mick laBriola

NGC 2798 is a barred spiral galaxy in the constellation Lynx. NGC 2798 and NGC 2799 are listed under the Arp Catalogue as Arp 283 and noted as an “interacting galaxy pair”. The galaxy is listed in the New General Catalogue. Galaxy NGC 2799 (on the left) and galaxy NGC 2798 (on the right) form a “galactic waterfall,” which stands out in this image snapped by the Hubble Space Telescope. These are interacting galaxies, which influence each other and may eventually even merge.

roy Andrews (born January 2, 1986), also known by the stage name Trombone Shorty, is an American musician, producer, actor and philanthropist from New Orleans, Louisiana. He is best known as a trombone and trumpet player but also plays drums, organ, and tuba. He has worked with some of the biggest names in rock, pop, jazz, funk, and hip hop. Andrews is the younger brother of trumpeter and bandleader James Andrews and the grandson of singer and songwriter Jessie Hill. Other musical family members are cousins Glen David Andrews and the late Travis “Trumpet Black” Hill. Andrews began playing trombone at age four, and since 2009 has toured with his own band, Trombone Shorty & Orleans Avenue.

Mehmet Barış Manço (born Tosun Yusuf Mehmet Barış Manço; 2 January 1943 – 1 February 1999), better known by his stage name Barış Manço, was a Turkish rock musician, singer, songwriter, composer, actor, television producer and show host. Beginning his musical career while attending Galatasaray High School, he was a pioneer of rock music in Turkey and one of the founders of the Anatolian rock genre. Manço composed around 200 songs and is among the best-selling and most awarded Turkish artists to date. Many of his songs were translated into a variety of languages including English, French, Japanese, Greek, Italian, Bulgarian, Romanian, Persian, Hebrew, Urdu, Arabic, and German, among others.^[4]Through his TV program, 7’den 77’ye (“From 7 to 77”), Manço traveled the world and visited many countries on the globe.^[5] He remains one of the most popular public figures of Turkey.

Hisao Oma “Isao” Suzuki (鈴木 勲, Suzuki Isao, born January 2, 1933 in Tokyo) is a Japanese jazz double-bassist.

Suzuki learned to play bass on United States military bases, and played early in his career with Shotaru Mariyasu, Hidehiko Matsumoto, and Sadao Watanabe. He led his own ensemble in Tokyo from 1965-1969, also playing with Hampton Hawes in 1968. He moved to New York City from 1969 to 1971, playing with Ron Carter, Paul Desmond, Ella Fitzgerald, Jim Hall, Wynton Kelly, Charles Mingus, Thelonious Monk, and Bobby Timmons. Returning to Japan, he played with Kenny Burrell and Mal Waldron in addition to his own ensembles. Later in the 1970s he began expanding his instrumental repertoire, playing cello and piccolo bass. He was a cofounder of the Japanese Bass Players Club with Hideto Kanai, and opened a jazz club in Osaka in 1987.

Frank L. Marocco (January 2, 1931 – March 3, 2012) was an American piano-accordionist, arranger and composer. He was recognized as one of the most recorded accordionists in the world.

Born in Joliet, Illinois Frank Marocco grew up in Waukegan, near Chicago. At the age of seven years, his parents enrolled him in a six-week beginner class for learning to play the accordion.

Nick Fatool (January 2, 1915 – September 26, 2000) was an American jazz drummer.

Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes‘s band in 1937 and Don Beston‘s in Dallas soon after. In 1939 he played with Bobby Hackett briefly, and then became a member of the Benny Goodman Orchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943 he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong(1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby’s Bobcats into the 1970s.

mick will perform his Roots version of I Fought the Law/Dirty Old Town and a Wailing Souls tune

The South Celestial Pole is easy to spot in star trail images of the southern sky. The extension of Earth’s axis of rotation to the south, it’s at the center of all the southern star trail arcs. In this starry panoramastreching about 60 degrees across deep southern skies the South Celestial Pole is somewhere near the middle though, flanked by bright galaxies and southern celestial gems. Across the top of the frame are the stars and nebulae along the plane of our own Milky Way Galaxy. Gamma Crucis, a yellowish giant star heads the Southern Cross near top center, with the dark expanse of the Coalsack nebula tucked under the cross arm on the left. Eta Carinae and the reddish glow of the Great Carina Nebula shine along the galactic plane near the right edge. At the bottom are the Large and Small Magellanic clouds, external galaxies in their own right and satellites of the mighty Milky Way. A line from Gamma Crucis through the blue star at the bottom of the southern cross, Alpha Crucis, points toward the South Celestial Pole, but where exactly is it? Just look for south pole star Sigma Octantis. Analog to Polaris the north pole star, Sigma Octantis is little over one degree fom the the South Celestial pole.

Omar Hakim (born February 12, 1959) is an American jazz, jazz fusion and pop music drummer, producer, arranger and composer. He has worked with Weather Report, David Bowie, Foo Fighters, Sting, Madonna, Dire Straits, Journey, Kate Bush, George Benson, Miles Davis, Daft Punk, Mariah Carey, and Celine Dion.

Hakim was born in New York City on February 12, 1959. His father, Hasaan Hakim, was a trombonist. Omar started playing the drums at the age of five, and first performed in his father’s band four or five years later.

Hakim first came to major attention backing Carly Simon in 1980, and joined Weather Report in 1982. He played drums on David Bowie‘s 1983 album Let’s Dance, as well as the follow-up, Tonight, in 1984. Bowie described Hakim as “a fascinating drummer, with impeccable timing” and “always fresh in his approach”.

In the mid-1980s, Hakim joined Dire Straits as drummer while recording their fifth album Brothers in Arms. Hakim temporarily replaced the band’s then-permanent drummer Terry Williams, when his performance was felt to be unsuitable for the desired sound of the album after most of the album tracks had been recorded. Hakim re-recorded all the drum tracks on the album in two days and then left for other commitments. Hakim and Williams are both credited on the album. Hakim was also part of the band for Sting‘s album The Dream of the Blue Turtles.

Seydou Koné (French pronunciation: ​[sɛdu kɔne]; born January 1, 1953 in Dimbokro, N’Zi Region), better known by his stage name Alpha Blondy, is an Ivorian reggae singer and international recording artist. Many of his songs are politically and socially motivated, and are mainly sung in his native language of Dioula, French and in English, though he occasionally uses other languages, for example, Arabic or Hebrew.

After various TV shows for Kassi, Blondy recorded his first solo album in 1982, entitled Jah Glory. This album was to have enormous success and would become later a symbol of resistance because of the song “Brigadier Sabari,” which documents his experience of being arrested in Abidjan in the 1980s and his subsequent mistreatment by the police. Alpha Blondy became a big star in Abidjan with his African twist of Reggae music, becoming in the eyes of his fans “the Bob Marley of Africa”. Alpha Blondy is spiritual, political and positive just like Marley himself, and recorded a cover of Bob Marley’s song “War“. In order to reach more people with his message, he chose to sing in many languages: English; French; Baoulé, and his native language – Dioula.Later, he also brought new instrumentation to his brand of reggae such as the violin and cello.

Soon, the fame of Alpha Blondy spread to Europe. Following the success of an EP entitled Rasta Poué, he went to Paris in 1984 to make his second album, Cocody Rock, with the label Pathe Marconi. The “Bob Marley of Africa” travelled to the island of Jamaica and recorded the title track of this album with Marley’s backing group, The Wailers.

Back home in 1985, Blondy went into the studio to record “Apartheid is Nazism“, a call for the end of apartheid. In 1986, he recorded “Jerusalem” at Tuff Gong studios in Jamaica, again with The Wailers featuring legendary Aston “Family Man” Barrett. Blondy tried to promote unity between the religion of Islam, Judaism and Christianity. He drew his arguments and inspiration from his own diverse knowledge of the Bible, the Quran, and the Torah. That same year, he sang in Hebrew during a concert in Morocco. At this point, he was continuously touring. His new album Revolutionhad a lighter, gentler sound; this album featured cellos in the instrumentation, and the line-up included veteran Ivory Coast singer Aicha Kone. The album also included “Jah Houphouët parle”, a long speech by Ivory Coast president Félix Houphouët-Boigny with only the most minimal beat behind it.

Joseph Allen “Country Joe” McDonald (born January 1, 1942) is an American musician who was the lead singer of the 1960s psychedelic rockgroup Country Joe and the Fish.^[

McDonald was born in Washington, D.C., and grew up in El Monte, California, where he was student conductor and president of his high school marching band. At the age of 17, he enlisted in the United States Navy for three years and was stationed in Japan. After his enlistment, he attended Los Angeles City College for a year. In the early 1960s, he began busking on Telegraph Avenue in Berkeley, California. His father, Worden McDonald, from Oklahoma, was of Scottish Presbyterian heritage (the son of a minister) and worked for a telephone company. His mother, Florence Plotnick, was the daughter of Russian Jewish immigrants and served for many years on the Berkeley City Council. In their youth, both were Communist Party members before renouncing the cause, and named their son after Joseph Stalin.

McDonald has recorded 33 albums and has written hundreds of songs over a career spanning 60 years. In 1965, he and Barry Melton co-founded Country Joe & the Fish which became a pioneer psychedelic rock band with their eclectic performances at the Avalon Ballroom, the FillmoreAuditorium, the 1967 Monterey Pop Festival, and both the 1969 original and 1979 reunion Woodstock Festivals.

Milton “Bags” Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.

A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. He preferred to set the vibraphone‘s oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton‘s speed of 10 revolutions per second) for a more subtle tremolo. On occasion, Jackson sang and played piano professionally.

Jackson was born on January 1, 1923 in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: “Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music” (quoted in Nat Hentoff’s liner notes to Plenty, Plenty Soul). He started on guitar when he was seven, then on piano at 11.