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This cloud of gas and dust in space is full of bubbles inflated by wind and radiation from massive young stars. Each bubble is about 10 to 30 light-years across and filled with hundreds to thousands of stars. The region lies in the Milky Way galaxy, in the constellation Aquila (aka the Eagle).

Aquila is a constellation on the celestial equator. Its name is Latin for ‘eagle‘ and it represents the bird that carried Zeus/Jupiter’s thunderbolts in Greek-Roman mythology.

Its brightest star, Altair, is one vertex of the Summer Triangle asterism. The constellation is best seen in the northern summer, as it is located along the Milky Way. Because of this location, many clusters and nebulae are found within its borders, but they are dim and galaxies are few.

Rufus Reid (born February 10, 1944, in Atlanta, Georgia) is an American jazz bassist, educator, and composer.

Reid was raised in Sacramento, California, where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass.

After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass.

Rufus Reid’s major professional career began in Chicago and continues since 1976 in New York City. Playing with hundreds of the world’s greatest musicians, he is famously the bassist that saxophonist Dexter Gordon chose when he returned to the states from his decade-long exile in Denmark. His colleagues include Thad Jones, Nancy Wilson, Eddie Harris, and Bob Berg.

Reid has been a resident of Teaneck, New Jersey.

Emmanuel N’Djoké “Manu” Dibango (12 December 1933 – 24 March 2020) was a Cameroonian musician and songwriter who played saxophoneand vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, while his mother was a Duala. He was best known for his 1972 single “Soul Makossa“. He died from COVID-19 on 24 March 2020. Emmanuel “Manu” Dibango was born in Douala, Cameroon in 1933. His father, Michel Manfred N’Djoké Dibango, was a civil servant. Son of a farmer, he met his wife travelling by pirogue to her residence, Douala. In 1949, at age 15, Dibango was sent to college in Saint-Calais, France. After that he attended the lycée de Chartres where he learned the piano.

He was a member of the seminal Congolese rumba group African Jazz and has collaborated with many other musicians, including Fania All Stars, Fela Kuti, Herbie Hancock, Bill Laswell, Bernie Worrell, Ladysmith Black Mambazo, King Sunny Adé, Don Cherry, and Sly and Robbie. He achieved a considerable following in the UK with a disco hit called “Big Blow”, originally released in 1976 and re-mixed as a 12″ single in 1978 on Island Records. In 1998, he recorded the album CubAfrica with Cuban artist Eliades Ochoa. At the 16th Annual Grammy Awards in 1974, he was nominated in the categories Best R&B Instrumental Performance and Best Instrumental Composition for “Soul Makossa”.

The song “Soul Makossa” on the record of the same name contains the lyrics “makossa”, which means “(I) dance” in his native tongue, the Cameroonian language Duala. It has influenced popular music hits, including Kool and the Gang‘s “Jungle Boogie“. The 1982 parody song “Boogie in your butt” by comedian Eddie Murphy interpolates Soul Makossa’s bassline and horn charts while “Butt Naked Booty Blues” by 1990s hip-hop group Poor Righteous Teachers heavily samples its musical bridge and drum patterns.

Roland Pembroke Hanna (February 10, 1932 – November 13, 2002) was an American jazz pianist, composer, and teacher.

Hanna studied classical piano from the age of 11, but was strongly interested in jazz, having been introduced to it by his friend, pianist Tommy Flanagan. This interest increased after his time in military service, 1950–52. He studied briefly at the Eastman School of Music in 1953 and then enrolled at the Juilliard School when he moved to New York two years later. He worked with several big names in the 1950s, including Benny Goodman and Charles Mingus, and graduated in 1960. Between 1963 and 1966 Hanna led his own trio, then from 1966 to 1974 he was a regular member of the Thad Jones/Mel Lewis Orchestra. Hanna also toured the Soviet Union with this orchestra in 1972. During the 1970s he was a member of the New York Jazz Quartet.

Roland Hanna was in semi-retirement for most of the 1980s, though he played piano and wrote the song “Seasons” for Sarah Vaughan‘s 1982 album Crazy and Mixed Up, and returned to music later in the decade. In the late 1980s and early 1990s, Hanna was a member of the Lincoln Center Jazz Orchestra and the Smithsonian Jazz Masterworks Orchestra. Around this time, he also began composing chamber and orchestral music; a ballet he wrote has also been performed.

William Henry “Chick” Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader.

Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The Encyclopædia Britannica and Allmusicindicate 1905, and this seems to be supported by census information. At the age of 17 he moved to New York City and by 1926 was leading his own band in Harlem. Jazz drummer Tommy Benford said he gave Webb drum lessons when he first reached New York.

He alternated between band tours and residencies at New York City clubs through the late 1920s. In 1931, his band became the house band at the Savoy Ballroom. He became one of the best-regarded bandleaders and drummers of the new “swing” style. Drummer Buddy Rich cited Webb’s powerful technique and virtuoso performances as heavily influential on his own drumming, and even referred to Webb as “the daddy of them all”. Webb was unable to read music, and instead memorized the arrangements played by the band and conducted from a platform in the center. He used custom-made pedals, goose-neck cymbal holders, a 28-inch bass drum and other percussion instruments.

At the Savoy, Webb competed in battle of the bands contests with the Benny Goodman Orchestra and the Count Basie Orchestra. Webb lost to Duke Ellington in 1937. Although a judge declared Webb’s band the winner in 1938 over Count Basie’s, and Basie himself said he was relieved to come away from the contest without embarrassing himself, musicians debated the result for decades.

Webb married Martha Loretta Ferguson (also known as “Sally”), and in 1935 he began featuring a teenaged Ella Fitzgerald as a vocalist. Webb and Fitzgerald performed hits such as “A-Tisket, A-Tasket“, which was composed by Van Alexander at Fitzgerald’s request. Despite rumors to the contrary, “Ella was not adopted by Webb, nor did she live with him and his wife, Sally,” according to Stuart Nicholson in his Fitzgerald biography.

NASA/ESA Hubble Space Telescope Picture of the Week features an impressive portrait of M1-63, a beautifully captured example of a bipolar planetary nebula located in the constellation of Scutum (the Shield). A nebula like this one is formed when the star at its centre sheds huge quantities of material from its outer layers, leaving behind a spectacular cloud of gas and dust.  It is believed that a binary system of stars at the centre of the bipolar nebula is capable of creating hourglass or butterfly-like shapes like the one in this image. This is because the material from the shedding star is funnelled towards its poles, with the help of the companion, creating the distinctive double-lobed structure seen in nebulae such as M1-63.

Carole King Klein (born Carol Joan Klein; February 9, 1942) is an American singer-songwriter who has been active since 1958, initially as one of the staff songwriters at the Brill Building and later as a solo artist. She is the most successful female songwriter of the latter half of the 20th century in the US, having written or co-written 118 pop hits on the Billboard Hot 100. King also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005.

King’s major success began in the 1960s when she and her first husband, Gerry Goffin, wrote more than two dozen chart hits, many of which have become standards, for numerous artists. She has continued writing for other artists since then. King’s success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the piano, in a series of albums and concerts. After experiencing commercial disappointment with her debut album Writer, King scored her breakthrough with the album Tapestry, which topped the U.S. album chart for 15 weeks in 1971 and remained on the charts for more than six years.

King has made 25 solo albums, the most successful being Tapestry, which held the record for most weeks at No. 1 by a female artist for more than 20 years. Her record sales were estimated at more than 75 million copies worldwide. She has won four Grammy Awards and was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame for her songwriting. She is the recipient of the 2013 Library of Congress Gershwin Prize for Popular Song, the first woman to be so honored. She is also a 2015 Kennedy Center Honoree.

Ernest Dale Tubb (February 9, 1914 – September 6, 1984), nicknamed the Texas Troubadour, was an American singer and songwriter and one of the pioneers of country music. His biggest career hit song, “Walking the Floor Over You” (1941), marked the rise of the honky tonk style of music.

In 1948, he was the first singer to record a hit version of Billy Hayes and Jay W. Johnson’s “Blue Christmas“, a song more commonly associated with Elvis Presley and his late-1950s version. Another well-known Tubb hit was “Waltz Across Texas” (1965) (written by his nephew Quanah Talmadge Tubb, known professionally as Billy Talmadge), which became one of his most requested songs and is often used in dance halls throughout Texasduring waltz lessons. Tubb recorded duets with the then up-and-coming Loretta Lynn in the early 1960s, including their hit “Sweet Thang”. Tubb is a member of the Country Music Hall of Fame.

The youngest of five children, Tubb was born on a cotton farm near Crisp, in Ellis County, Texas. His father was a sharecropper, so Tubb spent his youth working on farms throughout the state.

https://www.youtube.com/watch?v=VygpgG7gFdA

Carmen Miranda GCIH OMC (Portuguese pronunciation: [ˈkaɾmẽȷ̃ miˈɾɐ̃dɐ]; born Maria do Carmo Miranda da Cunha; 9 February 1909 – 5 August 1955) was a Portuguese-born Brazilian samba singer, dancer, Broadway actress, and film star who was active from the 1930s on. Nicknamed “The Brazilian Bombshell”, Miranda is known for her signature fruit hat outfit she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josué de Barros in 1929. Miranda’s 1930 recording of “Taí (Pra Você Gostar de Mim)”, written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba.

During the 1930s, Miranda performed on Brazilian radio and appeared in five Brazilian chanchadas, films celebrating Brazilian music, dance, and the country’s carnival culture. Hello, Hello Brazil! and Hello, Hello, Carnival! embodied the spirit of these early Miranda films. The 1939 musical Banana da Terra (directed by Ruy Costa) gave the world her “Baiana” image, inspired by African-Brazilians from the northeastern state of Bahia.

In 1939, Broadway producer Lee Shubert offered Miranda an eight-week contract to perform in The Streets of Paris after seeing her at Cassino da Urca in Rio de Janeiro. The following year she made her first Hollywood film, Down Argentine Way with Don Ameche and Betty Grable, and her exotic clothing and Lusophone accent became her trademark. That year, she was voted the third-most-popular personality in the United States; she and her group, Bando da Lua, were invited to sing and dance for President Franklin D. Roosevelt. In 1943, Miranda starred in Busby Berkeley‘s The Gang’s All Here, which featured musical numbers with the fruit hats that became her trademark. By 1945, she was the highest-paid woman in the United States.

Walter Sylvester Page (February 9, 1900 – December 20, 1957) was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page’s Blue Devils and the Count Basie Orchestra.

Page was born in Gallatin, Missouri on February 9, 1900 to parents Edward and Blanche Page. Page showed a love for music even as a child, perhaps due in part to the influence of his aunt Lillie, a music teacher. Page’s mother, with whom he moved to Kansas City in 1910, exposed him to folksongs and spirituals, a critical foundation for developing his love of music.

With interstellar gas as a canvas, a massive and tumultuous Wolf-Rayet star has created the picturesque ruffled half-circular filaments called WR32, on the image left. Additionally, the winds and radiation from a small cluster of stars, NGC 3324, have sculpted a 35 light year cavity on the upper right, with its right side appearing as a recognizable face in profile. This region’s popular name is the Gabriela Mistral Nebula for the famous Chilean poet. Together, these interstellar clouds lie about 8,000 light-years away in the Great Carina Nebula, a complex stellar neighborhood harboring numerous clouds of gas and dust rich with imagination inspiring shapes. The featured telescopic view captures these nebulae’s characteristic emission from ionized sulfur, hydrogen, and oxygen atoms mapped to the red, green, and blue hues of the popular Hubble Palette.

John Towner Williams (born February 8, 1932) is an American composer, conductor, pianist and trombonist. Regarded by many as one of the greatest film composers of all time, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history in a career that has spanned over six decades. Williams has won 25 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 52 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest film score of all time. The Library of Congress also entered the Star Wars soundtrack into the National Recording Registry for being “culturally, historically, or aesthetically significant”.

Williams has composed for many critically acclaimed and popular movies, including the Star Wars saga, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, Home Alone, the Indiana Jones films, the first two Jurassic Park films, Schindler’s List, and the first three Harry Potter films. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops‘ principal conductor from 1980 to 1993 and is its laureate conductor. He has been associated with director Steven Spielberg since 1974, composing music for all but five of his feature films. Other works by Williams include theme music for the 1984 Summer OlympicGames, NBC Sunday Night Football, “The Mission” theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan’s Island. Williams was inducted into the Hollywood Bowl‘s Hall of Fame in 2000, and received a Kennedy Center Honor in 2004 and the AFI Life Achievement Award in 2016. He has composed the score for eight of the top 25 highest-grossing films at the U.S. box office (adjusted for inflation). His work has influenced other film composers and contemporary classical and popular music. Marcus Paus argues that Williams’ “satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework” makes him “one of the great composers of any century.”