Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records.

Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955 five of his records had sold more than a million copies, being certified gold. The Associated Press estimates that during his career, the artist “sold more than 110 million records and the Grammy organization states that Domino landed 37 songs in the Top 40 on the Billboard Hot 100 throughout his career, including 11 that peaked inside the Top 10″.

His humility and shyness may be one reason his contribution to the genre has been overlooked. The significance of his work was great however; Elvis Presley declared Domino to be “the real king of rock ‘n’ roll” and once announced that Domino “was a huge influence on me when I started out”. Four of Domino’s records were named to the Grammy Hall of Fame for their significance: “Blueberry Hill“, “Ain’t It A Shame“, “Walking to New Orleans” and “The Fat Man“. “The Fat Man” “is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies”. Antoine Domino Jr. was born and raised in New Orleans, Louisiana, the youngest of eight children born to Antoine Caliste Domino (1879–1964) and Marie-Donatille Gros (1886–1971). The Domino family was of French Creole background, and Louisiana Creole was his first language.

David Pell (February 26, 1925 – May 7, 2017) was an American jazz saxophonist, bandleader and record producer. He was best known for leading a cool jazz octet in the 1950s.

Pell played in his teens with the big bands of Tony Pastor, Bob Astor, and Bobby Sherwood. In the 1940s he moved to California, where he played on Bob Crosby‘s radio show in 1946 and became a member of Les Brown‘s band from 1947 to 1955.

In 1953, he began working with his own ensembles, mostly as an octet with Pell on tenor saxophone, another saxophone (either a baritone or an alto), trumpet, trombone, guitar, and a piano-bass-drums rhythm section). Among the octet players were Pepper Adams, Benny Carter, Mel Lewis, Red Mitchell, Marty Paich, Art Pepper and, early his career, John Williams. These ensembles recorded in the 1950s for Atlantic, Kapp, Coral, Capitol, and RCA Victor. Pell also worked as a sideman for Shorty Rogers, Pete Rugolo, Benny Goodman, and Gene Krupa. He produced music in the 1950s and 1960s for Tops, Uni and Liberty; among his credits were singles by Gary Lewis & the Playboys.

On a mission to explore the inner heliosphere and solar corona, on July 11, 2020 the Wide-field Imager on board NASA’s Parker Solar Probe captured this stunning view of the nightside of Venus at distance of about 12,400 kilometers (7,693 miles). The spacecraft was making the third of seven gravity-assist flybys of the inner planet. The gravity-asssist flybys are designed to use the approach to Venus to help the probe alter its orbit to ultimately come within 6 million kilometers (4 million miles) of the solar surface in late 2025. A surprising image, the side-looking camera seems to peer through the clouds to show a dark feature near the center known as Aphrodite Terra, the largest highland region on the Venusian surface. The bright rim at the edge of the planet is nightglow likely emitted by excited oxygen atoms recombining into molecules in the upper reaches of the atmosphere. Bright streaks and blemishes throughout the image are likely due to energetic charged particles, and dust near the camera reflecting sunlight. Skygazers from planet Earth probably recognize the familiar stars of Orion’s belt and sword at lower right.

George Harrison MBE (25 February 1943 – 29 November 2001) was an English musician, singer, songwriter, and music and film producer who achieved international fame as the lead guitarist of the Beatles. Sometimes called “the quiet Beatle”, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles’ work. Although the majority of the band’s songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include “Taxman“, “Within You Without You“, “While My Guitar Gently Weeps“, “Here Comes the Sun” and “Something“.

Harrison’s earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indian classical music through his use of the sitar on “Norwegian Wood (This Bird Has Flown)“. Having initiated the band’s embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band’s break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, “My Sweet Lord“, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles’ Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.

Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger, Ronnie Wood and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr and Tom Petty, among others. Rolling Stone magazine ranked him number 11 in their list of the “100 Greatest Guitarists of All Time”. He is a two-time Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004.

Harrison’s first marriage, to model Pattie Boyd in 1966, ended in divorce in 1977. The following year he married Olivia Arias, with whom he had a son, Dhani. Harrison died from lung cancer in 2001 at the age of 58, two years after surviving a knife attack by an intruder at his Friar Park home. His remains were cremated and the ashes were scattered according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers in India. He left an estate of almost £100 million.

Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. Stanley began playing music in 1946, originally with his older brother Carter Stanley as part of The Stanley Brothers, and most often as the leader of his band, The Clinch Mountain Boys. He was also known as Dr. Ralph Stanley.

He was part of the first generation of bluegrass musicians and was inducted into both the International Bluegrass Music Hall of Honor and the Grand Ole Opry.

Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks.

Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and subsequently began playing jazz and big band music before taking up rock and roll session work. He became one of the regular players in Phil Spector‘s de facto house band, which Blaine nicknamed “the Wrecking Crew“. Some of the records Blaine played on include the Ronettes‘ single “Be My Baby” (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds.

Blaine’s workload declined from the 1980s onwards as recording and musical practices changed. In 2000, he was among the inaugural “sidemen” inductees to the Rock and Roll Hall of Fame, and in 2018 he received a Grammy Lifetime Achievement Award.

René Thomas (25 February 1927 – 3 January 1975) was a jazz guitarist from Belgium.

In the early 1950s, he moved to Paris and became part of the modern jazz scene, playing in the style of Jimmy Raney. Back in Europe in 1962, he toured and recorded with Chet Baker, Bobby Jaspar, Kenny Clarke, Eddy Louiss, Stan Getz, Lucky Thompson, Sonny Criss, Jacques Pelzer, Lou Bennett, Charles “Lolo” Bellonzi, and Ingfried Hoffmann.

Thomas died of a heart attack in Santander, Spain at the age of 47 on 3 January 1975.

Ida Cox (born Ida M. Prather, February 26, 1888 or 1896 – November 10, 1967) was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as “The Uncrowned Queen of the Blues”.

Cox was born Ida M. Prather, the daughter of Lamax and Susie (Knight) Prather in Toccoa, then Habersham County, Georgia, and grew up in Cedartown, Polk County, Georgia. Many sources give her birth date as February 26, 1896, but the researchers Bob Eagle and Eric LeBlanc have suggested she was born in 1888 and noted other evidence suggesting 1894. Her family lived and worked in the shadow of the Riverside Plantation, the private residence of the wealthy Prather family, from which her namesake came. She faced a future of poverty and few educational and employment opportunities.

Cox joined the local African Methodist Choir at an early age and developed an interest in gospel music and performance. At the age of 14, she left home to tour with White and Clark’s Black & Tan Minstrels. She began her career on stage by playing Topsy, a “pickaninny” role commonly performed in vaudeville shows of the time, often in blackface. Cox’s early experience with touring troupes included stints with other African-American travelling minstrel shows on the Theater Owners Booking Association vaudeville circuit: the Florida Orange Blossom Minstrels, the Silas Green Show, and the Rabbit Foot Minstrels.

This stunning Hubble Space Telescope image of nearby spiral galaxy M66 is just that. A spiral galaxy with a small central bar, M66 is a member of the Leo Galaxy Triplet, a group of three galaxies about 30 million light years from us. The Leo Triplet is a popular target for relatively small telescopes, in part because M66 and its galactic companions M65 and NGC 3628 all appear separated by about the angular width of a full moon. The featured image of M66 was taken by Hubble to help investigate the connection between star formation and molecular gas clouds. Clearly visible are bright blue stars, pink ionized hydrogen clouds — sprinkled all along the outer spiral arms, and dark dust lanes in which more star formation could be hiding.

Nicholas Christian Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins recorded and performed on many notable British and American pop and rock music releases from the 1960s through the 1990s including many songs by The Rolling Stones, The Kinksand The Who.

Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Community School, and was initially tutored by a local piano teacher; in his teens he won a scholarship to the Royal Academy of Music in London. He suffered from Crohn’s disease for most of his life.

Hopkins played with the Rolling Stones on all their studio albums from Between the Buttons in 1967 through Tattoo You in 1981, excepting for Some Girls (1978). Among his contributions, he supplied the prominent piano parts on “We Love You” and “She’s a Rainbow” (both 1967), “Sympathy for the Devil” and “No Expectations” (1968), “Monkey Man” (1969), “Sway” (1971), “Loving Cup” and “Ventilator Blues” (1972), “Angie” (1973), “Time Waits for No One” (1974) and “Waiting on a Friend” (recorded 1972, released in 1981). When working with the band during their critical and commercial zenith in the late 1960s and early 1970s, Hopkins tended to be employed on a wide range of slower ballads, uptempo rockers and acoustic material; conversely, longtime de factoStones keyboardist Ian Stewart only played on traditional major key blues rock numbers of his choice, while Billy Preston often featured on soul- and funk-influenced tunes. Hopkins’ work with the Rolling Stones is perhaps most prominent on their 1972 studio album, Exile on Main St., where he contributed in a variety of musical styles.

Along with Ry Cooder, Mick Jagger, Bill Wyman and Charlie Watts, Hopkins released the 1972 album Jamming with Edward! It was recorded in 1969, during the Stones’ Let It Bleed sessions, when guitarist Keith Richards was not present in the studio. The eponymous “Edward” was an alias of Nicky Hopkins derived from studio banter with Brian Jones. It was incorporated into the title of an outstanding Hopkins instrumental performance (“Edward, the Mad Shirt Grinder”) released on Shady Grove in December 1969. Hopkins also contributed to the Jamming With Edward! cover art.

Hopkins was added to the Rolling Stones touring line-up for the 1971 Good-Bye Britain Tour, as well as the 1972 North American tour and the 1973 Pacific tour. He contemplated forming his own band with multi-instrumentalist Pete Sears and drummer Prairie Prince around this time but decided against it after the Stones tour. Hopkins failed to make the Rolling Stones’ 1973 European tourdue to ill health and, aside from a guest appearance in 1978, did not play again with the Stones live on stage.

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by singer-pianist Ray Charles.

The AllMusic Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David ‘Fathead’ Newman.” Newman was a leading exponent of the “Texas Tenor” saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state.

Newman was born in Corsicana, Texas, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.”

Inspired by the jump blues bandleader Louis Jordan, Newman took up the alto saxophone in the seventh grade, and was mentored by former Count Basie saxophonist Buster Smith. He went off to Jarvis Christian College on a music and theology scholarship but quit school after three years and began playing professionally, mostly jazz and blues, with a number of musicians, including Smith, pianist Lloyd Glenn, and guitarist bandleaders Lowell Fulson and T-Bone Walker.

Michel Jean Legrand (French pronunciation: ​[miʃɛl ləɡʁɑ̃]; 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for the films of French New Wave director Jacques Demy, The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song “The Windmills of Your Mind” from The Thomas Crown Affair (1968).

https://www.youtube.com/watch?v=vDMUqzYP8mk&list=RDvDMUqzYP8mk&start_radio=1&t=139