mick laBriola

Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician. Considered by many to be the “Father of the Delta Blues”, he created an enduring body of American music and inspired most Delta blues musicians. The musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century.

Patton (who was well educated by the standards of his time) spelled his name Charlie, but many sources, including record labels and his gravestone, use the spelling Charley.

Patton was born in Hinds County, Mississippi, near the town of Edwards, and lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in April 1891, but the years 1881, 1885 and 1887 have also been suggested. Patton’s parentage and race also are uncertain. His parents were Bill and Annie Patton, but locally he was regarded as having been fathered by former slave Henderson Chatmon, several of whose children became popular Delta musicians, as solo performers and as members of groups such as the Mississippi Sheiks. Biographer John Fahey described Patton as having “light skin and Caucasian features.”

https://www.youtube.com/watch?v=WW-Sh4U8jOs&list=PL833FB9ECC7088468&index=2

This friendly-looking object is the result of two galaxies merging into one another, complete with a pair of eyes hiding two growing supermassive black holes and a swirling grin. Such mergers are rare in our galactic neighbourhood; Mrk 739 is close enough (astronomically speaking) to study the event in detail, and thus gain a better understanding of the dramatic processes that take place during these cosmic mergers. By using the MUSE instrument on ESO’s Very Large Telescope, the team of astronomers, led by master’s student Dusán Tubín at the Pontificia Universidad Católica de Chile, were able to study the effects of both the merger and the radiation emitted by the growing gigantic black holes. Their study answers questions about the motion of the galaxies, the age of their stars, and the elements they are made up of. They have found that one of these galaxies is much older than its companion, and that their merging process is at an early stage. MUSE is a 3D spectrograph that takes images — known as “datacubes” — of the object being observed over thousands of wavelengths. With MUSE, astronomers are therefore able to map in great detail the properties of the objects they study, because each individual pixel contains an impressive amount of information. Obtaining these exciting insights into galaxy merging and evolution with MUSE is enough to make anyone smile.

James Lee Keltner (born April 27, 1942) is an American drummer known primarily for his session work. He was characterized by Bob Dylan biographer Howard Sounes as “the leading session drummer in America”.

Keltner was initially inspired to start playing because of an interest in jazz, but the popularity of jazz was declining during the late 1950s and early 1960s, and it was the explosion of pop/rock in the mid-1960s that enabled him to break into recording work in Los Angeles. His first gig as a session musician was recording “She’s Just My Style” for the pop group Gary Lewis and the Playboys.Keltner’s music career was hardly paying a living, and for several years at the outset he was supported by his wife. Toward the end of the 1960s, he finally began getting regular session work and eventually became one of the busiest drummers in Los Angeles. His earliest credited performances on record were with Gabor Szabo on the 1968 album Bacchanal. In 1968, Keltner was also working in a music shop in Pasadena just down the street from the old Ice House coffeehouse when he was recruited to play drums in a “psychedelic” vocal group named “MC Squared” along with Michael Crowley, Michael Clough, Linda Carey, (all from the folk group The Back Porch Majority) and session guitarist/bassist Randy Cierley Sterling. They were signed by Mo Ostin and recorded an album for Warner/Reprise originally titled “MC Squared” which has later been re-mastered and re-released in 2012 with the album title “Tantalizing Colors.” They appeared live that same year on the Hugh Hefner / Playboy Magazine television show Playboy After Dark playing two songs: an original by MC Squared members Michael Clough and Michael Crowley titled “I Know You” and a cover version of the Fred Neil song Everybody’s Talkin’. Both Playboy After Dark performances with Keltner playing drums can currently be viewed on YouTube.

It was his work with Leon Russell playing on Delaney & Bonnie’s Accept No Substitute that attracted the attention of Joe Cocker, who recruited Russell and everyone else he could out of the Delaney & Bonnie band for his Mad Dogs & Englishmen tour. Playing with Joe Cocker led to work in 1970 and 1971, on records by Carly Simon (No Secrets), Barbra Streisand (Barbra Joan Streisand), Booker T. Jones (Booker T. & Priscilla), George Harrison (The Concert for Bangladesh), and John Lennon (Imagine).

Krzysztof Komeda (born Krzysztof Trzciński; 27 April 1931 – 23 April 1969) was a Polish film music composer and jazz pianist. Perhaps best known for his work in film scores, Komeda wrote the scores for Roman Polanski’s films Knife in the Water (1962), Cul-de-sac (1966), The Fearless Vampire Killers (1967), and Rosemary’s Baby (1968). Komeda’s album Astigmatic (1965) is widely regarded as one of the most important European jazz albums; British critic Stuart Nicholson describes the album as “marking a shift away from the dominant American approach with the emergence of a specific European aesthetic.”

Conrad Henry Kirnon (April 27, 1927 – November 30, 1994 Tuckahoe, New York) known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet. Self-taught on drums, he began performing in Los Angeles in the mid-1940s. His drumming is recorded in The Hunt, the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young‘s quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis.

Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as Shake, Rattle and Roll by Big Joe Turner and Ruth Brown‘s (Mama) He Treats Your Daughter Mean.

Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke. He remained through the group’s dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he had an enduring partnership with cool jazz altoist Paul Desmond through the first half of the 1960s. He played drums on several of Irish singer-songwriter Van Morrison‘s albums: Astral Weeks, one song on Saint Dominic’s Preview, and four songs on Tupelo Honey. Kay was known for incorporating percussion instruments alongside his drum kit, such as timpani, small cymbals, triangle, bell tree, and darbukas, the latter referred to as “exotic-looking” drums in a 2006 article.

In 1989, Kay received an honorary doctorate of music from Berklee College of Music. Kay had a stroke in 1992, but recovered enough to resume performing. He died of cardiac arrest in Manhattan in 1994 at the age of 67. He was survived by his wife, Addie, and two sons. He also played with Benny Goodman’ Orchestra at the Carnegie Hall 40th. Anniversary Concert on January 17.,1978. Kay never recorded as a session leader.

These three bright nebulae are often featured on telescopic tours of the constellation Sagittarius and the crowded starfields of the central Milky Way. In fact, 18th century cosmic tourist Charles Messiercataloged two of them; M8, the large nebula below and right of center, and colorful M20 near the top of the frame. The third emission region includes NGC 6559, left of M8 and separated from the larger nebula by a dark dust lane. All three are stellar nurseries about five thousand light-years or so distant. Over a hundred light-years across the expansive M8 is also known as the Lagoon Nebula. M20’s popular moniker is the Trifid. Glowing hydrogen gas creates the dominant red color of the emission nebulae. But for striking contrast, blue hues in the Trifid are due to dust reflected starlight. The broad interstellarscape spans almost 4 degrees or 8 full moons on the sky.

Lakshminarayana Shankar (born 26 April 1950), better known as L. Shankar, Shankar and Shenkar, is an Indian violinist, singer and composer. Shankar was born in Madras, India, and raised in Ceylon (current-day Sri Lanka), where his father V. Lakshminarayana, a violinist and singer, worked as a teacher at the Jaffna College of Music. He learned to play the violin and first performed in public in a Ceylonese temple at the age of seven. In 1969, he went to the United States, where he studied ethnomusicology at Wesleyan University After performing with various Indian singers for several years, Shankar founded a trio with his brothers L. Vaidyanathan and L. Subramaniam that performed throughout India.

While attending college at Wesleyan University, he met jazz musicians like Ornette Coleman, Jimmy Garrison, and John McLaughlin. With McLaughlin, Shankar founded the group Shakti in 1975, one of the early groups in which Eastern and Western musical traditions met. They released three albums: Shakti (1975), A Handful of Beauty (1976), and Natural Elements (1977).

Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Ernie Fields convinced him he could get there by way of Washington, DC, if he worked with his band. Teddy ended up at the “Club Alabam” on Central Avenue in Los Angeles, which later became his city of residence.

Teddy Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castroand Ernie Andrews. A 1947 recording with Dexter Gordon, The Duel, was an early challenge to another saxophonist an approach he maintained whenever possible, including a recording with Houston Person. One such duel took place in the 1980s at London’s 100 Club with British tenor Dick Morrissey. In 1964, Edwards played with Benny Goodman at Disneyland, and at the 1964 New York World’s Fair.

Preston Haynes Love (April 26, 1921 – February 12, 2004) was a saxophonist, bandleader, and songwriter from Omaha, Nebraska best known as a sideman for jazz and rhythm and blues artists like Count Basie and Ray Charles.

Preston Love grew up in North Omaha and graduated from North High. He became renowned as a professional sideman and saxophone balladeer in the heyday of the big band era. He was a member of the bands of Nat Towles, Lloyd Hunter, Snub Mosley, Lucky Millinder and Fats Waller before getting his big break with the Count Basie Orchestra when he was 22. Love played and recorded with the Count Basie band from 1945–1947 and played on Basie’s only #1 hit record, ‘Open The Door Richard.’ Love eventually became a bandleader himself, playing with Lena Horne, Billie Holiday, his friends Johnny Otis and Wynonie Harris, with whom he had several hits.

John Ned “Johnny” Shines (April 26, 1915 – April 20, 1992) was an American blues singer and guitarist. Shines was born in the community of Frayser, in Memphis, Tennessee. He was taught to play the guitar by his mother and spent most of his childhood in Memphis, playing slide guitar at an early age in juke joints and on the street. He moved to Hughes, Arkansas, in 1932 and worked on farms for three years, putting aside his music career. A chance meeting with Robert Johnson, his greatest influence, gave him the inspiration to return to music. In 1935, Shines began traveling with Johnson, touring in the United States and Canada. They parted in 1937, one year before Johnson’s death.

Shines played throughout the southern United States until 1941, when he settled in Chicago. There he found work in the construction industry but continued to play in local bars.

Gertrude “Ma” Rainey (née Pridgett; April 26, 1886 – December 22, 1939) was an influential American blues singer and early blues recording artist. Dubbed the “Mother of the Blues”, she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers.

Gertrude Pridgett began performing as a teenager and became known as “Ma” Rainey after her marriage to Will “Pa” Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, Rainey and Rainey, Assassinators of the Blues. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including “Bo-Weevil Blues” (1923), “Moonshine Blues” (1923), “See See Rider Blues” (1924), “Ma Rainey’s Black Bottom” (1927), and “Soon This Morning” (1927).

Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a “moaning” style of singing. Her qualities are present and most evident in her early recordings “Bo-Weevil Blues” and “Moonshine Blues”.

Rainey recorded with Thomas Dorsey and Louis Armstrong, and she toured and recorded with the Georgia Jazz Band. She toured until 1935, when she largely retired from performing and continued as a theater impresario in her hometown of Columbus, Georgia, until her death four years later.

Carl Allen (born April 25, 1961) is an American jazz drummer.

Allen attended William Paterson University. He has worked with a wide variety of musicians, including Freddie Hubbard, Jackie McLean, George Coleman, Phil Woods, the Benny Green Trio and Rickie Lee Jones. It was with Green that Allen met bassist Christian McBride. The two have teamed up frequently, working for many combos of big name leaders. McBride recruited Allen for his band, Christian McBride & Inside Straight. Allen is that quintet’s drummer for both its first recording, Kinda Brown, and its road tours.

In 1988 Allen and Vincent Herring founded Big Apple Productions, which produced several albums featuring young jazz performers.

He joined the faculty of The Juilliard School in 2001, and became the Artistic Director of Jazz Studies in 2008. He was replaced as director by Wynton Marsalis in 2013, and left Juilliard at the end of the academic year. In 2011, Allen appeared as himself in two episodes of the HBO series Tremé, in a studio recording scene in New York City. In 2014, he formed his own group, The Art of Elvin to pay tribute to Art Blakey and Elvin Jones. The band debuted at the Percussive Arts Society (PAS) conference in Indianapolis, Indiana with Allen on drums, Freddie Hendrix (trumpet), Tivon Pennicott (tenor sax), Xavier Davis (piano), Yasushi Nakamura (bass).

https://www.youtube.com/watch?v=1EK-LMJX8hE

Albert Nelson (April 25, 1923 – December 21, 1992 Indianola, Mississippi), known by his stage name Albert King, was an American blues guitarist and singer whose playing influenced many other blues guitarists. He is perhaps best known for the popular and influential album Born Under a Bad Sign (1967) and its title track. He, B.B. King, and Freddie King, all unrelated, were known as the “Kings of the Blues.”^[1] The left-handed King was known for his “deep, dramatic sound that was widely imitated by both blues and rock guitarists.” He was once nicknamed “The Velvet Bulldozer” because of his smooth singing and large size–he stood taller than average, with sources reporting 6 ft 4 in (1.93 m) or 6 ft 7 in (2.01 m), and weighed 250 lb (110 kg)–and also because he drove a bulldozer in one of his day jobs early in his career. King was inducted into the Blues Hall of Fame in 1983. He was posthumously inducted into the Rock and Roll Hall of Fame in 2013. In 2011, he was ranked number 13 on Rolling Stone‘s 100 Greatest Guitarists of All Time.