mick laBriola

Frank “Son” Seals (August 13, 1942 – December 20, 2004) was an American electric blues guitarist and singer. In 2009, Seals was inducted into the Blues Hall of Fame.

Seals was born in Osceola, Arkansas, where his father, Jim “Son” Seals, owned a small juke joint, called the Dipsy Doodle Club. He began performing professionally by the age of 13, first as a drummer with Robert Nighthawk and later as a guitarist. At age 16, he began to play at the T-99, a local upper-echelon club, with his brother-in-law Walter “Little Walter” Jefferson. He played there with prominent blues musicians, including Albert King, Rufus Thomas, Bobby Bland, Junior Parker, and Rosco Gordon. Their varying styles contributed to the development of Seals’s own playing techniques. While playing at the T-99, he was also introduced to country–western music by Jimmy Grubbs, who occasionally asked Seals to play the drums or guitar with his group. At the age of 19, Seals formed his own band, Son Seals and the Upsetters, to fill in at the Rebel Club, in Osceola.The band members were Johnny Moore (“Old Man Horse”) on piano; Alvin Goodberry on drums, guitar, bass, or piano; Little Bob Robinson on vocals; and Walter Lee “Skinny Dynamo” Harris on piano. Shortly thereafter, a man from Little Rock, Arkansas, came to find “Little Walter” for a gig at his club, but when Walter turned it down the offer went to Seals.

In 1971, Seals moved to Chicago. His career took off after he was discovered by Bruce Iglauer of Alligator Records at the Flamingo Club on Chicago’s South Side. His debut album, The Son Seals Blues Band, was released in 1973. The album included “Your Love Is Like a Cancer” and “Hot Sauce”. It was followed by Midnight Son (1976) and Live and Burning (1978). Seals released several albums in the next two decades, all but one on Alligator Records, including Chicago Fire (1980), Bad Axe (1984), Living in the Danger Zone (1991), Nothing but the Truth (1994) and Live: Spontaneous Combustion (1996). He received W.C. Handy Awards in 1985, 1987, and 2001.

Edwin James Costa (August 14, 1930 – July 28, 1962) was an American jazz pianist, vibraphonist, composer and arranger. In 1957 he was chosen as Down Beat jazz critics’ new star on piano and vibes – the first time that one artist won two categories in the same year. He became known for his percussive, driving piano style that concentrated on the lower octaves of the keyboard.

Costa had an eight-year recording career, during which he appeared on more than 100 albums; five of these were under his own leadership. As a sideman he appeared in orchestras led by Manny Albam, Gil Evans, Woody Herman and others; played in smaller groups led by musicians including Tal Farlow, Coleman Hawkins, Gunther Schuller, and Phil Woods; and accompanied vocalists including Tony Bennett and Chris Connor. Costa died, aged 31, in a car accident in New York City.

Eddie Costa was born in Atlas, Pennsylvania, near Mount Carmel, in Northumberland County. He was taught and influenced on piano by his older, musically trained brother, Bill, and a local piano teacher. Eddie took paid jobs as a pianist from the age of 15.

Hezekiah Leroy Gordon Smith (August 14, 1909 – September 25, 1967), better known as Stuff Smith, was an American jazz violinist. He is well known for the song “If You’re a Viper” (the original title was “You’se a Viper”).

Smith was, along with Stéphane Grappelli, Michel Warlop, Svend Asmussen and Joe Venuti, one of jazz music’s preeminent violinists of the swing era.

He was born in Portsmouth, Ohio, United States in 1909, and studied violin with his father. Smith cited Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist. In the 1920s, he played in Texas as a member of Alphonse Trent‘s band. After moving to New York City he performed regularly with his sextet at the Onyx Club starting in 1935, and also with Coleman Hawkins, Charlie Parker, Dizzy Gillespie, and later, Sun Ra.

After being signed to Vocalion Records in 1936, he had a hit with “I’se a Muggin'” and was billed as Stuff Smith and His Onyx Club Boys. He recorded for Vocalion in 1936, Decca in 1937, and Varsity in 1939–1940.

Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of “cante libre”, performed at libitum and normally not used for the dance, folkloric fandangos were originally sung and played at a fast speed, with a rhythmic pattern in ⁶
₈, to accompany dance. Some of these primitive fandangos from Málaga, called Verdiales are still performed nowadays at folkloric gatherings by large non-professional groups called “Pandas”, which use a high number of guitars, “bandurrias” (a sort of mandoline), violins, and tambourines.

What planets are those behind that unusual rock spire? Saturn (lower left) and Jupiter.  This month, after sunset, the bright planetary duo are quite prominent toward the southeast.  Now your view of our Solar System’s largest planets might not include a picturesque hoodoo in the foreground, nor the spectacular central band of our Milky Way Galaxy across the background, but should be quite eye-catching anyway.  The featured image is a composite of consecutive foreground and background exposures all taken in late May with the same camera and from the same location — the badlands of the  Ah-Shi-Sle-Pah Wilderness in the San Juan Basin in New Mexico, USA.  The rock spire, informally dubbed ‘Alien Throne’, stands about 3 meters tall. Saturn and Jupiter will remain visible together after sunset for several months.

Daniel Grayling Fogelberg (August 13, 1951 – December 16, 2007) was an American musician, songwriter, composer, and multi-instrumentalist. He is known for his 1980s songs, including “Longer” (1979), “Same Old Lang Syne” (1980), and “Leader of the Band” (1982).

Dan Fogelberg was born in Peoria, Illinois. He was the youngest of three sons born to Margaret (née Irvine), a classically trained pianist, and Lawrence Peter Fogelberg, a high school band director at Peoria’s Woodruff High School and Pekin Community High School. Dan’s mother was a Scottish immigrant, and his father was of Swedish descent. His father would later be the inspiration for the song “Leader of the Band“. Dan often related his memory of his father allowing him to “conduct” the school band when he was only four years old. At the time, Fogelberg senior was band director at Bradley University in Peoria.

Using a Mel Bay course book, Dan taught himself to play a Hawaiian slide guitar that his grandfather had given him. He also learned to play the piano. At age 14, he joined a band, The Clan, which covered The Beatles. His second band was another cover band, The Coachmen, who, in 1967, released two singles written by Fogelberg. They were cut at Golden Voice Recording studio in South Pekin, Illinois, and released on Ledger Record’s label: “Maybe Time Will Let Me Forget” and “Don’t Want to Lose Her”.

After graduating from Woodruff High School in 1969, Fogelberg studied theater arts and painting at the University of Illinois at Urbana-Champaignwhile playing local venues with a folk-rock band, The Ship. He began performing as a solo acoustic player in area cafes. One of these included the Red Herring, which is where he made his first solo recordings as part of a folk festival in 1971. He was discovered by Irving Azoff, who started his music management career promoting another Champaign-Urbana act, REO Speedwagon. Azoff sent him to Nashville, Tennessee, to hone his skills. There he became a session musician and recorded his first album with producer Norbert Putnam. In 1972, Fogelberg released his debut album Home Free to lukewarm response, although it eventually reached platinum status.

Ernest Harold “Benny” Bailey (13 August 1925 – 14 April 2005) was an American jazz trumpeter.

A native of Cleveland, Ohio, Bailey briefly studied flute and piano before turning to trumpet. He attended the Cleveland Conservatory of Music. He was influenced by Cleveland native Tadd Dameron and had a significant influence on other Cleveland musicians, such as Albert Ayler, Bob Cunningham, Bobby Few, Bill Hardman, and Frank Wright. Bailey played with Tony Lovano, father of Joe Lovano.

In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie and toured with Lionel Hampton. During a European tour with Hampton he remained in Europe and spent time in Sweden, where he worked with Harry Arnold‘s big band.He preferred big bands over small groups, and he became associated with several big bands in Europe, including the Kenny Clarke/Francy Boland Big Band. His time with Quincy Jones led to a brief return to the United States in 1960. He was invited to the studio as part of Freddie Redd‘s sextet to record Redd’s Blues after meeting the pianist during a tour in Sweden. He returned to Europe, first to Germany, then the Netherlands, where he settled permanently.

In 1969 he played on Eddie Harris and Les McCann‘s album Swiss Movement, recorded live at the Montreux Jazz Festival, although it was not his usual style of music. In 1988 he worked with British clarinetist Tony Coe^[1] and recorded albums until 2000 when he was in his mid-70s.

Bailey died at home in Amsterdam on April 14, 2005.

Baby Boy Warren (August 13, 1919 – July 1, 1977) was an American blues singer and guitarist who was a leading figure on the Detroit blues scene in the 1950s.

He was born Robert Henry Warren in Lake Providence, Louisiana, in 1919, and at the age of three months moved with his parents to Memphis, Tennessee. He was interested in music from an early age, and was working occasionally as a musician from around 1931, when he dropped out of school, having learned to play guitar from two of his older brothers. In the 1930s, he worked in W. C. Handy Park, Memphis, with Howling Wolf, Robert Jr. Lockwood and Little Buddy Doyle and he appeared on the radio show King Biscuit Time, broadcast from Helena, Arkansas, with Sonny Boy Williamson around 1941. In 1942, he moved to Detroit, where he worked for General Motors while also performing as a musician.

Warren’s first recording sessions were in 1949 and 1950 in Detroit, with the five resulting singles being released on a number of labels. Tracks recorded at a 1954 session accompanied by Sonny Boy Williamson were released on Joe Von Battle‘s JVB label and by Excello Records. Further sessions the same year resulted in a single on the Blue Lake label, with Boogie Woogie Red on piano and Calvin Frazier on guitar, and a reworking of the Robert Johnson song “Stop Breakin’ Down” for the Drummond label.

Sir George Albert Shearing, OBE (13 August 1919 – 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. The composer of over 300 titles, including the jazz standards “Lullaby of Birdland” and “Conception“, and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91.

Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years.

Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason’s Arms in Lambeth, for “25 bob a week” playing piano and accordion. He joined an all-blind band, Claude Bampton’s Blind Orchestra, during that time, and was influenced by the records of Teddy Wilson and Fats Waller. Shearing made his first BBC radio broadcast during this time, after befriending Leonard Feather, with whom he started recording in 1937.

Big Chief Russell Moore (August 13, 1912 – December 15, 1983) was an American jazz trombonist. Moore was a Pima American Indian, born in Komatke, Arizona and lived in Blue Island, Illinois from age twelve, where he studied trumpet, piano, drums, French horn, and trombone. He moved to Los Angeles in the early 1930s, where he worked freelance with Lionel Hampton (1935), Eddie Barefield, and others. After moving to New Orleans in 1939, he worked with Oscar Celestin, Kid Rena, A.J. Piron, Paul Barbarin, Ernie Fields, Harlan Leonard, and Noble Sissle.

He played with Louis Armstrong‘s last big band in 1944–47, and worked freelance on the Dixieland jazz circuit thereafter. In the 1950s he played with Ruby Braff, Pee Wee Russell, Eddie Condon, Wild Bill Davison, Jimmy McPartland, Tony Parenti, Mezz Mezzrow, Sidney Bechet, and Buck Clayton. He returned to play in the Louis Armstrong All-Stars in 1964–65, but fell ill and had to leave the group. After recovering he led a Dixieland group of his own, which toured Canada repeatedly.

Moore had been working with pianist Eddie Wilcox shortly before Wilcox died in 1968. Moore played with Cozy Cole in 1977 and Keith Smith in 1981. He recorded as a leader in 1953 for Vogue and Trutone, and in 1973 for Jazz Art.

NGC 1614, captured here by the NASA/ESA Hubble Space Telescope,  is an eccentrically-shaped galaxy ablaze with activity. The galaxy resides about 200 million light-years from Earth and is nestled in the southern constellation of Eridanus (The River).

NGC 1614 is the result of a past galactic merger which created its peculiar appearance. The cosmic collision also drove a turbulent flow of interstellar gas from the smaller of the two galaxies involved  into the nucleus of the larger one, resulting in a burst of star formation which started in the core and slowly spread outwards through the galaxy.

Owing to its turbulent past and its current appearance, astronomers classify NGC 1614 as a peculiar galaxy, a starburst galaxy, and a luminous infrared galaxy. Luminous infrared galaxies are among the most luminous objects in the local Universe — and NGC 1614 is, in fact, the second most luminous galaxy within 250 million light-years.

Patrick Bruce Metheny (/məˈθiːni/ mə-THEE-nee; born August 12, 1954) is an American jazz guitarist and composer.

He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, Latin jazz, and jazz fusion. Metheny has three gold albums and 20 Grammy Awards and is the only person to win Grammys in 10 categories. He is the brother of jazz flugelhornist Mike Metheny.

Metheny was born in Lee’s Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter.Metheny’s first instrument was trumpet, which he was taught by his brother, Mike. His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. Metheny’s interest in guitar increased around 1964 when he saw the Beatles perform on TV. For his 12th birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4.

Metheny’s life changed after hearing the album Four & More by Miles Davis. Soon after, he was captivated by Wes Montgomery‘s album Smokin’ at the Half Note which was released in 1965. He cites the Beatles, Miles Davis, and Wes Montgomery as having the biggest impact on his music.

When he was 15, he won a scholarship from Down Beat magazine to a one-week jazz camp where he was mentored by guitarist Attila Zoller, who then invited Metheny to New York City to see guitarist Jim Hall and bassist Ron Carter.

While playing at a club in Kansas City, he was approached by Bill Lee, a dean at the University of Miami, and offered a scholarship. After less than a week at college, Metheny realized that playing guitar all day during his teens had left him unprepared for classes. He admitted this to Lee, who offered him a job to teach instead, as the school had recently introduced electric guitar as a course of study.

Tony Oladipo Allen ( July 20th 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the primary co-founders of the genre of Afrobeat music. Fela once stated that, “without Tony Allen, there would be no Afrobeat.” He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”.

Allen’s career and life story were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with author/musician Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.

Allen was born in Lagos, Nigeria. He began playing drums at the age of 18, while working as an engineer for a radio station. Allen was influenced by music his father listened to Jùjú, a popular Yoruba music from the 1940s, but also American jazz, and the growing highlife scene in Nigeria and Ghana. Allen worked hard to develop a unique voice on the drums, feverishly studying LPs and magazine articles by Max Roach and Art Blakey, but also revolutionary Ghanaian drummer Guy Warren (later known as Kofi Ghanaba – who developed a highly sought-after sound that mixed tribal Ghanaian drumming with bop – working with Dizzy Gillespie, Charlie Parker, Thelonious Monk, and Max Roach).

Allen was hired by “Sir” Victor Olaiya to play claves with his highlife band, the Cool Cats. Allen was able to fill the drum set chair when the former Cool Cats drummer left the band. Allen later played with Agu Norris and the Heatwaves, the Nigerian Messengers, and the Melody Makers.

Alvis Edgar Owens Jr. (August 12, 1929 – March 25, 2006), known professionally as Buck Owens, was an American musician, singer, songwriter and band leader. He was the front man for Buck Owens and the Buckaroos, which had 21 No. 1 hits on the Billboard country music charts. He pioneered what came to be called the Bakersfield sound, named in honor of Bakersfield, California, Owens’ adopted home, and the city from which he drew inspiration for what he preferred to call “American music”.

While the Buckaroos originally featured a fiddle and retained pedal steel guitar into the 1970s, their sound on records and onstage was always more stripped-down and elemental. The band’s signature style was based on simple story lines, infectious choruses, a twangy electric guitar, an insistent rhythm supplied by a drum track placed forward in the mix, and high, two-part harmonies featuring Owens and his guitarist Don Rich.

From 1969 to 1986, Owens co-hosted the popular CBS television variety show Hee Haw with Roy Clark. According to his son, Buddy Alan (Owens), the accidental 1974 death of Rich, his best friend, devastated him for years and impacted his creative efforts until he performed with Dwight Yoakam in 1988.

Owens is a member of both the Country Music Hall of Fame and Nashville Songwriters Hall of Fame.

Owens was born on a farm in Sherman, Texas, to Alvis Edgar Owens Sr. and Maicie Azel (née Ellington).

In the biography About Buck., Rich Kienzle writes: “‘Buck’ was a donkey on the Owens farm.” “When Alvis Jr. was three or four years old, he walked into the house and announced that his name also was “Buck.” That was fine with the family, and the boy’s name became “Buck” from then on.” He attended public school for grades 1–3 in Garland, Texas.

Owens’ family moved to Mesa, Arizona, in 1937 during the Dust Bowl and Great Depression. While attending school in Arizona, Owens found that while he disliked formal schoolwork, he could often satisfy class requirements by singing or performing in school plays. As a result, he began to take part in such activities whenever he could.

oseph Charles “Joe” Jones (August 12, 1926 – November 27, 2005) was an American R&B singer, songwriter and arranger, who was born in New Orleans, Louisiana. Jones is also generally credited with discovering the Dixie Cups. He also worked with B.B. King. As a singer, Jones had his biggest hit in the form of the Top Five 1960 R&B hit “You Talk Too Much“, which also reached No. 3 on the Billboard Hot 100 chart.

Jones served in the U.S. Navy, where he played piano in a band, before studying music at the Juilliard Conservatory of Music. He formed a band, Joe Jones and his Atomic Rebops, in the late 1940s; band members played on Roy Brown‘s 1947 hit “Good Rocking Tonight“. He was expelled from the New Orleans local chapter of the American Federation of Musicians for attempting to set up a rival organization but was later reinstated.

Jones became a valet, then pianist and arranger for B.B. King. He recorded his first solo single, “Adam Bit the Apple”, for Capitol Records in 1954. He also discovered Shirley and Lee, whose recording of “Let the Good Times Roll” became a hit in 1956. In 1960, a re-recording of a song he had first recorded in 1958, “You Talk Too Much” on Roulette Records, became a national success,^[4] but his subsequent releases were less successful.

https://www.youtube.com/watch?v=2GOYYbiEul0