mick laBriola

Stewart Armstrong Copeland (born July 16, 1952) is an American musician and composer. He is best known for his work as the drummer of the English rock band the Police from 1977 to 1986, and again from 2007 to 2008. Before playing with the Police, he played drums with English rock band Curved Air from 1975 to 1976. As a composer, his work includes the films Wall Street (1987), Men at Work (1990), Good Burger(1997), and We Are Your Friends (2015); the television shows The Equalizer (1985–1989), The Amanda Show (1999–2002), and Dead Like Me (2003–2004); and video games such as the Spyro series (1998–present) and Alone in the Dark: The New Nightmare (2001). He has also written various pieces of ballet, opera, and orchestral music.

According to MusicRadar, Copeland’s “distinctive drum sound and uniqueness of style has made him one of the most popular drummers to ever get behind a drumset”. He was ranked the 10th best drummer of all time by Rolling Stone in 2016. He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003, the Modern Drummer Hall of Fame in 2005, and the Classic Drummer Hall of Fame in 2013.

June 16th 1934 Little Caesar [Carl Burnett], American pop and R&B vocalist (Little Caesar & the Romans – “Those Oldies but Goodies (Remind Me of You)”), born in the USA.

Eli “Lucky” Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop.Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson (along with Steve Lacy) embraced the instrument earlier than Coltrane. Thompson was born in Columbia, South Carolina, and moved to Detroit, Michigan, during his childhood.

After playing with the swing orchestras of Lionel Hampton, Don Redman, Billy Eckstine (alongside Dizzy Gillespie and Charlie Parker), Lucky Millinder, and Count Basie, he worked in rhythm and blues and then established a career in bebop and hard bop, working with Kenny Clarke, Miles Davis, Gillespie and Milt Jackson.

Nasheet Waits is an American jazz drummer.

Waits is a New York native who has been active on the jazz scene since early in his life. His father, percussionist Freddie Waits, died when Waits was 18.

Before pursuing a music career, Waits studied psychology and history at Morehouse College in Atlanta. He also holds a degree from Long Island University in music. While he was studying at L.I.U, instructor Michael Carvin secured Waits a spot in the percussion ensemble M’Boom, started by his father (Freddie Waits) and drummer Max Roach in 1970.

Waits’s longstanding projects include Jason Moran & The Bandwagon, a trio with Moran, Waits, and Tarus Mateen; Tarbaby, a trio with Eric Revis and Orrin Evans; and his band Equality.

Erroll Louis Garner (June 15, 1921 – January 2, 1977) was an American jazzpianist and composer known for his swing playing and ballads. His instrumental ballad “Misty“, his best-known composition, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra, and played a prominent part in the 1971 motion picture Play Misty for Me.

Scott Yanow of Allmusic calls him “one of the most distinctive of all pianists” and a “brilliant virtuoso”. Garner received a star on the Hollywood Walk of Fame at 6363 Hollywood Boulevard. His live album Concert by the Sea first released in 1955, sold more than 1 million copies by 1958, and Yanow’s opinion on the album is that it “made such a strong impression that Garner was considered immortal from then on.” Garner was born, along with twin brother Ernest in Pittsburgh, Pennsylvania on June 15, 1921.

John Arthur “Jaki” Byard  June 15, 1922 – February 11, 1999) was an American jazz multi-instrumentalist, composer, and arranger. Mainly a pianist, he also played tenor and alto saxophones, among several other instruments. He was known for his eclectic style, incorporating everything from ragtime and stride to free jazz.

Byard played with trumpeter Maynard Ferguson in the late 1950s and early 1960s, and was a member of bands led by bassist Charles Mingus for several years, including on several studio and concert recordings. The first of his recordings as a leader was in 1960, but, despite being praised by critics, his albums and performances did not gain him much wider attention. In his 60-year career, Byard recorded at least 35 albums as leader, and more than 50 as a sideman. Byard’s influence on the music comes from his combining of musical styles during performance, and his parallel career in teaching.

From 1969 Byard was heavily involved in jazz education: he began teaching at the New England Conservatory of Music and went on to work at several other music institutions, as well as having private students. He continued performing and recording, mainly in solo and small group settings, but he also led two big bands – one made up of some of his students, and the other of professional musicians. His death, from a single gunshot while in his home, remains an unsolved mystery. Byard was born in Worcester, Massachusetts, on June 15, 1922.

Friday June 14th 6pm with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick LaBriola.

Jules Shungu Wembadio Pene Kikumba (14 June 1949 – 24 April 2016), known professionally as Papa Wemba (French pronunciation: [papa wɛmba]), was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo.Dubbed the “King of Rumba Rock”, he was one of the most popular musicians of his time in Africa and played an important role in world music. He was also a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages throughout the world.

Papa Wemba’s road to fame and prominence began when he joined the music group Zaiko Langa Langa in the late 1960s. This was followed by his success as a founding member both of Isifi Lokole and then Yoka Lokole, along with a short stint as a member of Afrisa International for a few months. During these early stages of his career, he was establishing a style that included traditional Congolese rumba and soukous, infused with traditional African sounds, Caribbean rhythms, rock and soul. But Wemba gained international success and status with his band Viva La Musica, especially after he took them to Paris, France in the early 1980s. It was there that Wemba was able to achieve more of an “eclectic sound” in his work, influenced by western popular music that reflected a European flavor and style, referred to as “Europop.

William Henry Marcus Miller Jr. (born June 14, 1959) is an American musician, songwriter, and record producer. He has worked with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonists Wayne Shorter and David Sanborn, among others. He was the main songwriter and producer on three of Davis’ albums: Tutu (1986), Music from Siesta (1987), and Amandla(1989). His collaboration with Vandross was especially close; he co-produced and served as the arranger for most of Vandross’ albums, and he and Vandross co-wrote many of Vandross’ songs, including the hits “I Really Didn’t Mean It“, “Any Love“, “Power of Love/Love Power” and “Don’t Want to Be a Fool“. He also co-wrote the 1988 single “Da Butt” for Experience Unlimited.

William Henry Marcus Miller Jr. was born in the Brooklyn borough of New York City on June 14, 1959. He grew up in a musical family; his father, William Miller, was a church organist and choir director. Through his father, he is the cousin of jazz pianist Wynton Kelly. He became classically trained as a clarinetist and later learned to play keyboards, saxophone, and guitar.

Kenny Drew Jr. (June 14, 1958 – August 3, 2014) was an American jazz pianist. His music is known for its hard-swinging bluesy sound and large, two-handed rooty chords contrasting with fast runs. The son of jazz pianist Kenny Drew, he did not credit his father as an influence.

His initial study was in classical music with his aunt and grandmother. In his teens he became interested in jazz and pop, but initially worked in funk bands. Later he went into jazz piano and in 1990 won The Great American Jazz Piano Competition in Jacksonville, Florida. Drew continued to perform jazz, but he also performed some chamber music. His style has some similarities to his father’s, but is different enough to generally avoid comparison; he was considered the more eclectic of the two men.