mick laBriola

Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders.

Felder was born in Houston, Texas and studied music at Texas Southern University. Felder, Wayne Henderson, Joe Sample, and Stix Hooperfounded their group while in high school in Houston. The Jazz Crusaders evolved from a straight-ahead jazz combo into a pioneering jazz-rock fusion group, with a definite soul music influence. Felder worked with the original group for over thirty years, and continued to work in its later versions, which often featured other founding members.

Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&B musicians, and was one of the in-house bass players for Motown Records, when the record label opened operations in Los Angeles in the early 1970s. He played on recordings by the Jackson 5 such as “I Want You Back” and “The Love You Save“, as well as for Marvin Gaye and Grant Green. He also played bass for soft rock groups like Seals and Crofts. Also of note were his contributions to the John Cale album Paris 1919, Steely Dan‘s Pretzel Logic (1974), and Billy Joel‘s Piano Man and Streetlife Serenade albums. He was one of three bass players on Randy Newman‘s Sail Away (1972) and Joan Baez‘ Diamonds & Rust. Felder also anchored albums from Joni Mitchell and Michael Franks.

https://www.youtube.com/watch?v=DgOogZqq0NA

Paul Winter (born August 31, 1939) is an American saxophonist, composer and bandleader. A seven-time Grammy Award-winner, he is recognized as one of the pioneers of the world music genre, and also for his genre of “earth music,” which interweaves the voices of the greater symphony of the wild with instrumental voices from classical, jazz and world music traditions. The music is often improvised, and recorded in natural acoustic spaces, to reflect the qualities and instincts brought into play by the environment. With his various ensembles—the Paul Winter Sextet, the Paul Winter Consort, and the Earth Band—he has recorded more than 40 albums, and performed in 52 countries and six continents.

Herman Riley (August 31, 1933 – April 14, 2007) was a jazz saxophonist who spent most of his life as a studio musician in Los Angeles. He worked with Gene Ammons, Lorez Alexandria, Count Basie, Bobby Bryant, Donald Byrd, Benny Carter, Quincy Jones, Shelly Manne, Blue Mitchell, and Joe Williams.

John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001) was an American singer, guitarist, songwriter, and promoter. He is best known as the leader of the vocal group The Mamas & the Papas. He was one of the chief organizers of the 1967 Monterey Pop Festival.

In 2009, Phillips’ daughter Mackenzie alleged that she had an incestuous relationship with her father, beginning when she was 19 years old; this account is disputed.

Phillips was born August 30, 1935, in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corpsofficer. On his way home from France following World War I, Claude Phillips managed to win a tavern located in Oklahoma from another Marine during a poker game. His mother, Edna Gertrude (née Gaines), who had English ancestry, met his father in Oklahoma. According to Phillips’ autobiography, Papa John, his father was a heavy drinker who suffered from poor health.

Luther Johnson (born Lucious Brinson, August 30, 1934 or 1941 – March 18, 1976), sometimes credited with the sobriquets “Georgia Boy”, “Snake”, or “Snake Boy”, was an American Chicago blues and electric blues guitarist, singer and songwriter.

AllMusic journalist Ron Wynn stated, “Johnson’s own inimitable vocals, raspy lines and tart guitar eventually create his own aura… a good, occasionally outstanding blues artist.” He is not to be confused with Luther “Guitar Junior” Johnson, nor Luther “Houserocker” Johnson, from Atlanta, Georgia.

He was born in Davisboro, Georgia. Sources give different years of birth, ranging from 1934 to 1941 (according to his headstone), though 1939 has also been published. He was raised on a farm and taught himself to play guitar.

After completing his service in the US Army, Johnson played guitar with the Milwaukee Supreme Angels, a local gospel group in Milwaukee, Wisconsin. However, he gravitated towards blues and formed his own trio in Milwaukee. He relocated to Chicago, Illinois, in the early 1960s. He backed Elmore James prior to his James’s death in 1963, and joined Muddy Waters‘ backing band in 1966. Johnson worked with various musicians during this period, including Chicago Bob Nelson. He recorded his debut album, Come On Home, in 1968, with Muddy Waters’ band.

McKinley Howard “Kenny” Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham’s talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham’s name has become “virtually synonymous with underrated.”Dorham composed the jazz standard “Blue Bossa“, which first appeared on Joe Henderson‘s album Page One.

Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker’s band in December 1948. He was a charter member of the original cooperative Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet after Brown’s death in 1956. In addition to sideman work, Dorham led his own groups, including the Jazz Prophets (formed shortly after Art Blakeytook over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones, and tenorman J. R. Monterose, with guest Kenny Burrell on guitar, recorded a live album ‘Round About Midnight at the Cafe Bohemia in 1956 for Blue Note.

In 1963 Dorham added the 26-year-old tenor saxophonist Joe Henderson to his group, which later recorded Una Mas (the group also featured a young Tony Williams). The friendship between the two musicians led to a number of other albums, such as Henderson’s Page One, Our Thing and In ‘n Out. Dorham recorded frequently throughout the 1960s for Blue Note and Prestige Records, as leader and as sideman for Henderson, Jackie McLean, Cedar Walton, Andrew Hill, Milt Jackson and others.

NGC 488 is a face-on spiral galaxy in the constellation Pisces. It is at a distance of about 90 million light-years away from Earth. Its diameter is estimated to be 52,6 Kpc (171.000 ly). The galaxy has a large central bulge, and is considered a prototype galaxy with multiple spiral arms. Its arms are tightly wound. Star forming activity has been traced within the arms. The nucleus of NGC 488 has been found to be chemically decoupled, being twice as metal rich as the central bulge of the galaxy. NGC 488, with the exception of its smaller companions, that form NGC 488 group, is an isolated galaxy.

The galaxy was discovered by William Herschel on 13 December 1784. Two supernovae have been observed in NGC 488, SN 2010eb, possibly Ia with peak magnitude 14.7, and SN 1976G, with magnitude 15.

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, and dancer. Dubbed the “King of Pop“, he is regarded as one of the most significant cultural figures of the 20th century. Through stage and video performances, he popularized complicated dance techniques such as the moonwalk, to which he gave the name. His sound and style have influenced artists of various genres, and his contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture for over four decades. Jackson is the most awarded artist in the history of popular music.

The eighth child of the Jackson family, Jackson made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. Jackson began his solo career in 1971 while at Motown Records, and rose to solo stardom with his fifth studio album Off the Wall (1979) during the peak of the disco era. By the early 1980s, Jackson became a dominant figure in popular music. His music videos, including those for “Beat It“, “Billie Jean“, and “Thriller” from his sixth studio album Thriller (1982), are credited with breaking racial barriers and transforming the medium into an art form and promotional tool. Jackson’s prominence propelled him and the television channel MTV into cultural phenomenons of 1980s pop culture. At the 1984 Grammy Awards, Thriller won a record-breaking eight Grammy Awards, including Album of the Year. Jackson continued to innovate with videos on the global best-seller albums Bad (1987), Dangerous (1991) and HIStory: Past, Present and Future, Book I(1995).

Starting in the late 1980s, Jackson became a figure of controversy and speculation due to his changing appearance, relationships, behavior and lifestyle. In 1993, he was accused of sexually abusing the child of a family friend. The lawsuit was settled out of court, and Jackson was not indicted. In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges. In 2009, while preparing for a series of comeback concerts, This Is It, Jackson died from an overdose of propofol administered by his personal physician, Conrad Murray. Fans around the world expressed their grief, and Jackson’s public memorial service was broadcast live. In August 2009, the Los Angeles County Coroner ruled that Jackson’s death was a homicide, and Murray was convicted of involuntary manslaughter in November 2011. Seven years later, the documentary Leaving Neverland, which detailed posthumous allegations of child sexual abuse, led to another media backlash against Jackson.

Jackson is one of the best-selling music artists of all time, with estimated sales of over 350 million records worldwide. Thriller is the best-selling album of all time, with estimated sales of 66 million copies worldwide. In addition, the remix album Blood on the Dance Floor: HIStory in the Mix (1997) is the best-selling remix album of all time. Bad was the first album to produce five Billboard Hot 100 number-one singles.^{[nb 2]} Jackson had 13 BillboardHot 100 number-one singles, more than any other male artist in the Hot 100 era, and was also the first artist to have a top ten single in the BillboardHot 100 in five different decades. He received 13 Grammy Awards, the Grammy Legend and Grammy Lifetime Achievement awards, 6 Brit Awards, a Golden Globe Award, and 39 Guinness World Records, including the “Most Successful Entertainer of All Time”. Jackson’s inductions include the Rock and Roll Hall of Fame twice, the Vocal Group Hall of Fame, the Songwriters Hall of Fame, the Dance Hall of Fame (the only recording artist to be inducted), and the Rhythm and Blues Music Hall of Fame. In 2016, his estate earned $825 million, the highest yearly amount for a celebrity ever recorded by Forbes.

Bennie Maupin (born August 29, 1940, Detroit, Michigan) is a jazz multireedist who performs on various saxophones, flute, and bass clarinet.

He is known for his participation in Herbie Hancock‘s Mwandishi sextet and Headhunters band, and for performing on Miles Davis‘s seminal fusionrecord, Bitches Brew. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He has performed on several Meat Beat Manifesto albums. He is noted for having a harmonically-advanced, “out” improvisation style, while having a different sense of melodic direction than other “out” jazz musicians such as Eric Dolphy.

Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums).

https://www.youtube.com/watch?v=KKGBLjjy-hQ

Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as “the most popular black female recording artist of the ’50s”. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of “Queen of the Blues”. She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.

Ruth Lee Jones was born in Tuscaloosa, Alabama to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel and played piano for the choir in St. Luke’s Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and being a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped out of Wendell Phillips High School. She sang lead with the first female gospel singers formed by Sallie Martin, who was co-founder of the Gospel Singers Convention. Her involvement with the gospel choir occurred after she won an amateur contest at Chicago’s Regal Theater where she sang “I Can’t Face the Music”.

Charles “Charlie” Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed “Bird” and “Yardbird”, was an American jazz saxophonist and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was a blazingly fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Bird’s tone ranged from clean and penetrating to sweet and somber.

Parker acquired the nickname “Yardbird” early in his career on the road with Jay McShann. This, and the shortened form “Bird”, continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as “Yardbird Suite“, “Ornithology“, “Bird Gets the Worm”, and “Bird of Paradise”. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.

Charlie Parker Jr. was born in Kansas City, Kansas at 852 Freeman Avenue, and raised in Kansas City, Missouri near Westport and later – in high school – near 15th and Olive Street. He was the only child of Charles Parker and Adelaide “Addie” Bailey, who was of mixed Choctaw and African American background. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians’ union and choosing to pursue his musical career full-time. His childhood sweetheart and future wife, Rebecca Ruffin, graduated from Lincoln High School in June 1935.

Parker began playing the saxophone at age 11, and at age 14 he joined his high school band where he studied under Bandmaster Alonzo Lewis. His mother purchased a new alto saxophone around the same time. His father, Charles Sr., was often required to travel for work, but provided some musical influence because he was a pianist, dancer and singer on the Theater Owners Booking Association (T.O.B.A.) circuit. He later became a Pullman waiter or chef on the railways. Parker’s mother Addie worked nights at the local Western Union office. His biggest influence at that time was a young trombone player named Robert Simpson, who taught him the basics of improvisation.

https://www.youtube.com/watch?v=UWAK4j_rMw0