mick laBriola

Known as Strong Thermal Emission Velocity Enhancements (STEVEs), these luminous light-purple sky ribbons may resemble regular auroras, but recent research reveals significant differences. A STEVE‘s great length and unusual colors, when measured precisely, indicate that it may be related to a subauroral ion drift (SAID), a supersonic river of hot atmospheric ions thought previously to be invisible. Some STEVEs are now also thought to be accompanied by green picket fence structures, a series of sky slats that can appear outside of the main auroral oval that does not involve much glowing nitrogen. The featured wide-angle composite image shows a STEVE in a dark sky above Childs Lake, Manitoba, Canada in 2017, crossing in front of the central band of our Milky Way Galaxy.

Phil Parnell is a freelance pianist, producer and songwriter from New Orleans, based in Denmark. He has enjoyed 35 years in the music business performing around the globe with artists from cutting edge of the music spectrum to torchbearers from Storyville’s heyday and nearly everything in-between! Diversity has kept him involved in so many projects, which in turn has kept his keen musical perspective and enthusiasm alive over the years.

In the 1970’s he was a piano student of Ellis Marsalis’ before attending Berklee College of music in Boston. His musical education continued in the blues and jazz clubs of New Orleans working with many old school musicians like Freddy Kohlmann, David Lastie, Gatemouth Brown, and Justin Adams. He has performed on stage with such notables as Bettye Lavette, Astrud Gilberto, Brian Blade, George Porter jr. (of the Meters), Bo Diddly, Imelda May, Jamie Lidell, Matthew Herbert, John & Lillian Boutte’ and Oscar Brown jr all from whom he has drawn influence and inspiration.

Recent highlights of Phil’s career include: ‘PP3_Blue’ the 2nd CD release for his eclectic 3-tet ‘PP3’. Recording ‘Normalment Plan Bar’, an experimental CD with ‘FR::YK’, a Swiss electronic music project in Valais CH. Recording at Abbey Road studios and subsequent touring with the Matthew Herbert Big Band ‘There’s Me And There’s You’ CD (with the Phil Parnell Trio being drafted in to fill the rhythm section chairs). World tour with nouveau soul singer/songwriter Jamie Lidell and opening for Elton John’s Red Piano tour. Appearing with Lillian Boutte’ in a live performance his song ‘Party All My Troubles Away’ in the 2009 Zurich Film festival documentary category winner “The Sound After the Storm” about New Orleans musicians after hurricane Katrina.

Gordon Meredith Lightfoot Jr. CC OOnt (born November 17, 1938) is a Canadian singer-songwriter and guitarist who achieved international success in folk, folk-rock, and country music. He is credited with helping to define the folk-pop sound of the 1960s and 1970s. He is often referred to as Canada’s greatest songwriter and is known internationally as a folk-rock legend.

Lightfoot’s songs, including “For Lovin’ Me”, “Early Morning Rain“, “Steel Rail Blues”, “Ribbon of Darkness“—a number one hit on the U.S. country chart with Marty Robbins‘s cover in 1965—and “Black Day in July” about the 1967 Detroit riot, brought him wide recognition in the 1960s. Canadian chart success with his own recordings began in 1962 with the No. 3 hit “(Remember Me) I’m the One”, followed by recognition and charting abroad in the 1970s. He topped the US Hot 100 or AC chart with the hits “If You Could Read My Mind” (1970), “Sundown” (1974); “Carefree Highway” (1974), “Rainy Day People” (1975), and “The Wreck of the Edmund Fitzgerald” (1976), and had many other hits that appeared in the top 40.

Several of Lightfoot’s albums achieved gold and multi-platinum status internationally. His songs have been recorded by renowned artists such as Elvis Presley, Johnny Cash, Hank Williams Jr., The Kingston Trio, Marty Robbins, George Hamilton IV, Jerry Lee Lewis, Neil Young, Bob Dylan, Judy Collins, Barbra Streisand, Johnny Mathis, Herb Alpert, Harry Belafonte, Scott Walker, Sarah McLachlan, Eric Clapton, John Mellencamp, Jack Jones, Bobby Vee, Roger Whittaker, Tony Rice, Peter, Paul and Mary, Glen Campbell, The Grateful Dead, The Irish Rovers, Nico, Olivia Newton-John, Paul Weller, Nine Pound Hammer, Ultra Naté, The Tragically Hip, The Unintended and Headstones.

Imrat Khan (17 November 1935 – 22 November 2018) was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.

Imrat Khan was born in Calcutta on 17 November 1935 into a family of musicians tracing its roots back for several generations, to the court musicians of the Mughal rulers. The training in music traditionally has been passed down from father to son for nearly 400 years. He belongs to Etawah gharana also known as Imdadkhani gharana of classical musicians. Imrat Khan’s father was Enayat Khan (1895–1938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (1848–1920), before him. Imrat Khan’s father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with Vilayat Khan, Imrat’s older brother, to Bombay where both the brothers learned sitar-playing extensively from their uncle Wahid Khan. In 1952, Vilayat and Imrat moved in together in Calcutta. They performed together for many years. The two brothers were part of the first cultural delegation to the Soviet Union and Eastern Europe in 1956.

David Werner Amram III (born November 17, 1930) is an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings. He plays piano, French horn, Spanish guitar, and pennywhistle, and sings. Amram has also composed scores for films, and has led quartets, quintets and larger ensembles who perform and record under his name.

Amram studied at the Oberlin Conservatory of Music in 1948–1949, and earned a bachelor’s degree in European history from George Washington University in 1952. In 1955 he enrolled at the Manhattan School of Music, where he studied under Dimitri Mitropoulos, Vittorio Giannini, and Gunther Schuller. Under Schuller he studied French horn.

Amram is a strong advocate for music education of the young. For over a quarter-century he served as music director for youth and family concert programs for the Brooklyn Philharmonic. Amram has pointed out: “It is tremendously important for professional people to work with the young. That is the way a true music culture is created — not through merchandising, but through love.”

As a sideman or leader, Amram has performed and/or recorded with such jazz and classical figures as Aaron Copland, Thelonious Monk, Dizzy Gillespie, Charles Mingus, Jack Kerouac, Sonny Rollins, Lionel Hampton, Stan Getz, George Barrow, Jerry Dodgion, Paquito D’Rivera, Pepper Adams, Arturo Sandoval, Oscar Pettiford, Allen Ginsberg, Mary Lou Williams, Kenny Dorham, Ray Barretto, Wynton Marsalis, and others. He has also worked with a wide range of folk, pop, and country figures, such as Bob Dylan, the Roche sisters, Pete Seeger, Odetta, Willie Nelson, Oscar Brand, Judy Collins, Peter Yarrow, Tom Paxton, Phil Ochs, Josh White, Patti Smith, Arlo Guthrie, and others.

Roswell Hopkins Rudd Jr. (November 17, 1935 – December 21, 2017) was an American jazz trombonist and composer.

Although skilled in a variety of genres of jazz (including Dixieland, which he performed while in college), and other genres of music, he was known primarily for his work in free and avant-garde jazz. Beginning in 1962 Rudd worked extensively with saxophonist Archie Shepp.Rudd was born in Sharon, Connecticut on November 17, 1935. He attended the Hotchkiss School and graduated from Yale University, where he played with Eli’s Chosen Six, a dixieland band of students that Rudd joined in the mid-1950s. The sextet played the boisterous trad jazz style of the day, and recorded two albums, including one for Columbia Records. His collaborations with Shepp, Cecil Taylor, John Tchicai, and Steve Lacy grew out of the lessons learned while playing rags and stomps for drunken college kids in Connecticut. Rudd later taught ethnomusicology at Bard College and the University of Maine.

Observed with the NASA/ESA Hubble Space Telescope, the faint galaxy featured in this image is known as UGC 12588. Unlike many spiral galaxies, UGC 12588 displays neither a bar of stars across its centre nor the classic prominent spiral arm pattern. Instead, to a viewer, its circular, white and mostly unstructured centre makes this galaxy more reminiscent of a cinnamon bun than a mega-structure of stars and gas in space.

Lying in the constellation of Andromeda in the Northern hemisphere, this galaxy is classified as a spiral galaxy. Unlike the classic image of a spiral galaxy, however, the huge arms of stars and gas in UGC 12588 are very faint, undistinguished, and tightly wound around its centre. The clearest view of the spiral arms comes from the bluer stars sprinkled around the edges of the galaxy that highlight the regions where new star formation is most likely taking place.

Diana Jean Krall OC OBC (born November 16, 1964) is a Canadian jazz pianist and singer, known for her contralto vocals. She has sold more than 6 million albums in the US and over 15 million albums worldwide. On December 11, 2009, Billboard magazine named her the second Jazz Artist of the Decade (2000–09), establishing her as one of the best-selling artists of her time.

Krall is the only jazz singer to have had eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awardsand eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.

https://www.youtube.com/watch?v=OLL4BhsaFRE

Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, best known for his “wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions” as a member of Howlin’ Wolf‘s band. He was ranked number 43 in Rolling Stone‘s “100 Greatest Guitarists of All Time”.

Sumlin was born in Greenwood, Mississippi, and raised in Hughes, Arkansas. He got his first guitar when he was eight years old.  As a boy, he met Howlin’ Wolf by sneaking into a performance.

Wolf relocated from Memphis to Chicago in 1953, but his longtime guitarist Willie Johnson chose not to join him. In Chicago, Wolf hired the guitarist Jody Williams, but in 1954 he invited Sumlin to move to Chicago to play second guitar in his band. Williams left the band in 1955, leaving Sumlin as the primary guitarist, a position he held almost continuously (except for a brief spell playing with Muddy Waters around 1956) for the remainder of Wolf’s career. According to Sumlin, Howlin’ Wolf sent him to a classical guitar instructor at the Chicago Conservatory of Music to learn keyboards and scales. Sumlin played on the album Howlin’ Wolf (called the “rocking chair album”, with reference to its cover illustration), which was named the third greatest guitar album of all time by Mojo magazine in 2004.

Charles Mitchell “Dolo” Coker (November 16, 1927 – April 13, 1983) was a jazz pianist and composer who recorded four albums for Xanadu Records and extensively as a sideman, for artists like Sonny Stitt, Gene Ammons, Lou Donaldson, Art Pepper, Philly Joe Jones, and Dexter Gordon.

Charles Mitchell “Dolo” Coker was born in Hartford, Connecticut on November 16, 1927, raised in both Philadelphia and Florence, South Carolina. The first musical instruments Coker played in childhood were the C-melody and alto saxophones, learning them at a school in Camden, South Carolina. By the age of thirteen he was starting to play piano. Coker moved to Philadelphia, where he studied piano at the Landis School of Music and at Orenstein’s Conservatory. Coker also played some shows on piano for Jimmy Heath while in Philadelphia.

He was also a member of the Frank Morgan Quartet (with Flip Greene on bass and Larance Marable on drums).

Coker did not record his own album as a leader until 1976, when he recorded his debut Dolo! with Blue Mitchell, Harold Land, Leroy Vinnegar and Frank Butler. That following day he recorded California Hard for Xanadu Records, with Art Pepper replacing Harold Land on sax. Following California Hard were Third Down and All Alone. He continued to work as a sideman for other artists until he died of cancer at the age of fifty-five on April 13, 1983.

Albert Edwin “Eddie” Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent the Sunset Café to see Louis Armstrong and his Hot Five for the same reasons.