mick laBriola

Lonnie Smith (July 3, 1942 – September 28, 2021), styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Bensonquartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year’s best organist by the Jazz Journalists Association nine times.

Near the outskirts of the Small Magellanic Cloud, a satellite galaxy some 200 thousand light-years distant, lies this 5 million year old star cluster NGC 602. Surrounded by its birth shell of gas and dust, star cluster NGC 602 is featured in this stunning Hubble image, augmented in a rollover by images in the X-ray by the Chandra Observatory and in the infrared by Spitzer Telescope. Fantastic ridges and swept back gas strongly suggest that energetic radiation and shock waves from NGC 602‘s massive young stars have eroded the dusty material and triggered a progression of star formation moving away from the star cluster’s center. At the estimated distance of the Small Magellanic Cloud, the featured picture spans about 200 light-years, but a tantalizing assortment of background galaxies are also visible in this sharp view. The background galaxies are hundreds of millions of light-years — or more — beyond NGC 602.

Imam Mohammad Ahmad Eissa (Arabic: إمام محمد أحمد عيسى) or Sheikh Imam (Arabic: الشيخ إمام; July 2, 1918 – June 6, 1995) was a famous Egyptian composer and singer. For most of his life, he formed a duo with the famous Egyptian colloquial poet Ahmed Fouad Negm. Together, they were known for their political songs in favor of the poor and the working classes.

Ahmad Jamal (born Frederick Russell Jones; July 2, 1930 – April 16, 2023) was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz. He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammyfor his contributions to music history.

Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930.He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was playing. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he said greatly influenced him. His Pittsburgh roots remained an important part of his identity (“Pittsburgh meant everything to me and it still does,” he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recognized as a “coming great” by the pianist Art Tatum. When asked about his practice habits by a critic from The New York Times, Jamal commented that, “I used to practice and practice with the door open, hoping someone would come by and discover me. I was never the practitioner in the sense of twelve hours a day, but I always thought about music. I think about music all the time.

Rashied Ali, born Robert Patterson (July 1, 1933 – August 12, 2009) was an American free jazz and avant-garde drummer who was best known for performing with John Coltrane in the last years of Coltrane’s life.

Patterson was born and raised in Philadelphia, Pennsylvania. His family was musical; his mother sang with Jimmie Lunceford. His brother, Muhammad Ali, is also a drummer, who played with Albert Ayler. Ali, his brother, and his father converted to Islam. Starting off as a pianist, he eventually took up the drums, via trumpet and trombone. He joined the United States Army and played with military bands during the Korean War. After his military service, he returned home and studied with Philly Joe Jones, then toured with Sonny Rollins.

James Henry Cotton (July 1, 1935 – March 16, 2017) was an American bluesharmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career.

Cotton began his professional career playing the blues harp in Howlin’ Wolf‘s band in the early 1950s. He made his first recordings in Memphis for Sun Records, under the direction of Sam Phillips. In 1955, he was recruited by Muddy Waters to come to Chicago and join his band. Cotton became Muddy’s bandleader and stayed with the group until 1965. In 1965, he formed the Jimmy Cotton Blues Quartet, with Otis Spann on piano, to record between gigs with the Muddy Waters band. He eventually left to form his own full-time touring group. His first full album, on Verve Records, was produced by the guitarist Mike Bloomfield and the singer and songwriter Nick Gravenites, who later were members of the band Electric Flag.

In the 1970s, Cotton played harmonica on Muddy Waters’ Grammy Award–winning 1977 album Hard Again, produced by Johnny Winter. Cotton was born in Tunica, Mississippi.

William James Dixon (July 1, 1915 – January 29, 1992) was an American bluesmusician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.

Dixon’s songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes “Hoochie Coochie Man“, “I Just Want to Make Love to You“, “Little Red Rooster“, “My Babe“, “Spoonful“, and “You Can’t Judge a Book by the Cover“. These songs were written during the peak years of Chess Records, from 1950 to 1965, and were performed by Muddy Waters, Howlin’ Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.

Dixon was an important link between the blues and rock and roll, working with Little Walter, Chuck Berry, and Bo Diddley in the late 1950s. In the 1960s, his songs were adapted by numerous rock artists. He received a Grammy Award and was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, and the Songwriters Hall of Fame.

Stanley Clarke (born June 30, 1951) is an American bassist, composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz-related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status.

Clarke is a 5-time Grammy winner, with 15 nominations, 3 as a solo artist, 1 with the Stanley Clarke Band, and 1 with Return to Forever. Clarke was selected to become a 2022 recipient of the National Endowment for the Arts Jazz Masters Fellowship.

A Stanley Clarke electric bass is permanently on display at the National Museum of African American History and Culture in Washington, D.C. Clarke was born on June 30, 1951, in Philadelphia.

Andrew Hill (June 30, 1931 – April 20, 2007) was an American jazz pianist and composer.

Jazz critic John Fordham described Hill as a “uniquely gifted composer, pianist and educator” although “his status remained largely inside knowledge in the jazz world for most of his career.”

Hill recorded for Blue Note Records for nearly a decade, producing a dozen albums.

Hill was born in Chicago, Illinois, to William and Hattie Hill. He had a brother, Robert, who was a singer and classical violin player. Hill took up the piano at the age of thirteen, and was encouraged by Earl Hines. As a child, he attended the University of Chicago Experimental School. He was referred by jazz composer Bill Russo to Paul Hindemith, with whom he studied informally until 1952.