mick laBriola

I have been invited to my 3rd Club Calabash with other local Reggae/Caribbean singers in town. I will do 2 acoustic Marley numbers. Selassie is the Chapel Nyabinghi and Put it On/Rude Boy Ska with looper not tracks.

The galaxy pictured in this Hubble Picture of the Week has an especially evocative name: the Medusa merger.

Often referred to by its somewhat drier New General Catalogue designation of NGC 4194, this was not always one entity, but two. An early galaxy consumed a smaller gas-rich system, throwing out streams of stars and dust out into space. These streams, seen rising from the top of the merger galaxy, resembles the writhing snakes that Medusa, a monster in ancient Greek mythology, famously had on her head in place of hair, lending the object its intriguing name.

The legend of Medusa also held that anyone who saw her face would transform into stone. In this case, you can feast your eyes without fear on the centre of the merging galaxies, a region known as Medusa’s eye. All the cool gas pooling here has triggered a burst of star formation, causing it to stand out brightly against the dark cosmic backdrop.

The Medusa merger is located about 130 million light-years away in the constellation of Ursa Major (The Great Bear).

Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with Morning Prayer, won the New York Jazz Award in 1979 and earned the Stereo ReviewRecord of the Year in 1981 for his album The Outside Within.

Freeman was introduced to the trumpet by his brother Everett, who found a trumpet in the family basement. Freeman began playing, inspired by artists such as Miles Davis. He went to Northwestern University in 1967 with a scholarship for mathematics and played the trumpet in the school, but did not begin playing the saxophone until his junior year. After practicing eight to ten hours per day and trying out for the saxophone section, Freeman quickly changed his major to music, and graduated in 1972. By that time he was proficient in saxophone, trumpet, and piano.

After graduation, Freeman taught at the Association for the Advancement of Creative Musicians School of Music in Chicago and started taking classes as a graduate student at Governors State University, earning a master’s degree in composition and theory. Although most of Freeman’s musical upbringing had been in jazz, at this time he began getting involved in blues music as well. He began playing at local Chicago clubs with artists such as Memphis Slim and Lucky Carmichael.

enjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie “Lockjaw” Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet.

Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City. “Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie “Lockjaw” Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant. He then spent 1964 to 1967 in Thelonious Monk‘s quartet. After Monk, he played with Alice Coltrane(intermittently between 1968 and 1975), Ron Carter (1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim.

Riley died in West Islip, New York on November 18, 2017, aged 84.

https://www.youtube.com/watch?v=GPnr2LFFlOk

Joseph Albert Morello (July 17, 1928 – March 12, 2011) was a jazz drummer best known for his work with the Dave Brubeck Quartet. He was particularly noted for playing in the unusual time signatures employed by that group in such pieces as “Take Five” and “Blue Rondo à la Turk“. Popular for its work on college campuses during the 1950s, Brubeck’s group reached new heights with Morello. In June 1959, Morello participated in a recording session with the quartet—completed by the alto saxophonist Paul Desmond and the bassist Eugene Wright—that yielded “Kathy’s Waltz” and “Three to Get Ready”, both of which intermingled 3/4 and 4/4 time signatures.Morello suffered from partial vision from birth, and devoted himself to indoor activities. At six years old, he began studying the violin. Three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.

At the age of 15, Morello met the violinist Jascha Heifetz and decided that he would never be able to equal Heifetz’s “sound”. Therefore, he switched to drumming, first studying with a show drummer named Joe Sefcik and then George Lawrence Stone, author of the noted drum textbook Stick Control for the Snare Drummer. Stone was so impressed with Morello’s ideas that he incorporated them into his next book, Accents & Rebounds, which is dedicated to Morello. Later, Morello studied with Radio City Music Hall percussionist Billy Gladstone.

After moving to New York City, Morello worked with numerous notable jazz musicians including Johnny Smith, Tal Farlow, Stan Kenton, Phil Woods, Sal Salvador, Marian McPartland, Jay McShann, Art Pepper, and Howard McGhee. After a period of playing in McPartland’s trio, Morello declined invitations to join both Benny Goodman and Tommy Dorsey‘s bands, favoring a temporary two-month tour with the Dave Brubeck Quartet in 1955. Morello remained with Brubeck for well over a decade, departing in 1968. Morello later became an in-demand clinician, teacher and bandleader whose former students include Danny Gottlieb, TigerBill Meligari, Bruce Springsteen E Street Band drummer Max Weinberg, Rich Galichon, Phish drummer Jon Fishman, Gary Feldman, Patrick Wante, Tony Woo, Frankie Valli and the Four Seasons drummer Gerry Polci, Jerry Granelli, RIOT drummer Sandy Slavin, retired Army Blues drummer Steve Fidyk, Glenn Johnson, Pittsburgh drummer Bennett Carlise, Level System author and professional drummer Jeff W. Johnson, and Bon Jovi drummer Tico Torres.

https://www.youtube.com/watch?v=7Kx1GVYPOos

Vincent Anthony Guaraldi /ɡəˈrældi/ (July 17, 1928 – February 6, 1976), born Vincent Anthony Dellaglio, was an American jazz pianist noted for his innovative compositions and arrangements and for composing music for animated television adaptations of the Peanuts comic strip including their signature melody, “Linus and Lucy“. He is also known for his performances on piano as a member of Cal Tjader‘s 1950s ensembles and for his own solo career. His 1962 composition “Cast Your Fate to the Wind” became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition.

Guaraldi was born in San Francisco’s North Beach area, a place that became very important to his blossoming musical career. His last name changed to “Guaraldi” after his mother, Carmella (née Marcellino), divorced his biological father (whose last name was Dellaglio) and married Tony Guaraldi, who adopted the boy. His maternal uncle was musician, singer, and whistler Muzzy Marcellino. He graduated from Lincoln High School, attended San Francisco State College, and served in the United States Army as a cook in the Korean War.

In flamenco a tango (Spanish pronunciation: [ˈtaŋɡo]) is one of the flamenco palos closely related in form and feeling to the rumba flamenca. It is often performed as a finale to a flamenco tiento. Its compás and llamada are the same as that of the farruca and share the farruca’s lively nature. However, the tango is normally performed in the A Phrygian mode. In some English sources the flamenco tango is written with an -s; “the tangos is…”

The flamenco tango is distinct from the flamenco rumba primarily through the guitar playing. In Rumba the guitar flows more freely, whereas in Tangos the accents on beats 2, 3 & 4 are marked clearly with heavy strumming.

The Great Attractor is a gravitational anomaly in intergalactic space and the apparent central gravitational point of the Laniakea Supercluster. The observed anomalies suggest a localized concentration of mass thousands of times more massive than the Milky Way. However, it is inconveniently obscured by our own Milky Way‘s galactic plane, lying behind the so-called Zone of Avoidance (ZOA), so in visible wavelengths the Great Attractor is difficult to observe directly.

The anomaly is observable by its effect on the motion of galaxies and their associated clusters over a region hundreds of millions of light-yearsacross. These galaxies are observable above and below the ZOA; all are redshifted in accordance with the Hubble Flow, indicating that they are receding relative to us and to each other, but the variations in their redshifts are large enough and regular enough to reveal that they are slightly drawn towards the anomaly. The variations in their redshifts are known as peculiar velocities, and cover a range from about +700 km/s to −700 km/s, depending on the angular deviation from the direction to the Great Attractor.

Desmond Dekker (16 July 1941 – 25 May 2006) was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group The Aces (consisting of Wilson James and Easton Barrington Howard), he had one of the earliest international reggae hits with “Israelites” (1968). Other hits include “007 (Shanty Town)” (1967), “It Mek” (1969) and “You Can Get It If You Really Want” (1970).

Desmond Adolphus Dacres was born in Saint Andrew Parish (Greater Kingston), Jamaica, on 16 July 1941. Dekker spent his formative years in Kingston. From a young age he regularly attended the local church with his grandmother and aunt. This early religious upbringing, as well as Dekker’s enjoyment of singing hymns, led to a lifelong religious commitment. Following his mother’s death, he moved to the parish of St. Mary and later to St. Thomas. While at St. Thomas, Dekker embarked on an apprenticeship as a tailor before returning to Kingston, where he became a welder. His workplace singing had drawn the attention of his co-workers, who encouraged him to pursue a career in music. In 1961 he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle), though neither audition was successful. The unsigned vocalist then auditioned for Leslie Kong‘s Beverley’s record label and was awarded his first recording contract. Despite achieving a record deal, it was two years before Dekker saw his first record released. Meanwhile, Dekker spotted the talent of Bob Marley, a fellow welder, and brought the youth to Kong’s attention. In 1962 Judge Not and One Cup Of Coffee became the first recorded efforts of Marley, who retained gratitude, respect and admiration for Dekker for the rest of his life. Eventually in 1963 Kong chose “Honour Your Mother and Father” (written by Dekker and the song that Dekker had sung in his Kong audition two years earlier), which became a Jamaican hit and established Dekker’s musical career. This was followed by the release of the tracks “Sinners Come Home” and “Labour for Learning”. It was during this period that Desmond Dacres adopted the stage-name of Desmond Dekker. His fourth hit, “King of Ska” (backing vocals by The Cherrypies, also known as The Maytals), made him into one of the island’s biggest stars. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, as his permanent backing vocalists to perform with him under the name Desmond Dekker and The Aces.

Rubén Blades Bellido de Luna (born July 16, 1948), known professionally as Rubén Blades (Spanish: [ruˈβem ˈblaðes], but [- ˈbleðz] in Panama and within the family), is a Panamanian musician, singer, composer, actor, activist, and politician, performing musically most often in the Afro-Cuban, salsa, and Latin jazz genres. As a songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Son Cubano salsa to his music, creating “thinking persons’ (salsa) dance music”. Blades has written dozens of hit songs, including “Pedro Navaja” and “El Cantante” (which became Héctor Lavoe‘s signature song). He has won nine Grammy Awardsout of seventeen nominations and five Latin Grammy Awards.

His acting career began in 1983, and has continued, sometimes with several-year breaks to focus on other projects. He has prominent roles in films such as Crossover Dreams (1985), The Milagro Beanfield War (1988), The Super (1991), Predator 2 (1992), Color of Night (1994), Safe House(2012), The Counselor (2013) and Hands of Stone (2016), along with three Emmy Award nominations for his performances in The Josephine Baker Story (1991), Crazy from the Heart (1992) and The Maldonado Miracle (2003). He portrayed Daniel Salazar, a main character on the TV series Fear the Walking Dead (2015–2017; 2019–present).

He is an icon in Panama and is much admired throughout Latin America and Spain, and managed to attract 17% of the vote in his failed attempt to win the Panamanian presidency in 1994. In September 2004, he was appointed minister of tourism by Panamanian president Martín Torrijos for a five-year term. He holds a Bachelor of Arts‘ Law degree from the University of Panama and an LL.M in International Law from Harvard University. He is married to singer Luba Mason.

https://www.youtube.com/watch?v=98MCSZo2DFM

Nathaniel Pierce Blish Jr., known professionally as Nat Pierce (July 16, 1925 – June 10, 1992) was an American jazz pianist and prolific composer and arranger, perhaps best known for being pianist and arranger for the Woody Herman band from 1951 to 1955. Pieces by Pierce were predominantly created for use in big bands.

Pierce was born in Somerville, Massachusetts. United States. Following schooling at the New England Conservatory and working as an amateur musician in the Boston area, Pierce then led his own band which featured Charlie Mariano from 1949 to 1951. After working with Woody Herman from 1951 to 1966 as chief arranger and assistant road manager, Pierce took residence in New York City and freelanced with musicians such as Pee Wee Russell, Lester Young, Emmett Berry and Ruby Braff.

From 1957 to 1959, Pierce led a band off and on which featured Buck Clayton, Gus Johnson and Paul Quinichette. He recorded with a number of other well-known musicians as well, including Quincy Jones, Coleman Hawkins and Pee Wee Russell. Pierce was noted for his ability to play piano in the Basie style and appeared on many releases by Basie sidemen. Pierce also arranged the music for The Sound of Jazz, a 1954 CBS television special hosted by John Crosby. Together with Frank Capp he founded the Capp/Pierce Juggernaut Band in 1975, which performed in to the 1990s.

Callen Radcliffe Tjader, Jr. (/ˈdʒeɪdər/ JAY-dər; July 16, 1925 – May 5, 1982) was an American Latin jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform the music of Cuba, the Caribbean, Mexico and Latin America for the rest of his life.

Tjader played the vibraphone primarily. He was accomplished on the drums, bongos, congas, timpani, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing jazz with Latin music is often categorized as “Latin jazz” (or, earlier, “Afro-Cuban jazz“), Tjader’s works swung freely between both styles. His Grammy award in 1980 for his album La Onda Va Bien capped off a career that spanned over forty years.

Callen Radcliffe Tjader, Jr. was born 16 July 1925 in St. Louis, Missouri, to touring Swedish American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to city with their troupe to earn a living. When he was two, Tjader’s parents settled in San Mateo, California, and opened a dance studio. His mother (who dreamed of becoming a concert pianist) instructed him in classical piano and his father taught him to tap dance. He performed around the Bay Area as “Tjader Junior,” a tap-dancing wunderkind. He performed a brief non-speaking role dancing alongside Bill “Bojangles” Robinson in the film The White of the Dark Cloud of Joy.

Bola Sete (born Djalma de Andrade) (July 16, 1923 – February 14, 1987) was a Brazilian guitarist. Sete played jazz with Vince Guaraldi and Dizzy Gillespie.

Born in Rio de Janeiro, Bola Sete’s name means “Seven Ball”. In snooker, which is fairly popular in Brazil, the seven ball is the only black ball on the table (like the eight ball in pool), and Bola got this nickname when he was the only black member of a small jazz group.

Sete studied guitar at the Conservatory of Rio. He started performing with his own sextet and local samba groups while he was a student. His early influences were guitarists Django Reinhardt, Charlie Christian, Barney Kessel, George Van Eps, and Oscar Moore of the Nat King Cole Trio. He admired the big bands that were touring South America at that time, led by Dizzy Gillespie, Tommy Dorsey, and Woody Herman.