mick laBriola

Jack Leroy Wilson Jr. (June 9, 1934 – January 21, 1984) was an American singer of the 1950s and 1960s. He was a prominent figure in the transition of rhythm and blues into soul. Nicknamed “Mr. Excitement”, he was considered a master showman and one of the most dynamic singers and performers in soul, R&B, and rock and roll history. He was born in Highland Park, an enclave of Detroit.

Wilson gained initial fame as a member of the R&B vocal group Billy Ward and His Dominoes. He went solo in 1957 and scored over 50 chart singles spanning the genres of R&B, rock ‘n’ roll, soul, doo-wop, and easy listening. This included 16 Top 10 R&B hits, six of which ranked as number ones. On the BillboardHot 100, Wilson scored 14 top 20 pop hits, six of which reached the top 10. In 1975, Wilson suffered a heart attack during a performance, which left him in a minimally conscious state until his death in 1984.

Wilson was posthumously inducted to the Rock and Roll Hall of Fame in 1987.^[3] He is also inducted into the National Rhythm & Blues Hall of Fame. Two of Wilson’s recordings were inducted into the Grammy Hall of Fame in 1999. He was honored with the Legacy Tribute Award from the Rhythm and Blues Foundationin 2003.^[4] In 2004, Rolling Stone ranked Wilson No. 69 on its list of the 100 Greatest Artists of All Time, and placed him on their list of the 200 Greatest Singers of All Time (2023). NPR named him one of the 50 Great Voices.

Jack Leroy Wilson Jr. was born on June 9, 1934, in Highland Park, Michigan, as the third and only surviving child of singer Jack Leroy Wilson, Sr. (1903–1983) and Eliza Mae Wilson (1900–1975). Eliza Mae was born on the Billups-Whitfield Place in Lowndes County, Mississippi. Eliza Mae’s parents were Tom and Virginia Ransom. Wilson often visited his family in Columbus and was greatly influenced by the choir at Billups Chapel. Growing up in the suburban Detroit enclave of Highland Park, Wilson joined a gang called the Shakers and often got himself in trouble. Wilson’s alcoholic father was frequently absent and usually unemployed. In 1943, his parents separated shortly after Jackie’s ninth birthday.

Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-bodyelectric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies.

Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day.

Among his many honors, Paul is one of a handful of artists with a permanent exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an “architect” and a “key inductee” with Sam Phillips and Alan Freed. Paul is the only inductee in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame.

Paul was born Lester William Polsfuss in Waukesha, Wisconsin, to George and Evelyn (Stutz) Polsfuss, both of German ancestry. His only sibling, Ralph, was seven years older. Paul’s mother was related to the founders of Milwaukee’s Valentin Blatz Brewing Company and the makers of the Stutzautomobile. His parents divorced when he was a child. His mother simplified their Prussian family name first to Polfuss, then to Polfus, although Les Paul never legally changed his name. Before taking the stage name Les Paul, he performed as Red Hot Red and Rhubarb Red.

This deep field mosaicked image presents a stunning view of galaxy cluster Abell 2744 recorded by the James Webb Space Telescope’s NIRCam. Also dubbed Pandora’s Cluster, Abell 2744 itself appears to be a ponderous merger of three different massive galaxy clusters. It lies some 3.5 billion light-years away, toward the constellation Sculptor. Dominated by dark matter, the mega-cluster warps and distorts the fabric of spacetime, gravitationally lensingeven more distant objects. Redder than the Pandora cluster galaxies many of the lensed sources are very distant galaxies in the early Universe, their lensed images stretched and distorted into arcs. Of course distinctive diffraction spikes mark foreground Milky Way stars. At the Pandora Cluster’s estimated distance this cosmic box spans about 6 million light-years. But don’t panic. You can explore the tantalizing region in a 2 minute video tour.

Robert Schumann (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic of the Romantic era.

Schumann was born in Zwickau, Saxony, to a comfortable middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at Leipzig and Heidelberg Universities but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, including the large-scale Carnaval (1834–1835). He was a co-founder of the Neue Zeitschrift für Musik (New Musical Journal) in 1834 and edited it for ten years. In his writing for the journal and in his music he distinguished between two contrasting aspects of his personality, dubbing these alter egos “Florestan” for his impetuous self and “Eusebius” for his gentle poetic side.

Despite the bitter opposition of Wieck, who did not regard his pupil as a suitable husband for his daughter, Schumann married Wieck’s daughter Clara in 1840. The marriage was followed by prolific composing, first of songs and song‐cycles including Frauenliebe und Leben (“Woman’s Love and Life”) and Dichterliebe(“Poet’s Love”). Schumann turned his attention to orchestral music in 1841, and in the following two years to chamber music and choral works.

Clara Schumann became a leading concert pianist, and toured Russia in 1844. Her husband went with her but after the tour his physical and mental health was poor for some months. The couple moved to Dresden, living there until 1850. In 1846 Clara gave the first performance of Robert’s Piano Concerto and their friend Felix Mendelssohn conducted the premiere of Schumann’s Second Symphony. The Schumanns moved to Düsseldorf in 1850 in the hope that his appointment as the city’s director of music would provide financial stability, but he was not a good conductor and had to resign after three years. In 1853 the Schumanns met the twenty-year-old Johannes Brahms, whom Schumann praised in an article in the Neue Zeitschrift für Musik. The following year Schumann’s always precarious mental health deteriorated gravely. He threw himself into the River Rhine but was rescued and taken to a private sanatorium near Bonn, where he lived for more than two years, dying there at the age of 46.

Schumann was recognised in his lifetime for his piano music – often subtly programmatic – and his songs. His other works were less generally admired, and for many years there was a widespread belief that those from his later years lacked the inspiration of his early music. More recently this view has been less prevalent, but it is still his piano works and songs from the 1830s and 1840s on which his reputation is primarily based.

Cataloged as Sharpless 2-308 it lies some 5,000 light-years away toward the well-trained constellation Canis Major and covers slightly more of the sky than a Full Moon. That correspondsto a diameter of 60 light-years at its estimated distance. The massive star that created the bubble, a Wolf-Rayet star, is the bright one near the center of the nebula. Wolf-Rayet stars have over 20 times the mass of the Sun and are thought to be in a brief, pre-supernova phase of massive star evolution. Fast winds from this Wolf-Rayet star create the bubble-shaped nebula as they sweep up slower moving material from an earlier phase of evolution. The windblown nebula has an age of about 70,000 years. Relatively faint emission captured by narrowband filters in the deep image is dominated by the glow of ionized oxygen atoms mapped to a blue hue. Presenting a mostly harmless outline, SH2-308 is also known as The Dolphin-head Nebula.

Jonathan Paul Clegg, OBE OIS (7 June 1953 – 16 July 2019) was a South African musician, singer-songwriter, dancer, anthropologist and anti-apartheid activist.

He first performed as part of a duo – Johnny & Sipho – with Sipho Mchunu which released its first single, Woza Friday in 1976. The two then went on to form the band Juluka which released its debut album in 1979. In 1986, Clegg founded the band Savuka, and also recorded as a solo act, occasionally reuniting with his earlier band partners. Sometimes called Le Zoulou Blanc (French: [lə zulu blɑ̃], for “The White Zulu“), he was an important figure in South African popular music and a prominent white figure in the resistance to apartheid, becoming for a period the subject of investigation by the security branch of the South African Police. His songs mixed English with Zulu lyrics, and also combined working class African music with various forms of Western popular music.

Clegg was born on 7 June 1953 in Bacup, Lancashire, to an English father of Scottish descent, Dennis Clegg, and a Rhodesian mother, Muriel (Braudo). Clegg’s mother’s family were Jewish immigrants from Belarus and Poland and Clegg had a secular Jewish upbringing, learning about the Ten Commandmentsbut refusing to have a bar mitzvah or even associate with other Jewish children at school. He moved with his mother to Rhodesia (now Zimbabwe) at age 6 months, and his parents divorced soon afterwards. At age six, he moved to South Africa with his mother, also spending part of a year in Israel during his childhood.

He grew up in Yeoville, then a predominantly Jewish inner city neighbourhood of Johannesburg. He encountered the demi-monde of the city’s Zulu migrant workers’ music and dance. Under the tutelage of Charlie Mzila, a flat cleaner by day and musician by night, Clegg mastered both the Zulu language and the maskandi guitar and the isishameni dance styles of the migrants. Clegg’s involvement with black musicians often led to arrests for trespassing on government property and for contravening the Group Areas Act. He was first arrested at the age of 15 for violating apartheid-era laws in South Africa banning people of different races from congregating together after curfew hours.

Talmage Holt Farlow (June 7, 1921– July 25, 1998) was an American jazz guitarist. He was nicknamed “Octopus” because of how his large, quick hands spread over the fretboard.

Talmage Holt Farlow was born in Greensboro, North Carolina, United States. He taught himself how to play guitar, which he started when he was 22 years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to Bix Beiderbecke, Louis Armstrong, and Eddie Lang. His career was influenced by hearing Charlie Christian playing electric guitar with the Benny Goodmanband. He said he made his own electric guitar because he could not afford to purchase one.

Farlow employed artificial harmonics and tapped his guitar for percussion, creating a flat, snare drum sound or a hollow backbeat like the bongos. His large, quick hands earned him the nickname “The Octopus”.

He caught the public’s attention in 1949 when he was in a trio with Red Norvo and Charles Mingus. In 1953, he was a member of the Gramercy Five led by Artie Shaw, and two years later he led his own trio with Vinnie Burke and Eddie Costa in New York City. After getting married in 1958, he partially retired and settled in Sea Bright, New Jersey, returning to a career as a sign painter.  He continued to play occasional dates in local clubs. In 1962 the Gibson Guitar Corporation, with Farlow’s participation, produced the “Tal Farlow” model. In 1976, Farlow started recording again. A documentary about him was released in 1981.

Later in his career Tal performed as a member of Great Guitars with a DVD released in 2005 after his death.

Farlow died of esophageal cancer at Memorial Sloan-Kettering Cancer Center in New York City on July 25, 1998, at the age of 77.