mick laBriola

Friday August 16th 6pm Accompaniment for Erev Shabbat Service with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Peter Whitman and mick laBriola.

Eddie Kirkland (August 16, 1923 – February 27, 2011 Kingston, JA) was an American electric blues guitarist, harmonicist, singer, and songwriter.

Kirkland, known as the “Gypsy of the Blues” for his rigorous touring schedules, played and toured with John Lee Hooker from 1949 to 1962. After his period of working in tandem with Hooker he pursued a successful solo career, recording for RPM Records, Fortune Records, Volt Records, and King Records, sometimes under the stage name Eddie Kirk. Kirkland continued to tour, write and record albums until his death in February 2011. His last performance, the night before his death, was at Dunedin Brewery, Florida.

Malcolm Earl “Mal” Waldron (August 16, 1925 – December 2, 2002 NY,NY) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron’s period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, “Soul Eyes“, for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday‘s regular accompanist from April 1957 until her death in July 1959.

A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internationally until his death.

In his 50-year career, Waldron recorded more than 100 albums under his own name and more than 70 for other band leaders. He also wrote for modern ballet, and composed the scores of several feature films. As a pianist, Waldron’s roots lay chiefly in the hard bop and post-bop genres of the New York club scene of the 1950s, but with time he gravitated more towards free jazz. He is known for his dissonant chord voicings and distinctive later playing style, which featured repetition of notes and motifs.

Carl Perkins (August 16, 1928 – March 17, 1958) was an American jazz pianist.

Perkins was born in Indianapolis but worked mainly in Los Angeles. He is best remembered for his performances with the Curtis Counce Quintet, which also featured Harold Land, Jack Sheldon and drummer Frank Butler. He also performed with Tiny Bradshaw, Big Jay McNeely in 1948–49, and played dates with Miles Davis in 1950. Following a short stint in the Army (January 1951 to November 1952), he worked intermittently with the Oscar Moore Trio (1953-1955) and the Clifford Brown–Max Roachgroup in 1954. He recorded with Frank Morgan in 1955, and with his own group in 1956. Perkins composed the standard “Grooveyard”.

His playing was influenced by his polio-affected left arm, which he held parallel to the keyboard. He used his elbow to play deep bass notes. He was thus known as “the crab”.

He died of a drug overdose at age 29, in Los Angeles, California. He recorded one album, Introducing Carl Perkins, and a short series of singles under his own name. Authors Paul Tanner, Maurice Gerow, and David Megill cite Perkins as one of the best “funky”, or hard bop, piano players, but his early death prevented him from leaving a legacy.

George Morrow (August 15, 1925 – May 26, 1992) was a jazz bassist. Although most closely associated with Max Roach and Clifford Brown, Morrow also appears on recordings by Sonny Rollins and Sonny Stitt.

Morrow was born in Pasadena, California. After leaving the military, he played with Charlie Parker, Sonny Criss, Teddy Edwards, Hampton Hawes and other musicians who were in L.A. He then spent five years in San Francisco (1948–53), often appearing at the Bop City jazz club and working with Dexter Gordon, Wardell Gray, Billie Holiday and Sonny Clark.

Nesbert “Stix” Hooper (born August 15, 1938) is an American drummer and founding member of The Crusaders.

Hooper developed an interest in music, drums, and percussion at an early age. Starting in middle school with band director George Magruder, he began devoting much of his time to the study of music. While he was a student at Wheatley High School (Houston), he formed the band the Swingsters, then the Modern Jazz Sextet. At Texas Southern University, he received coaching from members of the Houston Symphony Orchestra and other local professional musicians. After moving to the west coast, he studied music at California State University, Los Angeles and with private instructors and mentors. During the 1950s the Jazz Crusaders were formed.

He has worked with Arthur Fiedler, George Shearing, B.B. King, Grant Green, Grover Washington Jr., Quincy Jones, Marvin Gaye, Nancy Wilson, the Royal Philharmonic Orchestra of London, and the Rolling Stones. He was National Vice Chairman of the National Academy of Recording Arts and Sciences and president of its Los Angeles chapter.

Joseph Armand Castro (August 15, 1927 – December 13, 2009) was an American bebop jazz pianist, based primarily on the West Coast of the United States.

Castro was born in Miami, Arizona on August 15, 1927. Castro began playing professionally at the age of 15 in the San Francisco Bay area. After army service ended in 1947, he formed a small band. In 1956 Castro moved to New York City, where his trio appeared in jazz clubs. In 1958, he moved to Los Angeles, where he joined Teddy Edwards‘ quartet. Castro recorded two albums as a leader for Atlantic Records: Mood Jazz in 1957 and Groove Funk Soul in 1960.

Oscar Emmanuel Peterson CC CQ OOnt (August 15, 1925 – December 23, 2007 Montreal) was a Canadian jazzpianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the “Maharaja of the keyboard” by Duke Ellington, simply “O.P.” by his friends, and informally in the jazz community, “the King of inside swing”.

Peterson worked in duos with Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock. He considered the trio with Ray Brown and Herb Ellis “the most stimulating” and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio. Shortly afterward Smith was replaced by guitarist Irving Ashby, who had been a member of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Kessel. Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding among three players.

Peterson won eight Grammy Awards during his lifetime between 1975 and 1997. He is considered among the best jazz pianists and jazz improvisers of the twentieth century.