mick laBriola

IC 348 is a star-forming region in the constellation Perseuslocated about 315 parsecs from the Sun. It consists of nebulosity and an associated 2-million-year-old cluster of roughly 400 stars within an angular diameter of 20″. The most massive stars in the cluster are the binary star system BD+31°643, which has a combined spectral class of B5. Based upon infrared observations using the Spitzer Space Telescope, about half of the stars in the cluster have a circumstellar disk, of which 60% are thick or primordial disks.

The age of this cluster has allowed three low mass brown dwarfs to be discovered. These objects lose heat as they age, so they are more readily discovered while they are still young.

Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer.

Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

In 2003 Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album The Köln Concert (1975) became the best-selling piano recording in history.

In 2008 he was inducted into the Down Beat Jazz Hall of Fame in the magazine’s 73rd Annual Readers’ Poll.

Jarrett has been unable to perform since suffering a stroke in February 2018, and a second stroke in May 2018, which left him partially paralyzed and unable to play with his left hand.

Keith Jarrett was born on May 8, 1945, in Allentown, Pennsylvania, United States, to a mother of Slovenian descent. Jarrett’s grandmother was born in Segovci, near Apače in Slovenia, (at the time, this was in the Austria of the Austro-Hungarian Empire). Her own parents probably descended from the Slavic population of Prekmurje, a few miles away in a Hungarian part of the Empire almost totally populated by Slovenes. Jarrett’s father was of mostly German descent.

https://www.youtube.com/watch?v=lBnwDTAoAC8

Mahmoud Ahmed (Amharic: ማሀሙድ አህመድ; born May 8 or 18, 1941) is an Ethiopian singer of Gurage ancestry. He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas.

Born in Addis Ababa, Mercato district, Mahmoud was enthralled with the music he heard on Ethiopian radio from an early age. Having poorly learned in school, he worked shoeshiner before becoming a handyman at the Arizona Club, which was the after hours hangout of Emperor Haile Selassie I‘s Imperial Bodyguard Band. One night in 1962 when the band’s singer didn’t show up, Mahmoud asked to sing a few songs. He soon became part of the band’s regular lineup, where he remained until 1974.

After cutting his first single with Venus Band “Nafqot New Yegodagn” and “Yasdestal” in 1971, Mahmoud continued to record with several bands for the Amha and Kaifa record labels throughout the 1970s The overthrow of Emperor Selassie and the suspension of musical nightlife under the military government created shifts in the Ethiopian music industry—the Imperial Body Guard Band were no more, and Mahmoud continued to make hit records and cassettes with many musicians who remained in the country, including the Dahlak Band, and the Ibex Band. He also began to release solo cassettes, accompanying himself on the krar, guitar or mandolin.

https://www.youtube.com/watch?v=uQzJe6dAf5Q&list=PLl5llMCRZN2lmyE9AhIfSTTm-7Q_eNPlc

Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.

The second of eleven children, Williams was born in Atlanta, Georgia, and grew up in the East Liberty neighborhood of Pittsburgh, Pennsylvania. A musical prodigy, at the age of three, she taught herself to play the piano. Mary Lou Williams played piano out of necessity at a very young age; her white neighbors were throwing bricks into her house until Williams began playing the piano in their homes. At the age of six, she supported her ten half-brothers and sisters by playing at parties. She began performing publicly at the age of seven when she became known admiringly in Pittsburgh as “The Little Piano Girl”. She became a professional musician at the age of 15, citing Lovie Austin as her greatest influence. She married jazz saxophonist John Williams in November 1926.

Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues guitarist, singer, and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. He is now recognized as a master of the blues, particularly the Delta blues style.

As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recorded at low fidelity in improvised studios, were the totality of his recorded output. Most were released as 10-inch, 78 rpm singles from 1937–1938, with a few released after his death. Other than these recordings, very little was known of him during his life outside of the small musical circuit in the Mississippi Delta where he spent most of his life; much of his story has been reconstructed after his death by researchers. Johnson’s poorly documented life and death have given rise to much legend. The one most closely associated with his life is that he sold his soul to the devil at a local crossroads to achieve musical success.

His music had a small, but influential, following during his life and in the two decades after his death. In late 1938 John Hammond sought him out for a concert at Carnegie Hall, From Spirituals to Swing, only to discover that Johnson had died. Brunswick Records, which owned the original recordings, was bought by Columbia Records, where Hammond was employed. Musicologist Alan Lomax went to Mississippi in 1941 to record Johnson, also not knowing of his death. Law, who by then worked for Columbia Records, assembled a collection of Johnson’s recordings titled King of the Delta Blues Singers that was released by Columbia in 1961. It is widely credited with finally bringing Johnson’s work to a wider audience. The album would become influential, especially on the nascent British blues movement; Eric Clapton has called Johnson “the most important blues singer that ever lived.”^[1] Musicians such as Bob Dylan, Keith Richards, and Robert Plant have cited both Johnson’s lyrics and musicianship as key influences on their own work. Many of Johnson’s songs have been covered over the years, becoming hits for other artists, and his guitar licks and lyrics have been borrowed by many later musicians.

Renewed interest in Johnson’s work and life led to a burst of scholarship starting in the 1960s. Much of what is known about him was reconstructed by researchers such as Gayle Dean Wardlow and Bruce Conforth, especially in their 2019 award-winning biography^[2] of Johnson: Up Jumped the Devil: The Real Life of Robert Johnson (Chicago Review Press). Two films, the 1991 documentary The Search for Robert Johnson by John Hammond Jr., and a 1997 documentary, Can’t You Hear the Wind Howl, the Life and Music of Robert Johnson, which included reconstructed scenes with Keb’ Mo’ as Johnson, were attempts to document his life, and demonstrated the difficulties arising from the scant historical record and conflicting oral accounts. Over the years, the significance of Johnson and his music has been recognized by numerous organizations and publications, including the Rock and Roll, Grammy, and Blues Halls of Fame; and the National Recording Preservation Board.

Johnson died on August 16, 1938, at the age of 27, near Greenwood, Mississippi, of unknown causes. His death was not reported publicly; he merely disappeared from the historical record and it was not until almost 30 years later, when Gayle Dean Wardlow, a Mississippi-based musicologist researching Johnson’s life, found his death certificate, which listed only the date and location, with no official cause of death. No formal autopsy was done, as a dead black man found by the side of the road near a farm, a pro forma examination was done to file the death certificate, and no immediate cause of death was determined. It is likely he had congenital syphilis and it was suspected later by medical professionals that may have been a contributing factor in his death. However, 30 years of local legend and oral tradition had, like the rest of his life story, built a legend which has filled in gaps in the scant historical record.

mick performing Roots versions of the Stones, the Animals, Buffalo Springfield and the Specials

Messier 78 or M 78, also known as NGC 2068, is a reflection nebula in the constellation Orion. It was discovered by Pierre Méchain in 1780 and included by Charles Messier in his catalog of comet-like objects that same year.

M78 is the brightest diffuse reflection nebula of a group of nebulae that includes NGC 2064, NGC 2067 and NGC 2071. This group belongs to the Orion B molecular cloud complex and is about 1,350 light-years distant from Earth. M78 is easily found in small telescopes as a hazy patch and involves two stars of 10th and 11th magnitude. These two B-type stars, HD 38563 A and HD 38563 B, are responsible for making the cloud of dust in M78 visible by reflecting their light.

Jimmy Lee Ruffin (May 7, 1936 – November 17, 2014) was an American soul singer, and elder brother of David Ruffin of the Temptations. He had several hit records between the 1960s and 1980s, the most successful being the Top 10 hits “What Becomes of the Brokenhearted” and “Hold On (To My Love)“.

Jimmy Ruffin was born in 1936 in Collinsville, Mississippi, to Eli, a sharecropper, and Ophelia Ruffin. He was approaching his fifth birthday when his younger brother David was born. As children, the brothers began singing with a gospel group, the Dixie Nightingales.

In 1961, Jimmy became a singer as part of the Motown stable, mostly on sessions but also recording singles for its subsidiary Miracle label, but was then drafted for national service. After leaving the Army in 1964, he returned to Motown, where he was offered the opportunity to join the Temptations to replace Elbridge Bryant. However, after hearing his brother David, they hired him for the job instead so Jimmy decided to resume his solo career. Ruffin recorded for Motown’s subsidiary Soul label, but with little success.

Admirl Amos Easton (May 7, 1905 – June 8, 1968), better known by the stage name Bumble Bee Slim, was an American Piedmont blues singer and guitarist.

Easton was born in Brunswick, Georgia, United States. Several original sources confirm that he spelled his first name “Admirl”. Around 1920 he joined the Ringling Brothers circus. He then returned to Georgia and was briefly married before heading north on a freight train to Indianapolis, where he settled in 1928. There he met and was influenced by the pianist Leroy Carr and the guitarist Scrapper Blackwell.

Pyotr Ilyich Tchaikovsky (/tʃaɪˈkɒfski/ chy-KOF-skee; Russian: Пётр Ильи́ч Чайко́вский, IPA: [pʲɵtr ɨˈlʲjitɕ tɕɪjˈkofskʲɪj]; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He was honored in 1884 by Tsar Alexander III and awarded a lifetime pension.

Although musically precocious, Tchaikovsky was educated for a career as a civil servant. There was scant opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed.

Tchaikovsky’s training set him on a path to reconcile what he had learned with the native musical practices to which he had been exposed from childhood. From that reconciliation, he forged a personal but unmistakably Russian style. The principles that governed melody, harmony and other fundamentals of Russian music ran completely counter to those that governed Western European music, which seemed to defeat the potential for using Russian music in large-scale Western composition or for forming a composite style, and it caused personal antipathies that dented Tchaikovsky’s self-confidence. Russian culture exhibited a split personality, with its native and adopted elements having drifted apart increasingly since the time of Peter the Great. That resulted in uncertainty among the intelligentsia about the country’s national identity, an ambiguity mirrored in Tchaikovsky’s career.

Despite his many popular successes, Tchaikovsky’s life was punctuated by personal crises and depression. Contributory factors included his early separation from his mother for boarding school followed by his mother’s early death; the death of his close friend and colleague Nikolai Rubinstein; and the collapse of the one enduring relationship of his adult life, his 13-year association with the wealthy widow Nadezhda von Meck, who was his patroneven though they never actually met each other. His homosexuality, which he kept private, has traditionally also been considered a major factor though some musicologists now downplay its importance. Tchaikovsky’s sudden death at the age of 53 is generally ascribed to cholera, but there is an ongoing debate as to whether cholera was indeed the cause of his death.

Nexhmije Pagarusha [neˈd͡ʒmijɛ pagaˈɾuʃa]; 7 May 1933 – 7 February 2020) was an Albanian singer and actress from Republic of Kosovo, often referred to as the queen of Kosovan music. Pagarusha gained acclaim as a recording artist in Kosova and neighbouring countries for her distinct soprano vocal range, which she displayed performing various Kosovan folk songs during her career, which spanned 36 years, from 1948, in her debut in Radio Prishtina, to 1984, in her final concert in Sarajevo. Her music style was not limited just to Albanian music, as she performed rock, pop, funk, opera/classical, and many more. Nexhmije Pagarusha was born in the small village of Pagarusha, near the town of Mališevo, Vardar Banovina, Kingdom of Yugoslavia (present-day Kosovo). She finished primary school in Mališevo and then went to Belgrade, where she attended a  music school for three years, in the solo cantosection. She began her music career as a singer for Radio Pristina in 1948.

NGC 3199 lies about 12,000 light-years away, a glowing cosmic cloud in the nautical southern constellation of Carina. The nebula is about 75 light-years across in this narrowband, false-color view. Though the deep image reveals a more or less complete bubble shape, it does look very lopsided with a much brighter edge along the top. Near the center is a Wolf-Rayet star, a massive, hot, short-lived star that generates an intense stellar wind. In fact, Wolf-Rayet stars are known to create nebulae with interesting shapes as their powerful winds sweep up surrounding interstellar material. In this case, the bright edge was thought to indicate abow shock produced as the star plowed through a uniform medium, like a boat through water. But measurements have shown the star is not really moving directly toward the bright edge. So a more likely explanation is that the material surrounding the star is not uniform, but clumped and denser near the bright edge of windblown NGC 3199.

David Friesen (born May 6, 1942 in Tacoma, Washington) is an American jazz bassist. He plays double bass and electric upright bass.

Friesen began playing bass while serving in the United States Army in Germany. He played with John Handy and Marian McPartland and following this, with Joe Henderson; in 1975, he toured in Europe with Billy Harper. His first album as a session leader appeared that year. In 1976, he began collaborating with guitarist John Stowell; the pair would work together often. He appeared with Ted Curson at the Monterey Jazz Festival in 1977. Following this, he worked with Ricky Ford, Duke Jordan, Mal Waldron, and Paul Horn. His 1989 album Other Times, Other Places reached No. 11 on the U.S. Billboard Top Jazz Albums chart. He has also played with Chick Corea, Michael Brecker, Stan Getz, Dexter Gordon, Kenny Garrett, Dizzy Gillespie, and Mal Waldron.

Leon Hughes, Sr. (born Leon Hughes, May 6, 1932 in Dallas, Texas, and raised in Los Angeles County, California) is an American singer. He is the last surviving original member of The Coasters.

Leon Hughes is an original member of The Coasters (Bobby Nunn, Carl Gardner, and Billy Guy). He recorded with the original group line-up until 1958. His tenor voice is heard on many of the group’s hits, including “Down in Mexico“, “Searchin“, and “Young Blood“. The group’s national debut happened in 1957, when the group appeared on NBC-TV’s The Tonight Show with host Steve Allen. Both of these hits were National Top 10 Hits and the Top R&B Hits of 1957. He also appeared on Dick Clark‘s popular new national show American Bandstand. He had been working at a car wash when Bobby Nunn had recommended him as second tenor for The Coasters. He was replaced after 1957 by Cornel Gunter. Leon’s career with the Original Coasters can be seen on the groups timeline at the Rock and Roll Hall of Fame Museum.

Leon’s career has given him opportunities to travel the world & to appear at many prominent venues. Some of them include the Famous Apollo Theatre, The Historic Howard Theatre, The Kennedy Center, Carnegie Hall, Madison Square Garden, Radio City Music Hall and Disneyland. He has appeared with legendary artists of the Rock and Roll Era. Some of these artists include: Chuck Berry, Little Richard, The Platters, The Drifters, Bill Haley and the Comets, The Shirelles and many more.

Hasaan Ibn Ali (born William Henry Langford, Jr.; May 6, 1931 – 1980) was an American jazz pianist and composer.

Ibn Ali was strongly influenced by Elmo Hope, and his playing was rapid and intense, retaining a sense of rhythm even when his style became increasingly unconventional. Only one recording of his playing – The Max Roach Trio Featuring the Legendary Hasaan – was released in his lifetime. Ibn Ali built a reputation in Philadelphia, where he influenced musicians including John Coltrane, but he remained little known elsewhere.

Hasaan Ibn Ali was born William Henry Langford, Jr. in Philadelphia on May 6, 1931. His mother was a domestic worker. In 1946 (aged 15), he toured with trumpeter Joe Morris‘s rhythm and blues band. In 1950, he played locally with Clifford Brown, Miles Davis, J. J. Johnson, Max Roach, and others. Based in Philadelphia, Ibn Ali freelanced and acquired a reputation locally as “an original composer and theorist”, in musicologist Lewis Porter‘s words. The pianist performed with Horace Arnold in New York City in 1959, and again in 1961–62, in a trio with Henry Grimes.

According to Roach, while visiting New York, Ibn Ali went from club to club to play, and sometimes at the drummer’s home in the middle of the night continued to play unaccompanied on the piano there. The drummer routinely recorded Ibn Ali’s playing in this way when the pianist visited. The Library of Congress has a 1964 recording of an Ibn Ali solo improvisation, recorded at Roach’s home. John Murph in JazzTimes described it in 2014: “Thoroughly modern with a whimsical rhythmic undertow and wayward melodic passages, it sounds like a new Jason Moran composition.

Cliff Carlisle (May 6, 1903 – April 5, 1983) was an American country and blues musician, singer and songwriter. Carlisle was a yodeler and was a pioneer in the use of the Hawaiian steel guitar in country music. He was a brother of country music star Bill Carlisle.

Carlisle was born in Taylorsville, Kentucky and began performing locally with cousin Lillian Truax at age 16. Truax’s marriage put an end to the group, and Carlisle began playing with Wilber Ball, a guitarist and tenor harmonizer. The two toured frequently around the U.S. playing vaudeville and circus venues in the 1920s.

Carlisle and Ball first played at Louisville, Kentucky radio station WHAS-AM in 1930, which made them local stars, and later that year they recorded for Gennett Records and Champion Records. In 1931, they recorded with Jimmie Rodgers. Toward the end of 1931, Carlisle signed with ARC and was offered performance slots on several radio stations, including WBT-AM in Charlotte, North Carolina, WLS-AM in Chicago and WLW-AM in Cincinnati, Ohio. Cliff’s brother Bill Carlisle became his guitarist after Ball left in 1934. During the 1930s Carlisle, who recorded a large amount of material despite a hiatus from 1934 to 1936, frequently released songs with sexual connotations including barnyard metaphors (which became something of a hallmark).