Hazel Scott (June 11, 1920 – October 2, 1981) was a Trinidadian-born jazz and classical pianist, singer, and actor. She was a critically acclaimed performing artist and an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of black Americans in film.

Born in Port of Spain, Scott moved to New York City with her mother at the age of four. Scott was a child musical prodigy, receiving scholarships to study at the Juilliard School when she was eight. In her teens, she performed in a jazz band. She also performed on the radio.

She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first black American to host her own TV show, The Hazel Scott Show. Her career in America faltered after she testified before the House Un-American Activities Committee in 1950 during the McCarthy era. Scott subsequently moved to Paris in 1957 and began performing in Europe, not returning to the United States until 1967.

Born in Port of Spain, Trinidad and Tobago, on June 11, 1920, Hazel Dorothy Scott was the only child of R. Thomas Scott, a West African scholar from Liverpool, England, and Alma Long Scott, a classically trained pianist, and music teacher. In 1924, the family moved to the United States and settled in Harlem, New York City. By that time, Scott could play anything she heard on the piano. With her mother’s guidance and training, she mastered advanced piano techniques and was labeled a child prodigy. A few years later, when Scott was eight years old, Professor Paul Wagner of the Juilliard School of Music, accepted her as his own student. In 1933, her mother organized her own “Alma Long Scott’s All-Girl Jazz Band,” where Scott played the piano and trumpet.

Clarence Smith (June 11, 1904 – March 15, 1929), better known as Pinetop Smith or Pine Top Smith, was an American boogie-woogie style blues pianist. His hit tune “Pine Top’s Boogie Woogie” featured rhythmic “breaks” that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock & roll. The song was also the first known use of the term “boogie woogie” on a record, and cemented that term as the moniker for the genre.

Smith was born to an African American family in Troy, Alabama and raised in Birmingham, Alabama. He received his nickname as a child from his liking for climbing trees. In 1920 he moved to Pittsburgh, Pennsylvania, where he worked as an entertainer before touring on the T. O. B. A.vaudeville circuit, performing as a singer and comedian as well as a pianist. For a time he worked as accompanist for blues singer Ma Rainey and Butterbeans and Susie.

In the mid-1920s he was recommended by Cow Cow Davenport to J. Mayo Williams at Vocalion Records, and in 1928 he moved, with his wife and young son, to Chicago, Illinois to record. For a time he, Albert Ammons, and Meade Lux Lewis lived in the same rooming house. On December 29, 1928, he recorded his influential “Pine Top’s Boogie Woogie”, one of the first “boogie woogie” style recordings to make a hit, and which cemented the name for the style. It was also the first recording to have the phrase ‘boogie woogie’ in the song’s title. Smith talks over the recording, telling how to dance to the number. He said he originated the number at a house-rent party in St. Louis, Missouri. Smith was the first ever to direct “the girl with the red dress on” to “not move a peg” until told to “shake that thing” and “mess around”. Similar lyrics are heard in many later songs, including “Mess Around” and “What’d I Say” by Ray Charles. Smith was scheduled to make another recording session for Vocalion in 1929, but died from a gunshot wound in a dance-hall fight in Chicago the day before the session. Sources differ as to whether he was the intended recipient of the bullet. “I saw Pinetop spit blood” was the famous headline in Down Beat magazine.

The Trapezium cluster

This image shows a colour composite of near-infrared images of the central regions of the Orion Nebula, obtained on March 14, 2000, with the SOFI instrument at the ESO 3.5-m New Technology Telescope (NTT) at La Silla. Three exposures were made through J- (wavelength 1.25 µm here colour-coded as “blue”), H- (1.65 µm; “green”) and Ks-filters (2.16 µm; “red”), respectively. The central group of bright stars is the famous “Trapezium” . The total effective exposure time was 86.4 seconds per band. The sky field measures about 4.9 x 4.9 arcmin 2 (1024 x 1024 pix 2). North is up and East is left.

Gary Thomas (born June 10, 1961, Baltimore, Maryland) is an American jazz saxophonist and flautist from Baltimore, Maryland. He was a member of Jack DeJohnette‘s Special Edition band and has worked with John McLaughlin, Herbie Hancock, Pat Metheny, John Scofield, Jim Hall, Dave Holland, Greg Osby, Wayne Shorter, Ravi Coltrane, Cassandra Wilson, Wallace Roney, Steve Coleman, and Miles Davis.

Thomas was the Director and Chair of Jazz Studies at Johns Hopkins University in Baltimore.

Max Alfred “Maxi” Elliott (born 10 June 1961), known by his stage name Maxi Priest, is a British reggae vocalist of Jamaican descent. He is best known for singing reggae music with an R&B influence, otherwise known as reggae fusion. He was one of the first international artists to have success in this genre, and one of the most successful reggae fusion acts of all time.

Maxi Priest was born in Lewisham, London, the second youngest of nine brothers and sisters. His parents had moved to England from Jamaica to provide more opportunity for their family and he grew up listening to gospel, reggae, R&B, and pop music. He first learned to sing in church, encouraged by his mother, who was a Pentecostal missionary. Maxi grew up listening to Jamaican greats such as Dennis Brown, John Holt, Ken Boothe and Gregory Isaacs as well as singers like Marvin Gaye, Al Green, the Beatles, Phil Collins and Frank Sinatra.

João Gilberto (born João Gilberto Prado Pereira de Oliveira – Portuguese: [ʒuˈɐ̃w ʒiwˈbɛʁtu]; June 10, 1931 – July 6, 2019), was a Brazilian singer, songwriter, and guitarist, who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world he was often called “father of bossa nova”; in his native Brazil, he was referred to as “O Mito” (“The Legend”).

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was a Chicago blues singer, guitarist, and harmonica player. Originally from Mississippi, he moved to Chicago in adulthood and became successful, forming a rivalry with fellow bluesman Muddy Waters. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” Producer Sam Phillips recalled, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.'” Several of his songs, including “Smokestack Lightnin’“, “Killing Floor” and “Spoonful“, have become blues and blues rock standards. In 2011, Rolling Stone magazine ranked him number 54 on its list of the “100 Greatest Artists of All Time“.

Chester Arthur Burnett was born on June 10, 1910, in White Station, Mississippi to Gertrude Jones and Leon “Dock” Burnett.He would later say that his father was “Ethiopian”, while Jones had Choctaw ancestry on her father’s side. He was named for Chester A. Arthur, the 21st President of the United States. His physique garnered him the nicknames “Big Foot Chester” and “Bull Cow” as a young man: he was 6 feet 3 inches (191 cm) tall and often weighed close to 300 pounds (136 kg).

The name “Howlin’ Wolf” originated from Burnett’s maternal grandfather, who would admonish him for killing his grandmother’s chicks from reckless squeezing by warning him that wolves in the area would come and get him; the family would continue this by calling Burnett “the Wolf”. The blues historian Paul Oliver wrote that Burnett once claimed to have been given his nickname by his idol Jimmie Rodgers. In 1930, Burnett met Charley Patton, the most popular bluesman in the Mississippi Delta at the time. He would listen to Patton play nightly from outside a nearby juke joint. There he remembered Patton playing “Pony Blues“, “High Water Everywhere“, “A Spoonful Blues”, and “Banty Rooster Blues”. The two became acquainted, and soon Patton was teaching him guitar. Burnett recalled that “the first piece I ever played in my life was … a tune about hook up my pony and saddle up my black mare”—Patton’s “Pony Blues”. He also learned about showmanship from Patton: “When he played his guitar, he would turn it over backwards and forwards, and throw it around over his shoulders, between his legs, throw it up in the sky”. Burnett would perform the guitar tricks he learned from Patton for the rest of his life. He played with Patton often in small Delta communities.

Burnett was influenced by other popular blues performers of the time, including the Mississippi Sheiks, Blind Lemon Jefferson, Ma Rainey, Lonnie Johnson, Tampa Red, Blind Blake, and Tommy Johnson. Two of the earliest songs he mastered were Jefferson’s “Match Box Blues” and Leroy Carr‘s “How Long, How Long Blues“. The country singer Jimmie Rodgers was also an influence. Burnett tried to emulate Rodgers’s “blue yodel” but found that his efforts sounded more like a growl or a howl: “I couldn’t do no yodelin’, so I turned to howlin’. And it’s done me just fine”. His harmonica playing was modeled after that of Sonny Boy Williamson II, who taught him how to play when Burnett moved to Parkin, Arkansas, in 1933.

Three-colour composite mosaic image of the Eagle Nebula (Messier 16, or NGC 6611), based on images obtained with the Wide-Field Imager camera on the MPG/ESO 2.2-metre telescope at the La Silla Observatory. At the centre, the so-called “Pillars of Creation” can be seen. This wide-field image shows not only the central pillars, but also several others in the same star-forming region, as well as a huge number of stars in front of, in, or behind the Eagle Nebula. The cluster of bright stars to the upper right is NGC 6611, home to the massive and hot stars that illuminate the pillars. The “Spire” — another large pillar — is in the middle left of the image.

Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era.

Born in Philadelphia, Pennsylvania, Kenny Barron is the younger brother of tenor saxophonist Bill Barron (1927–1989). One of his first gigs was as pianist with the Dizzy Gillespie quartet. Barron was briefly a member of the Jazztet around 1962, but did not record with them. He graduated in 1978 with a BA in Arts from Empire State College (Metropolitan Center, New York City). He co-led the groups Sphere and the Classical Jazz Quartet. Between 1987 and 1991, Barron recorded several albums with Stan Getz, most notably Voyage, Bossas & Ballads – The Lost Sessions, Serenity, Anniversary and People Time, a two-CD set. He has been nominated nine times for Grammy Awards and for the American Jazz Hall of Fame. He was elected a Fellow of the American Academy of Arts and Sciences in 2009.

https://www.youtube.com/watch?v=K7KM5Tu49JA

James Edgar Spruill (June 9, 1934 – February 3, 1996), also known as Wild Jimmy Spruill, was an American New York based session guitarist, whose guitar solos featured on many rhythm and blues and pop hits of the 1950s and 1960s.

Spruill was born into a sharecropping family in Fayetteville, North Carolina, United States. As a child he listened to both country music and blues. He learned to play guitar, first with a cigar box guitar with an elastic band, and then graduated within a few years to a Fender Telecaster and Standel amplifier. Later in his career, he took to playing a Gibson Les Paul which he “modified” by sawing off most of the body.

He moved to New York City in 1955, and began working as a session musician. He most frequently worked for the record producers Danny and Bobby Robinson, who ran the Fire, Fury, Everlast, Enjoy and VIM record labels based at Bobby Robinson’s Happy House of Hits record store in Harlem. He also worked for the Old Town, Vanguard and other New York-based labels, and appeared on records by King Curtis, Little Anthony and the Imperials, the Shirelles, Tarheel Slim, and Elmore James, as well as releasing singles under his own name.

In May 1959 “The Happy Organ” by Dave “Baby” Cortez reached the top of the Billboard pop chart and was succeeded, the following week, by Wilbert Harrison‘s “Kansas City“; both records featured guitar solos by Spruill. Another well-known recording on which Spruill plays is “Fannie Mae” by Buster Brown, which hit the top of the R&B charts in early 1960. In 1961, he featured on Bobby Lewis‘s no.1 hit “Tossin’ and Turnin’“, and at the same time featured on The Shirelles‘ “Dedicated to the One I Love“, which peaked at no.3.

Lester William Polsfuss (June 9, 1915 – August 12, 2009 Waukesha, WI), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his techniques served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. He is credited with many recording innovations. Although he was not the first to use the technique, his early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing effects and multitrack recording were among the first to attract widespread attention.

His innovative talents extended into his playing style, including licks, trills, chording sequences, fretting techniques and timing, which set him apart from his contemporaries and inspired many guitarists of the present day. He recorded with his wife, the singer and guitarist Mary Ford, in the 1950s, and they sold millions of records.

Among his many honors, Paul is one of a handful of artists with a permanent, stand-alone exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an “architect” and a “key inductee” with Sam Phillips and Alan Freed. Les Paul is the only person to be included in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame.

Cole Albert Porter (June 9, 1891 – October 15, 1964 Peru, IN) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.

Born to a wealthy family in Indiana, Porter defied his grandfather’s wishes and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and ’30s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It won the first Tony Award for Best Musical.

Porter’s other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Anything Goes, Can-Can and Silk Stockings. His numerous hit songs include “Night and Day“, “Begin the Beguine“, “I Get a Kick Out of You“, “Well, Did You Evah!“, “I’ve Got You Under My Skin“, “My Heart Belongs to Daddy” and “You’re the Top“. He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song “You’d Be So Easy to Love“; Rosalie (1937), which featured “In the Still of the Night“; High Society (1956), which included “True Love“; and Les Girls (1957).