mick laBriola

The featured galaxy is labelled UGC 1810 by itself, but together with its collisional partner is known as Arp 273. The overall shape of UGC 1810 — in particular its blue outer ring — is likely a result of wild and violent gravitational interactions. This ring’s blue color is caused by massive stars that are blue hot and have formed only in the past few million years. The inner galaxy appears older, redder, and threaded with cool filamentary dust. A few bright stars appear well in the foreground, unrelated to UGC 1810, while several galaxies are visible well in the background. Arp 273 lies about 300 million light years away toward the constellation of Andromeda. Quite likely, UGC 1810 will devour its galactic sidekickover the next billion years and settle into a classic spiral form.

Esperanza Emily Spalding (born October 18, 1984 Portland.OR) is an American jazz bassist, singer, songwriter, and composer. Her accolades include four Grammy Awards, a Boston Music Award, and a Soul Train Music Award.

A native of Portland, Oregon, Spalding began playing music professionally in her childhood, performing as a violinist in the Chamber Music Society of Oregon at age five. She was later both self-taught and trained on a number of instruments, including guitar and bass. Her proficiency earned her academic scholarships to Portland State University and the Berklee College of Music, both of which she attended, studying music.

Spalding released her first album, Junjo, in 2006 on the Spanish label Avya Musica, after which she signed with the independent American label Heads Up, who released her 2007 self-titled album. Her third studio album, Chamber Music Society (2010), was a commercial success, charting at number 34 on the Billboard 200, and resulting in Spalding winning her first Grammy Award for Best New Artist; Spalding was the first jazz artist to win in this category.^[2] She saw further acclaim for her fourth release, Radio Music Society (2012), which earned the Grammy for Best Jazz Vocal Album, as well as the track “City of Roses” winning for Best Arrangement, Instrument and Vocals.

After spending the following several years performing as a supporting band player, Spalding released her fifth studio album, a funk rock-inspired concept album titled Emily’s D+Evolution, co-produced by Tony Visconti, on Concord Records. The following year, she released the album Exposure, which was limited to 7,777 copies. Her subsequent sixth studio record, 12 Little Spells, was released in 2019, and peaked at number one on Billboard’s Top Jazz Albums. The album also saw Spalding nominated for two Grammy Awards, winning in the Best Jazz Vocal Album category.

In addition to writing and performing music, Spalding has also worked as an instructor, first at the Berklee College of Music, beginning at age 20. In 2017, Spalding was appointed professor of the Practice of Music at Harvard University. In 2018, Spalding received an honorary doctorate of music from her alma mater, Berklee College of Music, and served as commencement speaker at the ceremony.

Laura Nyro (/ˈnɪəroʊ/ NEER-oh; born Laura Nigro, October 18, 1947 – April 8, 1997 NY, NY) was an American songwriter, singer, and pianist. She achieved critical acclaim with her own recordings, particularly the albums Eli and the Thirteenth Confession (1968) and New York Tendaberry(1969), and had commercial success with artists such as Barbra Streisand and The 5th Dimension recording her songs. Her style was a hybrid of Brill Building-style New York pop, jazz, rhythm and blues, show tunes, rock, and soul. She was praised for her strong emotive vocal style and 3-octave mezzo-soprano vocal range.

Between 1968 and 1970, a number of artists had hits with her songs: The 5th Dimension with “Blowing Away“, “Wedding Bell Blues“, “Stoned Soul Picnic“, “Sweet Blindness“, and “Save the Country“; Blood, Sweat & Tears and Peter, Paul and Mary, with “And When I Die“; Three Dog Night and Maynard Ferguson, with “Eli’s Comin’“; and Barbra Streisand with “Stoney End“, “Time and Love”, and “Hands off the Man (Flim Flam Man)”. Nyro’s best-selling single was her recording of Carole King‘s and Gerry Goffin‘s “Up on the Roof“. She died of ovarian cancer in Danbury, Connecticut, on April 8, 1997, at 49, the same age at which her mother died. Her ashes were scattered beneath a maple tree on the grounds of her house in Danbury

Nyro was posthumously inducted into the Songwriters Hall of Fame in 2010, and into the Rock and Roll Hall of Fame in 2012.

Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, teacher, and artistic director of Jazz at Lincoln Center. He has promoted classical and jazz music, often to young audiences. Marsalis has won at least nine Grammy Awards, and his Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. He is the only musician to win a Grammy Award in jazz and classical during the same year.

Marsalis was born in New Orleans, Louisiana, on October 18, 1961 and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher. He was named for jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokingly suggested that he might as well get Wynton a trumpet, too. Hirt volunteered to give him one, so at the age of six Marsalis received his first trumpet.

Although he owned a trumpet when he was six, he didn’t practice much until he was 12. He attended Benjamin Franklin High School and the New Orleans Center for Creative Arts. He studied classical music at school and jazz at home with his father. He played in funk bands and a marching band led by Danny Barker. He performed on trumpet publicly as the only black musician in the New Orleans Civic Orchestra. After winning a music contest at fourteen, he performed a trumpet concerto by Joseph Haydn with the New Orleans Philharmonic. Two years later he performed Brandenburg Concerto No. 2 in F Major by Bach. At seventeen, he was the youngest musician admitted to Tanglewood Music Center.

Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017 St Louis. MO) was an American singer and songwriter, and one of the pioneers of rock and roll music. Nicknamed the “Father of Rock and Roll“, Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as “Maybellene” (1955), “Roll Over Beethoven” (1956), “Rock and Roll Music” (1957) and “Johnny B. Goode” (1958).Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded “Maybellene”—Berry’s adaptation of the country song “Ida Red“—which sold over a million copies, reaching number one on Billboard magazine’s rhythm and blues chart.

By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry’s Club Bandstand. He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines. After his release in 1963, Berry had several more hits, including “No Particular Place to Go“, “You Never Can Tell“, and “Nadine“. But these did not achieve the same success, or lasting impact, of his 1950s songs, and by the 1970s he was more in demand as a nostalgic performer, playing his past hits with local backup bands of variable quality. In 1972 he reached a new level of achievement when a rendition of “My Ding-a-Ling” became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having “laid the groundwork for not only a rock and roll sound but a rock and roll stance.” Berry is included in several of Rolling Stone magazine’s “greatest of all time” lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll includes three of Berry’s: “Johnny B. Goode”, “Maybellene”, and “Rock and Roll Music”. Berry’s “Johnny B. Goode” is the only rock-and-roll song included on the Voyager Golden Record.

These clouds of gas and dust drift through rich star fields along the plane of our Milky Way Galaxy toward the high flying constellation Cygnus. Caught within the telescopic field of view are the Soap Bubble(lower left) and the Crescent Nebula (upper right). Both were formed at a final phase in the life of a star. Also known as NGC 6888, the Crescent was shaped as its bright, central massive Wolf-Rayet star, WR 136, shed its outer envelope in a strong stellar wind. Burning through fuel at a prodigious rate, WR 136 is near the end of a short life that should finish in a spectacular supernova explosion. Discovered in 2013, the Soap Bubble Nebula is likely a planetary nebula, the final shroud of a lower mass, long-lived, sun-like star destined to become a slowly cooling white dwarf. Both stellar shrouds are 5,000 light-years or so distant. The larger Crescent Nebula is around 25 light-years across.

Emmanuel “Rico” Rodriguez MBE (17 October 1934 – 4 September 2015), also known as Rico, Reco or El Reco, was a Cuban-born Jamaican skaand reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with The Members, The Specials, Jools Holland, and Paul Young.

Rodriguez was born in Havana, Cuba, and at an early age moved with his family to Jamaica. He grew up there in Kingston, and was taught to play the trombone by his slightly older schoolmate Don Drummond at the Alpha Boys School. In the 1950s, Rodriguez became a Rastafarian and was closely associated musically to the rasta drummer Count Ossie.

In 1961 Rodriguez moved to the UK, where he joined live bands such as Georgie Fame‘s Blue Flames and started to play in reggae bands.^[5]Rodriguez also began recording with his own band, Rico’s All Stars, and later formed the group Rico and the Rudies, recording the 1969 albums Blow Your Horn and Brixton Cat. In 1976 he recorded the album Man from Wareika under a contract with Island Records. In the late 1970s, he recorded a song called Offshore Banking Business with The Members and with the arrival of the 2 Tone genre, he played with ska revival bands such as The Specials including their single “A Message to You, Rudy“.

Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Noted in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.

He was Jewish. Kessel began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&Mband, Hal Price & the Varsitonians. The band members nicknamed him “Fruitcake” because he practiced up to 16 hours a day.

In the early 1940s he moved to Los Angeles, where for one year he was a member of the Chico Marx big band. He appeared in the film Jammin’ the Blues, which featured Lester Young. Soon after, he played in the bands of Charlie Barnet and Artie Shaw. During the day, he worked as a studio musician and at night played jazz in clubs. In 1947 he recorded with Charlie Parker. He worked in Jazz at the Philharmonic and for one year in the early 1950s he was a member of the Oscar Peterson trio. After leaving the trio, he recorded several solo albums for Contemporary. He recorded a series of albums with Ray Brown and Shelly Manne as The Poll Winners because the three of them often won polls conducted by Metronome and DownBeat magazines. He was the guitarist on the album Julie Is Her Name (1955) by Julie London, which includes the standard “Cry Me a River,” which sold a million copies and demonstrated Kessel’s chordal approach to guitar.

https://www.youtube.com/watch?v=YovfrsCML48

Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the compositions he penned for the film Black Orpheus.

Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He studied in Rio with Uruguayan classical guitarist Isaías Sávio from the age of 11. These weekly lessons entailed a long, harsh commute by train (2 1/2 hours one way) and on foot from his family home in Santa Cruz, the western rural outskirts of Rio de Janeiro to the teacher’s home in the hills of Santa Teresa. Given Bonfá’s extraordinary dedication and talent for the guitar, Sávio excused the youngster’s inability to pay for his lessons.

William Randolph “Cozy” Cole (October 17, 1909 – January 9, 1981) was an American jazz drummer who had hits with the songs “Topsy I” and “Topsy II“. “Topsy II” peaked at No. 3 on the Billboard Hot 100, and at No. 1 on the R&B chart. It sold over one million copies and was awarded a gold disc. The track peaked at No. 29 in the UK Singles Chart in 1958. The recording contained a long drum solo and was one of the few drum solo recordings to make the charts at Billboard magazine. The single was issued by Love Records, a small record label in Brooklyn, New York. Cole’s song “Turvy II” reached No. 36 in 1959.

William Randolph Cole was born in 1909 in East Orange, New Jersey. His first music job was with Wilbur Sweatman in 1928. In 1930 he played for Jelly Roll Morton‘s Red Hot Peppers, recording an early drum solo on “Load of Cole”. He spent 1931–33 with Blanche Calloway, 1933–34 with Benny Carter, 1935–36 with Willie Bryant, 1936–38 with Stuff Smith‘s small combo, and 1938–42 with Cab Calloway. In 1942, he was hired by CBS Radio music director Raymond Scott as part of network radio’s first mixed-race orchestra. After that he played with Louis Armstrong’s All Stars.

Cole performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the famed ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.

mick will perform classics from the Maroons repertoire.

Planetary nebula Abell 78 stands out in this colorful telescopic skyscape. In fact the colors of the spiky Milky Way stars depend on their surface temperatures, both cooler (yellowish) and hotter (bluish) than the Sun. But Abell 78 shines by the characteristic emission of ionized atoms in the tenuous shroud of material shrugged off from an intensely hot central star. The atoms are ionized, their electrons stripped away, by the central star’s energetic but otherwise invisible ultraviolet light. The visible blue-green glow of loops and filaments in the nebula’s central region corresponds to emission from doubly ionized oxygen atoms, surrounded by strong red emission from ionized hydrogen. Some 5,000 light-years distant toward the constellation Cygnus, Abell 78 is about three light-years across. A planetary nebula like Abell 78 represents a very brief final phase in stellar evolution that our own Sun will experience … in about 5 billion years.

Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz trumpeter. He won worldwide notice after winning two Grammy Awards for differing types of music in 1997 and in 2002. Hargrove primarily played in the hard bop style for the majority of his albums, especially performing jazz standards on his 1990s albums.

Hargrove was the bandleader of the progressive group the RH Factor, which combined elements of jazz, funk, hip-hop, soul, and gospel music. Its members have included Chalmers “Spanky” Alford, Pino Palladino, James Poyser, Jonathan Batiste, and Bernard Wright. His longtime manager was Larry Clothier.

Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons on trumpet and was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas. One of his most profound early influences was a visit to his junior high school by saxophonist David “Fathead” Newman, who performed as a sideman in Ray Charles‘s Band.

Robert Hall Weir (/wɪər/ WEER; né Parber, born October 16, 1947 San Francisco, CA) is an American musician and songwriter best known as a founding member of the rock band Grateful Dead. After the Grateful Dead disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and Furthur, which he co-led with former Grateful Dead bassist Phil Lesh. In 2015, Weir, along with former Grateful Dead members Mickey Hart and Bill Kreutzmann, joined with Grammy-winning singer/guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti to form the band Dead & Company. The band remains active.

During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang many of the band’s rock-n-roll and country & western songs. In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.