mick laBriola

A multitude of magnificent, swirling clouds in Jupiter’s dynamic North North Temperate Belt is captured in this image from NASA’s Juno spacecraft. Appearing in the scene are several bright-white “pop-up” clouds as well as an anticyclonic storm, known as a white oval.

This color-enhanced image was taken at 4:58 p.m. EDT on Oct. 29, 2018 as the spacecraft performed its 16th close flyby of Jupiter. At the time, Juno was about 4,400 miles from the planet’s cloud tops, at a latitude of approximately 40 degrees north.

Citizen scientists Gerald Eichstädt and Seán Doran created this image using data from the spacecraft’s JunoCam imager.

JunoCam’s raw images are available at www.missionjuno.swri.edu/junocam for the public to peruse and process into image products.

Gerardo “Jerry” Velez (born August 15, 1947) is an American musician. Best known for performing with American psychedelic rock musician Jimi Hendrix at Woodstock Festival in August 1969, Velez is a veteran percussionist and drummer, who has performed with many artists covering a number of different genres of music. He is also a common member of jazz fusion band Spyro Gyra.

Born in New York on August 15, 1947, Velez began his musical career in The Bronx, New York. He notably joined Jimi Hendrix’s band Gypsy Sun and Rainbows in July 1969, performed at the Woodstock Festival and at a small number of studio sessions, before Hendrix disbanded the group in favour of returning to the three-piece format of The Jimi Hendrix Experience. The band’s performance at Woodstock was released on the live album Woodstock in 1994, followed by live album and video Live at Woodstock in 1999. For all Hendrix releases on which he appears, Velez was credited with the nickname Jerry.

Nesbert “Stix” Hooper (born August 15, 1938) is an American drummer and founding member of The Crusaders.

Hooper developed an interest in music, drums, and percussion at an early age. Starting in middle school with band director George Magruder, he began devoting much of his time to the study of music. While he was a student at Phillis Wheatley High School, he formed the band the Swingsters, then the Modern Jazz Sextet. At Texas Southern University, he received coaching from members of the Houston Symphony Orchestra and other local professional musicians. After moving to the west coast, he studied music at California State University, Los Angeles and with private instructors and mentors. During the 1950s the Jazz Crusaders were formed.

He has worked with Arthur Fiedler, George Shearing, B.B. King, Grant Green, Grover Washington Jr., Quincy Jones, Marvin Gaye, Nancy Wilson, the Royal Philharmonic Orchestra of London, and the Rolling Stones. He was National Vice Chairman of the National Academy of Recording Arts and Sciences and president of its Los Angeles chapter.

Joseph Armand “Joe” Castro (August 15, 1927 – December 13, 2009) was an American bebop jazz pianist, based primarily on the West Coast of the United States.

Castro was born in Miami, Arizona on August 15, 1927 to John L. Castro and Lucy Sanchez. Castro went to school in Pittsburg, California in the San Francisco Bay area, north of Oakland, where he began playing professionally at the age of 15. His enrollment at San Jose State University was interrupted twice—first by a stint in the army from 1946 to 1947 and then when he formed his first jazz trio working on both the West Coast and in Hawaii. In 1956 Castro moved to New York City, where his trio successfully appeared in the city’s top jazz clubs—Basin Street, The Embers, The Hickory House and Birdland. He was critically lauded by the likes of Leonard Feather who described his style as “assertively swinging,” and Dave Brubeck, who had known Castro since the early 1950s, as “an extremely talented individual, a fine musician, an excellent pianist and a tasteful performer.” In 1958, he moved to Los Angeles to be associated almost exclusively with Teddy Edwards, Billy Higgins and Leroy Vinnegar. “The group has been very important to me,” Castro says. “I had been working so long with piano trios, I had to learn how to play less and say more. Actually I have more freedom in this group without having to carry the load.” Castro recorded and performed extensively with The Teddy Edwards Quartet while also making two of his own recordings as a leader for Atlantic Records.

The first album, entitled Mood Jazz (Atlantic 1264) was recorded on November 19, 1956 and utilized three different ensembles: a large orchestra with strings and voices, another string orchestra without voices and a regular jazz combo of piano, trumpet, alto saxophone, bass, and drums. Philly Joe Jones performed on the album which was arranged by Neal Hefti, recorded by Tom Dowd, and supervised by Ahmet Ertegun and Nesuhi Ertegun.

Oscar Emmanuel Peterson, CC CQ OOnt (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist, virtuoso and composer. He was called the “Maharaja of the keyboard” by Duke Ellington, simply “O.P.” by his friends, and informally in the jazz community as “the King of inside swing”.He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.

Peterson was born in Montreal, Quebec, to immigrants from the West Indies; his father worked as a porter for Canadian Pacific Railway. Peterson grew up in the neighbourhood of Little Burgundy in Montreal. It was in this predominantly black neighborhood that he encountered the jazz culture.At the age of five, Peterson began honing his skills on trumpet and piano, but a bout of tuberculosis when he was seven prevented him from playing the trumpet again, so he directed all his attention to the piano. His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers, and his sister Daisy taught him classical piano. Peterson was persistent at practising scales and classical études.

As a child, Peterson studied with Hungarian-born pianist Paul de Marky, a student of István Thomán, who was himself a pupil of Franz Liszt, so his early training was predominantly based on classical piano. But he was captivated by traditional jazz and boogie-woogie and learned several ragtimepieces. He was called “the Brown Bomber of the Boogie-Woogie”.

When a star like our Sun is dying, it will cast off its outer layers, usually into a simple overall shape. Sometimes this shape is a sphere, sometimes a double lobe, and sometimes a ring or a helix. In the case of planetary nebula NGC 5189, however, besides an overall “Z” shape (the featured image is flipped horizontally and so appears as an “S”), no such simple structure has emerged. To help find out why, the Earth-orbiting Hubble Space Telescope has observed NGC 5189 in great detail. Previous findings indicated the existence of multiple epochs of material outflow, including a recent one that created a bright but distorted torus running horizontally across image center. Hubble results appear consistent with a hypothesis that the dying star is part of a binary star system with a precessing symmetry axis. NGC 5189 spans about three light years and lies about 3,000 light years away toward the southern constellation of the Fly (Musca).

David Van Cortlandt Crosby (born August 14, 1941) is an American singer-songwriter and musician. In addition to his solo career, he was a founding member of both the Byrds and Crosby, Stills & Nash.

Crosby joined the Byrds in 1964. The band gave Bob Dylan his first number one hit in April 1965 with “Mr. Tambourine Man“. Crosby appeared on the Byrds’ first five albums, and produced the original lineup’s 1973 reunion album. In 1967 he joined Buffalo Springfield on stage at the Monterey Pop Festival, which contributed to his dismissal from the Byrds. He subsequently formed Crosby, Stills & Nash in 1968 with Stephen Stills (of Buffalo Springfield) and Graham Nash of the Hollies. After the release of their debut album CSN won the Grammy Award for Best New Artist of 1969. Neil Young joined the group for live appearances, their second concert being Woodstock, before recording their second album Déjà Vu. Meant to be a group that could collaborate freely, Crosby and Nash recorded three gold albums in the 1970s, while the core trio of CSN remained active from 1976 until 2016. CSNY reunions took place in each decade from the 1970s through the 2000s.

Songs Crosby wrote or co-wrote include “Lady Friend“, “Why“, and “Eight Miles High” with the Byrds and “Guinnevere“, “Wooden Ships“, “Shadow Captain”, and “In My Dreams” with Crosby, Stills & Nash. He wrote “Almost Cut My Hair” and the title track “Déjà Vu” for Crosby, Stills, Nash & Young‘s 1970 album. He is known for his use of alternate guitar tunings and jazz influences. He has released six solo albums, five of which have charted. Additionally he formed a jazz influenced trio with his son James Raymond and guitarist Jeff Pevar in CPR. Crosby’s work with the Byrds and CSN(Y) has sold over 35 million albums.

Crosby has been inducted into the Rock and Roll Hall of Fame twice: once for his work in the Byrds and again for his work with CSN. Five albums he contributed to are included in Rolling Stone‘s The 500 Greatest Albums of All Time, three with the Byrds and two with CSN(Y). He is outspoken politically and has been depicted as emblematic of the 1960s’ counterculture. Crosby is the subject of the 2019 documentary David Crosby: Remember My Name, which was produced by Cameron Crowe.  

David Van Cortlandt Crosby was born in Los Angeles, California. His parents were Aliph Van Cortlandt Whitehead (a descendant of the prominent Van Cortlandt family) and Floyd Crosby, an Academy Award–winning cinematographer and descendant of the Van Rensselaer family. He is also the younger brother of musician Ethan Crosby. Growing up in California, he attended several schools, including the University Elementary School in Los Angeles, the Crane Country Day School in Montecito, and Laguna Blanca School in Santa Barbara for the rest of his elementary school and junior high. At Crane, he starred in HMS Pinafore and other musicals but was asked not to return because of his lack of academic progress. He graduated from the Cate Schoolin Carpinteria, completing his secondary studies by correspondence.

Ben Hirsh Sidran (born August 14, 1943) is an American jazz and rock keyboardist, producer, label owner, and music writer. Early in his career he was a member of the Steve Miller Band.

Sidran was raised in Racine, Wisconsin, and attended the University of Wisconsin–Madison in 1961, where he became a member of The Ardells with Steve Miller and Boz Scaggs. When Miller and Scaggs left Wisconsin for the West Coast, Sidran stayed behind to earn a degree in English literature. After graduating in 1966, he enrolled in the University of Sussex, England, to pursue a PhD. While in England, he was a session musician for Eric Clapton, The Rolling Stones, Peter Frampton, and Charlie Watts.

Sidran joined Steve Miller as keyboardist and songwriter on recording projects, appearing on the albums Brave New World, Your Saving Grace, Number 5, and Recall the Beginning…A Journey from Eden. He produced Recall the Beginning and co-wrote the hit song “Space Cowboy.” In 1988, he produced Miller’s jazz album Born 2B Blue. He has also produced albums for Mose AllisonVan Morrison Rickie Lee Jones and Diana Ross.

Sidran returned to Madison, Wisconsin, in 1971 and has spent most of his life there. He taught courses at the university (on the business of music) and beginning in 1981 hosted jazz radio programs for NPR (including the Peabody Award-winning Jazz Alive series) and TV programs for VH1 (where his New Visions series in the early 1990s won the Ace Award).

As a musician and a producer he has released over 35 solo recordings. His written works include the book Black Talk (on the sociology of black music in America), the memoir A Life in the Music, published in 2003 and detailing his musical career, </ref> Talking Jazz, a collection of his historic interviews with jazz musicians, There Was a Fire: Jews, Music and the American Dream, a cultural history of the Jewish contribution to American popular music during the 20th century and a finalist for the 2012 National Jewish Book Award and The Ballad of Tommy LiPuma.

Frank “Son” Seals (August 13, 1942 – December 20, 2004) was an American electric blues guitarist and singer. In 2009, Seals was inducted into the Blues Hall of Fame.

Seals was born in Osceola, Arkansas, where his father, Jim “Son” Seals, owned a small juke joint, called the Dipsy Doodle Club. He began performing professionally by the age of 13, first as a drummer with Robert Nighthawk and later as a guitarist. At age 16, he began to play at the T-99, a local upper-echelon club, with his brother-in-law Walter “Little Walter” Jefferson. He played there with prominent blues musicians, including Albert King, Rufus Thomas, Bobby Bland, Junior Parker, and Rosco Gordon. Their varying styles contributed to the development of Seals’s own playing techniques. While playing at the T-99, he was also introduced to country–western music by Jimmy Grubbs, who occasionally asked Seals to play the drums or guitar with his group. At the age of 19, Seals formed his own band, Son Seals and the Upsetters, to fill in at the Rebel Club, in Osceola.The band members were Johnny Moore (“Old Man Horse”) on piano; Alvin Goodberry on drums, guitar, bass, or piano; Little Bob Robinson on vocals; and Walter Lee “Skinny Dynamo” Harris on piano. Shortly thereafter, a man from Little Rock, Arkansas, came to find “Little Walter” for a gig at his club, but when Walter turned it down the offer went to Seals.

In 1971, Seals moved to Chicago. His career took off after he was discovered by Bruce Iglauer of Alligator Records at the Flamingo Club on Chicago’s South Side. His debut album, The Son Seals Blues Band, was released in 1973. The album included “Your Love Is Like a Cancer” and “Hot Sauce”. It was followed by Midnight Son (1976) and Live and Burning (1978). Seals released several albums in the next two decades, all but one on Alligator Records, including Chicago Fire (1980), Bad Axe (1984), Living in the Danger Zone (1991), Nothing but the Truth (1994) and Live: Spontaneous Combustion (1996). He received W.C. Handy Awards in 1985, 1987, and 2001.

Edwin James Costa (August 14, 1930 – July 28, 1962) was an American jazz pianist, vibraphonist, composer and arranger. In 1957 he was chosen as Down Beat jazz critics’ new star on piano and vibes – the first time that one artist won two categories in the same year. He became known for his percussive, driving piano style that concentrated on the lower octaves of the keyboard.

Costa had an eight-year recording career, during which he appeared on more than 100 albums; five of these were under his own leadership. As a sideman he appeared in orchestras led by Manny Albam, Gil Evans, Woody Herman and others; played in smaller groups led by musicians including Tal Farlow, Coleman Hawkins, Gunther Schuller, and Phil Woods; and accompanied vocalists including Tony Bennett and Chris Connor. Costa died, aged 31, in a car accident in New York City.

Eddie Costa was born in Atlas, Pennsylvania, near Mount Carmel, in Northumberland County. He was taught and influenced on piano by his older, musically trained brother, Bill, and a local piano teacher. Eddie took paid jobs as a pianist from the age of 15.

Hezekiah Leroy Gordon Smith (August 14, 1909 – September 25, 1967), better known as Stuff Smith, was an American jazz violinist. He is well known for the song “If You’re a Viper” (the original title was “You’se a Viper”).

Smith was, along with Stéphane Grappelli, Michel Warlop, Svend Asmussen and Joe Venuti, one of jazz music’s preeminent violinists of the swing era.

He was born in Portsmouth, Ohio, United States in 1909, and studied violin with his father. Smith cited Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist. In the 1920s, he played in Texas as a member of Alphonse Trent‘s band. After moving to New York City he performed regularly with his sextet at the Onyx Club starting in 1935, and also with Coleman Hawkins, Charlie Parker, Dizzy Gillespie, and later, Sun Ra.

After being signed to Vocalion Records in 1936, he had a hit with “I’se a Muggin'” and was billed as Stuff Smith and His Onyx Club Boys. He recorded for Vocalion in 1936, Decca in 1937, and Varsity in 1939–1940.

Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of “cante libre”, performed at libitum and normally not used for the dance, folkloric fandangos were originally sung and played at a fast speed, with a rhythmic pattern in ⁶
₈, to accompany dance. Some of these primitive fandangos from Málaga, called Verdiales are still performed nowadays at folkloric gatherings by large non-professional groups called “Pandas”, which use a high number of guitars, “bandurrias” (a sort of mandoline), violins, and tambourines.