mick laBriola

Terje Rypdal (born 23 August 1947) is a Norwegian guitarist and composer. He has been an important member in the Norwegian jazz community, and has also given show concerts with guitarists Ronni Le Tekrø and Mads Eriksen as “N3”.

Rypdal was born in Oslo, Norway, the son of a composer and orchestra leader. He studied classical piano and trumpet as a child, and then taught himself to play guitar as he entered his teens. Starting out as a Hank Marvin-influenced rock guitarist with The Vanguards, Rypdal turned towards jazz in 1968 and joined Jan Garbarek‘s group and later George Russell‘s sextet and orchestra. An important step towards international attention was his participation in the free jazz festival in Baden-Baden, Germany, in 1969, where he was part of a band led by Lester Bowie. During his musical studies at Oslo university and conservatory, he led the orchestra of the Norwegian version of the musical Hair. He has often been recorded on the ECM record label, both jazz-oriented material and classical compositions (some of which do not feature Rypdal’s guitar).

His compositions “Last Nite” and “Mystery Man” were featured in the Michael Mann film Heat, and included on the soundtrack of the same name.

The essential form of soleares is the essential form for many palos:

1) A guitar introduction that sets the mood, key and tempo of the piece.

2) A temple/salida, in which the singer uses simple syllables to tune into the guitar and fix the tempo.

3) Two or three sung letras, generally interspersed with falsetas by the guitarist.

4) If a dancer is part of the performance, the dancer will interpret the letras lyyically and rhythmically, and will perform an escobilla or even several escobillas, footwork sections at a faster tempo, accompanied by a standardized series of arpeggios on the guitar.

5) A dance, guitar or cante performance may also include a macho, a transition to a faster form with the same basic underlying compás. It is a common practice to transition directly into bulerías, or to soléa por bulerías transitioning into bulerías

Delmar Allen “Dale” Hawkins (August 22, 1936 – February 13, 2010) was a pioneer American rock singer, songwriter, and rhythm guitarist who was often called the architect of swamp rock boogie.

He began recording in 1956. In 1957, Hawkins was playing at Shreveport, Louisianaclubs, and although his music was influenced by the new rock and roll style of Elvis Presley and the guitar sounds of Scotty Moore, Hawkins blended that with the uniquely heavy blues sound of black Louisiana artists for his recording of his swamp-rock classic, “Susie Q.” Fellow Louisiana guitarist and future Rock and Roll Hall of Famer James Burton provided the signature riff and solo.

Malachi Favors (August 22, 1927 – January 30, 2004) was an American jazz bassist who played with the Art Ensemble of Chicago.

“Favors’s tendency to dissemble about his age was a well-known source of mirth to fellow musicians of his generation”. Most reference works give his year of birth of 1937, but, following his death, his daughter stated that it was 1927.

Favors primarily played the double bass, but also played the electric bass guitar, banjo, zither, gong, and other instruments. He began playing double bass at the age of 15 and began performing professionally upon graduating from high school. Early performances included work with Dizzy Gillespie and Freddie Hubbard. By 1965, he was a founder of the Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams‘ Experimental Band.

At some point he added the word “Maghostut” to his name and because of this he is commonly listed as “Malachi Favors Maghostut”. Musically he is most associated with bebop, hard bop, and particularly free jazz.

Sonny Thompson (probably August 23, 1916 – August 11, 1989), born Alfonso Thompson or Hezzie Tompson, was an American R&B bandleader and pianist, popular in the 1940s and 1950s.

There is some uncertainty over Thompson’s origins, as well as his birth name. Researchers Bob Eagle and Eric LeBlanc indicate that he was born in 1916 in Wilkinson County, Mississippi, but other sources state that he was born in 1923, either in Mississippi or in Chicago.

John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001 Clarksdale, MS) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone‘s 2015 list of 100 greatest guitarists, and has been cited as one of the greatest male blues vocalists of all time.

Some of his best known songs include “Boogie Chillen’” (1948), “Crawling King Snake” (1949), “Dimples” (1956), “Boom Boom” (1962), and “One Bourbon, One Scotch, One Beer” (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don’t Look Back (1997), were album chart successes in the U.S. and UK. The Healer (for the song “I’m in the Mood”) and Chill Out (for the album) both earned him Grammy wins, as well as Don’t Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).

A supermoon occurred yesterday 8-19-24. And tonight’s moon should also look impressive. Supermoons appear slightly larger and brighter than most full moons because they reach their full phase when slightly nearer to the Earth — closer than 90 percent of all full moons. This supermoon was also a blue moon given the definition that it is the third of four full moons occurring during a single season. Blue moons are not usually blue, and a different definition holds that a blue moon is the second full moon that occurs during a single month. The featured image captured the blue supermoon right near its peak size yesterday as it was rising beyond the Temple of Poseidon in Greece. This supermoon is particularly unusual in that it is the first of four successive supermoons, the next three occurring in September, October, and November.

Clydie Mae King (August 21, 1943 – January 7, 2019) was an American singer, best known for her session work as a backing vocalist. King also recorded solo under her name. In the 1970s, she recorded as Brown Sugar, and her single “Loneliness (Will Bring Us Together Again)” reached No. 44 on the Billboard R&B charts in 1973.

King was born in Dallas, Texas, and following her mother’s death when she was two years old, she was raised by her older sister, Lula Mae Crittendon. After starting to sing in the local church, she moved with her family to Los Angeles in the early 1950s.Discovered by songwriter Richard Berry, King began her recording career in 1956 with Little Clydie and the Teens. She was a member of Ray Charles‘ Raelettes for three years and contributed to early 1960s recordings by producer Phil Spector, such as “River Deep – Mountain High. She recorded solo singles for Specialty Records, Kent Records and others. Her 1971 solo single “‘Bout Love” reached No. 45 on the R&B chart. Reviewing her 1972 debut album Direct Me, Robert Christgau wrote in Christgau’s Record Guide: Rock Albums of the Seventies (1981): “Clydie has a voice that’s more sly Diana than robust Martha and addresses the title plea to Gabriel Mekler, who (this time, anyway) proves neither as sly nor as robust as Berry Gordy.

Steven Bruce Smith (born August 21, 1954 Whitman, MA) is an American drummer best known as a member of the rock band Journey across three stints: 1978 to 1985, 1995 to 1998 and 2015 to 2020. Modern Drummer magazine readers have voted him the No. 1 All-Around Drummer five years in a row. In 2001, the publication named Smith one of the Top 25 Drummers of All Time, and in 2002 he was voted into the Modern Drummer Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of Journey on April 7, 2017.

Arthur Stewart Farmer (August 21, 1928 – October 4, 1999 Council Bluffs, IA) was an American jazztrumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while at high school in Los Angeles. Art gained greater attention after the release of a recording of his composition “Farmer’s Market” in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

As Farmer’s reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan‘s quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist’s instrument in jazz. He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.

William James “Count” Basie (August 21, 1904 – April 26, 1984 Red Bank, NJ) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two “split” tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. As a composer, Basie is known for writing such jazz standards as Blue and Sentimental, Jumpin’ at the Woodside and One O’Clock Jump.