a soulful organist, certainly influenced by Jimmy Smith, but with a distinct sound and a quite original concept, which was perhaps best heard on “Good Move” for Blue Note. His Blue Note albums are critically acclaimed.

Clusters of stars can be near or far, young or old, diffuse or compact. The featured image shows two quite contrasting open star clusters in the same field. M35, on the lower left, is relatively nearby at 2800light years distant, relatively young at 150 million years old, and relatively diffuse, with about 2500 stars spread out over a volume 30 light years across. Bright blue stars frequently distinguish younger open clusters like M35. Contrastingly, NGC 2158, on the upper right, is four times more distant than M35, over 10 times older, and much more compact. NGC 2158’s bright blue stars have self-destructed, leaving cluster light to be dominated by older and yellower stars. In general, open star clusters are found in the plane of our Milky Way Galaxy, and contain anywhere from 100 to 10,000 stars — all of which formed at nearly the same time. Both open clusters M35 and NGC 2158 can be found together with a small telescope toward the constellation of the Twins (Gemini).

Donovan Phillips Leitch (born 10 May 1946) is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and since at least 2008 in County Cork, Ireland, with his family. Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series Ready Steady Go!.

Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein for Hickory Records (US company), after which he signed to CBS/Epic Records in the US – the first signing by the company’s new vice-president Clive Davis – and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in the UK, US, and other countries.

He emerged onto the scene in 1965 with three UK hit singles: “Catch the Wind“, “Colours” and “Universal Soldier“, the last written by Buffy Sainte-Marie. In September 1966, “Sunshine Superman” topped America’s Billboard Hot 100 chart for one week and went to number two in Britain, followed by “Mellow Yellow” at US No. 2 in December 1966, then 1968’s “Hurdy Gurdy Man” in the Top 5 in both countries, then “Atlantis“, which reached US No. 7 in May 1969.

He became a friend of pop musicians including Joan Baez, Brian Jones and the Beatles. He taught John Lennon a finger-picking guitar style in 1968 that Lennon employed in “Dear Prudence“, “Julia“, “Happiness Is a Warm Gun” and other songs. His backing musicians included the Jeff Beck Group and John Bonham and John Paul Jones, who later rose to fame as members of Led Zeppelin. Donovan’s commercial fortunes waned after parting with Most in 1969, and he left the industry for a time.

Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image were scorned by critics, especially after punk rock. His performing and recording became sporadic until a revival in the 1990s with the emergence of Britain’s rave scene. He recorded the 1996 album Sutras with producer Rick Rubin and in 2004 made a new album, Beat Cafe. Donovan was inducted into the Rock and Roll Hall of Fame in 2012 and the Songwriters Hall of Fame in 2014.

Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist.

When Ponder’s brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery.

He learned the guitar solo from “Daily Double” (Choice), the only 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised Ponder he could become a member of the band after he finished high school. Six months after graduating, he was hired by Earland.

He began playing with Earland at 17 and in the following years with Lou Donaldson, Houston Person, Donald Byrd, Stanley Turrentine, and Jimmy McGriff. He moved to Philadelphia and later New York City in the 1970s and recorded extensively as a leader. Since the late 1980s, he frequently returned to his hometown to perform with his trio of two other Pittsburgh musicians, Gene Ludwigand Roger Humphries. Ponder’s highest charting release was Somebody’s Child, which reached No. 3 on the JazzWeek airplay chart in 2007.

Ponder died of lung cancer in Pittsburgh at the age of 67 in September 2013.

Melvin Sokoloff (May 10, 1929 – February 2, 1990), known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations.

Lewis was born in Buffalo, New York, to Russian-Jewish immigrant parents Samuel and Mildred Sokoloff. He started playing professionally as a teen, eventually joining Stan Kenton in 1954. His musical career brought him to Los Angeles in 1957 and New York City in 1963. In 1966 in New York, he teamed up with Thad Jones to lead the Thad Jones/Mel Lewis Orchestra. The group started as informal jam sessions with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the famed venue, the Village Vanguard. In 1979, the band won a Grammy for their album Live in Munich. Like all of the musicians in the band, it was only a sideline. In 1976, he released an album titled Mel Lewis and Friends that featured him leading a smaller sextet that allowed freedom and improvisation.

When Jones moved to Denmark in 1978, the band became known as Mel Lewis and the Jazz Orchestra. Lewis continued to lead the band, recording and performing every Monday night at the Village Vanguard until shortly before his death from cancer at age 60. The band still performs on most Monday nights at the club. Today, it is known as the Vanguard Jazz Orchestra and has released several CDs.

https://www.youtube.com/watch?v=YOmA-1fds-g

“Mother” Maybelle Carter (born Maybelle Addington; May 10, 1909 – October 23, 1978) was an American country musician and originator of the ”Carter scratch.” She is best known as a member of the Original Carter Family act from the late-1920s until the early-1940s and was a member of the Carter Sisters and Mother Maybelle.

Maybelle Carter was born Maybelle Addington on May 10, 1909, in Nickelsville, Virginia. She was the daughter of Margaret Elizabeth (née Kilgore; 1879 – 1960) and Hugh Jackson Addington (1877 – 1929). According to family lore, the Addington family of Virginia is descended from former British prime minister Henry Addington, 1st Viscount Sidmouth. On March 13, 1926, Maybelle married Ezra Carter. They had three daughters, Helen, June and Anita.

She was a member of the original Carter Family, which was formed in 1927 by her brother-in-law A. P. Carter, who was married to her cousin Sara, also a part of the trio. The Carter Family was one of the first commercial rural country music groups. Maybelle, who played autoharp and banjo as well as being the group’s guitarist, created a unique sound for the group with her innovative ‘scratch‘ style of guitar playing, where she used her thumb to play melody on the bass and middle strings, and her index finger to fill out the rhythm. Her innovative technique, to this day known as the Carter Scratch, influenced the guitar’s shift from rhythm to lead instrument.

Márkos Vamvakáris (Greek: Μάρκος Βαμβακάρης; 10 May 1905 – 8 February 1972), was a rebetiko musician. He is universally referred to by rebetiko writers and fans simply by his first name, Márkos. The great significance of Vamvakaris for the rebetiko is also reflected by his nickname: the “patriarch of the rebetiko”.

Vamvakaris was born on 10 May 1905 in Ano Syros (or Ano Khora), Syros, Greece. He was the first of six children, while his family belonged to the sizeable Roman Catholic community of the island, the “Francosyrians”, a name deriving from the colloquial Greek reference to West Europeans collectively as “the Franks“. At the age of twelve, in the false belief that he was wanted by the police, Vamvakaris fled Syros for the port of Piraeus. He worked as a stevedore, a pit-coal miner, a shoe-polisher, a paperboy, a butcher, and other odd jobs. He heard a bouzouki player playing, and vowed that if he did not learn to play the instrument in six months he would chop off his own hand with a cleaver (he was working in the public abattoirs at the time). He learned bouzouki, becoming an innovative virtuoso player, and began to write songs of his own. At first he often played in clandestine hashish-smoking establishments known as tekés; later he and his band, which included Giorgos Batis, Anestis Delias and Stratos Pagioumtzis played in more legitimate clubs and taverns. They were extremely popular, and Markos made many recordings. His initial nickname among the rebetes was “the Frank” (Fragos).

The dark Horsehead Nebula and the glowing Orion Nebula are contrasting cosmic vistas. Adrift 1,500 light-years away in one of the night sky’s most recognizable constellations, they appear in opposite corners of the above stunning mosaic. The familiar Horsehead nebula appears as a dark cloud, a small silhouette notched against the long red glow at the lower left. Alnitak is the easternmost star in Orion’s belt and is seen as the brightest star to the left of the Horsehead. Below Alnitak is the Flame Nebula, with clouds of bright emission and dramatic dark dust lanes. The magnificent emission region, the Orion Nebula (aka M42), lies at the upper right. Immediately to its left is a prominent reflection nebula sometimes called the Running Man. Pervasive tendrils of glowing hydrogen gas are easily traced throughout the region.

Dennis Milton Chambers (born May 9, 1959) is an American drummer. He was inducted into the Modern Drummer Hall of Fame in 2001.

Chambers was born on May 9, 1959. He began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in 1981 by the Sugar Hill Label to be their “house drummer.” Chambers played on many Sugar Hill releases — sounds like Keith LeBlanc [not Chambers], who was the Original Sugar Hill Rhythm Section drummer [“White Lines,” “The Message,” “8th Wonder,” and so on], with Skip McDonald (guitar) and Doug Wimbish (bass)]. Contrary to popular belief he did not play on “Rapper’s Delight” which was revealed in a recent interview on Drumeo.com on 6/8/2017.

In an interview by Bonedo in 2011, Chambers was asked who some of his influences and favorite drummers were and he mentioned Clyde Stubblefield, Al Jackson Jr., Steve Gadd, Vinnie Colaiuta, Gary Husband, Jack Dejohnette, Billy Cobham, Buddy Rich, Elvin Jones, Roy Haynes, and Tony Williams. In 1978 (at 18 years old) he joined Parliament/Funkadelic, and stayed with them until 1985. In 1986 he joined the John Scofield band. Since then he has played with most of the major figures in jazz fusion music.

He has recorded and performed with Tommy Coster, John Scofield, George Duke, Victor Wooten, Brecker Brothers, Santana, Parliament/Funkadelic, John McLaughlin, Niacin, Mike Stern, CAB, Greg Howe, and many others.

https://www.youtube.com/watch?v=PuVK9jwBRBU

Nole Floyd “Nokie” Edwards (May 9, 1935 – March 12, 2018) was an American musician and member of the Rock and Roll Hall of Fame. He was primarily a guitarist, best known for his work with The Ventures, and was known in Japan as the ‘King of Guitars’. Edwards was also an actor, who appeared briefly on Deadwood, an American Western drama television series.

Edwards was born in Lahoma, Oklahoma, the son of Elbert Edwards and Nannie Mae Quinton Edwards, an original enrollee of the Western Cherokee. Edwards came from a family of accomplished musicians, so that by age five he began playing a variety of string instruments, including the steel guitar, banjo, mandolin, violin, and bass. His family relocated from Oklahoma to Puyallup, Washington.

During Edwards’ late teen years he joined the United States Army Reserve. After traveling to Texas and California for training, he returned home and began playing regularly for pay in numerous country bands in the area.

Aaron Corthen, better known as A.C. Reed (May 9, 1926 – February 24, 2004)^[1] was an American blues saxophonist, closely associated with the Chicago blues scene from the 1940s into the 2000s.

Reed was born in Wardell, Missouri, and grew up in southern Illinois. He took his stage name from his friend Jimmy Reed. He moved to Chicagoduring World War II, playing with Earl Hooker and Willie Mabon in the 1940s. He toured with Dennis “Long Man” Binder in 1956, and worked extensively as a sideman for Mel London‘s blues record labels Chief/Profile/Age in the 1960s, with Lillian Offitt and Ricky Allen, among others. He had a regionally popular single in 1961, “This Little Voice” (Age 29101), and cut several more singles over the course of the decade with Age, USA, Cool, and Nike Records.

IC 348 is a star-forming region in the constellation Perseuslocated about 315 parsecs from the Sun. It consists of nebulosity and an associated 2-million-year-old cluster of roughly 400 stars within an angular diameter of 20″. The most massive stars in the cluster are the binary star system BD+31°643, which has a combined spectral class of B5. Based upon infrared observations using the Spitzer Space Telescope, about half of the stars in the cluster have a circumstellar disk, of which 60% are thick or primordial disks.

The age of this cluster has allowed three low mass brown dwarfs to be discovered. These objects lose heat as they age, so they are more readily discovered while they are still young.