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Spiral galaxy Messier 66 lies a mere 35 million light-years away. The gorgeous island universe is about 100 thousand light-years across, similar in size to the Milky Way. This Hubble Space Telescope close-up view spans a region about 30,000 light-years wide around the galactic core. It shows the galaxy’s disk dramatically inclined to our line-of-sight. Surrounding its bright core, the likely home of a supermassive black hole, obscuring dust lanes and young, blue star clusters sweep along spiral arms dotted with the tell-tale glow of pinkish star forming regions. Messier 66, also known as NGC 3627, is the brightest of the three galaxies in the gravitationally interacting Leo Triplet.
more...William M. “Wild Bill” Moore (June 13, 1918 – August 1, 1983) was an American R&B and jazz tenor saxophone player. Moore earned a modest hit on the Hot R&B charts with “We’re Gonna Rock, We’re Gonna Roll”, which also was one of the earliest rock and roll records according to some sources.
Moore was born in Detroit Michigan and began playing the alto saxophone at an early age. However, prior to his musical career, he was an amateur boxer, winning Michigan’s Golden Gloves light heavyweight championship in 1937, before briefly turning professional. By the early 1940s, Moore abandoned his boxing career in favor of music, and was inspired by musicians Chu Berry and Illinois Jacquet to switch to tenor saxophone. In 1944, he made his recording debut, accompanying Christine Chatman, the wife of Memphis Slim, for Decca Records. Between 1945 and 1947, Moore was performing and recording in Los Angeles with Slim Gaillard, Jack McVea, Big Joe Turner, Dexter Gordon, and played on Helen Humes’ hit recording, “Be-Baba-Leba”.
more...Uriel Jones (June 13, 1934 – March 24, 2009) was an American musician. Jones was a recording session drummer for Motown‘s in-house studio band, the Funk Brothers, during the 1960s and early 1970s.
Jones was first hired by Motown as a fill-in for principal drummer Benny Benjamin; along with Richard “Pistol” Allen, he moved up the line as recordings increased and Benjamin’s health deteriorated. Hits that Jones played drums on include “Ain’t No Mountain High Enough” – both versions, by Marvin Gaye & Tammi Terrell in 1967 and the 1970 remake by Diana Ross, “I Heard It Through the Grapevine” and “Ain’t That Peculiar” by Marvin Gaye, “Cloud Nine” (in which he was augmented by Spider Webb), “I Can’t Get Next to You“, and “Ain’t Too Proud to Beg” by the Temptations, “What Becomes of the Brokenhearted” by Jimmy Ruffin, Jr. Walker‘s “Home Cookin’,” “The Tracks of My Tears” and “I Second That Emotion” by Smokey Robinson & the Miracles, and “For Once in My Life” by Stevie Wonder. His influences included jazz drummer Art Blakey. For his Motown recordings, Jones performed on a studio set composed of Ludwig, Slingerland, Rogers and Gretsch components and possibly Zildjiancymbals. Jones became better known to music fans through his appearance in the feature documentary film, Standing in the Shadows of Motown. Motown arranger Paul Riser said of Jones that “Uriel’s drum sound was the most open and laid-back, and he was the funkiest of the three guys we had…He had a mixed feel and did a lot of different things well.”
more...Esther Zaied, better known by her married name Esther Ofarim (Hebrew: אסתר עופרים; born June 13, 1941), is an Israeli singer. She came second in the 1963 Eurovision Song Contest with the song “T’en va pas“, representing Switzerland. After marrying Abi Ofarim in 1958, she was half of the husband-and-wife folk duo Esther & Abi Ofarim in the 1960s. After the couple divorced, she undertook a successful solo career.
Esther Zaied was born in Safed to a Syrian Jewish family. She began performing as a child, singing Hebrew and international folk songs. In 1958, Esther met Abi Ofarim, a guitarist and dancer, who she later married. She was a student in his dance studio in Haifa. Esther served four months in the Israeli Army before she was discharged owing to her marriage to Abi.
more...Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher.
Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer.
In the mid-1950s, Zoller moved to Germany and played with German musicians Jutta Hipp and Hans Koller. When American jazz musicians passed through, such as Oscar Pettiford and Lee Konitz, they persuaded him to move to the United States. He moved to the U.S. after receiving a scholarship to the Lenox School of Jazz. One of his teachers was guitarist Jim Hall and his roommate was Ornette Coleman, who got him interested in free jazz.
more...This powerful feline appearing nebula is powered by two massive stars, each with a mass over 20 times greater than our Sun. Formed from shells of ionized gasthat have expanded, the nebula’s energetic matter not only glows, but is dense enough to contract gravitationally and form stars. The angular size of the Lion Nebula, officially named Sh2-132, is slightly greater than that of the full moon. The gaseous iconic region resides about 10,000 light years away in a constellation named after the King of Aethopia in Greek mythology.
more...David Brian Nelson (born June 12, 1943) is an American musician, singer, and songwriter. He is perhaps best known as a co-founder and longtime member of the New Riders of the Purple Sage.
Nelson started his musical career playing folk and bluegrass music, most notably as a member of The Wildwood Boys with Jerry Garcia. Shortly after his friend and former bandmate began to play rock music with The Warlocks (subsequently renamed the Grateful Dead), Nelson joined the similarly inclined New Delhi River Band. Although they lacked the managerial acumen and cultural cachet of the Grateful Dead and elected to remain in East Palo Alto, California unlike the former group, who soon relocated to the Haight-Ashbury district of San Francisco, the New Delhi River Band were considered to be the house band of The Barn (one of the region’s few viable concert venues outside of San Francisco) in Scotts Valley, California by late 1966. The group continued to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.
more...Geri Antoinette Allen (June 12, 1957 – June 27, 2017) was an American jazz pianist, composer, and educator. She taught at the University of Michigan and the University of Pittsburgh.
Allen was born in Pontiac, Michigan, on June 12, 1957, and grew up in Detroit. “Her father, Mount Allen Jr, was a school principal, her mother, Barbara, a government administrator in the defence industry.”Allen was educated in Detroit Public Schools.[3] She started playing the piano at the age of seven, and settled on becoming a jazz pianist in her early teens.
Allen graduated from Howard University‘s jazz studies program in 1979. She then continued her studies: with pianist Kenny Barron in New York; and at the University of Pittsburgh, where she completed a master’s degree in ethnomusicology in 1982. After this, she returned to New York.
Allen died on June 27, 2017, two weeks after her 60th birthday, in Philadelphia, Pennsylvania, after suffering from cancer.
more...Armando Anthony “Chick” Corea (June 12, 1941 – February 9, 2021) was an American jazz pianist, composer, bandleader and occasional percussionist.His compositions “Spain“, “500 Miles High“, “La Fiesta”, “Armando’s Rhumba” and “Windows” are widely considered jazz standards. As a member of Miles Davis‘s band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered to have been one of the foremost pianists of the post-John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. As of June 2024, he has won 27 Grammy Awards and was nominated 72 times for the award.
Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi, a commune in the Province of Catanzaro in the Calabria region. His father, a trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, introduced him to the piano at the age of four. Surrounded by jazz, he was influenced at an early age by bebop and musicians such as Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young. He came into possession of a drumset at age 11, and would occasionally play drums for the rest of his career.
Corea developed his piano skills while exploring music on his own. A notable influence was concert pianist Salvatore Sullo, from whom Corea began taking lessons at age eight; Sullo introduced him to classical music, helping spark his interest in musical composition.
more...Marcus Batista Belgrave (June 12, 1936 – May 24, 2015) was an American jazz trumpet player from Detroit, born in Chester, Pennsylvania. He recorded with numerous musicians from the 1950s onwards. Belgrave was inducted into the class of 2017 of the National Rhythm & Blues Hall of Fame in Detroit, Michigan.
Belgrave was tutored by Clifford Brown before joining the Ray Charles touring band. Belgrave later worked with Motown Records, and recorded with Martha Reeves and the Vandellas, The Temptations, The Four Tops, Gunther Schuller, Carl Craig, Max Roach, Ella Fitzgerald, Charles Mingus, Tony Bennett, La Palabra, Sammy Davis Jr., Dizzy Gillespie, Odessa Harris and John Sinclair, plus more recently with his wife Joan Belgrave, among others.
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The colors result from a mixture of objects and processes. Fine dust — illuminated by starlight — produces blue reflection nebulae. Gaseous clouds whose atoms are excited by ultravioletstarlight produce reddish emission nebulae. Backlit dust clouds block starlight and so appear dark. Antares, a red supergiant and one of the brighter stars in the night sky, lights up the yellow-red clouds on the upper right of the featured image. The Rho Ophiuchi star system lies at the center of the blue reflection nebula on the left, while a different reflection nebula, IC 4605, lies just below and right of the image center. These star clouds are even more colorful than humans can see, emitting light across the electromagnetic spectrum.
more...Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time-keeping and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.” He was inducted into the Modern Drummer Hall of Fame in 2013.
Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander’s Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander’s Ragtime Band sessions. Other solo albums include Purdie Good! (1971), Soul Is… Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).
In the mid-1990s he was a member of the 3B’s, with Bross Townsend and Bob Cunningham.
Purdie was born on June 11, 1939, in Elkton, Maryland, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin’s opening act, saxophonist King Curtis and the King Pins. From March 5 to March 7, 1971, he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at Fillmore West (1971) and King Curtis’s Live at Fillmore West (1971). His best known track with Franklin was “Rock Steady”,[13] on which he played what he described as “a funky and low down beat”. Of his time with Franklin he once commented that “backing her was like floating in seventh heaven”.
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Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film.
Born in Port of Spain, Scott moved to New York City with her mother at the age of four. Scott was a child musical prodigy, receiving scholarships to study at the Juilliard School when she was eight. In her teens, she performed at Café Society while still at school. She also performed on the radio.
She was active as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first black American to host her own TV show, The Hazel Scott Show. Her career in the United States faltered after she testified before the House Un-American Activities Committee in 1950 during the era of McCarthyism. Scott subsequently moved to Paris, France, in 1957 and began performing in Europe, not returning to the United States until 1967.
Born in Port of Spain, Trinidad and Tobago, on June 11, 1920, Hazel Dorothy Scott was the only child of R. Thomas Scott, a West African scholar from Liverpool, England, and Alma Long Scott, a classically trained pianist, and music teacher. In 1924, the family moved from Trinidad to the United States and settled in Harlem, New York City. Her parents had separated by this time, and Scott lived with her mother and grandmother.
more...Sheldon “Shelly” Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs.
Sheldon “Shelly” Manne was born June 11, 1920, in Manhattan, New York City, New York. Manne’s father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne’s father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement.
From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known, he recorded with jazz stars like Coleman Hawkins, Charlie Shavers, and Don Byas. He also worked with a number of musicians mainly associated with Duke Ellington, like Johnny Hodges, Harry Carney, Lawrence Brown, and Rex Stewart.
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