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Roberta Joan “Joni” Mitchell CC (née Anderson; born November 7, 1943) is a Canadian singer-songwriter. Drawing from folk, pop, rock, and jazz, Mitchell’s songs often reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. She has received many accolades, including nine Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her “one of the greatest songwriters ever”, and AllMusic has stated, “When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century”.
Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and began touring. Some of her original songs (“Urge for Going”, “Chelsea Morning“, “Both Sides, Now“, “The Circle Game“) were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell, with popular songs like “Big Yellow Taxi” and “Woodstock“, helped define an era and a generation. Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone‘s 2003 list of the “500 Greatest Albums of All Time“, rising to No. 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented “turning points and pinnacles in 20th-century popular music”. In 2017, NPR ranked Blue number 1 on a list of Greatest Albums Made By Women. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris” and became her best-selling album.
Around 1975, Mitchell’s vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she explored jazz, melding it with influences of rock and roll, R&B, classical music and non-western beats. In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned again toward pop, embraced electronic music, and engaged in political protest. In 2002, she was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards.
more...Alvin Batiste (November 7, 1932 – May 6, 2007) was an Avant-garde jazz clarinetist born in New Orleans, Louisiana. He taught at his own jazz institute at Southern University in Baton Rouge. His final album was a tribute produced by Branford Marsalis and also features Russell Malone and Herlin Riley. Several well-known musicians studied under Batiste while at Southern University. They include Branford Marsalis, Randy Jackson (American Idol), his brother Herman, Donald Harrison, Henry Butler, Charlie Singleton (Cameo), Ronald Myers and Woodie Douglas (Spirit).
He died in New Orleans of a heart attack in his sleep, aged 74.
more...D. Maria Teresa do Carmo de Noronha, (November 7, 1918, Lisbon – July 4, 1993) was a Portuguese aristocrat and a fado singer. As a granddaughter of the Counts of Paraty and Belmonte, she belonged to a family of the most ancient Nobility in the Iberian Peninsula, tracing her roots to the Royal Houses of both Portugal and Castile from the mid-14th century. Her artistic career spanned over 30 years and hers is considered one of the most unusual and beautiful fado voices. Her status as a fidalga meant, in the context of a conservative early 20th century Portugal, that she faced severe restrictions in having a professional artistic career As such, she did not enjoy the projection of other great fadistas of her time.
more...Howard Rumsey (November 7, 1917 – July 15, 2015) was an American jazz double-bassist known for his leadership of the Lighthouse All-Stars in the 1950s.
Born in Brawley, California, Rumsey first began playing the piano, followed by the drums and finally the bass. After jobs with Vido Musso and Johnnie Davis, Rumsey became part of Stan Kenton‘s first band. Rumsey soon left Kenton after an argument. He played with Charlie Barnet and Barney Bigard before taking a short hiatus from music. Following this absence from music, Rumsey returned to the Los Angeles jazz scene to form the group the Lighthouse All-Stars. For most of the 1950s this group played each Sunday at the Lighthouse Cafe in Hermosa Beach. During its lifetime, the Lighthouse All-Stars were one of the primary modern jazz institutions on the west coast, providing a home for many Los Angeles musicians. Rumsey died from complications of pneumonia in Newport Beach, California, at the age of 97.
more...Conscious Soldier aka mick laBriola 10th appearance on Club Calabash this Friday. Performing songs by the Mighty Diamonds and Marley. Celebrating the Biden climb to a Presidential Win.
more...Completing one orbit of our fair planet in 90 minutes the International Space Station can easily be spotted by eye as a very bright star moving through the night sky. Have you seen it? The next time you do, you will have recognized the location of over 20 years of continuous human presence in space. In fact, the Expedition 1 crew to the ISS docked with the orbital outpost some 400 kilometers above the Earth on November 2, 2000. No telescope is required to spot the ISS flashing through the night. But this telescopic field of view does reveal remarkable details of the space station captured as it transited the waning gibbous moon on November 3, just one day after the space age milestone. The well-timed telescopic snapshot also contains the location of another inspirational human achievement. About 400,000 kilometers away, the Apollo 11 landing site on the dark,smooth lunar Sea of Tranquility is to the right of the ISS silhouette.
more...Arturo Sandoval is a Cuban-American jazz trumpeter, pianist, and composer. While living in his native Cuba, Sandoval was influenced by jazz musicians Charlie Parker, Clifford Brown, and Dizzy Gillespie. In 1977 he met Gillespie, who became his friend and mentor and helped him defect from Cuba while on tour with the United Nations Orchestra. Sandoval became an American naturalized citizen in 1998. His life was the subject of the film For Love or Country: The Arturo Sandoval Story (2000) starring Andy García.
Sandoval has won Grammy Awards, Billboard Awards and one Emmy Award. He performed at the White House and at the Super Bowl (1995)
Sandoval was born in Artemisa. As a twelve-year-old boy in Cuba, he played trumpet with street musicians. He helped establish the Orquesta Cubana de Musica Moderna, which became the band Irakere in 1973. He toured worldwide with his own group in 1981. During the following year he toured with Dizzy Gillespie, who became his friend and mentor. From 1982 to 1984, he was voted Cuba’s Best Instrumentalist and was a guest artist at the BBC and Leningrad Symphony Orchestras.
In 1989, Gillespie invited Sandoval to be part of the United Nations Orchestra. During a tour with this group, Sandoval visited the American Embassy in Rome to defect from Cuba. He became an American citizen on December 7, 1998.
Sandoval has performed Latin jazz with Paquito D’Rivera, Tito Puente, and Chico O’Farrill, Cuban music in Miami, and classical music in England and Germany. In the 1990s, he was a member of the GRP All-Star Big Band.
https://www.youtube.com/watch?v=sdNM5aCNokc
more...Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s. Conniff was born in Attleboro, Massachusetts, United States, and learned to play the trombone from his father. He studied music arranging from a course book.
more...Celebrating the Biden presidential lead as of today!
John Philip Sousa (/ˈsuːsə/;November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as “The March King” or the “American March King”, to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are “The Stars and Stripes Forever” (National March of the United States of America), “Semper Fidelis” (official march of the United States Marine Corps), “The Liberty Bell“, “The Thunderer“, and “The Washington Post“.
Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he organized his own band. From 1880 until his death, he focused exclusively on conducting and writing music. Sousa aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.
Upon the outbreak of World War I, Sousa was awarded a wartime commission of lieutenant commander to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until his death in 1932. In the 1920s, he was promoted to the permanent rank of lieutenant commander in the naval reserve, but he never saw active service again.
more...It is characterised by a fast rhythm and a redoubled beat. It is more suitable than other flamenco styles to be sung accompanied by flamenco clapping, “jaleo” and other shouts and expresive voices. “Bulerías” constitute an usually dance to finish all flamencos parties (composing a semicircle, people dance in the middle of it a part of the song).
“Loco Mateo” was the first performer of this style, finishing his “soleares or soleás” with “bulerías”. Hence “bulería” results from “solea”. It was originated in the late 19th century. In “Sinfonía Virtual” magazine Guillermo Castro documented that the term “bulería” was used for the first time in the 17th century, but it didn’t acquire its flamenco meaning until the early 20th century. It was earlier believed that the first appearance of this style came up with the painting of José García Ramos “Baile por bulerías” (1884), preserved in the Museum of Fine Arts of Seville. Currently, it’s widely known that this paiting had other titles previously such as “Tango“, “Bailarina” or “El Baile”. It was not until second half of the XX century that it adopted the name “Baile por Bulerías”.
The most flamenco “bulerías” are in Phrygian mode (with the I chord mutation that becomes Major perfect, often combining melodic and harmonic turns on the I and VI).
https://www.youtube.com/watch?v=V86zYV3QXnk
more...
Bright stars, interstellar clouds of dust and glowing nebulae fill this cosmic scene, a skyscape just north of Orion’s belt. Close to the plane of our Milky Way Galaxy, the wide field view spans just under 5 degrees or about 10 full moons on the sky. Striking bluish M78, a reflection nebula, is at the lower right. M78’s tint is due to dust preferentially reflecting the blue light of hot, young stars. In colorful contrast, the red swath of glowing hydrogen gas streaming through the center is part of the region’s faint but extensive emission nebula known as Barnard’s Loop. At upper left, a dark dust cloud forms a prominent silhouette cataloged as LDN 1622. While M78 and the complex Barnard’s Loop are some 1,500 light-years away, LDN 1622 is likely to be much closer, only about 500 light-years distant from our fair planet Earth.
more...Neil Cowley (born 5 November 1972) is an English jazz pianist and composer. He has also released music as part of Fragile State, the Green Nuns of the Revolution, and the Neil Cowley Trio. With his trio, he appeared on Later… with Jools Holland in April 2008 and won the 2007 BBC Jazz Award for best album for Displaced.. In 2018, Cowley announced he was working on a new electronic focused solo project.
more...Arthur Ira Garfunkel (born November 5, 1941) is an American singer, poet, and actor. He is best known for his partnership with Paul Simon in the folk rock duo Simon & Garfunkel.
Highlights of his solo music career include a top 10 hit, three top 20 hits, six top 40 hits, 14 Adult Contemporary top 30 singles, five Adult Contemporary number ones, two UK number ones and a People’s Choice Award. Through his solo and collaborative work, Garfunkel has earned eight Grammys, including a Lifetime Achievement Award. In 1990, he and Simon were inducted into the Rock and Roll Hall of Fame. In 2008, Garfunkel was ranked 86th in Rolling Stone magazine’s list of the 100 Greatest Singers of All Time.
Garfunkel was born in Forest Hills, Queens, New York City, the son of Rose (née Pearlman) and Jacob “Jack” Garfunkel, a travelling salesman. He was a middle child with two brothers, the older Jules and the younger Jerome. Jacob’s parents immigrated to the United States at the turn of the century, and settled in Manhattan. Before his career in sales, Jacob worked as an actor in Dayton, Ohio. Garfunkel is of Romanian Jewish descent, his paternal grandparents having emigrated from the city of Iași. When he was young, he would often sing in synagogue. His maternal cousin was Lou Pearlman, founder of the Backstreet Boys and NSYNC.
more...Jazz bassist, born November 5, 1921 in Social Circle, Georgia. Wootten started his career playing country & western, moved to big band jazz, then back to country and won an Academy of Country Music Award as Best Bassist in 1982. While still in his teens, Woottenlanded a six-dollar-a-week gig on Archie “Grandpappy” Campbell‘s C&W show on radio station WDOD in Chattanooga, TN; the band included future Sons of the Pioneers guitarist Roy Lanham. Texas crooner Gene Austin hired the band and dubbed them the Whippoorwills. Wootten toured with Austin for a time, then quit the band due to exhaustion. Wootten went on to play with several successful big bands of the ’40s, including those led by Jan Savitt and Tony Pastor. Beginning in 1949, he played with a succession of prominent swing bandleaders, including Tommy Dorsey, Woody Herman, and Charlie Barnet. In 1957, he recorded with Harry Babasin‘s Jazzpickers in a rhythm section that also included Red Norvo. He hooked up with Norvo and recorded and toured with the vibist in 1957-1958. Wootten recorded The Most Exciting Guitar with Lanham in 1959. That year, Wootten also toured with Benny Goodman and Frank Sinatra. With Sinatra, Wootten did movies, TV, and worked the Sands Hotel in Las Vegas. In the ’60s and ’70s, Wootten worked mostly in the studios; he also composed and arranged for film and authored a book of musical exercises for bass instruments. In addition to the aforementioned, Wootten played with Merle Travis, Glen Campbell, Eddie Dean, Mary Ford, Tex Williams, Jimmy Bryant, Joe Maphis, and Roy Rogers, among many others. He also worked on Gene Autry‘s Melody Ranch radio show.
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