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Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time-keeping and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.” He was inducted into the Modern Drummer Hall of Fame in 2013.

Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander’s Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander’s Ragtime Band sessions. Other solo albums include Purdie Good! (1971), Soul Is… Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).

In the mid-1990s he was a member of the 3B’s, with Bross Townsend and Bob Cunningham.

Purdie was born on June 11, 1939, in Elkton, Maryland, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin’s opening act, saxophonist King Curtis and the King Pins. From March 5 to March 7, 1971, he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at Fillmore West (1971) and King Curtis’s Live at Fillmore West (1971). His best known track with Franklin was “Rock Steady”,^[13] on which he played what he described as “a funky and low down beat”. Of his time with Franklin he once commented that “backing her was like floating in seventh heaven”.

Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film.

Born in Port of Spain, Scott moved to New York City with her mother at the age of four. Scott was a child musical prodigy, receiving scholarships to study at the Juilliard School when she was eight. In her teens, she performed at Café Society while still at school. She also performed on the radio.

She was active as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first black American to host her own TV show, The Hazel Scott Show. Her career in the United States faltered after she testified before the House Un-American Activities Committee in 1950 during the era of McCarthyism. Scott subsequently moved to Paris, France, in 1957 and began performing in Europe, not returning to the United States until 1967.

Born in Port of Spain, Trinidad and Tobago, on June 11, 1920, Hazel Dorothy Scott was the only child of R. Thomas Scott, a West African scholar from Liverpool, England, and Alma Long Scott, a classically trained pianist, and music teacher. In 1924, the family moved from Trinidad to the United States and settled in Harlem, New York City. Her parents had separated by this time, and Scott lived with her mother and grandmother.

Sheldon “Shelly” Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs.

Sheldon “Shelly” Manne was born June 11, 1920, in Manhattan, New York City, New York. Manne’s father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne’s father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement.

From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known, he recorded with jazz stars like Coleman Hawkins, Charlie Shavers, and Don Byas. He also worked with a number of musicians mainly associated with Duke Ellington, like Johnny Hodges, Harry Carney, Lawrence Brown, and Rex Stewart.

Mickey Jones (June 10, 1941 – February 7, 2018) was an American musician and actor. He played drums with acts such as Trini Lopez and Bob Dylan, with whom he played on his 1966 world tour. He became a founding member of The First Edition with singer Kenny Rogers, and played on all of their albums. Overall, Jones played on 17 gold records from his musical career of over two decades.

After the break-up of The First Edition in 1976, Jones concentrated on his career as a character actor, where he made many appearances in film and television. Mickey Jones was born on June 10, 1941, in Houston, Texas, to Fred Edward Jones, a U.S. Navy officer, and Frances Marie (née Vieregge) Jones, a homemaker. His sister, Cheryl Marie, died in 2006.

Jones attended Sunset High School in the Oak Cliff neighborhood of Dallas. It was during this time that he obtained and learned to play his first set of drums. After sitting in with several local bands, Jones and four schoolmates formed their own band, called The Catalinas. Although the band saw some local success, he was replaced by a new drummer, as Jones was only sixteen at the time, and the band wanted someone who was of legal age.

Charnett Moffett (June 10, 1967 – April 11, 2022) was an American jazz bassist.^[1] A consummate and versatile bassist, and composer, he was an apparent child prodigy. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalisand Branford Marsalis.

In 1987, he recorded his debut album Netman for Blue Note Records. He worked with Art Blakey, Ornette Coleman, Pharoah Sanders, Dizzy Gillespie, Ellis Marsalis, Sonny Sharrock, Stanley Jordan, Wallace Roney, Arturo Sandoval, Courtney Pine, David Sanborn, David Sánchez, Dianne Reeves, Frank Lowe, Harry Connick, Jr., Herbie Hancock, Joe Henderson, Kenny Garrett, Kenny Kirkland, Kevin Eubanks, Lew Soloff, Manhattan Jazz Quintet, Melody Gardot, Mulgrew Miller and Tony Williams.

João Gilberto (born João Gilberto do Prado Pereira de Oliveira – Portuguese: [ʒuˈɐ̃w ʒiwˈbɛʁtu]; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the “father of bossa nova”; in his native Brazil, he was referred to as “O Mito” (“The Legend”). In 1965, the album Getz/Gilbertowas the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.

Nehemiah Curtis “Skip” James (June 9, 1902 – October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: “Coupling an oddball guitar tuning set against eerie, falsetto vocals, James’ early recordings could make the hair stand up on the back of your neck.”

His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.

After a long absence from the public eye, James was rediscovered in 1964 by blues enthusiasts including John Fahey, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country, and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by numerous artists. He has been hailed as “one of the seminal figures of the blues”.

Nehemiah Curtis James was born on June 9, 1902, in a segregated hospital near Bentonia, Mississippi.His mother Phyllis worked as a cook and babysitter on the Woodbine Plantation, which was 15 miles south of Yazoo City. His father Eddie James, a bootlegger who was described as a “local lowlife” by Stephen Calt, left the family around 1907. He later reformed and became a preacher. As a youth, James heard local musicians, such as Henry Stuckey, from whom he learned to play the guitar, and the brothers Charlie and Jesse Sims. His mother bought him a $2.50 guitar, which was his first instrument. James later began playing the organ in his teens. He later left Bentonia in 1919, and began working on road construction and levee-building crews in Mississippi in the early 1920s, and wrote what is perhaps his earliest song, “Illinois Blues”, about his experiences as a laborer. He began playing the guitar in open D-minor tuning.

Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era.

Barren was born in Philadelphia, Pennsylvania. He had four siblings; his eldest brother was tenor saxophonist Bill Barron (1927–1989). At the age of 15, Barron played briefly with Mel Melvin’s orchestra. In 1959, still at school, Barron had local gigs with saxophonist Jimmy Heath. He also played a gig with Yusef Lateef two months before graduating high school.

A few days after graduating, Barron set off on a week-long tour with Lateef. Seeking to further his musical career, Barron moved to New York in 1961. He soon had a regular spot in saxophonist James Moody‘s band, and in the same year he was briefly a sideman with bands led by Lou Donaldson, Roy Haynes, and Lee Morgan. Barron then joined Dizzy Gillespie‘s band, with which he toured internationally between 1962 and 1966. Barron was briefly a member of the Jazztet around 1962, but did not record with them. In the 1960s, he also married and moved to Brooklyn.