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Lalgudi Gopala Iyer Jayaraman (17 September 1930 – 22 April 2013) was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin-trinity of Carnatic Music. He was awarded Padma Bhushan by the Government of India in 2001.

His disciples included his two children Lalgudi G. J. R. Krishnan, Lalgudi Vijayalakshmi, his sister Lalgudi Srimathi Brahmanandam, renowned musician S P Ramh (grandson of Shri. G.N. Dandapani Iyer), renowned Harikatha exponent Vishaka Hari, leading carnatic vocalist Saketharaman, Vittal Ramamurthy, Dr. N. Shashidhar, Film Music Composer Girishh G, Padma Shankar, Kanchan Chandran, Raghuram Hosahalli, Srinivasamurthy, Pakkala Ramdas, Sankari Krishnan, Yamini Ramesh, Mumbai Shilpa, Shreya Devnath, Krithika Natarajan, Salem Sisters, Arushi Ramesh, the leading Vainika Srikanth Chary and the Academy Award-nominated Bombay Jayashri Ramnath.

Earl Charles Barrington May (September 17, 1927 – January 4, 2008) was an American jazz bassist. He was “one of the most prodigious and prolific bassists of the postwar era”.

May was born in New York City on September 17, 1927. As a child, he played the drums, and changed to the acoustic bass at the age of 14. He “played left-handed on an instrument strung for a right-handed player”.

Until 1951, May had a job in insurance while playing in clubs at night. During this period, he played with Miles Davis, Lester Young, Gene Ammons, Sonny Stitt, and Mercer Ellington. He was also taught by Charles Mingus in the early 1950s. Through most of the 1950s he played in a trio with Billy Taylor, and also worked in the late 1950s with John Coltrane and Chet Baker.

From 1959 to 1963 he played behind vocalist Gloria Lynne, and in the 1960s he also worked with Dave McKenna, Herman Foster, Shirley Scott, Stanley Turrentine, Herbie Mann, Mose Allison, and Earl Hines. In the early 1970s he began playing electric bass in addition to the double-bass, and played in that decade with Dizzy Gillespie, Johnny Hartman, Joe Newman, Archie Shepp, Frank Foster, Mickey Tucker, and Ruby Braff.

Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as “Brother” Jack McDuff or “Captain” Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.

Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell’s group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson’s group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukeson drums.

Hiram “Hank” Williams (September 17, 1923 – January 1, 1953 Butler County, AL) was an American singer-songwriter and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century,^[7][8] Williams recorded 35 singles (five released posthumously) that reached the Top 10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one (three posthumously).

Born in Mount Olive, Butler County, Alabama, Williams relocated to Georgiana with his family, where he met Rufus Payne, an African American bluesmusician, who gave him guitar lessons in exchange for meals or money. Payne had a major influence on Williams’ later musical style, along with Roy Acuff and Ernest Tubb. Williams would later relocate to Montgomery, where he began his music career in 1937, when producers at radio station WSFA hired him to perform and host a 15-minute program. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career.

When several of his band members were conscripted into military service during World War II, Williams had trouble with their replacements, and WSFA terminated his contract because of his alcohol abuse. Williams eventually married Audrey Sheppard, who was his manager for nearly a decade. After recording “Never Again” and “Honky Tonkin'” with Sterling Records, he signed a contract with MGM Records. In 1947, he released “Move It on Over“, which became a hit, and also joined the Louisiana Hayride radio program.

One year later, he released a cover of “Lovesick Blues” recorded at Herzog Studio in Cincinnati, which carried him into the mainstream of music. After an initial rejection, Williams joined the Grand Ole Opry. He was unable to read or notate music to any significant degree. Among the hits he wrote were “Your Cheatin’ Heart“, “Hey, Good Lookin’“, and “I’m So Lonesome I Could Cry“.

Years of back pain, alcoholism and prescription drug abuse severely compromised his health. In 1952 he divorced Sheppard and was dismissed by the Grand Ole Opry because of his unreliability and alcohol abuse. On New Year’s Day 1953, he died suddenly while traveling to a concert in Canton, Ohio, at the age of 29. Despite his brief life, Williams is one of the most celebrated and influential popular musicians of the 20th century, especially in country music.

Many artists covered songs Williams wrote and recorded. He influenced Elvis Presley, Johnny Cash, Chuck Berry, Jerry Lee Lewis, Bob Dylan, George Jones, Charley Pride, and The Rolling Stones, among others. Williams was inducted into the Country Music Hall of Fame (1961), the Songwriters Hall of Fame (1970), and the Rock and Roll Hall of Fame (1987). The Pulitzer Prize jury in 2010 awarded him a posthumous special citation “for his craftsmanship as a songwriter who expressed universal feelings with poignant simplicity and played a pivotal role in transforming country music into a major musical and cultural force in American life.”

Louis Hall Nelson (September 17, 1902 – April 5, 1990) was a New Orleans jazz trombonist.

Louis Nelson was born on September 17, 1902 at 1419-21 Touro Street in New Orleans, Louisiana. His father, Dr. George Harry Nelson, was a medical doctor. Dr. Nelson helped organize the 9th Louisiana Volunteers and served in the Spanish–American War. He was commissioned as first lieutenant. During the war he served in Cuba and also stormed San Juan Hill. His mother, Anna Hattie Adams Nelson, was a teacher and pianist from Springfield, Massachusetts. She was a descendant of runaway slaves from the Eastern Shore of Maryland. She was a graduate of the Boston Conservatory of Music. His mother moved to Louisiana to teach and this is where she met her husband. They had three children: Mary Nelson Welch, George Harry Nelson Jr., and Louis Hall Nelson. Both parents and his sister played the piano and his brother played the saxophone. In December 1902, his parents moved to Napoleonville, Louisiana because his father couldn’t get medical patients after the July 1900 Robert Charles Race Riots in New Orleans.

At the age of fifteen, while living in Napoleonville, Louis Nelson started playing the valve trombone and switched to the slide trombone, studying under Professor Claiborne Williams of Donaldsonville, Louisiana. He credited Professor Claiborne Williams with teaching him the proper way to breathe. Williams also taught him that technique and intuition were far more important than technical skill. Nelson is quoted as saying “I heard a fellow, Lawrence Johnson, playing with a band out of Napoleonville. I said, one day I’m going to play trombone like that man. He had a smooth tone, and gave the notes the full value. That’s why I followed in his footsteps.”

Weekdays, Louis Nelson lived with Reverend Isaac H. Hall in New Orleans, Louisiana. Reverend Hall was a family friend who had raised Nelson’s father. While living there, Nelson attended the Lutheran School on Annette Street and New Orleans University (high school) on Saint Charles Avenue in New Orleans, being graduated in 1919.

This image of M98 was taken in 1995 with Hubble’s Wide Field and Planetary Camera 2. Its stair-step pattern results from the design of the camera. These observations were taken in infrared and visible light and feature a portion of the galaxy near the central core. Although it is a member of the Virgo cluster of galaxies, M98 appears in the neighboring constellation of Coma Berenices. Hubble’s observations of M98 were part of an examination of the cores of galaxies in the Virgo cluster.
M98 contains about a trillion stars as well as an abundance of neutral hydrogen gas and interstellar dust. Because of the high amounts of gas and dust, there are numerous star-forming regions in the galaxy, especially in its nucleus and arms. The nucleus itself is “active,” meaning that the center of the galaxy is more luminous than the rest of the galaxy. M98 is located approximately 44 million light-years away and is traveling toward our Milky Way galaxy.
M98 was discovered in 1781 by Pierre Méchain, a colleague of Charles Messier, and is one of the faintest objects in Messier’s catalog. It has a magnitude of 10.1, and observers will need at least a medium-sized telescope to see M98 well. The best time to observe this galaxy is in May.

Earl Klugh (/kluː/ KLOO; born September 16, 1953) is an American acoustic guitarist and composer.

At the age of six, Klugh commenced training on the piano until he switched to the guitar at the age of ten. At the age of thirteen, Klugh was captivated by the guitar playing of Chet Atkins when Atkins made an appearance on the Perry Como Show. Klugh was a performing guest on several of Atkins’ albums. Atkins, reciprocating as well, joined Earl on his Magic In Your Eyes album. Klugh also appeared with Atkins on several television programs, including Hee Haw and a 1994 TV special entitled “Read my Licks”. Klugh was also influenced by Bob James, Ray Parker Jr, Wes Montgomery and Laurindo Almeida. His sound is a blend of these jazz, pop and rhythm and blues influences, forming a potpourri of sweet contemporary music original to only him.

Klugh’s first recording, at age fifteen, was on Yusef Lateef‘s Suite 16. He played on George Benson‘s White Rabbit album and two years later, in 1973, joined his touring band.

For their album One on One, Klugh and Bob James received a Grammy award for Best Pop Instrumental Performance of 1981. He has since received 12 Grammy nominations, millions of record and CD sales, and continues touring worldwide to this day.

Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.

Byrd played fingerstyle on a classical guitar. Charlie Byrd was born in Suffolk, Virginia, in 1925 and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene “Joe” Byrd, who was a bass player. In 1942 Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943 he was drafted into the United States Army for World War II, saw combat, then was stationed in Paris in 1945 where he played in an Army Special Services band and toured occupied Europe in the all-soldier production G.I. Carmen.

Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, was an American singer-songwriter, guitarist, and record producer. King introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that influenced many later blueselectric guitar players.

King was inducted into the Rock and Roll Hall of Fame in 1987, and is one of the most influential blues musicians of all time, earning the nickname“The King of the Blues”, and is considered one of the “Three Kings of the Blues Guitar” (along with Albert King and Freddie King, none of whom are blood related). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s.In 1956 alone, he appeared at 342 shows.

King was born on a cotton plantation in Itta Bena, Mississippi, and later worked at a cotton gin in Indianola, Mississippi. He was attracted to music and the guitar in church, and began his career in juke joints and local radio. He later lived in Memphis, Tennessee, and Chicago, and as his fame grew, toured the world extensively. King died at the age of 89 in Las Vegas, Nevada, on May 14, 2015. Riley B. King was born on September 16, 1925, on the Berclair cotton plantation near the town of Itta Bena, Mississippi, the son of sharecroppers Albert and Nora Ella King. He considered the nearby city of Indianola, Mississippi to be his home. When King was four years old, his mother left his father for another man, so he was raised by his maternal grandmother, Elnora Farr, in Kilmichael, Mississippi.

Madurai Shanmukhavadivu Subbulakshmi (16 September 1916 – 11 December 2004) was an Indian Carnatic singer from Madurai, Tamil Nadu. She was the first musician ever to be awarded the Bharat Ratna, India’s highest civilian honour. She is the first Indian musician to receive the Ramon Magsaysay award, often considered Asia’s Nobel Prize, in 1974 with the citation reading “Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the carnatic tradition of South India. She was the First Indian who performed in United Nations General Assembly in 1966.”

Subbulakshmi (Kunjamma to her family) was born on 16 September 1916 in Madurai, Madras Presidency, India to veena player Shanmukavadiver Ammal and Subramania Iyer. Her grandmother Akkammal was a violinist.

She started learning Carnatic music at an early age and trained in Carnatic music under the tutelage of Semmangudi Srinivasa Iyer and subsequently in Hindustani music under Pandit Narayanrao Vyas.

Arp 273 is a pair of interacting galaxies, 300 million light years away in the constellation Andromeda. It was first described in the Atlas of Peculiar Galaxies, compiled by Halton Arp in 1966. The larger of the spiral galaxies, known as UGC 1810, is about five times more massive than the smaller galaxy. It has a disc that is tidally distorted into a rose-like shape by the gravitational pull of the companion galaxy below it, known as UGC 1813. The smaller galaxy shows distinct signs of active star formation at its nucleus, and “it is thought that the smaller galaxy has actually passed through the larger one.”

Julian Edwin “Cannonball” Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.

Adderley is remembered for his 1966 soul jazz single “Mercy, Mercy, Mercy“, written by Joe Zawinul and also a major crossover hit on the pop charts (it was covered by the Buckinghams). He worked with trumpeter Miles Davis, on his own 1958 Somethin’ Else album, and on the seminal Davis records Milestones (1958) and Kind of Blue (1959). He was the elder brother of jazz trumpeter Nat Adderley, a longtime member of his band.

Originally from Tampa, Florida, Adderley moved to New York in 1955. His nickname derived from “cannibal”, a title imposed on him by high school colleagues as a tribute to his voracious appetite.

Cannonball moved to Tallahassee, when his parents obtained teaching positions at Florida A&M University. Both Cannonball and brother Nat played with Ray Charles when Charles lived in Tallahassee during the early 1940s. Adderley moved to Broward County, Florida, in 1948 after finishing his music studies at Florida A&M and became the band director at Dillard High School in Fort Lauderdale, a position which he held until 1950.

Cannonball left Southeast Florida and moved to New York City in 1955. One of his known addresses in New York was in the neighborhood of Corona, Queens. He left Florida originally to seek graduate studies at New York conservatories, but one night in 1955 he brought his saxophone with him to the Café Bohemia. Cannonball was asked to sit in with Oscar Pettiford in place of his band’s regular saxophonist, who was late for the gig. The “buzz” on the New York jazz scene after Adderley’s performance announced him as the heir to the mantle of Charlie Parker.

Adderley formed his own group with his brother Nat after signing onto the Savoy jazz label in 1957. He was noticed by Miles Davis, and it was because of his blues-rooted alto saxophone that Davis asked him to play with his group. He joined the Davis band in October 1957, three months prior to the return of John Coltrane to the group. Some of Davis’s finest trumpet work can be found on Adderley’s solo album Somethin’ Else (also featuring Art Blakey and Hank Jones), which was recorded shortly after the two giants met. Adderley then played on the seminal Davis records Milestones and Kind of Blue. This period also overlapped with pianist Bill Evans‘ time with the sextet, an association that led to recording Portrait of Cannonball and Know What I Mean?.

Roger “Ram” Ramirez (September 15, 1913 – 11 January 1994) was an American jazz pianist and composer. He was a co-writer of the song “Lover Man (Oh, Where Can You Be?)”

Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Ramirez’s first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band.

https://www.youtube.com/watch?v=QHPhCWIKcO0

Arvell Shaw (September 15, 1923, St. Louis, Missouri – December 5, 2002, Roosevelt, New York) was an American jazz double-bassist, best known for his work with Louis Armstrong.

Shaw learned to play tuba in high school, but switched to bass soon after. In 1942 he worked with Fate Marable on riverboats traveling on the Mississippi River, then served in the Navy from 1942 to 1945. After his discharge he played with Armstrong in his last big band, from 1945 to 1947. Shaw and Sid Catlett then joined the Louis Armstrong All-Stars until 1950, when Shaw broke off to study music. He returned to play with Armstrong from 1952 to 1956, and performed in the 1956 musical High Society.

Shaw performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the famed ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brownand his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.^[1][2]

Following this he worked at CBS with Russ Case, did time in Teddy Wilson‘s trio, and played with Benny Goodman at the 1958 Brussels World’s Fair. After a few years in Europe, he played again with Goodman on a tour of Central America in 1962. From 1962–64 Shaw played again with Armstrong, and occasionally accompanied him through the end of the 1960s. After the 1960s Shaw mostly freelanced in New York and kept playing until his death. He recorded only once as a leader, a live concert from 1991 of his Satchmo Legacy Band.