mick laBriola

Galaxies of the NGC 7771 Group are featured in this intriguing skyscape. Some 200 million light-years distant toward the constellation Pegasus, NGC 7771 is the large, edge-on spiral near center, about 75,000 light-years across, with two smaller galaxies below it. Large spiral NGC 7769 is seen face-on to the right. Galaxies of the NGC 7771 group are interacting, making repeated close passages that will ultimately result in galaxy-galaxy mergers on a cosmic timescale. The interactions can be traced by distortions in the shape of the galaxies themselves and faint streams of stars created by their mutual gravitational tides. But a clear view of this galaxy group is difficult to come by as the deep image also reveals extensive clouds of foreground dust sweeping across the field of view. The dim, dusty galactic cirrus clouds are known as Integrated Flux Nebulae. The faint IFN reflect starlight from our own Milky Way Galaxy and lie only a few hundred light-years above the galactic plane.

Paul Winter (born August 31, 1939 Altoona, PA) is an American saxophonist, composer, and bandleader. He is a pioneer of world music and earth music, which interweaves the voices of the wild with instrumental voices from classical, jazz and world music. The music is often improvised and recorded in nature to reflect the qualities brought into play by the environment.

In 1967 he started the Paul Winter Consort, influenced by Heitor Villa-Lobos and other Brazilian music, to give ensemble playing and soloing equal importance, analogous to a democracy where every voice would count. He borrowed the name from English Elizabethan theater of the 16th and 17th centuries, when bands combined woodwinds, strings, and percussion, the same families of instruments he wanted to combine in his contemporary consort. With this group, he became one of the earliest creators of world music.

Recordings of humpback whales in 1968 influenced his music, and his desire to become an environment activist. In 1977, his album Common Ground was his first to incorporate sounds of whales, eagles, and wolves into his music. The Paul Winter Consort recorded during the 1960s and 1970s. Four albums for A&M were produced by Phil Ramone and Paul Stookey. Astronauts of Apollo 15 took the Consort’s album Road to the moon with them and named two craters after the songs “Ghost Beads” and “Icarus”. George Martin produced the album Icarus and considered it one of the best he produced. The band Oregon was formed by band members who worked on this album: Ralph Towner, Paul McCandless, Glen Moore, and Collin Walcott.

In the early 1980s, Winter began traveling to the Soviet Union. In 1984, he ventured as far as Lake Baikal in Siberia, and found it so beautiful that he returned to try to protect it. In 1984, he became friends with Yevgeny Yevtushenko. Winter took part in the U.S.–Soviet Space Bridge to encourage collaboration between Russians and Americans. On a tour of the Soviet Union in 1986, the Consort performed with the Dmitri Pokrovsky Ensemble at Moscow University. During the next year the two bands recorded the album EarthBeat in Moscow and New York. It was the first album of music created together by Americans and Russians.

In 1980, Winter founded Living Music Records as a forum for his musical and ecological vision. The name alludes to his desire to make timeless music in natural acoustic spaces like stone churches, canyons, and barns.

Sir George Ivan Morrison OBE (born 31 August 1945) is a singer-songwriter and musician from Northern Ireland whose recording career spans seven decades.

Morrison began performing as a teenager in the late 1950s, playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Known as “Van the Man” to his fans, Morrison rose to prominence in the mid-1960s as the lead singer of the Belfast R&Bband Them, with whom he wrote and recorded “Gloria“, which became a garage bandstaple. His solo career started under the pop-hit oriented guidance of Bert Berns with the release of the hit single “Brown Eyed Girl” in 1967.

After Berns’s death, Warner Bros. Records bought Morrison’s contract and allowed him three sessions to record Astral Weeks (1968). While initially a poor seller, the album has come to be regarded as a classic. Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances.

Much of Morrison’s music is structured around the conventions of soul music and early rhythm and blues. An equal part of his catalogue consists of lengthy, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream of consciousness narrative, such as the album Astral Weeks. The two strains together are sometimes referred to as “Celtic soul”, and his music has been described as attaining “a kind of violent transcendence”.

Morrison’s albums have performed well in the UK and Ireland, with more than 40 reaching the UK top 40. He has scored top ten albums in the UK in four consecutive decades, following the success of 2021’s Latest Record Project, Volume 1. Eighteen of his albums have reached the top 40 in the United States, twelve of them between 1997 and 2017. Since turning 70 in 2015, he has released – on average – more than an album a year. He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fameand the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland.

The glowing red clouds seen in this Picture of the Week show dense gas regions where new stars are being born in the RCW 106 region. But only 1% of this gas will actually go on to create stars, and astronomers don’t know why this percentage is so low. We do know that star formation takes place when regions of these huge clouds of cold gas are able to clump together and eventually collapse into newborn stars, which happens at a critical density. But once we go past that density, do even denser regions produce even more stars, and could this help to explain the 1% mystery? New results from the Atacama Pathfinder Experiment (APEX), accepted for publication in Astronomy & Astrophysics (link accessible from 20 August), suggest this is not the case: denser regions are not more efficient at forming stars. This is perhaps explained by the way these denser clouds fragment into filamentary structures and cores out of which stars will form, but leaves many questions still to be answered. This Picture of the Week highlights these areas of interest. The image imposes a red map of dense gas, imaged with the ArTéMiS camera at APEX, over an optical image taken with the VLT Survey Telescope.  While APEX continues to investigate this stellar mystery, we can expect to see many more stunning images like this.

McKinley Howard “Kenny” Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, composer, and occasional singer. Dorham’s talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham’s name has become “virtually synonymous with ‘underrated’.” Dorham also composed the jazz standard “Blue Bossa“, which was first recorded by his associate Joe Henderson.

Dorham was one of the most active bebop trumpeters. Early in his career, he played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington, and in Charlie Parker‘s quintet. He joined Parker’s band in December 1948. He was a charter member of the original cooperative the Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brownin the Max Roach Quintet after Brown’s death in 1956. In addition to sideman work, Dorham led his own groups, including the Jazz Prophets (formed shortly after Art Blakey took over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones, and tenorman J. R. Monterose, with guest Kenny Burrell on guitar, recorded a live album, ‘Round About Midnight at the Cafe Bohemia, in 1956 for Blue Note. During his final years, Dorham suffered from kidney disease, from which he died on December 5, 1972, aged 48.