mick laBriola

David Jon Gilmour CBE (/ˈɡɪlmɔːr/ GHIL-mor; born 6 March 1946) is an English musician who was a member of rock band Pink Floyd. He joined as guitarist and co-lead vocalist in 1968 shortly before the departure of founder member Syd Barrett. Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979). By the early 1980s, they had become one of the highest-selling and most acclaimed acts in music history; by 2012, they had sold more than 250 million records worldwide, including 75 million in the United States. Following the departure of Roger Waters in 1985, Pink Floyd continued under Gilmour’s leadership and released three more studio albums.

Gilmour has produced a variety of artists, such as the Dream Academy, and has released four solo studio albums: David Gilmour, About Face, On an Island, and Rattle That Lock. He is also credited for bringing singer-songwriter Kate Bush to public attention. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996, and the UK Music Hall of Fame in 2005. In 2003, Gilmour was made a Commander of the Order of the British Empire (CBE). He was awarded with the Outstanding Contribution title at the 2008 Q Awards. In 2011, Rolling Stone magazine ranked him number 14 in their list of the greatest guitarists of all time. He was also voted number 36 in the greatest voices in rock by Planet Rocklisteners in 2009.

Gilmour has taken part in projects related to issues including animal rights, environmentalism, homelessness, poverty, and human rights. He has married twice and is the father of eight children.

https://www.youtube.com/watch?v=cT9EFRd4LBw

Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

In 2002, Purim was the recipient of one of Brazil’s highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called “The Queen of Brazilian Jazz”.

Walter E. “Furry” Lewis (March 6, 1893 or 1899 – September 14, 1981) was an American country blues guitarist and songwriter from Memphis, Tennessee. He was one of the first of the blues musicians active in the 1920s to be brought out of retirement and given new opportunities to record during the folk blues revival of the 1960s.

Lewis was born in Greenwood, Mississippi. His birth year is uncertain. Many sources give 1893, the date he gave in his later years, but the researchers Bob Eagle and Eric LeBlanc suggest 1899, based on his 1900 census entry, and other sources suggest 1895 or 1898. His family moved to Memphis when he was seven. He acquired the nickname “Furry” from childhood playmates. By 1908, he was playing solo at parties, in taverns, and on the street. He was also invited to play several dates with W. C. Handy‘s Orchestra.

John Leslie “Wes” Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. One of the most influential guitarists of the twentieth century, Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound.

Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.

Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname “Wes” was a child’s abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped out of school to sell coal and ice, gradually saving enough money to buy his brother Wes a four-string tenor guitar from a pawn shop in 1935. Although Montgomery spent many hours with the guitar, he discounted this time later in life, saying he had to start over when he got his first six-string several years later,

Montgomery died of a heart attack on June 15, 1968, while at home in Indianapolis. His grandson is actor Anthony Montgomery, who played Travis Mayweather on Star Trek: Enterprise. On June 25, 2019, The New York Times Magazine listed Wes Montgomery among hundreds of musicians whose master tapes were destroyed in the 2008 Universal fire.

Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had on an influence on younger bebop trumpeters such as Fats Navarro.

Howard McGhee was raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory.

In 1946–47, some record sessions for the new label Dial were organized in Hollywood with Charlie Parker and the Howard McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker’s health near to collapse, he played “Max is Making Wax”, “Lover Man“, and “The Gypsy”

J. B. Lenoir /ləˈnɔːr/ (March 5, 1929 – April 29, 1967) was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s.His surname, which is French, is sometimes pronounced as the French “L’n WAHR”, but he pronounced it “La NOR”. His given name simply was J. B.; the letters are not initials.

He was born in Monticello, Mississippi. Lenoir’s guitar-playing father introduced him to the music of Blind Lemon Jefferson, which became a major influence. During the early 1940s, Lenoir worked with the blues artists Sonny Boy Williamson II and Elmore James in New Orleans. He was later influenced by Arthur Crudup and Lightnin’ Hopkins.

In 1949, he moved to Chicago, where Big Bill Broonzy helped introduce him to the blues community. He began to perform at local nightclubs, with musicians such as Memphis Minnie, Big Maceo Merriweather, and Muddy Waters, and became an important part of the city’s blues scene. He began recording in 1951 for J.O.B. Records and Chess Records. His recording of “Korea Blues” was licensed to and released by Chess, as having been performed by J. B. and his Bayou Boys. His band included the pianist Sunnyland Slim, the guitarist Leroy Foster, and the drummer Alfred Wallace.

Performing Dylan, Bee Gees and the Mighty Diamonds

The Whirlpool Galaxy, also known as Messier 51a, M51a, and NGC 5194, is an interacting grand-designspiral galaxy with a Seyfert 2 active galactic nucleus. It lies in the constellation Canes Venatici, and was the first galaxy to be classified as a spiral galaxy. Its distance is estimated to be 31 million light-years away from Earth.

The galaxy and its companion, NGC 5195, are easily observed by amateur astronomers, and the two galaxies may be seen with binoculars. The Whirlpool Galaxy has been extensively observed by professional astronomers, who study it to understand galaxy structure (particularly structure associated with the spiral arms) and galaxy interactions.

Edmond Montague Grant (born 5 March 1948) is a Guyanese-British singer-songwriter and musician. He was a founding member of The Equals, one of the United Kingdom’s first racially integrated pop groups. His subsequent solo career included the platinum single “Electric Avenue”. He also pioneered the genre ringbang.

Grant was born in Plaisance, British Guiana, later moving to Linden. His father, Patrick, was a trumpeter who played in Nello and the Luckies.While at school, his parents lived and worked in the United Kingdom, sending back money for his education. In 1960, he emigrated to join his parents in London. He lived in Kentish Town and went to school at the Acland Burghley Secondary Modern at Tufnell Park, where he learned to read and write music. He became a big fan of Chuck Berry, and after seeing him play at the Finsbury Park Astoria decided on a career in music.

In 1965, Grant formed the Equals, playing guitar and singing background vocals, and the band had two hit albums and a minor hit with the single “I Get So Excited” before having a number one hit in 1968 with his song “Baby Come Back“. The tune also topped the UK Singles Chart in 1994, when covered by Pato Banton featuring Robin and Ali Campbell of the reggae group UB40. The Equals had five further top 40 hits in the UK up to the end of 1970. The Baby Come Back album featured a song by Grant titled “Police on My Back,” which was recorded by the Clash for their 1980 album Sandinista!.^[ Willie Nile released his version of “Police on My Back” on his Streets of New York CD. The Equals’ song “Green Light” co-written by Grant from their 1968 album Supreme, was recorded by the Detroit Cobras, for their 2007 album, Tied & True.

Louis A. “Lou” Levy (March 5, 1928 – January 23, 2001) was an American jazz pianist Levy was born to Jewish parents in Chicago and started playing piano when he was twelve. His chief influences were Art Tatum and Bud Powell.

A professional at age nineteen, Levy played with Georgie Auld (1947 and later), Sarah Vaughan, Chubby Jackson (1947–1948), Boyd Raeburn, Woody Herman’s Second Herd (1948–1950), Tommy Dorsey (1950) and Flip Phillips. Levy left music for a few years in the early fifties and then returned to gain a strong reputation as an accompanist to singers, working with Peggy Lee (1955–1973), Ella Fitzgerald (1957–1962), June Christy, Anita O’Day and Pinky Winters. Levy also played with Dizzy Gillespie, Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of the major West Coast players. Levy recorded as a leader for Nocturne (1954), RCA, Jubilee, Philips, Interplay (1977), and Verve. Levy died of a heart attack in Dana Point, California at the age of 72.

Wilbur Little (1928 in Parmele, North Carolina – 1987 in Amsterdam) was an American jazz bassist known for Hard bop and Post-bop.

Little originally played piano, but switched to bass after serving in the military. In 1949 he moved to Washington, DC, where he worked with “Sir” Charles Thompson among others. After that he was in J. J. Johnson‘s quintet from 1955 to 1958 and was also the bassist for the Tommy FlanaganTrio. He moved to the Netherlands in 1977 and lived there for the rest of his life.

Gene Rodgers (March 5, 1910, New York City – October 23, 1987, New York City) was an American jazz pianist, composer, and arranger. He is best known for being the pianist on Coleman Hawkins‘ famous 1939 recording of “Body and Soul“.

Born Eugene Ricardo Rodgers Jr, the eldest child of Eugene Ricardo Rodgers Sr (aka Eugene Richard Rodgers), and his wife Blanche Bona Cabey (both of whom were born in what was then the Danish West Indies / Danish Antilles, later the American Virgin Islands), he was named for his father. Gene had three younger siblings, Mildred (1914), Rowland (1918), and Genevieve (1920). Rodgers worked professionally from the mid-1920s, and in the next few years made recordings with Clarence Williams and King Oliver in addition to playing with Chick Webb and Teddy Hill. He started his own variety show in the 1930s, doing tours of Australia and England; while in the latter in 1936 he recorded with Benny Carter.

Upon his return he played with Coleman Hawkins (1939–40), Zutty Singleton, and Erskine Hawkins (1943). He did work in Hollywood in the 1940s, including an appearance in the film Sensations of 1945 with Cab Calloway and Dorothy Donegan. After this he worked mainly in New York, leading a trio for many years. He played with the Harlem Blues and Jazz Band in 1981-82.

https://www.youtube.com/watch?v=9PzJKwAn-O8

Farruca  is a form of flamenco music developed in the late 19th century. Classified as a cante chico, it is traditionally sung and danced by men. Its origin is traditionally associated with Galicia, a region in northern Spain.

An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato. Although there are female flamenco dancers who exclusively danced farruca too (such as Rafaela Valverde “La Tanguera”), these female dancers originally danced the farruca wearing male clothing. Women dancers such as Carmen Amaya and Sara Baras have also created well-known versions of the dance.

Farruco is a way of calling the Franciscos and the Asturians in Andalusia. Farruco was also the name that people from Andalusia used to denominate people from Galicia, from where this song likely originates. In Flamenco, being mostly an oral tradition, the lyrics often give valuable hints about their origins, and Farruca lyrics undoubtedly allude to the Galicia region. Further proof can be established from the descending melody that is performed on the vowel ‘a’ at the end of each couplet and to close the “cante” (Spanish for song or singing), which in a certain way tends to imitate the Galician melos. Another feature of Farruca cante is the use of glossolalia, “con el tran-tran-tran-treiro”, which is reminiscent of the Galician region. It has to be stressed, though, that to this day its geographic origin has not been proven scientifically.

You can spot Mars in the evening sky tonight. Now home to the Perseverance rover, the Red Planet is presently wandering through the constellation Taurus, close on the sky to the Seven Sisters or Pleiades star cluster. In fact this deep, widefield view of the region captures Mars near its closest conjunction to the Pleiades on March 3. Below center, Mars is the bright yellowish celestial beacon only about 3 degrees from the pretty blue star cluster. Competing with Mars in color and brightness, Aldebaran is the alpha star of Taurus. The red giant star is toward the lower left edge of the frame, a foreground star along the line-of-sight to the moredistant Hyades star cluster. Otherwise too faint for your eye to see, the dark, dusty nebulae lie along the edge of the massive Perseus molecular cloud, with the striking reddish glow of NGC 1499, the California Nebula, at the upper right.

Jan Garbarek (born 4 March 1947) is a Norwegian jazz saxophonist, who is also active in classical music and world music.

Garbarek was born in Mysen, Norway, the only child of a former Polish prisoner of war, Czesław Garbarek, and a Norwegian farmer’s daughter. He grew up in Oslo, stateless until the age of seven, as there was no automatic grant of citizenship in Norway at the time. When he was 21, he married the author Vigdis Garbarek. He is the father of musician and composer Anja Garbarek.

Garbarek’s sound is one of the hallmarks of the ECM Records label, which has released virtually all of his recordings. His style incorporates a sharp-edged tone, long, keening, sustained notes, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as Electronic Sonata for Souls Loved by Nature). By 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach. Garbarek gained wider recognition through his work with pianist Keith Jarrett‘s European Quartet which released the albums Belonging (1974), My Song (1977) and the live recordings Personal Mountains (1979), and Nude Ants (1979). He was also a featured soloist on Jarrett’s orchestral works Luminessence (1974) and Arbour Zena(1975).

https://www.youtube.com/watch?v=X4sQSWgkKjA

Bobby Shew (born March 4, 1941 Albuquerque, New Mexico) is an American jazz trumpet and flugelhorn player.

After leaving college in 1960, Shew was drafted into the U.S. Army and played trumpet with the NORAD band in Colorado Springs and on tour. After leaving the Army, Shew joined Tommy Dorsey‘s band and then played with the Woody Herman and then the Buddy Rich big bands in the mid-to-late 1960s. In 1972 Shew moved from Las Vegas to Los Angeles where he did much studio work as well as play with some of the top big bands of the era through the end of the 1970s: Akiyoshi/Tabackin, Bellson, Ferguson, and others. In addition to playing on several notable big band recordings starting in the 1960s, Shew recorded several albums as leader, starting with Debut in 1978.

Shew has mentored jazz musicians in New Mexico, and has led the Albuquerque Jazz Orchestra. He has taught a two-week workshop for high school students at the Skidmore Summer Jazz Institute in Saratoga Springs, New York, Shew also performs and teaches worldwide, including a two-week residency at the Graz University of Music in Austria in 2017. He has taught at leading European music schools in Austria, Germany, the Netherlands, and Switzerland, and also in Canada.

Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, United Nations goodwill ambassador, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.

Born in Johannesburg to Swazi and Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief role in the anti-apartheid film Come Back, Africa, which brought her international attention, and led to her performing in Venice, London, and New York City. In London, she met the American singer Harry Belafonte, who became a mentor and colleague. She moved to New York City, where she became immediately popular, and recorded her first solo album in 1960. Her attempt to return to South Africa that year for her mother’s funeral was prevented by the country’s government.

Makeba’s career flourished in the United States, and she released several albums and songs, her most popular being “Pata Pata” (1967). Along with Belafonte she received a Grammy Award for her 1965 album An Evening with Belafonte/Makeba. She testified against the South African government at the United Nations and became involved in the civil rights movement. She married Stokely Carmichael, a leader of the Black Panther Party, in 1968. As a result, she lost support among white Americans. The US government cancelled her visa while she was travelling abroad, leading her and Carmichael to move to Guinea. She continued to perform, mostly in African countries, including at several independence celebrations. She began to write and perform music more explicitly critical of apartheid; the 1977 song “Soweto Blues“, written by her former husband Hugh Masekela, was about the Soweto uprising. After apartheid was dismantled in 1990, Makeba returned to South Africa. She continued recording and performing, including a 1991 album with Nina Simone and Dizzy Gillespie, and appeared in the 1992 film Sarafina!. She was named a UN goodwill ambassador in 1999, and campaigned for humanitarian causes. She died of a heart attack during a 2008 concert in Italy.

Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. She also made popular several songs critical of apartheid, and became a symbol of opposition to the system, particularly after her right to return was revoked. Upon her death, former South African President Nelson Mandela said that “her music inspired a powerful sense of hope in all of us.”