mick laBriola

Randal Edward Brecker (born November 27, 1945) is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B.

Brecker was born on November 27, 1945 in the Philadelphia suburb of Cheltenham to a musical family. His father Bob (Bobby) was a lawyer who played jazz piano and his mother Sylvia was a portrait artist. Randy described his father as “a semipro jazz pianist and trumpet fanatic. In school when I was eight, they only offered trumpet or clarinet. I chose trumpet from hearing Diz, Miles, Clifford, and Chet Baker at home. My brother (Michael Brecker) didn’t want to play the same instrument as I did, so three years later he chose the clarinet!” Randy’s father, Bob, was also a songwriter and singer who loved to listen to recordings of the great jazz trumpet players such as Miles Davis, Dizzy Gillespie and Clifford Brown. He took Randy and his younger brother Michael Brecker to see Davis, Thelonious Monk, Duke Ellington, and many other jazz icons. Brecker attended Cheltenham High School from 1959 to 1963 and then Indiana University from 1963 to 1966 studying with Bill Adam, David Baker and Jerry Coker and later moved to New York and performed with Clark Terry‘s Big Bad Band, the Duke Pearson and the Thad Jones/Mel Lewis Orchestra.

Edward Otha South (November 27, 1904 – April 25, 1962) was an American jazz violinist. South studied classical music in Budapest, Paris, and Chicago. In the 1920s he was a member of jazz orchestras led by Charlie Elgar, Erskine Tate, and Jimmy Wade. He led a band in the early 1930s that included Milt Hinton and Everett Barksdale. In 1937 he recorded in Paris with Stephane Grappelli, Django Reinhardt, and Michel Warlop. In 1945 he worked for the studio band at WMGM in New York City. During the 1950s, he was a guest on television with Fran Allison and Dave Garroway and on WGN in Chicago.

On June 25, 2019, The New York Times Magazine listed Eddie South among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. On September 2, 2020, The New York Times consulted violinist Mazz Swift, who selected Eddie South’s performance of “Black Gypsy” for a feature on “5 Minutes That Will Make You Love the Violin.

James Marshall “Jimi” Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music”.

Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville, Tennessee, and began playing gigs on the Chitlin’ Circuit, earning a place in the Isley Brothers‘ backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassist Chas Chandler of the Animals became his manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: “Hey Joe“, “Purple Haze“, and “The Wind Cries Mary“. He achieved fame in the US after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the US. The double LP was Hendrix’s most commercially successful release and his first and only number one album. The world’s highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before his accidental death in London from barbiturate-related asphyxia on September 18, 1970.

Hendrix was inspired by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in popularizing the previously undesirable sounds caused by guitar amplifier feedback. He was also one of the first guitarists to make extensive use of tone-altering effects units in mainstream rock, such as fuzz distortion, Octavia, wah-wah, and Uni-Vibe. He was the first musician to use stereophonic phasing effects in recordings. Holly George-Warren of Rolling Stone commented: “Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began.”

Hendrix was the recipient of several music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year and in 1968, Billboard named him the Artist of the Year and Rolling Stone declared him the Performer of the Year. Disc and Music Echo honored him with the World Top Musician of 1969 and in 1970, Guitar Player named him the Rock Guitarist of the Year. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. Rolling Stone ranked the band’s three studio albums, Are You Experienced, Axis: Bold as Love, and Electric Ladyland, among the 100 greatest albums of all time, and they ranked Hendrix as the greatest guitarist and the sixth greatest artist of all time.

Wilber Morris (November 27, 1937 – August 8, 2002) was an American jazz double bass player and bandleader. He was the brother of the cornetist, composer, and conductor Butch Morris.

Wilber Morris recorded widely, and performed with such musicians as Pharoah Sanders, Sonny Simmons, Alan Silva, Joe McPhee, Horace Tapscott, Butch Morris, Arthur Blythe, Charles Gayle, William Parker, and Billy Bang, Charles Tyler, Dennis Charles, Roy Campbell, Avram Fefer, Alfred 23 Harth, Borah Bergman and Rashied Ali.

Surprisingly reminiscent of The Great Nebula in Orion, The Great Turkey Nebula spans this creative field of view. Of course if it were the Orion Nebula it would be our closest large stellar nursery, found at the edge of a large molecular cloud a mere 1,500 light-years away. Also known as M42, the Orion Nebula is visible to the eye as the middle “star” in the sword of Orion the Hunter, a constellation now rising in planet Earth’s evening skies. Stellar winds from clusters of newborn stars scattered throughout the Orion Nebula sculpt its ridges and cavities seen in familiar in telescopic images. Much larger than any bird you might be cooking, this Great Turkey Nebula was imagined to be similar in size to the Orion Nebula, about 13 light-years across. Stay safe and well.

Tina Turner (born Anna Mae Bullock, November 26, 1939) is an American-born Swiss singer, songwriter, dancer, and actress. Known as “the Queen of Rock ‘n’ Roll“, she rose to prominence as part of the Ike & Tina Turner Revue before launching a successful career as a solo performer. She is noted for her energetic stage presence, powerful vocals, world-famous legs, and career longevity.

Turner began her recording career as a featured singer with Ike Turner‘s Kings of Rhythm under the name “Little Ann” on “Boxtop” in 1958. Her introduction to the public as Tina Turner began in 1960 with the hit single “A Fool in Love“. She married Ike Turner in 1962. The duo went on to become “one of the most formidable live acts in history” and released notable hits such as “It’s Gonna Work Out Fine“, “River Deep – Mountain High“, the Grammy-winning “Proud Mary“, and “Nutbush City Limits“. Raised a Baptist, she became an adherent of Nichiren Buddhism in 1973, crediting the spiritual chant of Nam Myoho Renge Kyo with helping her to endure during difficult times. Ike & Tina Turner disbanded in 1976, ending both their personal and their musical partnership; they divorced in 1978. In her 1986 autobiography, I, Tina: My Life Story, Turner revealed that she had been subjected to domestic violence.

In the 1980s, Turner launched “one of the greatest comebacks in music history” as a solo artist. Her 1983 single “Let’s Stay Together” was followed by the release of her fifth solo album, Private Dancer (1984), which became a worldwide success. The album contained the hit song “What’s Love Got to Do with It“, which won the Grammy Award for Record of the Year, and it became her first and only Billboard Hot 100 No. 1 hit. At the time, aged 44, she became the oldest female solo artist to top the Hot 100 chart. Turner’s chart success continued with “Better Be Good to Me“, “Private Dancer“, “We Don’t Need Another Hero (Thunderdome)“, “Typical Male“, “The Best“, “I Don’t Wanna Fight“, and “GoldenEye“. During her Break Every Rule World Tour, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer. Her final Tina!: 50th Anniversary Tour is one of the highest-grossing tours of all time. In 1993, What’s Love Got to Do with It, a biographical film adapted from Turner’s autobiography, was released with an accompanying soundtrack album. Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome(1985), and Last Action Hero (1993).

Having sold over 100 million records, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She was the first black artist and first female to cover Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time. She has her own star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She was inducted into the Rock and Roll Hall of Fame with Ike Turner in 1991, and is a 2005 recipient of the Kennedy Center Honors. A resident of Küsnacht in Switzerland since 1994, she gained Swiss citizenship in 2013 and relinquished her American citizenship later that year.

Robert Andrew Kreinar (November 26, 1937 – July 16, 2012 Pittsburg, PA), known as Bob Babbitt, was a Hungarian–American bassist, most famous for his work as a member of Motown Records‘ studio band, the Funk Brothers, from 1966 to 1972, as well as his tenure as part of MFSB for Philadelphia International Records afterwards. Also in 1968, with Mike Campbell, Ray Monette and Andrew Smith he formed the band Scorpion, which lasted until 1970. He is ranked number 59 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.

Babbitt traded off sessions with original Motown bassist James Jamerson. When Motown moved to Los Angeles, Babbit went in the opposite direction and ended up in New York; while making occasional trips to Philadelphia. In this new city he worked on recordings for Frank Sinatra, Barry Manilow, Gloria Gaynor, Robert Palmer, and Alice Cooper. During this time his most notable successes were “Midnight Train to Georgia” by Gladys Knight & the Pips and “The Rubberband Man” by The Spinners.

The Pittsburgh-born Babbitt’s most notable bass performances include “Signed, Sealed, Delivered I’m Yours” by Stevie Wonder, “War” by Edwin Starr, “The Tears of a Clown” by Smokey Robinson & the Miracles, “Mercy Mercy Me (The Ecology)” and “Inner City Blues” by Marvin Gaye, “Band Of Gold” by Freda Payne, “Ball of Confusion (That’s What the World Is Today)” and “Just My Imagination (Running Away with Me)” by The Temptations and “Just Don’t Want to Be Lonely” by The Main Ingredient.[1]

He participated in hundreds of other hits, including “Little Town Flirt” by Del Shannon, “I Got a Name” by Jim Croce, and “Scorpio” by Dennis Coffey & the Detroit Guitar Band. He played on the Jimi Hendrix album Crash Landing. He also played bass on Cindy Bullens‘ 1978 album, Desire Wire. He accepted an offer from Phil Collins to perform on his album of Motown and 1960s soul classics, Going Back, and also appeared in Collins’ Going Back – Live At Roseland Ballroom, NYC concert DVD. He appeared on stage in an episode of American Idol, backing up Jacob Lusk’s performance of “You’re All I Need To Get By” for AI’s Motown Week in March 2011.

In 2003, Babbitt played on Marion James‘ album, Essence, on Soulfood Records, and amongst others playing on the record were Beegie Adair, Reese Wynans, Jack Pearson (The Allman Brothers), and drummer Chucki Burke.

He was added to the Music City Walk of Fame on June 5, 2012.

Bob Babbitt died on July 16, 2012, aged 74, from brain cancer

Born 11-26-1924 died 2-6-2013

Sharp was born in Topeka, Kansas in 1924. His family had settled there because Kansas was, during slavery times, a free state. Sharp’s great-grandmother was a slave and he remembers her telling him stories about lying on the floor while cannonballs blasted through the cabin. The Great Depression soon followed, and Sharp’s parents sent him to live with relatives in Los Angeles while they went to New York to seek their fortune.

Sharp’s father was a concert tenor who won several small roles in Broadway shows but never hit it big. However, their social life was rich; they lived in an apartment building in Harlem with fellow residents Duke Ellington, Walter White, Roy Wilkins and artist Aaron Douglas. It was the peak of the Harlem Renaissance, and poet Langston Hughes was a family friend; Orson Welles had recently staged his famous Black Macbeth at the nearby Lafayette Theater. Sharp, a piano player and singer, penned “Unchain My Heart” in 1960 and Ray Charles turned it into an American sensation in 1961. An energetic cover of the song by Joe Cocker made it popular again in 1987.

Sharp received just $50 for the lyrics when he sold them to musician and composer Teddy Powell, who insisted on shared writing credits. Sharp then used the money to supplement a drug habit. In 1963, Sharp sold his remaining writer’s share to Powell for $1,000. Sharp sued Powell for the rights to the song a year later and, after a seven-year legal battle, the suit was settled.

Nesuhi Ertegun (Turkish spelling: Nesuhi Ertegün; November 26, 1917 – July 15, 1989) was a Turkish-American record producer and executive of Atlantic Records and WEA International. Born in Constantinople in the Ottoman Empire, Nesuhi and his family, including his younger brother Ahmet, moved to Washington, D.C., in 1935 with their father Munir Ertegun, who was appointed the Turkish Ambassador to the United States that year.

From an early age, Nesuhi’s primary musical interest was jazz. He had attended concerts in Europe before his family moved to the United States. While living at the Turkish Embassy in Washington, D.C., he promoted jazz concerts during 1941-1944. When his father died in 1944, and the rest of his family returned to Turkey, Nesuhi moved to California, where he married Jazz Man Record Shop owner Marili Morden and helped run the shop as well as establishing the Crescent Records label. After purchasing Jazz Man Records, he discontinued Crescent and issued traditional jazz recordings on Jazz Man until 1952. At Jazz Man, Nesuhi produced classic Kid Ory revival recordings in 1944 and 1945, plus other recordings by Pete Daily and Turk Murphy.

Smudging Thanksgiving Ceremony 2020
Commemorating todays NATIONAL DAY OF MOURNING,
Created by the Wampanoag First Nation People of New England/Massachusetts and what the white people call THANKSGIVING.
As a young adult free spirit, my community would smudge our cabins/homes as a way to cleanse since the days I lived in Colorado. But it was Amos Owen, Dakota Medicine man at Prairie Island, who really taught me the power of smudging.
2020 the transformative year of incredible challenges, devastation and political turmoil. Let us purify our homes and spirit in preparation of tomorrow and begin the Healing of COVID and the Healing in Our Hearts and move forward with the power of our Ancestors and Loved Ones to a New and Vibrant Future United as One People of Mother Earth! And Give Thanks each and everyday we are here alive, living and breathing!

Some of the most stunning views of our sky occur at sunset, when sunlight pierces the clouds, creating a mixture of bright and dark rays formed by the clouds’ shadows and the beams of light scattered by the atmosphere. Astronomers studying the nearby galaxy IC 5063 are tantalized by a similar effect in this new image from the NASA/ESA Hubble Space Telescope. In this case, a collection of narrow bright rays and dark shadows is seen beaming out of the blazingly bright center of the active galaxy, shooting across at least 36,000 light-years. Astronomers have traced the rays back to the galaxy’s core, the location of an active supermassive black hole. The black hole is feeding on infalling material, producing a powerful gusher of light from superheated gas near it. Although the researchers have developed several plausible theories for the lightshow, the most intriguing idea suggests that the shadows are being cast into space by an inner tube-shaped ring, or torus, of dusty material surrounding the black hole. IC 5063 resides 156 million light-years from Earth.

November 25th 1939

Lew Woodall meandered a long and winding pathway before finding his way to jazz. After playing rock, top forty, beach, and blues earlier in his career and ceasing to play completely for a period of 12 years; he has recorded 4 jazz CDs since he began playing jazz gigs in 2000. His 2008 and 2009 CDs Simply Cooking and Simply Cooking II, Second Time Around are produced and distributed by Paolo Piangiarelli of Philology Jazz Records. On these two albums, Lew is joined by renowned bebop pianist, Hod O’Brien, bassist, Tom Harbeck, and drummer, Joel Lubliner. In 2006, Lew released Texas Trip which was recorded in Dallas and features old friend, John Bryant (former drummer for Ray Charles) and Dallas/Fort Worth Hammond B3 organ master, Tommy Young. Lew’s first jazz CD, Kiss You Momma was released in 2002. On this album, Lew shares lead guitar honors with renowned jazz player, guitarist, Royce Campbell. They are joined by Matt Kendrick on bass and Lubliner on drums.

Lew’s path to playing jazz may have been winding; but his path to loving jazz was short and direct. He was born in Bassett, Virginia on November 25, 1939. When he was 2 years old, his mother died and he and his sister went to live with grandparents in neighboring Patrick County. Living a farm life without the benefit of indoor plumbing or electricity did not deter Lew from developing an ear for jazz. He remembers, as a 5-year old, scanning the dial of the old dry-cell battery powered radio in search of jazz and Latin stations and listening to Glen Miller and others playing jazz in the forties. Music was a big part of Lew’s childhood. One grandfather played the banjo and the other played the fiddle. He fondly remembers spending summer nights at the tobacco barn with his grandfather and enjoying the impromptu jams as neighbors gathered around with a variety of musical instruments.