mick laBriola

Kenneth Clark Loggins (born January 7, 1948 Everett, WA) is an American singer-songwriter and guitarist. His early songs were recorded with the Nitty Gritty Dirt Band in 1970, which led to seven albums recorded as Loggins and Messina from 1972 to 1977. His early soundtrack contributions date back to A Star Is Born in 1976, and he is known as the King of the Movie Soundtrack. As a solo artist, Loggins experienced a string of soundtrack successes, including an Academy Award nomination for “Footloose” in 1985. Finally Home was released in 2013, shortly after Loggins formed the group Blue Sky Riders with Gary Burr and Georgia Middleman. He won a Daytime Emmy Award, two Grammy Awards, and was nominated for an Academy Award, a Tony Award, and a Golden Globe Award.

Sam Woodyard (January 7, 1925 – September 20, 1988) was an American jazz drummer. Woodyard was largely an autodidact on drums and played locally in the Newark, New Jersey area in the 1940s. He performed with Paul Gayten in an R&B group, then played in the early 1950s with Joe Holiday, Roy Eldridge, and Milt Buckner. In 1955 he joined Duke Ellington‘s orchestra and remained until 1966.

After his time with Ellington, Woodyard worked with Ella Fitzgerald, then moved to Los Angeles. In the 1970s he played less due to health problems, but he recorded with Buddy Rich and toured with Claude Bolling. In 1983 he belonged to a band with Teddy Wilson, Buddy Tate, and Slam Stewart. His last recording was on Steve Lacy‘s 1988 album The Door. He died of cancer in Paris at the age of 63.

https://www.youtube.com/watch?v=BcrK_PtWeDE

Luciano Pozo González (January 7, 1915 in Havana – December 3, 1948 in New York City), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie’s Latin-flavored compositions, such as “Manteca” and “Tin Tin Deo“, and was the first Latin percussionist in Gillespie’s band. Luciano “Chano” Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban soneros. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix’s mother.

Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming was a key element. The family lived for many years at El África Solar (Africa neighborhood), a former slave quarters, by all accounts a foul and dangerous place, where it was said even the police were afraid to venture. In this environment criminal activities flourished, and Chano learned the ways of the street as means of survival. He dropped out of school after the third grade and earned a solid reputation as a rowdy tough guy, big for his age and exceptionally fit. He spent his days playing drums, fighting, drinking, and engaging in petty criminal activities, the latter of which landed him a stint in a youth reformatory. No official records document the crime he was sentenced for, though at least one account has him causing the accidental death of a foreign tourist, adding to a record of thievery, assault, and truancy. At the age of 13, Chano was sent to the reformatory in Guanajay, where he learned reading and writing, auto body repair, and honed his already exceptional skills playing a variety of drums.

During this time he became a devotee of Santería. Also known as “La Regla de Ocha”, this is an Afro-Caribbean religion derived from traditional beliefs of the Yoruba people of Nigeria. Developed among Afro-Cuban slaves, the religion began as a blending of these West African spiritual beliefs and Catholic doctrine. Yoruba deities were identified with Catholic saints to fool the slave owners, as the Spanish colonialists had forbidden the practice of African religions. Chano pledged allegiance to the Catholic Saint Barbara, identified widely with Shango, the Yoruba god of fire and thunder, and took him as his personal protector. Both Shango and St. Barbara had associations with the color red, and for the rest of his life Chano would often carry a red scarf signifying his allegiance.

Upon his release from Guanajay, Chano returned to his father’s house in Havana. Cecelio persuaded his son to practice his trade of bootblack, but Chano’s temperament was not suited for this occupation and he quit after less than a year. In 1929 he took a job selling newspapers for El País, Havana’s most influential publication, hawking papers on a number of street corners. His forceful nature and success in selling brought him to the attention of newspaper owner and influential businessman Alfredo Suárez, who hired Chano as his personal driver and bodyguard. He was rumored to have performed duties as debt collector or “leg breaker” for Suarez. Chano spent his free time dancing, singing, fighting, chasing women and playing his drums. He also began to compose music.

Bobo Jenkins (January 7, 1916 – August 14, 1984) was an American Detroit blues and electric blues guitarist, singer and songwriter. He also built and set up his own recording studio and record label in Detroit. Jenkins is best known for his recordings of “Democrat Blues” and “Tell Me Where You Stayed Last Night”. He was born John Pickens Jenkins in Forkland, Alabama. His father, a sharecropper, died when John was not yet one year old, and the boy grew up with his mother and uncle. He left home before the age of 12, and arrived in Memphis, Tennessee. He had a wife at the age of 14, the first of ten marriages. Jenkins took casual work in the Mississippi Delta for several years and then enrolled in the United States Army. Following his 1944 military discharge, he relocated to Detroit, working for Packard and managing a garage, before spending twenty-seven years working for Chrysler. In the late 1940s Jenkins learned to play the guitar and started writing songs. He wrote the politically themed “Democrat Blues”, about the U.S. Election Day in 1952, expressing his unease about Dwight D. Eisenhower becoming the first Republican in the White House in almost twenty years.

With assistance from John Lee Hooker, Jenkins recorded “Democrat Blues” in Chicago in 1954, which was released by Chess Records. Another recording was issued by Boxer Records, based in Chicago, and then “Ten Below Zero” (1957) was released by Fortune Records, based in Detroit. In 1959, Jenkins established his own record label, Big Star Records, whose first release was his single “You”ll Never Understand” and “Tell Me Where You Stayed Last Night”. He met and played alongside Sonny Boy Williamson II, before constructing his own recording studio. He recorded mainly local musicians, including James “Little Daddy” Walton, Little Junior Cannady, Chubby Martin and Syl Foreman.

The galaxy NGC 6946 is nothing short of spectacular. In the last century alone, NGC 6946 has experienced 10 observed supernovae, earning its nickname as the Fireworks Galaxy. In comparison, our Milky Way averages just 1-2 supernova events per century. This NASA/ESA Hubble Space Telescope image shows the stars, spiral arms, and various stellar environments of NGC 6946 in phenomenal detail.  We are able to marvel at NGC 6946 as it is a face-on galaxy, which means that we see the galaxy “facing” us, rather than seeing it from the side (known as edge-on). The Fireworks Galaxy is further classified as an intermediate spiral galaxy and as a starburst galaxy. The former means the structure of NGC 6946 sits between a full spiral and a barred spiral galaxy, with only a slight bar in its centre, and the latter means it has an exceptionally high rate of star formation. The galaxy resides 25.2 million light-years away, along the border of the northern constellations of Cepheus and Cygnus (The Swan).

Alexandra Elene MacLean Denny (6 January 1947 – 21 April 1978) was an English singer-songwriter who was lead singer of the British folk rockband Fairport Convention. She has been described as “the pre-eminent British folk rock singer”.

After briefly working with the Strawbs, Denny joined Fairport Convention in 1968, remaining with them until 1969. She formed the short-lived band Fotheringay in 1970, before focusing on a solo career. Between 1971 and 1977, Denny released four solo albums: The North Star Grassman and the Ravens, Sandy, Like an Old Fashioned Waltz and Rendezvous. She also duetted with Robert Plant on “The Battle of Evermore” for Led Zeppelin‘s album Led Zeppelin IV in 1971. Denny died in 1978 at the age of 31 due to injuries and health issues related to alcohol abuse.

Music publications Uncut and Mojo have called Denny Britain’s finest female singer-songwriter. Her composition “Who Knows Where the Time Goes?” has been recorded by Judy Collins, Eva Cassidy, Nina Simone, 10,000 Maniacs and Cat Power. Her recorded work has been the subject of numerous reissues, along with a wealth of previously unreleased material which has appeared over the more than 40 years since her death, most notably including a 19-CD box set which was released in November 2010.

Roger Keith “Syd” Barrett (6 January 1946 – 7 July 2006) was an English singer, songwriter, and musician who co-founded the rock band Pink Floydin 1965. Barrett named the group and was their original frontman and primary songwriter, becoming known for his English-accented singing, literary influences, and whimsical take on psychedelia. As a guitarist, he was influential for his free-form playing and for employing dissonance, distortion, echo, feedback, and other studio effects.

Barrett was musically active for less than ten years. With Pink Floyd, he recorded four singles, their debut album The Piper at the Gates of Dawn(1967), portions of their second album A Saucerful of Secrets (1968), and several unreleased songs. In April 1968, Barrett was ousted from the band amid speculation of mental illness and his excessive use of psychedelic drugs. He began a brief solo career in 1969 with the single “Octopus” and followed with the albums The Madcap Laughs (1970) and Barrett (1970), recorded with the aid of several members of Pink Floyd.

In 1972, Barrett left the music industry, retired from public life and strictly guarded his privacy until his death. He continued painting and dedicated himself to gardening. Pink Floyd recorded several tributes and homages to him, including the 1975 song suite “Shine On You Crazy Diamond” and the 1979 rock opera The Wall. In 1988, EMI released an album of unreleased tracks and outtakes, Opel, with Barrett’s approval. He died of pancreatic cancer in 2006.

Paolo Conte (Italian pronunciation: [ˈpaolo ˈkonte]; born 6 January 1937) is an Italian singer, pianist, composer, and lawyer notable for his grainy, resonant voice. His compositions are evocative of Italian and Mediterranean sounds, as well as of jazz music and South American atmospheres.

Paolo Conte was born in Asti, Piedmont. His parents were avid jazz fans and Conte and his younger brother Giorgio spent their formative years listening to a lot of early jazz and blues recordings. After obtaining a law degree at the University of Parma, Conte started working as an assistant solicitor with his father, simultaneously pursuing his musical studies. He learned to play the trombone, the vibraphone and the piano, and formed a jazz band with his brother on guitar. Conte’s skill for composing music and original arrangements was noted by music producer Lilli Greco, who paired Conte with lyricist Vito Pallavicini. They wrote songs for Adriano Celentano (“Azzurro“, 1968), Caterina Caselli (“Insieme a te non ci sto più”, 1968), Fausto Leali (“Deborah”, 1968) and Enzo Jannacci (“Messico e nuvole”, 1970). In 1974 Conte recorded his first album, Paolo Conte. The following year, he released another eponymous album. Following a series of well-received shows at Club Tenco in Sanremo in 1976 and the commercial success of his third album, ‘Un gelato al limon’, Conte concentrated almost exclusively on his solo career.

Some of Conte’s most popular songs have been used as film soundtracks, including “Come Di” in I Am David (2003) and Mickey Blue Eyes (1999), “Via con me” in French Kiss (1995), Mostly Martha (2001) and Welcome to Collinwood (2002). In addition, Conte’s song “L’orchestrina” is featured during the end credits for episodes 3 and 4 of the television series The New Pope (2020). In 1997 Conte won the Nastro d’Argento for Best Score for the film La freccia azzurra.

Ebo Taylor (born 1936) is a Ghanaian guitarist, composer, bandleader, record producer and arranger focusing on highlife and afrobeat music.

Ebo Taylor has been a pivotal figure on the Ghanaian music scene for over six decades. In the late ’50s he was active in the influential highlife bands the Stargazers and the Broadway Dance Band. In 1962, Taylor took his group, the Black Star Highlife Band, to London. In London, Taylor collaborated with Nigerian afrobeat star Fela Kuti as well as other African musicians in Britain at the time.

Returning to Ghana, Taylor worked as a producer, crafting recordings for Pat Thomas, C.K. Mann, and others, as well as exploring solo projects, combining traditional Ghanaian material with afrobeat, jazz, and funk rhythms to create his own recognizable sound in the ’70s. He was the inhouse guitar player, arranger, and producer for Essiebons, founded by Dick Essilfie-Bondzie.

Taylor’s work became popular internationally with hip-hop producers in the 21st century. In 1992, Ghetto Concept included his afrobeats in their music. In 2008, Ebo Taylor met the Berlin-based musicians of the Afrobeat Academy band, including saxophonist Ben Abarbanel-Wolff, which led to the release of the album Love and Death with Strut Records (his first internationally distributed album).^[1][6][7] In 2010, Usher used a sample from Taylor’s song “Heaven” for “She Don’t Know” with Ludacris.

Earl Eugene Scruggs (January 6, 1924 – March 28, 2012 Cleveland County, North Carolina) was an American musician noted for popularizing a three-finger banjo picking style, now called “Scruggs style“, which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument across several genres of music.

Scruggs’ career began at age 21 when he was hired to play in Bill Monroe‘s band, the Blue Grass Boys. The name “bluegrass” eventually became the eponym for the entire genre of country music now known by that title. Despite considerable success with Monroe, performing on the Grand Ole Opryand recording classic hits such as “Blue Moon of Kentucky“, Scruggs resigned from the group in 1946 due to their exhausting touring schedule. Fellow band member Lester Flatt resigned as well, and he and Scruggs later paired up in a new group they called Flatt and Scruggs and the Foggy Mountain Boys. Scruggs’ banjo instrumental called “Foggy Mountain Breakdown“, released in 1949, became an enduring hit, and had a rebirth of popularity to a younger generation when it was featured in the 1967 film Bonnie and Clyde. The song won two Grammy Awards and, in 2005, was selected for the Library of Congress’ National Recording Registry of works of unusual merit.

Flatt and Scruggs brought bluegrass music into mainstream popularity in the early 1960s with their country hit, “The Ballad of Jed Clampett” — the theme music for the television sitcom The Beverly Hillbillies — the first Scruggs recording to reach number one on the Billboard charts. Over their 20-year association, Flatt and Scruggs recorded over 50 albums and 75 singles. The duo broke up in 1969, chiefly because, while Scruggs wanted to switch styles to fit a more modern sound, Flatt was a traditionalist who opposed the change and believed doing so would alienate a fan base of bluegrass purists. Although each of them formed a new band to match their visions, neither of them ever regained the success they had achieved as a team.

Scruggs received four Grammy awards, a Grammy Lifetime Achievement Award and a National Medal of Arts. He became a member of the International Bluegrass Music Hall of Fame and was given a star on the Hollywood Walk of Fame. In 1985, Flatt and Scruggs were inducted together into the Country Music Hall of Fame and named, as a duo, number 24 on CMT‘s “40 Greatest Men of Country Music”. Scruggs was awarded a National Heritage Fellowship by the National Endowment for the Arts, the highest honor in the folk and traditional arts in the United States. Four works by Scruggs have been placed in the Grammy Hall of Fame. After Scruggs’ death in 2012 at age 88, the Earl Scruggs Center was founded near his birthplace in Shelby, North Carolina, with the aid of a federal grant and corporate donors. The center is a $5.5 million facility that features the musical contributions of Scruggs and serves as an educational center providing classes and field trips for students.

Yiannis Papaioannou (Greek: Ιωάννης Ανδρέου Παπαιωάννου; 6 January 1910, Kavala – 19 May 1989, Athens) was a Greek composer and teacher of the Modern Era. He studied piano with Marika Laspopoulou and composition with Alekos Kontis at the Hellenic Conservatory in Athens(1922–34), as well as the piano and orchestration with Emilios Riadis in Thessaloniki (1928–29).

In 1949 he visited major European music centres on a UNESCO grant and became familiar with new developments in music composition. In particular, in Paris he attended Arthur Honegger‘s class. Between 1951 and 1961 he taught music at an Athens high school and from 1953 he was professor of counterpoint and composition at the Hellenic Conservatory. He was the first president of both the Greek section of the International Society for Contemporary Music (1964–75) and the Hellenic Association for Contemporary Music (1965–75).

Papaioannou was the first musician to systematically teach atonal, 12-note and serial techniques before 1970. His compositional career falls into five main phases: Early Impressionist (1932–8), National School (1939–43), Hindemithian neo-classicism combined with elements of Byzantine music(1944–52), 12-note period (1953–1966) and the last period (1966–89) in which he developed an entirely personal technique.

Small Magellanic Cloud? It has turned out to be a galaxy. People who have wondered about this little fuzzy patch in the southern sky included Portuguese navigator Ferdinand Magellan and his crew, who had plenty of time to study the unfamiliar night sky of the south during the first circumnavigation of planet Earth in the early 1500s. As a result, two celestial wonders easily visible for southern hemisphere skygazers are now known in Western culture as the Clouds of Magellan. Within the past 100 years, research has shown that these cosmic clouds are dwarf irregular galaxies, satellites of our larger spiral Milky Way Galaxy. The Small Magellanic Cloud actually spans 15,000 light-years or so and contains several hundred million stars. About 210,000 light-years away in the constellation of the Tucan (Tucana), it is more distant than other known Milky Way satellite galaxies, including the Sagittarius Dwarf galaxy and the Large Magellanic Cloud. This sharp image also includes the foreground globular star cluster 47 Tucanae on the right.

Paul Wertico (born January 5, 1953 in Chicago, Illinois) is an American drummer. He gained recognition as a member of the Pat Metheny Group from 1983 until 2001, leaving the group to spend more time with his family and to pursue other musical interests.

After Pat Metheny heard the Simon and Bard Group with Wertico and bassist Steve Rodby, he invited both to join his band. During his time with Metheny, Wertico played on ten albums and four videos, appeared on television, and toured around the world. He won seven Grammy Awards (for “Best Jazz Fusion Performance,” “Best Contemporary Jazz Performance,” and “Best Rock Instrumental Performance”), magazine polls, and received several gold records.

He formed the Paul Wertico Trio with John Moulder and Eric Hochberg and collaborated with Larry Coryell, Kurt Elling, and Jeff Berlin. From 2000 to 2007, he was a member of SBB, the platinum-record-winning Polish progressive rock band. Wertico was a member of the Larry Coryell Power Trio until Coryell’s death in 2017.