mick laBriola

Geoffrey Lamont Holder (August 1, 1930 – October 5, 2014) was a Trinidadian-American actor, dancer, musician and artist. He was a principal dancer for the Metropolitan Ballet before his film career began in 1957 with an appearance in Carib Gold. In 1973, he played the villainous Baron Samedi in the Bond film Live and Let Die. He also carried out advertising work as the pitchman for 7 Up.

Born in Port of Spain, Trinidad, Holder was one of the four children of Bajan and Trinidadian descent. He was educated at Tranquility School and Queen’s Royal College in Port of Spain. He made his performance debut at the age of seven in his brother Boscoe Holder‘s dance company.

Some astronomical objects have endearing or quirky nicknames, inspired by mythology or their own appearance. Take, for example, the constellation of Orion (The Hunter), the Sombrero Galaxy, the Horsehead Nebula, or even the Milky Way. However, the vast majority of cosmic objects appear in astronomical catalogues, and are given rather less poetic names based on the order of their discovery.

Two galaxies are clearly visible in this Hubble image, the larger of which is NGC 4424. This galaxy is catalogued in the New General Catalogue of Nebulae and lusters of Stars (NGC), which was compiled in 1888. The NGC is one of the largest astronomical catalogues, which is why so many Hubble Pictures of the Week feature NGC objects. In total there are 7840 entries in the catalogue and they are also generally the larger, brighter, and more eye-catching objects in the night sky, and hence the ones more easily spotted by early stargazers.

The smaller, flatter, bright galaxy sitting just below NGC 4424 is named LEDA 213994. The Lyon-Meudon Extragalactic Database (LEDA) is far more modern than the NGC. Created in 1983 at the Lyon Observatory it contains millions of objects. However, many NGC objects still go by their initial names simply because they were christened within the NGC first. No astronomer can resist a good acronym, and “LEDA” is more appealing than “the LMED”, perhaps thanks to the old astronomical affinity with mythology when it comes to naming things: Leda was a princess in Ancient Greek mythology.

Stanley Jordan (born July 31, 1959) is an American jazz guitarist whose technique involves tapping his fingers on the fretboard of the guitar with both hands.

Jordan was born in Chicago, Illinois. When he was six, he started on piano, then at eleven switched to guitar. He later began playing in rock and soul bands. In 1976, he won an award at the Reno Jazz Festival. At Princeton University, he studied music theory and composition with Milton Babbitt and computer music with Paul Lansky.^[2][3] While at Princeton he played with Benny Carter and Dizzy Gillespie.

In 1985, Bruce Lundvall became president of Blue Note Records and Stanley Jordan was the first person he signed. Blue Note released his album Magic Touch, which sat at No.1 on Billboard ‘s jazz chart for 51 weeks, setting a record.

Normally, a guitarist uses two hands to play each note. One hand presses down a guitar string behind a chosen fret to prepare the note, and the other hand either plucks or strums the string to play that note. Jordan’s touch technique is an advanced form of two-handed tapping. The guitarist produces a note using only one finger by quickly tapping (or hammering) his finger down behind the appropriate fret. The impact causes the string to vibrate enough to sound the note, and the volume can be controlled by varying the force of impact. Jordan taps with both hands, and more legato than is normally associated with guitar tapping. His technique allows the guitarist to play melody and chords simultaneously. It is also possible, as he has demonstrated, to play simultaneously on two different guitars, as well as guitar and piano.

Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on the Blue Note label. His collaborations with Jimmy Smith produced the 1965 Billboard Top Twenty hit album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian and Django Reinhardtas influences, along with blues guitarists T-Bone Walker and Muddy Waters. Furthermore, Jimi Hendrix and Stevie Ray Vaughan have cited Burrell as an influence. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music.

Burrell was born in Detroit, Michigan. Both his parents played instruments, and he began playing guitar at the age of 12 after listening Charlie Christian‘s recordings. During World War II, due to metal shortage, he abandoned the idea of becoming a saxophonist, and bought an acoustic guitarfor $10. He was inspired to play jazz after listening to Oscar Moore, but it was Django Reinhardt who showed him “that you could get your own individuality on an instrument.” He went on to study composition and theory with Louis Cabara and classical guitar with Joe Fava. While a student at Wayne State University, he made his recording debut as a member of Dizzy Gillespie‘s sextet in 1951, followed by the “Rose of Tangier”/”Ground Round” single recorded under his own name at Fortune Records in Detroit. While in college, Burrell founded the New World Music Society collective with fellow Detroit musicians Pepper Adams, Donald Byrd, Elvin Jones, and Yusef Lateef.

Henry Jones Jr. (July 31, 1918 – May 16, 2010), best known as Hank Jones, was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award. He was also honored in 2003 with the American Society of Composers, Authors, and Publishers (ASCAP) Jazz Living Legend Award. In 2008, he was awarded the National Medal of Arts. On April 13, 2009, the University of Hartford presented Jones with an honorary Doctorate of Music for his musical accomplishments.

Jones recorded more than 60 albums under his own name, and countless others as a sideman, including Cannonball Adderley‘s celebrated album Somethin’ Else. On May 19, 1962, he played piano as actress Marilyn Monroe sang her famous “Happy Birthday, Mr. President” song to then U.S. president John F. Kennedy.

Born in Vicksburg, Mississippi, Henry “Hank” Jones moved to Pontiac, Michigan, where his father, Henry Jones Sr. a Baptist deacon and lumber inspector, bought a three-story brick home. One of seven children, Jones was raised in a musical family. His mother Olivia Jones sang; his two older sisters studied piano; and his two younger brothers—Thad, a trumpeter, and Elvin, a drummer—also became prominent jazz musicians. He studied piano at an early age and came under the influence of Earl Hines, Fats Waller, Teddy Wilson, and Art Tatum. By the age of 13 Jones was performing locally in Michigan and Ohio. While playing with territory bands in Grand Rapids and Lansing in 1944 he met Lucky Thompson, who invited Jones to work in New York City at the Onyx Club with Hot Lips Page.

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

Recommended listenings for this palo include most singers from Cádiz, like Chano Lobato, La Perla de Cádiz, Aurelio Sellé, but also general singers like Manolo Caracol or La Niña de los Peines.

Also, you can listen “Mar Amargo” from Camarón and “La Tarde es Caramelo” from Vicente Amigo.

It is one of the cante chico forms of flamenco. The word Alegrías literally means “joys.”

While most spiral galaxies, including our own Milky Way, have two or more spiral arms, NGC 4725 has only one. In this sharp color composite image, the solo spira mirabilis seems to wind from a prominent ring of bluish, newborn star clusters and red tinted star forming regions. The odd galaxy also sports obscuring dust lanes a yellowish central bar structure composed of an older population of stars. NGC 4725 is over 100 thousand light-years across and lies 41 million light-years away in the well-groomed constellation Coma Berenices.

David William Sanborn (born July 30, 1945) is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school.

One of the most commercially successful American saxophonists to earn prominence since the 1980s, Sanborn is described by critic Scott Yannow as “the most influential saxophonist on pop, R&B, and crossover players of the past 20 years.” He is often identified with radio-friendly smooth jazz, but he has expressed a disinclination for the genre and his association with it.

Sanborn was born in Tampa, Florida, and grew up in Kirkwood, Missouri. He suffered from polio for eight years in his youth. He began playing saxophone on a physician’s advice to strengthen his weakened chest muscles and improve his breathing. Alto saxophonist Hank Crawford, at the time a member of Ray Charles‘s band, was an early and lasting influence on Sanborn.

Sanborn attended college at Northwestern University and studied music. But he transferred to the University of Iowa where he played and studied with saxophonist J.R. Monterose.

George “Buddy” Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues and has influenced guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a house guitarist at Chess Records and began a musical partnership with the harmonica player Junior Wells.

Guy was ranked 23rd in Rolling Stone magazine’s “100 Greatest Guitarists of All Time“. His song “Stone Crazy” was ranked 78th in the Rolling Stone list of the “100 Greatest Guitar Songs of All Time”. Clapton once described him as “the best guitar player alive”. In 1999, Guy wrote the book Damn Right I’ve Got the Blues, with Donald Wilcock. His autobiography, When I Left Home: My Story, was published in 2012.

Guy was born and raised in Lettsworth, Louisiana. His parents were sharecroppers and as a child, Guy would pick cotton for $2.50 per 100 pounds. He began learning to play the guitar using a two-string diddley bow he made. Later he was given a Harmony acoustic guitar which, decades later in Guy’s lengthy career, was donated to the Rock and Roll Hall of Fame.

Vernel Anthony Fournier (July 30, 1928 – November 4, 2000) and, from 1975, known as Amir Rushdan, was an American jazz drummer probably best known for his work with Ahmad Jamal from 1956 to 1962.

Fournier was born in New Orleans, Louisiana, into a Creole family. He left college to join a big band led by King Kolax. After Kolax downsized to a quintet, Fournier moved to Chicago in 1948, where he played with such musicians as Buster Bennett, Paul Bascomb and Teddy Wilson. As house drummer at the Bee Hive club on Chicago’s South Side in 1953-55, he accompanied many visiting soloists, including Lester Young, Ben Webster, Sonny Stitt, J.J. Johnson, Earl Washington and Stan Getz.

From 1953 to 1956, Fournier also worked many recording sessions with Al Smith, Red Holloway, Lefty Bates, and others. He joined Ahmad Jamal’s trio in 1957, along with bass player Israel Crosby, and remained with the group until 1962, appearing on a series of recordings for the Chess label. The best known of these, At the Pershing: But Not for Me (1958), became one of the best selling jazz records of all time, remaining on the Billboard jazz charts for over two years.

After leaving the Jamal trio, Fournier joined George Shearing for two years before rejoining Jamal briefly in 1965-66. He then took a long-running gig with a trio at a restaurant owned by Elijah Muhammad.

He converted to Islam in 1975, and took the Muslim name of Amir Rushdan.

He worked with Nancy Wilson, Clifford Jordan, Billy Eckstine and Joe Williams, John Lewis and Barry Harris. Fournier was also a teacher of drumming, working at Barry Harris’s Jazz Cultural Theater, the New School, and the Mannes College of Music.

This image, captured by the NASA/ESA Hubble Space Telescope, shows what happens when two galaxies become one. The twisted cosmic knot seen here is NGC 2623 — or Arp 243 — and is located about 250 million light-years away in the constellation of Cancer (The Crab).

NGC 2623 gained its unusual and distinctive shape as the result of a major collision and subsequent mergerbetween two separate galaxies. This violent encounter caused clouds of gas within the two galaxies to become compressed and stirred up, in turn triggering a sharp spike of star formation. This active star formation is marked by speckled patches of bright blue; these can be seen clustered both in the centre and along the trails of dust and gas forming NGC 2623’s sweeping curves (known as tidal tails). These tails extend for roughly 50 000 light-years from end to end. Many young, hot, newborn stars form in bright stellar clusters — at least 170 such clusters are known to exist within NGC 2623.

NGC 2623 is in a late stage of merging. It is thought that the Milky Way will eventually resemble NGC 2623 when it collides with our neighbouring galaxy, the Andromeda Galaxy, in four billion years time.

In contrast to the image of NGC 2623 released in 2009 (heic0912), this new version contains data from recent narrow-band and infrared observations that make more features of the galaxy visible.