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Joseph Edward Covington (born Joseph Edward Michno; June 27, 1945 – June 4, 2013) was an American drummer, best known for his involvements with Jefferson Airplane, Hot Tuna and Jefferson Starship.

Though best known for his work with Jefferson Airplane, Electric Hot Tuna, and Jefferson Starship, Joey Covington (born Joseph Michno) had a long career starting at age 10 as a self-taught drummer/percussionist, along with becoming an award-winning songwriter and ultimately recording on over 22 albums, of which 16 went gold and platinum.

Covington became a professional drummer as a young teenager, taking gigs with, among other things, polka bands and in strip clubs in his hometown of Johnstown, Pennsylvania. A colorful character, on his website he listed among his fondest early memories “Getting to New York City on a Greyhound bus with a suitcase, a set of drums, and a hundred dollars in my pocket.”

St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazzpianist, composer, and arranger, chiefly in the bebop and hard bop genres. He grew up playing and listening to jazz and classical music with Bud Powell, and both were close friends of another influential pianist, Thelonious Monk.

Hope survived being shot by police as a youth to become a New York-based musician who recorded with several emerging stars in the early to mid-1950s, including trumpeter Clifford Brown, and saxophonists John Coltrane, Lou Donaldson, Jackie McLean, and Sonny Rollins. A long-term heroin user, Hope had his license to perform in New York’s clubs withdrawn after a drug conviction, so he moved to Los Angeles in 1957. He was not happy during his four years on the West Coast, but had some successful collaborations there, including with saxophonist Harold Land.

More recordings as leader ensued following Hope’s return to New York, but they did little to gain him more public or critical attention. Further drug and health problems reduced the frequency of his public performances, which ended a year before his death, at the age of 43. He remains little known, despite, or because of, the individuality of his playing and composing, which were complex and stressed subtlety and variation rather than the virtuosity predominant in bebop.

Elmo Hope was born on June 27, 1923, in New York City. His parents, Simon and Gertrude Hope, were immigrants from the Caribbean, and had several children.

Johnny “Big Moose” Walker (June 27, 1927 – November 27, 1999) was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.

Walker was primarily a piano player but was also proficient on the electronic organ and the bass guitar (he played the bass guitar when backing Muddy Waters). He recorded solo albums and accompanied other musicians in concert and on recordings.

John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, partly of Native American ancestry. He acquired his best-known stage name in his childhood in Greenville, Mississippi, derived from his long, flowing hair.He learned to play several instruments, including the church organ, guitar, vibraphoneand tuba.

Rahul Dev Burman (27 June 1939 – 4 January 1994) was an Indian music director and actor, who is considered to be one of the greatest and most successful music directors of the Hindi film music industry. From the 1960s to the 1990s, Burman composed musical scores for 331 films, bringing a new level of music ensemble with his compositions. Burman did his major work with legendary singers Lata Mangeshkar, Asha Bhosle, and Kishore Kumar. He also worked extensively with lyricist Gulzar, with whom he has some of the most memorable numbers in his career. Nicknamed Pancham, he was the only son of the composer Sachin Dev Burman.

He was mainly active in the Hindi film industry as a composer, and also provided vocals for a few compositions. He served as an influence to the next generation of Indian music directors, and his songs continue to be popular in India and overseas. Many years after his death, his songs continue to be inspiration for new singers and composers.

Samuel Lawrence “Larry” Taylor (June 26, 1942 – August 19, 2019) was an American bass guitarist, best known for his work as a member of Canned Heat. Before joining Canned Heat he had been a session bassist for The Monkees and Jerry Lee Lewis.He was the younger brother of Mel Taylor, long-time drummer of The Ventures.

Taylor was born in New York, New York. His mother was Jewish and his father was a “WASP” from Tennessee. Taylor was the younger brother to Mel Taylor (1933-1996), drummer for The Ventures. As a kid, Taylor’s family moved back and forth from Brooklyn, New York City and Tennessee. They also lived in Texas and California. While living in California, Taylor was sent by his mother back to Tennessee to join a mandatory Reserve Officers’ Training Corps to punish him and teach him discipline as he was an “incorrigilbe” child.

Robert David Grusin (born June 26, 1934) is an American composer, arranger, producer, jazz pianist, and band leader. He has composed many scores for feature films and television and has won numerous awards for his soundtrack and record work, including an Academy Award and 10 Grammy Awards. Grusin is also a frequent collaborator with director Sydney Pollack, scoring many of his films like Three Days of the Condor (1975), Absence of Malice (1981), Tootsie (1982), The Firm (1993), and Random Hearts (1999). In 1978, Grusin founded GRP Records with Larry Rosen, and was an early pioneer of digital recording.

Grusin was born in Littleton, Colorado, to Henri and Rosabelle (née de Poyster) Grusin. His family originates from the Gruzinsky princely line of the Bagrationi dynasty, the royal family that ruled the Kingdom of Georgia in the ninth to 19th centuries. In Slavic languages, “Grusin” is an ethnonym for Georgians.

Joe Chambers (born June 25, 1942) is an American jazz drummer, pianist, vibraphonist and composer. He attended the Philadelphia Conservatory for one year. In the 1960s and 1970s, Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea. During this period, his compositions were featured on some of the albums on which he appeared, such as those with Freddie Hubbard and Bobby Hutcherson. He has released fifteen albums as a bandleader and been a member of several incarnations of Max Roach‘s M’Boompercussion ensemble.

He has also taught, including at the New School for Jazz and Contemporary Music in New York City, where he leads the Outlaw Band. In 2008, he was hired to be the Thomas S. Kenan Distinguished Professor of Jazz in the Department of Music at the University of North Carolina Wilmington.

Clifton Chenier (June 25, 1925 – December 12, 1987), was an American musician known as a pioneer of zydeco, a style of music that arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion. Chenier won a Grammy Award in 1983.

Chenier was known as the King of Zydeco, and also billed as the King of the South. Chenier was a native of Leonville, Louisiana, near Opelousas. He spoke Louisiana French as a first language.

Chenier was exposed to music growing up, as he accompanied his father, Joseph Chenier, a farmer and player of the single-row diatonic accordion, to dances. His uncle, Morris Chenier, played fiddle. Musical influences that he cited from radio were Muddy Waters, Peetie Wheatstraw, and Lightning Hopkins, while local influences included Creole musicians Claude Faulk, Jesse and ZoZo Reynolds, and Sidney Babineaux. Clifton began playing accordion around 1947, and by 1950 was playing in a club in Basile with his brother Cleveland Chenier on rubboard. Before launching a professional music career, Chenier worked in fields and at a Gulf Oil refinery in Port Arthur, Texas, outside of whose gates he also played music with Cleveland.

Johnny Henry Smith II (June 25, 1922 – June 11, 2013) was an American cool jazz and mainstream jazz guitarist. He wrote “Walk, Don’t Run” in 1954. In 1984, Smith was inducted into the Alabama Jazz Hall of Fame.

During the Great Depression, Smith’s family moved from Birmingham, Alabama, where Smith was born, through several cities, ending up in Portland, Maine.

Smith taught himself to play guitar in pawnshops, which let him play in exchange for keeping the guitars in tune. At thirteen years of age he was teaching others to play the guitar. One of Smith’s students bought a new guitar and gave him his old guitar, which became the first guitar Smith owned.