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John Bunch (December 1, 1921 – March 30, 2010) was an American jazz pianist.

Born and raised in Tipton, Indiana, a small farming community, he studied piano with George Johnson, a well-known Hoosier jazz pianist. By the age of 14 he was already playing with adult bands in central Indiana.

During World War II he enlisted in the Air Corps and became a bombardier on a B17 Flying Fortress. He and his ten-man crew were transferred to combat duty in England, flying bombing missions over Germany. His plane was shot down 2 November 1944 and Bunch was taken prisoner. In prison camp he learned to arrange for big bands.

After the war, he applied for university training as a music major, but was refused because he couldn’t sight read classical music. He worked later in factories and insurance. In 1956 he moved to Los Angeles where he immediately was accepted by jazz musicians such as Georgie Auld and Jimmie Rowles, who later recommended him to Woody Herman. He settled in New York in 1958, where he joined Eddie Condon and Maynard Ferguson. He recorded with Ferguson and many smaller groups.

Ike Isaacs (December 1, 1919, Rangoon, Burma – January 11, 1996, Sydney, Australia) was a jazz guitarist from Rangoon, Burma, best known for his work with violinist Stéphane Grappelli.

Isaacs was self taught on guitar. He started playing professionally in college while pursuing a degree in chemistry. In 1946 he moved to England, where he became a member of the BBC Show Band. During the 1960s and ’70s, he was a member of the Hot Club of London, led by guitarist Diz Disley, which often collaborated with Stéphane Grappelli. He was a member of the band Velvet with Digby Fairweather, Len Skeat, and Denny Wright. In the 1980s, he moved to Australia and taught at the Sydney School of Guitar.

The sky is filled with faintly glowing gas, though it can take a sensitive camera and telescope to see it. For example, this twelve-degree-wide view of the northern part of the constellation Cygnus reveals a complex array of cosmic clouds of gas along the plane of our Milky Way galaxy. The featured mosaic of telescopic images was recorded through two filters: an H-alpha filter that transmits only visible red light fromglowing hydrogen atoms, and a blue filter that transmits primarily light emitted by the slight amount of energized oxygen. Therefore, in this 18-hour exposure image, blue areas are hotter than red. Further digital processinghas removed the myriad of point-like Milky Way stars from the scene. Recognizable bright nebulas include NGC 7000 (North America Nebula), and IC 5070 (Pelican Nebula) on the left with IC 1318 (Butterfly Nebula) and NGC 6888 (Crescent Nebula) on the right — but others can be found throughout the wide field.

Johnny Shuggie Otis (born Johnny Alexander Veliotes, Jr.; November 30, 1953) is an American singer-songwriter, recording artist, and multi-instrumentalist.

Otis’s composition “Strawberry Letter 23” (as recorded by The Brothers Johnson) topped the Billboard R&B chart and reached #5 of the Billboard Hot 100 chart in 1977. He also achieved commercial success with his 1974 single “Inspiration Information” (from the album of the same title), reaching #56 on the R&B chart.

Born in Los Angeles, California, Otis is the son of rhythm and blues pioneer, musician, bandleader, and impresario Johnny Otis, who was of Greekdescent, and his wife Phyllis Walker, who was of African American and Filipino descent. The name “Shuggie” (short for “sugar,” according to his mother) was coined by Phyllis when he was a newborn. Otis began playing guitar when he was two years old and performing professionally with his father’s band at the age of eleven, often disguising himself with dark glasses and a false mustache so that he could play with his father’s band in after-hours nightclubs.

Walter Brown “Brownie” McGhee (November 30, 1915 – February 16, 1996) was an American folk music and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry.

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. At about the age of four he contracted polio, which incapacitated his right leg. His brother Granville “Sticks”(or “Stick”) McGhee, who also later became a musician and composed the famous song “Drinkin’ Wine Spo-Dee-o-Dee,” was nicknamed for pushing young Brownie around in a cart. Their father, George McGhee, was a factory worker, known around University Avenue for playing guitar and singing. Brownie’s uncle made him a guitar from a tin marshmallow box and a piece of board.

McGhee spent much of his youth immersed in music, singing with a local harmony group, the Golden Voices Gospel Quartet, and teaching himself to play guitar. He also played the five-string banjo and ukulele and studied piano.Surgery funded by the March of Dimes enabled McGhee to walk.

At age 22, McGhee became a traveling musician, working in the Rabbit Foot Minstrels and befriending Blind Boy Fuller, whose guitar playing influenced him greatly. After Fuller’s death in 1941, J. B. Long of Columbia Records promoted McGhee as “Blind Boy Fuller No. 2.” By that time, McGhee was recording for Columbia’s subsidiary Okeh Records in Chicago, but his real success came after he moved to New York in 1942, when he teamed up with Sonny Terry, whom he had known since 1939, when Terry was Fuller’s harmonica player. The pairing was an overnight success. They recorded and toured together until around 1980. As a duo, Terry and McGhee did most of their work from 1958 until 1980, spending 11 months of each year touring and recording dozens of albums.

Benjamin “Bennie” Moten (November 13, 1894 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri.

He led the Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands.

Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in many serious jazz collections. They signed with Victor Records in 1926, and were influenced by the more sophisticated style of Fletcher Henderson. More often than not, their pieces featured a hard stomp beat that was extremely popular in Kansas City. Moten continued to be one of Victor’s most popular orchestras through 1930. Their song “Kansas City Shuffle” was recorded during this time. (The band recorded prolifically, and many of their records were issued in Victor’s regular series, not specifically marketed to the Black community as some other bands were.)

Robert Lee McCollum (November 30, 1909 – November 5, 1967) was an American blues musician who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk. He was the father of the blues musician Sam Carr. Nighthawk was inducted into the Blues Hall of Fame in 1983.

McCollum was born in Helena, Arkansas. He left home at an early age and became a busking musician. After a period traveling through southern Mississippi, he settled for a time in Memphis, Tennessee, where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learned to play slide guitar and with whom he performed on the radio in Jackson, Mississippi.

After further travels through Mississippi, he found it advisable to take his mother’s name and, as Robert Lee McCoy, moved to St. Louis, Missouri, in the mid-1930s. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois, as well as recordings under his own name, including “Prowling Night-Hawk” (recorded 5 May 1937), from which he was to take his later pseudonym. These sessions led to Chicago blues careers for the other musicians, though not for McCoy, who continued his rambling life, playing and recording (for Victor/Bluebird Records and Decca Records) solo and with various other musicians, under various names. Kansas City Red was his drummer from the early 1940s to around 1946. He recorded Kansas City Red’s song “The Moon Is Rising”.

The Pinwheel Galaxy (also known as Messier 101 or NGC 5457) is a face-on spiral galaxy distanced 25 million light-years away in the constellation Ursa Major.M101 is a relatively large galaxy compared to the Milky Way. With a diameter of 170,000 light-years it is nearly twice the size of the Milky Way. It has a disk mass on the order of 100 billion solar masses, along with a small bulge of about 3 billion solar masses.Another remarkable property of this galaxy is its huge and extremely bright H II regions, of which a total of about 3,000 can be seen on photographs.[citation needed] H II regions usually accompany the enormous clouds of high density molecular hydrogen gas contracting under their own gravitational force where stars form. H II regions are ionized by large numbers of extremely bright and hot young stars.M101 can be seen to be asymmetrical on one side. It is thought that in the recent past (speaking in galactic terms) M101 underwent a near collision with another galaxy and the associated gravitational tidal forces caused the asymmetry. In addition, this encounter also amplified the density waves in the spiral arms of M101. The amplification of these waves leads to the compression of the interstellar hydrogen gas, which then triggers strong star formation activity.

John Mayall, OBE (born 29 November 1933) is an English blues singer, guitarist, organist and songwriter, whose musical career spans over sixty years. In the 1960s, he was the founder of John Mayall & the Bluesbreakers, a band which has counted among its members some of the most famous blues and blues rock musicians. Born in Macclesfield, Cheshire in 1933, Mayall was the son of Murray Mayall, a guitarist and jazz music enthusiast. From an early age, John was drawn to the sounds of American blues players such as Lead Belly, Albert Ammons, Pinetop Smith and Eddie Lang, and taught himself to play the piano, guitars, and harmonica.

Mayall spent three years in Korea for national service and, during a period of leave, he bought his first electric guitar. Back in England, he enrolled at Manchester College of Art (now part of Manchester Metropolitan University) and started playing with semi-professional bands. After graduation, he obtained a job as an art designer but continued to play with local musicians. In 1963, he opted for a full-time musical career and moved to London. His previous craft would be put to good use in the designing of covers for many of his coming albums.

Since the end of the 1960s Mayall has lived in the US. A brush fire destroyed his house in Laurel Canyon in 1979, seriously damaging his musical collections and archives.

Billy Hart (born November 29, 1940) is an American jazz drummer and educator.

Hart was born in Washington, D.C., where early on in his career he performed with soul artists such as Otis Redding and Sam and Dave, and then later with Buck Hill and Shirley Horn, and was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery(1966–68). Following Montgomery’s death in 1968, Hart moved to New York, where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul, and played with Eddie Harris, Pharoah Sanders, and Marian McPartland.

Hart was a member of Herbie Hancock‘s sextet (1969–73), and played with McCoy Tyner (1973–74), Stan Getz (1974–77), and Quest (1980s), in addition to extensive freelance playing (including recording with Miles Davis on 1972’s On the Corner).

John Lamb (born November 29, 1933) is an American jazz double bassist who was a member of the Duke Ellington Orchestra.

Born in Vero Beach, Florida, Lamb grew up as a child who loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. He was stationed in Texas and then Montana, where the long winters left him ample time to practice. When the band’s usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band’s new string bassist. He credited his tuba experience for giving him the “feel” to pick up string bass quickly without any prior experience.

Lamb joined Duke Ellington’s orchestra in 1964, and toured with them for three years. Lamb was more of a fan of Miles Davis and Red Garland when he was with Ellington, later saying, “I was very young and very cocky. I thought I knew more than Duke at that time…I have more time today to reflect on the things that were accomplished back then, and the places we traveled to and all the wonderful people that we met. So one has to be careful what one does in his young years, because if they’re fortunate to live long, it all comes back.” In 1966 Lamb performed with Ellington and Sam Woodyard for artist Joan Miró at the Fondation Maeght in Saint-Paul-de-Vence.

Lamb later moved to St. Petersburg, Florida and taught music in public schools as well as St. Petersburg College. Alphonso Johnson was one of Lamb’s students. Lamb was awarded the Jazz Club of Sarasota’s “Satchmo Award” for service to jazz.

William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. His compositions include “Take the ‘A’ Train“, “Chelsea Bridge“, “A Flower Is a Lovesome Thing”, and “Lush Life“.

Strayhorn was born in Dayton, Ohio. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother’s family was from Hillsborough, North Carolina, and she sent him there to protect him from his father’s drunken sprees.