mick laBriola

Kenny Drew Jr. (June 14, 1958 – August 3, 2014) was an American jazz pianist. His music is known for its hard-swinging bluesy sound and large, two-handed rooty chords contrasting with fast runs. The son of jazz pianist Kenny Drew, he did not credit his father as an influence.

His initial study was in classical music with his aunt and grandmother. In his teens he became interested in jazz and pop, but initially worked in funk bands. Later he went into jazz piano and in 1990 won The Great American Jazz Piano Competition in Jacksonville, Florida. Drew continued to perform jazz, but he also performed some chamber music. His style has some similarities to his father’s, but is different enough to generally avoid comparison; he was considered the more eclectic of the two men.

William M. “Wild Bill” Moore (June 13, 1918 – August 1, 1983) was an American R&B and jazz tenor saxophone player. Moore earned a modest hit on the Hot R&B charts with “We’re Gonna Rock, We’re Gonna Roll”, which also was one of the earliest rock and roll records according to some sources.

Moore was born in Detroit Michigan and began playing the alto saxophone at an early age. However, prior to his musical career, he was an amateur boxer, winning Michigan’s Golden Gloves light heavyweight championship in 1937, before briefly turning professional. By the early 1940s, Moore abandoned his boxing career in favor of music, and was inspired by musicians Chu Berry and Illinois Jacquet to switch to tenor saxophone. In 1944, he made his recording debut, accompanying Christine Chatman, the wife of Memphis Slim, for Decca Records. Between 1945 and 1947, Moore was performing and recording in Los Angeles with Slim Gaillard, Jack McVea, Big Joe Turner, Dexter Gordon, and played on Helen Humes’ hit recording, “Be-Baba-Leba”.

Esther Zaied, better known by her married name Esther Ofarim (Hebrew: אסתר עופרים; born June 13, 1941), is an Israeli singer. She came second in the 1963 Eurovision Song Contest with the song “T’en va pas“, representing Switzerland. After marrying Abi Ofarim in 1958, she was half of the husband-and-wife folk duo Esther & Abi Ofarim in the 1960s. After the couple divorced, she undertook a successful solo career.

Esther Zaied was born in Safed to a Syrian Jewish family. She began performing as a child, singing Hebrew and international folk songs. In 1958, Esther met Abi Ofarim, a guitarist and dancer, who she later married. She was a student in his dance studio in Haifa. Esther served four months in the Israeli Army before she was discharged owing to her marriage to Abi.

Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher.

Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer.

In the mid-1950s, Zoller moved to Germany and played with German musicians Jutta Hipp and Hans Koller. When American jazz musicians passed through, such as Oscar Pettiford and Lee Konitz, they persuaded him to move to the United States. He moved to the U.S. after receiving a scholarship to the Lenox School of Jazz. One of his teachers was guitarist Jim Hall and his roommate was Ornette Coleman, who got him interested in free jazz.

David Brian Nelson (born June 12, 1943) is an American musician, singer, and songwriter. He is perhaps best known as a co-founder and longtime member of the New Riders of the Purple Sage.

Nelson started his musical career playing folk and bluegrass music, most notably as a member of The Wildwood Boys with Jerry Garcia. Shortly after his friend and former bandmate began to play rock music with The Warlocks (subsequently renamed the Grateful Dead), Nelson joined the similarly inclined New Delhi River Band. Although they lacked the managerial acumen and cultural cachet of the Grateful Dead and elected to remain in East Palo Alto, California unlike the former group, who soon relocated to the Haight-Ashbury district of San Francisco, the New Delhi River Band were considered to be the house band of The Barn (one of the region’s few viable concert venues outside of San Francisco) in Scotts Valley, California by late 1966. The group continued to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.

Geri Antoinette Allen (June 12, 1957 – June 27, 2017) was an American jazz pianist, composer, and educator. She taught at the University of Michigan and the University of Pittsburgh.

Allen was born in Pontiac, Michigan, on June 12, 1957, and grew up in Detroit. “Her father, Mount Allen Jr, was a school principal, her mother, Barbara, a government administrator in the defence industry.”Allen was educated in Detroit Public Schools.^[3] She started playing the piano at the age of seven, and settled on becoming a jazz pianist in her early teens.

Allen graduated from Howard University‘s jazz studies program in 1979. She then continued her studies: with pianist Kenny Barron in New York; and at the University of Pittsburgh, where she completed a master’s degree in ethnomusicology in 1982. After this, she returned to New York.

Allen died on June 27, 2017, two weeks after her 60th birthday, in Philadelphia, Pennsylvania, after suffering from cancer.

Marcus Batista Belgrave (June 12, 1936 – May 24, 2015) was an American jazz trumpet player from Detroit, born in Chester, Pennsylvania. He recorded with numerous musicians from the 1950s onwards. Belgrave was inducted into the class of 2017 of the National Rhythm & Blues Hall of Fame in Detroit, Michigan.

Belgrave was tutored by Clifford Brown before joining the Ray Charles touring band. Belgrave later worked with Motown Records, and recorded with Martha Reeves and the Vandellas, The Temptations, The Four Tops, Gunther Schuller, Carl Craig, Max Roach, Ella Fitzgerald, Charles Mingus, Tony Bennett, La Palabra, Sammy Davis Jr., Dizzy Gillespie, Odessa Harris and John Sinclair, plus more recently with his wife Joan Belgrave, among others.

Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time-keeping and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.” He was inducted into the Modern Drummer Hall of Fame in 2013.

Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander’s Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander’s Ragtime Band sessions. Other solo albums include Purdie Good! (1971), Soul Is… Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).

In the mid-1990s he was a member of the 3B’s, with Bross Townsend and Bob Cunningham.

Purdie was born on June 11, 1939, in Elkton, Maryland, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin’s opening act, saxophonist King Curtis and the King Pins. From March 5 to March 7, 1971, he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at Fillmore West (1971) and King Curtis’s Live at Fillmore West (1971). His best known track with Franklin was “Rock Steady”,^[13] on which he played what he described as “a funky and low down beat”. Of his time with Franklin he once commented that “backing her was like floating in seventh heaven”.