mick laBriola

Albert Leornes Greene (born April 13, 1946 Forrest City, AK) is an American singer, songwriter and record producer best known for recording a series of soul hit singles in the early 1970s, including “Take Me to the River“, “Tired of Being Alone“, “I’m Still in Love with You“, “Love and Happiness“, and his signature song, “Let’s Stay Together“. After an incident in which his girlfriend died by suicide, Green became an ordained pastor and turned to gospel music. He later returned to secular music.

Green was inducted to the Rock and Roll Hall of Fame in 1995. He was referred to on the museum’s site as being “one of the most gifted purveyors of soul music”. He has also been referred to as “The Last of the Great Soul Singers”. Green is the winner of 11 Grammy Awards, including the Grammy Lifetime Achievement Award. He has also received the BMI Icon award and is a Kennedy Center Honors recipient. He was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 65, as well as its list of the 100 Greatest Singers, at No. 14.

Lowell Thomas George (April 13, 1945 – June 29, 1979) was an American singer, songwriter, multi-instrumentalist, and record producer, who was the primary guitarist, vocalist, and songwriter for the rock band Little Feat.

Lowell George was born in Hollywood, California, the son of Willard H. George, a furrier who raised chinchillas and supplied furs to the movie studios. George’s first instrument was the harmonica. At the age of six he appeared on Ted Mack’s Original Amateur Hour performing a duet with his older brother, Hampton. As a student at Hollywood High School (where he befriended Paul Barrere and future wife Elizabeth), he took up the flute in the school marching band and orchestra. He had already started to play Hampton’s acoustic guitar at age 11, progressed to the electric guitar by his high school years, and later learned to play the saxophone, shakuhachi and sitar. During this period, George viewed the teen idol-oriented rock and roll of the era with contempt, instead favoring West Coast jazz and the soul jazz of Les McCann and Mose Allison. Following graduation in 1963, he briefly worked at a gas station (an experience that inspired such later songs as “Willin’“) to support himself while studying art and art history at Los Angeles Valley College for two years. On June 15, 1979, George began a tour in support of his solo album, Thanks I’ll Eat it Here. On June 29, the morning after an appearance at Washington, D.C.’s Lisner Auditorium where the bulk of Waiting for Columbus had been recorded in 1977, George collapsed and died of a heart attack in his Arlington, Virginia, hotel room at the Twin Bridges Marriott. His heart attack was caused by an accidental cocaine overdose.

John William “Jack” Casady (born April 13, 1944) is an American bass guitarist, best known as a member of Jefferson Airplane and Hot Tuna. Jefferson Airplane became the first successful exponent of the San Francisco Sound. Their singles, including “Somebody to Love” and “White Rabbit“, had a more polished style than their other material, and successfully charted in 1967 and 1968. Casady, along with the other members of Jefferson Airplane, was inducted into the Rock and Roll Hall of Fame in 1996.

Casady was born in Washington D.C., the son of Mary Virginia (née Quimby) and William Robert Casady. His father was of half Irish Protestant and half Polish Jewish ancestry. His mother was a relative of aviator Harriet Quimby; some of her family had been in North America since the 1600s. First playing as a lead guitarist with the Washington, D.C.-area rhythm and blues band The Triumphs, he switched to bass during his high school years, and while still underage (and with a forged I.D.) played the Washington D.C. club scene, backing artists such as Little Anthony and the Imperials.

Edwin “Eddie” Marshall (April 13, 1938 – September 7, 2011) was an American jazz drummer.

Marshall was born in Springfield, Massachusetts. He played in his father’s swing group and in R&B bands while in high school. He moved to New York City in 1956, developing his percussion style under the influence of Max Roach and Art Blakey. Two years later he played in the quartet of Charlie Mariano and with Toshiko Akiyoshi; after two years’ service in the Army, he returned to play with Akiyoshi again in 1965. He worked with Mike Nock for a year in the house band of the New York nightclub The Dom, and also worked with Stan Getz and Sam Rivers, and accompanied Dionne Warwick on tours.

In 1967 he was a member of The Fourth Way, a fusion group which included Nock, Michael White, and Ron McClure. This group toured the San Francisco Bay Area through the early 1970s; after this Marshall played with Jon Hendricks and The Pointer Sisters.

Lawrence “Bud” Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone but also able at the clarinet.

In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver‘s Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed “Alligators”. In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon‘s 1933 recording, The Eel, which became Freeman’s nickname for his long snake-like improvisations. Freeman played with Tommy Dorsey‘s Orchestra (1936–1938) and Benny Goodman‘s band in 1938 before forming the Summa Cum Laude Orchestra (1939–1940). Freeman joined the U.S. Army during World War II and headed a U.S. Army band in the Aleutian Islands.

Fifteen hundred light years away towards the constellation of Orion lies a nebula which, from its glow and dark dust lanes, appears, on the left, like a billowing fire. But fire, the rapid acquisition of oxygen, is not what makes this Flame glow. Rather the bright star Alnitak, the easternmost star in the Belt of Orion visible on the far left, shines energetic light into the Flame that knocks electrons away from the great clouds of hydrogen gas that reside there. Much of the glow results when the electrons and ionized hydrogen recombine. The featured picture of the Flame Nebula (NGC 2024) was taken across three visible color bands with detail added by a long duration exposure taken in light emitted only by hydrogen. The Flame Nebula is part of the Orion Molecular Cloud Complex, a star-forming region that includes the famousHorsehead Nebula.

Herbert Jeffrey Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader, composer, and actor. Hancock started his career with Donald Byrd. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles.

Hancock’s best-known compositions include the jazz standards “Cantaloupe Island“, “Watermelon Man“, “Maiden Voyage“, and “Chameleon“, as well as the hit singles “I Thought It Was You” and “Rockit“. His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album to win the award, after Getz/Gilberto in 1965.

Since 2012, Hancock has served as a professor at the University of California, Los Angeles, where he teaches at the UCLA Herb Alpert School of Music. He is also the chairman of the Herbie Hancock Institute of Jazz(known as the Thelonious Monk Institute of Jazz until 2019).

Hancock was born in Chicago, the son of Winnie Belle (Griffin), a secretary, and Wayman Edward Hancock, a government meat inspector. His parents named him after the singer and actor Herb Jeffries. He attended Hyde Park High School. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy, he played the first movement of Mozart‘s Piano Concerto No. 26 in D Major, K. 537 (Coronation) at a young people’s concert on February 5, 1952 with the Chicago Symphony Orchestra (led by CSO assistant conductor George Schick) at age 11.

James D. “Shakey Jake” Harris (April 12, 1921 – March 2, 1990) was an American Chicago blues singer, harmonicist and songwriter. He released five albums over a period of almost 25 years. He was often musically associated with his nephew Magic Sam.

James D. Harris was born in Earle, Arkansas, and relocated with his family to Chicago, Illinois, at the age of seven. He played in several Chicago blues ensembles in the late 1940s. He also worked as a mechanic and as a professional gambler (his nickname came from a dice players’ expression, “shake ’em”). His debut recording was the single “Call Me if You Need Me”, backed with “Roll Your Moneymaker”, released by Artistic Records in 1958, featuring Magic Sam and Syl Johnson on guitar and produced by Willie Dixon. Harris was not paid for the session, but he won $700 shooting craps with label owner Eli Toscano.

Theodore Roosevelt “Hound Dog” Taylor (April 12, 1915 – December 17, 1975) was an American Chicago blues guitarist and singer.

Taylor was born in Natchez, Mississippi, in 1915, though some sources say 1917. He first played the piano and began playing the guitar when he was 20. He moved to Chicago in 1942.

He was famous among guitar players for having six fingers on both hands, a condition called polydactyly. As is usual with the condition, the extra digits were rudimentary nubbins and could not be moved. One night, while drunk, he cut off the extra digit on his right hand using a straight razor.

He became a full-time musician around 1957 but remained unknown outside the Chicago area, where he played small clubs in black neighborhoods and at the open-air Maxwell Street Market.He was known for his electrified slide guitar playing (roughly styled after that of Elmore James), his cheap Japanese Teisco guitars, and his raucous boogie beats. In 1967, Taylor toured Europe with the American Folk Blues Festival, performing with Little Walter and Koko Taylor.

Johnny Dodds (/ˈdɒts/; April 12, 1892 – August 8, 1940) was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe “King” Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong.Dodds  was the older brother of the drummer Warren “Baby” Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as “a prime architect in the creation of the Jazz Age.”

Dodds was born in Waveland, Mississippi. His childhood environment was a musical one. His father and uncle were violinists, his sister played a melodeon, and in adolescence Johnny sang high tenor in the family quartet. According to legend, his instrumental skill began with a toy flute which had been purchased for his brother, Warren “Baby” Dodds. He was known for his serious and reserved manner as well as his “funky blues playing,” which earned him the nickname “toilet.”

He moved to New Orleans in his youth and studied the clarinet with Lorenzo Tio and Charlie McCurdy. He played with the bands of Frankie Duson, Kid Ory,^[8] and Joe “King” Oliver. Dodds went to Chicago and played with Oliver’s Creole Jazz Band, with which he first recorded in 1923. Dodds blamed the breakup on not wanting to travel and on musical conflicts due to Oliver’s failing musical abilities. He also worked frequently with his good friend Natty Dominique during this period, a professional relationship that would last a lifetime. After the breakup of Oliver’s band in 1924, Dodds replaced Alcide Nunez as the house clarinetist and bandleader of Kelly’s Stables.From 1924 to 1930, Dodds worked regularly at Kelly’s Stables in Chicago. He recorded with numerous small groups in Chicago, notably Louis Armstrong’s Hot Five and Hot Seven and Jelly Roll Morton’s Red Hot Peppers. He also recorded prolifically under his own name, Johnny Dodds’ Black Bottom Stompers, between 1927 and 1929 for Paramount, Brunswick/Vocalion, and Victor. He became a big star on the Chicago jazz scene of the 1920s, but his career precipitously declined with the Great Depression. Although his career gradually recovered, he did not record for most of the 1930s, affected by ill-health; he recorded only two sessions—January 21, 1938, and June 5, 1940—both for Decca. He died of a heart attack in August 1940, in Chicago.

William Wampach (April 11 1951) Born St Cloud, MN. Mostly know as a Electric Guitarist also a songwriter, painter, sculptor and artist. Growing up in Brooklyn Center, Mn. Will worked with bands like Blackbone, Angry Souls, The Mystic Evolution, CCLC. Later Will delved into Calypso and Reggae with Lloyd Cordner in Macumba, later working with Peter Nelson in Shangoya touring Trinidad. Will then became guitarist in the Maroons a Minneapolis based premier Rock Steady/Reggae group blending R&B, Rock and Human Rights issues. 

This stunning image captures a small region on the edge of the inky Coalsack Nebula, or Caldwell 99. Caldwell 99 is a dark nebula — a dense cloud of interstellar dust that completely blocks out visible wavelengths of light from objects behind it. The object at the center of the image is a (much smaller) protoplanetary nebula. The protoplanetary nebula phase is a late stage in the life of a star in which it has ejected a shell of hydrogen gas and is quickly heating up. This stage only lasts for a few thousand years before the protoplanetary nebula’s central star reaches roughly 30,000 Kelvin (approximately 17,000 degrees Fahrenheit). At this point, the central star is producing enough energy to make its surrounding shell of gas glow, becoming what’s known as a planetary nebula.

Neville Eugenton Staple (born 11 April 1955) is a Jamaica-born English singer for the 2-tone ska band The Specials as well as his own band, The Neville Staple Band. He also sang with Ranking Roger in Special Beat.

Staple was born in Manchester, Jamaica. Neville left Jamaica to live in the English town of Rugby, Warwickshire at the age of five but later moved to Coventry. He was initially active in the sound system scene, forming his own crew called “Jah Baddis”. Neville was a regular fixture at the Locarno ballroom in Coventry where he met the resident DJ there, Pete Waterman. Pete wrote the foreword to Neville’s biography – “Original Rude Boy” – and briefly managed The Specials.

Luther Johnson (born April 11, 1939, Itta Bena, Mississippi) is a Chicago blues singer and guitarist, who performs under the name Luther “Guitar Junior” Johnson. He is not to be confused with Luther “Georgia Boy” Johnson, Luther “Houserocker” Johnson, or Lonnie “Guitar Junior” Brooks. Johnson moved to Chicago with his family in 1955. During the 1960s, he performed with Magic Sam. He performed in Muddy Waters‘ band from 1972 to 1980. In 1980, four of his songs were included in an anthology released by Alligator Records. That same year he appeared as a member of the Legendary Blues Band, backing John Lee Hooker in the movie The Blues Brothers.

Johnson moved to the East Coast and began fronting his own band, the Magic Rockers. His “Walkin’ the Dog” was recorded live at the Montreux Festival‘s Blues Night. He won a Grammy Award in 1985 for Best Traditional Blues Album for his part in Blues Explosion. He recorded three albums released by Telarc Records: Slammin’ on the West Side (1996), Got to Find a Way (1998), and Talkin’ About Soul (2001).^[1] He also performed on three albums by the Nighthawks.

Jimmy Lewis (April 11, 1918 – 2000) was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s. He died in 2000.

John Levy (April 11, 1912 – January 20, 2012) was an American jazz double-bassist and businessman.

Levy was born in New Orleans, Louisiana. In 1944, he left his family home in Chicago, Illinois, and moved to New York City where he played bass for such renowned jazz musicians as Ben Webster, Erroll Garner, Milt Jackson, and Billie Holiday. In 1949, he became the bassist in the original George Shearing Quintet, where he also acted as Shearing’s road manager. In 1951, Levy opened John Levy Enterprises, Inc., becoming the first African-American personal manager in the pop or jazz music field. By the 1960s, Levy’s client roster included Shearing, Nancy Wilson, Cannonball Adderley, Joe Williams, Shirley Horn, Soul singer Jimmie Raye, and Ramsey Lewis. In 1997, Levy was inducted into the International Jazz Hall of Fame, and in 2006 he was named a Jazz Master by the National Endowment for the Arts. He died on January 20, 2012, aged 99, in Altadena, California.