mick laBriola

Hall Franklin Overton (February 23, 1920 – November 24, 1972) was an American composer, jazz pianist and music teacher. He was born in Bangor, Michigan, the first of the three sons of Stanford and Ruth (Barnes) Overton. He grew up in Grand Rapids, Michigan.

After taking piano lessons as a youngster, Overton realized he’d have to travel beyond his small Midwestern town to find the kind of music instruction he wanted. His high school music teacher recognized Overton’s gift and recommended he attend The Chicago Musical College after graduation. Overton studied theory and composition there from 1940 to 1942. He then entered the armed services and served in overseas combat duty with the U.S. 3rd Armored Division until 1945. It was during his time in the service that he learned to play jazz.

On discharge from the army, Overton continued his musical studies at The Juilliard School of Music, studying composition with Vincent Persichetti. He graduated in 1951 with an M.S. degree, then became a member of the faculty there.

George Frideric (or Frederick) Handel (/ˈhændəl/; baptised Georg Friederich Händel [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ; 23 February 1685 – 14 April 1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737 he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. His orchestral Water Music, and Music for the Royal Fireworks remain steadfastly popular. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opera serias over a period of more than thirty years. Since the late 1960s, interest in Handel’s music has grown. The musicologist Winton Dean wrote that “Handel was not only a great composer; he was a dramatic genius of the first order.” His music exerted a strong influence on Classical-era composers, including Mozart and Beethoven.

Bobby Hendricks (born February 22, 1938, Columbus, Ohio) is an American R&B singer who charted two hits in the late 1950s. Hendricks was a member of The Swallows, The Flyers, and sang lead with The Drifters before becoming a successful solo act (he sang The Drifters’ “Drip Drop“).

https://www.youtube.com/watch?v=zjz9tItWpmg

Arp 286 NGC 5566 is a barred spiral galaxy in the constellation Virgo, which is approximately 65 million light years away from Earth. The galaxy is the biggest in the constellation Virgo, stretching nearly 150,000 light yearsin diameter. The galaxy NGC 5566 was discovered on 30 April 1786 by the German-British astronomer William Herschel. It is included in Halton Arp‘s Atlas of Peculiar Galaxies.

Joseph James LaBarbera (born February 22, 1948) is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans’s career. His older brothers are saxophonist Pat LaBarbera and trumpeter John LaBarbera.

He grew up in Mount Morris, New York. His first drum teacher was his father. For two years in the late 1960s he attended Berklee College of Music, then went on tour with singer Frankie Randall. After Berklee he spent two years with the US Army band at Fort Dix, New Jersey. He began his professional career playing with Woody Herman and the Thundering Herd.

His reputation grew in the 1970s when he spent four years recording and touring with Chuck Mangione. He also worked as a sideman for Bob Brookmeyer, Jim Hall, Art Farmer, Art Pepper, John Scofield, Toots Thielemans, and Phil Woods. In 1979 he was a member of the Bill Evans trio, then spent much of the 1980s and early 1990s with Tony Bennett.^[3][2] He was in a quartet with his brother Pat and in a trio with Hein van de Geyn and John Abercrombie. He has taught at the California Institute of the Arts and the Bud Shank Jazz Workshop.

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S. Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.

Taheyya Kariokka (Arabic: تحية كاريوكا‎) also Tahiya Carioca (born Badaweya Mohamed Kareem Ali elnedany), (February 22, 1915 September 20, 1999) was an Egyptian belly dancer and film actress.

Born in the Egyptian town of Ismaïlia to Mohamed Ali and Fatma Elzharaa. Her father was a boat merchant who had married 6 times. It is said that Badawiya’s father was around 60 years old during the time her mother was in her early twenties. Badawiya was barely able to speak when her father died. After the death of her father, Badaweya was sent to live with her older half-brother Ahmed Ali Elnedany. While there she was tortured, treated like a slave and locked in chains. Every time she tried to escape he would find her and torture her even more, till one day he shaved her hair.

With the help of her nephew Osman Elnedany, she escaped to Cairo to stay with Souad Mahasen, a night club owner and an artist. Tahiya had asked several times for employment in Suad’s nightclub but Suad refused to employ her due to the disreputability of working at a nightclub. However, many of Suad’s associates and friends became acquainted with Tahiya through various visits to Suad’s home. They all advised Suad to add her to one of the shows as a chorus girl but still she refused. Soon, Tahiya was mentioned to Badia Masabni, the owner of Casino Opera, one of the most prominent nightclubs of the time. Badia offered a position in her troupe to Tahiya. Tahiya accepted and was given the stage name Tahiya Mohamed. She soon began gaining popularity as a solo dancer and as she became more experienced she learned a popular Samba dance from Brazil at the time called the Carioca. After that she became known as Tahiya Carioca. Tahiya began starring in movies during what is dubbed as the Egyptian film industry’s “Golden Age”. She was a talented dancer, singer, and actress. In 1972, the film “Watch out for Zouzou”, starring Soad Hosni with Tahiya performing the supporting role, was released to become the biggest box-office hit in Egyptian cinema to date.

Joseph Benjamin Wilder (February 22, 1922 – May 9, 2014) was an American jazz trumpeter, bandleader, and composer.

Wilder was awarded the Temple University Jazz Master’s Hall of Fame Award in 2006. The National Endowment for the Arts honored him with its highest honor in jazz, the NEA Jazz Masters Award for 2008.

Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder’s first performances took place on the radio program “Parisian Tailor’s Colored Kiddies of the Air”. He and the other young musicians were backed up by such illustrious bands as Duke Ellington‘s and Louis Armstrong‘s that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia, but turned to jazz when he felt that there was little future for an African-American classical musician. At the age of 19, Wilder joined his first touring big band, Les Hite’s band. Wilder was one of the first thousand African Americans to serve in the Marines during World War II. He worked first in Special Weapons and eventually became Assistant Bandmaster at the headquarters’ band. Following the war during the 1940s and early 1950s, he played in the orchestras of Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Noble Sissle, Dizzy Gillespie, and finally with the Count BasieOrchestra. From 1957 to 1974, Wilder did studio work for ABC-TV, New York City, and in the pit orchestras for Broadway musicals, while building his reputation as a soloist with his albums for Savoy (1956) and Columbia (1959). His Jazz from Peter Gunn (1959), features ten songs from Henry Mancini (“Peter Gunn“) television score in melodic and swinging fashion with a quartet. He was also a regular sideman with such musicians as NEA Jazz Masters Hank Jones, Gil Evans, and Benny Goodman. He became a favorite with vocalists and played for Billie Holiday, Lena Horne, Johnny Mathis, Harry Belafonte, Eileen Farrell, Tony Bennett, and many others. Wilder earned a bachelor of music degree in 1953, studying classical trumpet at the Manhattan School of Music with Joseph Alessi, where he was also principal trumpet with the school’s symphony orchestra under conductor Jonel Perlea. In the 1960s, he performed on several occasions with the New York Philharmonic under Andre Kostelanetz and Pierre Boulez and played lead for the Symphony Of The New World from 1965 to 1971.

Claude “Fiddler” Williams (February 22, 1908 – April 26, 2004) was an American jazz violinist and guitarist who recorded and performed into his 90s. He was the first guitarist to record with Count Basie and the first musician to be inducted into the Oklahoma Jazz Hall of Fame.

Claude Gabriel Williams was born in Muskogee, Oklahoma on February 22, 1908, the son of Lee J. Williams, a blacksmith, and Laura Williams, home maker. He was the youngest of six children. Talented from a young age, Williams could play multiple instruments in his brother-in-law’s string band: banjo, cello, guitar, mandolin. Their early band played outside, in hotels, and at barbershops around their hometown of Muskogee, Oklahoma and on a circuit up through Oklahoma City. At the time he’d make six to seven dollars for a night of playing. He commented that at this time people would work the whole week for about five or six dollars. At a concert in Muskogee he heard Joe Venuti play, and this inspired Williams to start playing jazz violin.

He went to Kansas City, Missouri in 1927 and became part of the Twelve Clouds of Joy, led by trumpeter Terrence Holder and then Andy Kirk, with Mary Lou Williams on piano. He recorded with them for Brunswick Records the following year. After leaving Kirk, he played in Chicago in a band with Nat King Cole and his brother Eddie Cole and then became the first guitarist to record with Count Basie.

George Holmes “Buddy” Tate (February 22, 1913 – February 10, 2001) was a jazz saxophonist and clarinetist. Tate was born in Sherman, Texas, and began performing on alto saxophone. According to the website All About Jazz, Tate was playing in public as early as 1925 in a band called McCloud’s Night Owls.” Tate’s 2001 New York Times obituary stated that “he began his career in the late 1920s, playing around the Southwest with bands led by Terrence Holder, Andy Kirk and Nat Towles.”

Tate switched to tenor saxophone, making a name for himself in bands such as the one led by Andy Kirk. He joined Count Basie in 1939 and stayed with him until 1948. He had been selected by Basie after the death of Herschel Evans, which Tate stated he had predicted in a dream.

After his period with Basie ended, he worked with several other bands before he found success on his own, starting in 1953 in Harlem. His group worked at the Celebrity Club from 1953 to 1974. In the late 1970s, he co-led a band with Paul Quinichette and worked with Benny Goodman.

In 1980, he was injured by scalding water in a hotel shower, which kept him inactive for four months. He later suffered from a serious illness. The 1990s saw him slow down, but he remained active playing with Lionel Hampton among others.

Joseph Aloysius Burke (March 18, 1884 – June 9, 1950) was an American composer, pianist and actor. His successful songs, written with various lyricists, included “Down Honolulu Way” (1916), “Oh How I Miss You Tonight” (1924), “Tiptoe Through the Tulips” (1929), “Moon Over Miami” (1935), “Getting Some Fun Out of Life” (1937) and “Rambling Rose” (1948).

Joe passed peacefully from this life on Saturday 20th February surrounded by his family in the care of Galway Hospice. With current restrictions on attending funerals, it may not be possible for many to attend Joe’s funeral. A condolence book has been opened at the bottom of this notice where you can leave a message for Joe’s family to offer your condolences.

Corey Harris (born February 21, 1969 in Denver, Colorado, United States) is an American blues and reggae musician, currently residing in Charlottesville, Virginia. Along with Keb’ Mo’ and Alvin Youngblood Hart, he raised the flag of acoustic guitar blues in the mid-1990s. He was featured on the 2003 PBS television mini-series, The Blues, in an episode directed by Martin Scorsese.

Harris was born and raised near Denver, Colorado. He graduated from Bates College in Lewiston, Maine with a bachelor’s degree in 1991, and was awarded an honorary doctorate in 2007. Harris received a Thomas J. Watson Fellowship for language studies in Cameroon in his early twenties, before taking a teaching post in Napoleonville, Louisiana under the Teach For America program. His debut solo album Between Midnight and Day(1995) was produced by Grammy nominee/composer/producer Larry Hoffman, who discovered him in 1994 in Helena, Arkansas. The record included covers of Sleepy John Estes, Fred McDowell, Charlie Patton, Muddy Waters, and Booker White. His second recording with Hoffman, Fish Ain’t Bitin’, was the recipient of the 1997 W.C. Handy Award for Best Acoustic Blues Album of the Year. Recorded in New Orleans, it featured Harris’ original songs, vocal, and guitar backed on certain tracks by a trio of tuba and two trombones arranged by producer Hoffman. In 2002, Harris collaborated with Ali Farka Toure on his album Mississippi to Mali, fusing blues and Toure’s music from northern Mali. In 2003, he contributed to the Northern Bluesrelease Johnny’s Blues: A Tribute To Johnny Cash.

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition, which she attributed to racial discrimination. In 2003, just days before her death, the Institute awarded her an honorary degree.

To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to “Nina Simone” to disguise herself from family members, having chosen to play “the devil’s music” or so-called “cocktail piano”. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with “I Loves You, Porgy“. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

Simone was born Eunice Kathleen Waymon on February 21, 1933, in Tryon, North Carolina. The sixth of eight children in a poor family, she began playing piano at the age of three or four; the first song she learned was “God Be With You, Till We Meet Again”. Demonstrating a talent with the piano, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people.She said that she refused to play until her parents were moved back to the front, and that the incident contributed to her later involvement in the civil rights movement. Simone’s mother, Mary Kate Waymon (née Irvin, November 20, 1901 – April 30, 2001), was a Methodist minister and a housemaid. Her father, Rev. John Devan Waymon (June 24, 1898 – October 23, 1972),was a handyman who at one time owned a dry-cleaning business, but also suffered bouts of ill health. Simone’s music teacher helped establish a special fund to pay for her education.Subsequently, a local fund was set up to assist her continued education. With the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina.

After her graduation, Simone spent the summer of 1950 at the Juilliard School as a student of Carl Friedberg, preparing for an audition at the Curtis Institute of Music in Philadelphia. Her application, however, was denied. Only 3 of 72 applicants were accepted that year, but as her family had relocated to Philadelphia in the expectation of her entry to Curtis, the blow to her aspirations was particularly heavy. For the rest of her life, she suspected that her application had been denied because of racial prejudice. Discouraged, she took private piano lessons with Vladimir Sokoloff, a professor at Curtis, but never could re-apply due to the fact that at the time the Curtis institute did not accept students over 21. She took a job as a photographer’s assistant, but also found work as an accompanist at Arlene Smith‘s vocal studio and taught piano from her home in Philadelphia.

Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote “If You Could See Me Now” for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.

In the late 1940s, Dameron wrote arrangements for Gillespie’s big band, who gave the première of his large-scale orchestral piece Soulphony in Three Hearts at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included Fats Navarro; the following year Dameron was at the Paris Jazz Festival with Miles Davis. From 1961 he scored for recordings by Milt Jackson, Sonny Stitt, and Blue Mitchell.

Francis Hillman “Scrapper” Blackwell (February 21, 1903 – October 7, 1962) was an American blues guitarist and singer, best known as half of the guitar-piano duo he formed with Leroy Carr in the late 1920s and early 1930s. He was an acoustic single-note picker in the Chicago blues and Piedmont blues styles. Some critics have noted that he veered towards jazz.

Blackwell was born in Syracuse, South Carolina, one of sixteen children of Payton and Elizabeth Blackwell. He was part Cherokee. He grew up in and spent most of his life in Indianapolis, Indiana. He was given the nickname “Scrapper” by his grandmother, because of his fiery nature. His father played the fiddle, but Blackwell was a self-taught guitarist, building his first guitar out of a cigar box, wood and wire. He also learned to play the piano, occasionally performing professionally. By his teens, Blackwell was a part-time musician, traveling as far as Chicago. He was known for being withdrawn and hard to work with, but he established a rapport with the pianist Leroy Carr, whom he met in Indianapolis in the mid-1920s, and they had a productive working relationship. Carr convinced Blackwell to record with him for Vocalion Records in 1928; the result was “How Long, How Long Blues“, the biggest blues hit of that year.

Blackwell also made solo recordings for Vocalion, including “Kokomo Blues”, which was transformed into “Old Kokomo Blues” by Kokomo Arnold and later reworked as “Sweet Home Chicago” by Robert Johnson. Blackwell and Carr toured throughout the American Midwest and South between 1928 and 1935 as stars of the blues circuit, recording over 100 sides. “Prison Bound Blues” (1928), “Mean Mistreater Mama” (1934), and “Blues Before Sunrise” (1934) were popular tracks.